Disgaea PC Video Game Review – 63/100

The Disgaea series has been one that has caught my interest from time to time when shifting between games. It’s artstyle is certainly its most distinctive feature at a glance but for someone like myself the real draw of the series was it’s similarities to one of the most shining yet overlooked gems of the Final Fantasy franchise. That being of course, Final Fantasy Tactics. Disgaea however promised more, more levels, more customization, more content, more of absolutely everything. But with more comes the thing which is likely to keep many from trying it, game length. My entire playtime with Disgaea clocked in at 42 hours and I was focusing on only the main story. Taking into account the series rather famous post game content and extra features you could spend double, if not triple the time I spent on it. Disgaea is certainly a game that gives you your money’s worth and if made today perhaps it would have as much ridiculous DLC and collector’s editions as Watchdogs 2 has. Oh yes the days when you could have extra content in a game and not have to fork over a fiver. Anyway for this review I will be covering the Steam PC release of Disgaea opposed of its Playstation 2, DS and PSP counterparts. Now the PC version had a rocky start as on release the port had dozens of problems. Graphical glitches, crashes, frame drops, Lack of resolution settings…honestly it was a bit of a mess. However in recent times the port has been fixed up and as least on my rig it ran with no real problems. Only real problem I encountered was the game crashing if you tried to start it when the monitor was connected via HDMI to a TV but in recent patches that issue has been resolved. To avoid this for Disgaea 2 being released in January of next year they are currently Beta testing it by giving out free copies for testing purposes.(Sadly the submission date to be a Beta tester has passed so I will have to buy it instead) Considering that I think Disgaea 2 should have a much more favorable reception. But well moving on to the review.

Getting into Disgaea I had a feeling I wouldn’t be playing the games for the story and from word on forums apparently this game has the best story of the franchise. If this is the best story the series has to offer I say it’s truly not impressive. It’s not bad but the focus is mostly on humor with some small attempts to tug heartstrings from time to time. It’s a passable JRPG story but not a very memorable one. Part of the reason is that Disgaea holds a kind of anime episodic format which even has the female sidekick narrating next episode previews which are pretty much complete lies endorsing her as the main Heroine. As such the story is divided up into episodes which generally have three to four battles in them a piece. The plot deals with the demon son of the Overlord of the underworld attempting to take his position on the throne while fighting off opposition for the throne. You would think this would be the end goal of the game but halfway through he pretty much achieves this end and instead humans are introduced in the form of three heroes invading hell. These characters are fine though the main gimmick of the guy being a Flash Gordan parody gets tiresome quickly. This wouldn’t be all that bad but the second half of the story almost exclusively focuses on these humans and a war between Netherworld and Earth. Then in the last episode angels take center stage as the final boss. In a sense we have three main story arcs with some small episodic side stories in between. The main theme seems to be about a trainee angel Flonne helping to teach the overlord’s son Laharl to love which yeah is trit and cliche. Best moment of the story really was this angel Trainee being sent down to assassinate Laharl but failing hard because she was too polite and kind. Hearing her say “Hi, it’s a pleasure to meet you. I’m an Assassin.” to Laharl did make me chuckle.

Let us talk about the meat of the game, the gameplay and boy, I knew going into this that this would be a grind heavy game but they really were not kidding. Gameplay in Disgaea plays much like a Fire Emblem game, with a grid like level layout where you direct up to 14 characters to move and attack enemies. It’s fairly light strategy wise as most battles are decided depending on the levels and it really just becomes a matter of using the skill best suited to hitting the most enemies. Out of the 42 hours I spent on this I could be fairly certain on saying that 30 of those hours were spent grinding. In Disgaea you can level up everything, and I do mean everything. Par for the course you can level up characters but use spells and you level those up, use skills and you level those up, you can level up weapon mastery, you can level up weapons, you level up specialists, you can level your weapons and items using item world, you can level up you standing in the dark assembly, you can level up shops if you buy from them and quite frankly anything that can be leveled, will be leveled. I said in my fairy Fencer review that if you have too many systems in place for getting strong, it becomes harder to balance the game for a good challenge and boy does Disgaea suffer from the same problem. Let me be blunt and say in Disgaea you are either underpowered or overpowered with rare times of ever being in between. The biggest challenge you can get can be from how geo panels(Places which grant bonuses to the player/enemy standing on them) which can really give you some painful levels to get through. There is even a level where everywhere is filled with panels that make people invincible so the only way to win is the lead/throw enemies to the one panel that doesn’t have the invincibility effect. I made a particular mistake one time were I accidentally made the entire field of play invincible, hereby making my characters and the enemy impossible to beat. That was certainly a facepalm moment.

The grind is the name of the game but if there is a major failing of Disgaea it’s just how poor a job it does with teaching you it’s systems. The overall interface is fairly clumsy seeing as you can’t actually view how close a character is to a level up or even how much experience they have.(You can see total experience in a separate status window but that doesn’t mention how close to a level up.) Some of the most important options are hidden under it’s awkward menus and the game really only tells you the barest minimum to get through it. Now you are informed that you can finish DIsgaea with minimal knowledge and this is true, but doing so will leave you oblivious to the game’s finer points with its mechanics as well as missing out on features which could make your life a whole lot easier. I find it rather annoying that so much detail was given on the nature of Geo panels and how to cause a chain attack with them when you will most certainly never actually use it. Yet you are given barely any info on how the Dark Assembly works or the nature of Specialists. There is info present with an NPC throwing out answers to how they work but this is akin to learning English by reading a dictionary. Just try reading over these lines several times it just won’t hit home how it all works until you fiddle with it yourself. To figure out how a number of things work I had to jump to the Disgaea wiki just to get my bearings. Even then I only came to realise about Specialists when I reached near the end of the game. Basically you would find weapons have weird names attached to them like Firefighter, teacher, gladiator and for the majority of the game i had no idea what these things even were. Only late into the game did I find out that all these things were essentially code for passive stat bonuses and by using item world you can double these stat bonuses and even move them between weapons.

What makes these so important is that there is a specialist which can double or even triple the amount of exp a character gets from enemies. In a game about grinding, that aspect is critical. Another thing it fails to tell you about is the master and servant system which is briefly mentioned but chances are that you will have no idea how it works. This is likely the best aspect of Disgaea as it gives a ridiculous level of customization to your characters. Here’s how it works, using your characters you can create other characters which are those characters servants. masters and servants don’t really differ all that much except in one aspect. The master can use and learn all the skills of the servant if placed beside them. So as an example, let’s say you have a zombie character whom you want to give healing spells. Well you use the dark assembly to create a priest using that zombie character. You level up the priest gain most of the healing spells and then you place that priest beside your zombie in combat. Then the zombie can use all the healing spells the priest has learned and if the zombie uses a healing spell enough times to level up, that healing spell is permanently added to that zombies skills. Meaning that regardless of whether priest is around or not, that zombie can cast healing spells on anyone. So making use of this system you can have Priests with martial arts abilities, dragons who can cast spells, mages who can use swords. Almost anything is possible and it certainly is fun mixing and matching to give a character the skills you want. The downside is that to power up the character you want, you need to create and level up another character whom you don’t care about. Which is troublesome when you want a mage who can use all types of magic and find that fire, wind, ice and star magic is split up between four characters.

So what’s Item world you may ask? Well in Disgaea each item, be it weapon, armour or usage, can be leveled up to be more powerful. To do this you go to Item world which is similar to a gauntlet of battles. Think of being at the top of a tower with several floors filled with enemies and the only way to progress down a floor is to either kill the enemies on that floor or find the stairs. Thus we have a pretty big source of most of your grinding as well as the most tedious aspect of Disgaea as a whole. Grinding isn’t exactly a praiseworthy aspect of gaming, mainly because it is used as a means to pad out gametime. However depending on how it’s done it doesn’t have to be a unpleasant experience. Keep it speedy and relatively easy with generous pace of reward and grinding can even be a fun aspect of a game. But here is where item world flatters. Item world is slow, time consuming and can be a massive pain at times. Reasons as to why is in part due to the randomly generated terrain of the floors which doesn’t always make the level player friendly. Nothing is unbeatable but it can make some levels that force you to throw characters all about the place just to reach the stairs. There were times I groaned when the game spawned the exit in such an awkward place and put a specialist on a platform to far to throw to or attack. To make matters worse, you cannot leave item world until you at least get ten floors down(Or use a genji’s exit which can only be obtained by going ten floors down in a item.) and it takes at least thirty to forty minutes to get down that far.

If you have the patience of a god you can go down up to hundred floors if you wish to give the item a serious boost in power but I never saw it as worth it. This mode is one of the best ways of powering up your characters but the complete slog of it just made me avoid using it until absolutely necessary. But then let’s talk about something that really bugs me about this game and it’s how you level. Unlike regular RPGs experience isn’t given out evenly among the team when you complete a battle. Instead exp is given to whomever happens to land the last blow to an enemy. This is a big problem for three reasons. For one, leveling up healing units is a massive pain as they have to kill units to gain higher level healing spells. Another is that you end up relying on certain units a lot which makes them a much higher level than the rest of the team. Ultimately the stronger units get all the experience when the weaker units get jack which leads to grinding your weaker units up to an acceptable level as you progress through the game. Lastly you end up using your stronger units to weaken higher level enemies just so your weaker units can land the last blow and it is all too easy to accidently kill the enemy. Personally I would prefer if Disgaea took on a system like Suikoden where experience is divided evenly and allows weaker units to catch up quickly with stronger ones. It’s just one of the things that could make the grind of Disgaea a little less inconvenient.

Disgaea to me is a prototype for a much better game. Within it’s clunky systems and tedious aspects lies the groundwork for a fantastic strategy RPG. I know a lot of this review was essentially me complaining about various parts of it’s systems (I didn’t even get into things throwing enemies into other enemies to double their levels or the mostly useless bonus gauge.) but I did have fun with this game. It’s just that this fun comes with a big if attached to it. I am hesitant to recommend this game as you can have fun with it if you are willing to put up with it’s rough edges. It is my hope that with it’s sequel it could polish up it’s lesser aspects and cut down the tedium of grinding to present an immensely fun experience. From word of mouth it looks like that’s exactly what it’s going to do and certainly am most interested in seeing that. What’s better is that there isn’t any real connection storywise to this game it seems so people can jump into what could be a much more friendly gaming interface. I hope they bring more of the series to PC so I can see this system evolve and potentially produce an excellent title. As for this title alone I say if you are interested I would say to make sure you know what you are getting into and whether you have to patience to deal with it’s blemishes. If you can look past it’s faults you certainly will have something to keep you busy for quite a while.

The House in Fata Morgana Video Game Review – 83/100

Well I promised I would do a review of this visual novel quite a while ago and believe it or not I only just got around to finishing it. If the fellow who requested it is still here then here you go, I kept my word. Anyway it has been a while since my last game review and I have been itching to cover more visual novels on this site. What better way to jump back into the fray than with The house in Fata Morgana made by Novectacle in 2012(2010 if you consider the trail version) but recently localised by Mangagamer and published on Steam on May of this year. Now this game is a strange beast for a Visual novel. Usually a VN has a main protagonist who lives in Japan and has a number of female friends who act as alternate routes and stories depending on who you choose to partner up with. Fata Morgana doesn’t have that and just in case you were thinking it, it’s not an Otome novel either. (AKA, what i just described but with male friends) Instead what we have here is a visual novel set in the west forgoing the usual anime style for a more comic book/gothic portrait style with a story that is akin to anthology of tragedy tales. For those concerned about censorship, there is none here as this game was all ages, meaning it holds no pornographic content. Don’t take that to mean that it isn’t dark or gory because I can assure you that is most certainly not the case. In a world where in the vast majority of cases you primary concern is choosing your first waifu, this game sticks out and very much in a good way. Don’t take it that I consider visual novels to be generally trash, this is more like the anime industry were for very interesting title you have a truckload of terrible fanservice fantasy harem battle anime. Only difference here is that unlike the anime industry, the dozens of visual titles coming out are not all translated, leaving potential greats sitting in the visual novel database unread due to no English translation. As a prime example, Baldr Sky which has held a spot in the top 5 visual novels of all time in VNDB since 2009 is only just now getting an English translation. It honestly pains me when i think of the numerous potential great titles which escape my grasp due to a lack of a translation. But alas let us move on.
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Tokyo Mirage Sessions ♯FE Review – 65/100

The title of this game rather says everything you need to know about my initial reaction, and I’m still all around puzzled at the mixed bag that this turned out to be – it IS just a standard mashup while having a bit of fun with some experimentation, but the game itself is actually a jumble of Persona’s mechanics with some hints of Fire Emblem, Final Fantasy X-2 masked behind a colorful anime-esque fatigue. Originally called “Shin Megami Tensei x Fire Emblem” but changed shortly thereafter to “Tokyo Mirage Sessions,” I decided I’d have an open mind about this before I went into it, without looking for comparisons to the Persona or Fire Emblem aspects of the game, and did actually enjoy the gameplay. But by the end of my second playthrough, it turned out to be a mediocre title that failed to consistently interest me as a standalone title, much less as a fan of both Fire Emblem and Shin Megami Tensei.

The story is entirely original, so it’s not required that you play any of the Shin Megami Tensei or Fire Emblem titles for you to dive into it unless you want to understand certain references. The story begins with our protagonist in some talent agency in Tokyo as he learns how to utilize an energy called Performa and attract beings known as Mirages much like in the Persona series. The rest of the plot is pretty by the books, it has cameos/references to Fire Emblem and Shin Megami Tensei characters to keep you interested in the plot, and in between the unnecessarily text-heavy story are the animated cutscenes by Studio 4C, which are all serviceable except for the poorly integrated CGI during music/dance sequences (which I believe were done by a different studio). Although Japanese pop isn’t really my favorite genre of music, it’s well produced to say the least and the background soundtrack isn’t too generic either, they accompany the combat really well as the fights feel like a performance rather than a traditional RPG battle.
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Legend of Legacy Review – 80/100

Oh Square Enix, this is the kind of avant-garde work you need to do. Developed by Furyu with the people behind SaGa, and written by Masato Kato of Chrono Trigger, I knew I was in for a unique game right from the start. But its gameplay is certainly divisive and for good reason, as this is surprisingly much more out of the box from what you would’ve expected after SaGa. Most prominently, it has a style of story progression that allows you to quite literally go forward however you please – by opening up the world to you through unlocking maps via unstated objectives. Now, I don’t favor open world titles above linear games just for the sake of them being open world, but I do appreciate it when they’re done as well as it is here. I could play through Legend of Legacy as quickly or as slowly as I pleased in whichever order, with the intention being making the player feel like a real adventurer exploring uncharted territory, which it succeeds in spades all the way to the end. So if you’re coming out of Bravely Second rather dissatisfied, Legacy unwinds those linear genre conventions and shares more similarities with A Link to the Past in its range of freedom. Even the individual map’s bosses are more often than not just a part of the scenery as they roam the map aimlessly alongside the other mobs. But in exchange, the game can be brutal when you don’t know how to progress any further after fully exploring an area (while refusing to look at walkthroughs) and scouring the entire map looking for any possible clues. But this is also what adds charm to the game, as the game allows you to sell the maps you complete by exploring more of the wilderness. The more of the map you’ve filled, the more money you can sell them for, and it’s pretty rewarding to earn large sums of money for them. 

Yet on the other hand, it’s worth noting that the turn-based combat is about as traditional as one can get apart from its lack of any level system. There can only be three characters at a time in your party, and in-battle you can utilize the elemental spirits in your environment for various effects like HP regeneration while customizing your stances outside of battle to affect turn order and defense. As a result, building an effective party is critical, yet also entirely up to you, and since there’s only so many roles possible in a 3-person team you’ll have to make sure everyone pulls their weight. Upon a new game, you can choose a protagonist among a huge selection of characters to begin your story with, and choosing the right character from the start makes the confusing lack of narrative that much better. I personally chose Filmia (the awesome frog that’s an obvious throwback) despite his rather one dimensionality in combat, as I found his small quips that much more interesting. In the small town of Initium, you’ll see the characters that you didn’t choose on the starting screen wandering about for you to recruit, and it’s really up to you to make sure everyone stays leveled up. I decided not to change up my starting trio of Filmia, Bianca, and Liber very much, as my play style is always offensive and Filmia is rather bulky anyways. But what makes the turn-based combat a little more interesting is its integration into the exploration mechanic – however much HP your party lost in-battle doesn’t entirely carry over into the next encounter, unless a character went down to 0 in which case they’d be at a fraction of their full HP the next battle. This means that as you go deeper into the wilderness, the less comfortable you are facing stronger enemies – so it encourages you to go back to town every now and again to sleep, restock, and retread. If a battle gets too tough you can always run away to the start of the map.
In any case, the game is extremely tedious if you don’t have interesting members in your party, as you’re going to have to grind in order to raise the level on your attacks and stats. Heaven forbid you start with Meurs or Owen as they’re the blandest characters in the game. As with any of these games that allow you to choose your protagonists, your experience may vary depending on the narrative you develop for your own party. As I like to mention in any of my previous reviews, it’s important for this kind of game to be a good character story over any kind of overarching plot, and most of these characters are interesting enough to keep your interest to the end. In this way it really does remind me of Rune Factory 4. Legend of Legacy is an excellent game to sink hours into if you don’t mind traditional turn based combat and hands off free-roaming. The plot is simple, yet clocks out over 40+ hours. But because of this, all of the characters in your party don’t feel like cutouts and get fleshed out believably, and the buildup gets used well by closing off satisfyingly.  So yeah, it’s not a game that’s going to be very important to Masato Kato’s repertoire or to the 3DS RPG genre, but what it does well, it does well in spades. It does have its weaknesses where it goes too far in its efforts to let you do whatever you want, by sacrificing any sense of a greater purpose to your gameplay, but it works alright without one. To top it off, visually, the game is perfect. You can see influences of the SaGa games where they like to spam the screen with useless objects (like a giant conch, ruins, etc) but also the more subtle things. Each of the characters walk in their own unique way, and the characters move with their own unique poses and styles. This game is nearly a year old and I haven’t seen much buzz about it and it’s truly a shame. While games like Bravely Default continue to earn praise for its “traditional” gameplay, it’s games like Legacy which are the true throwbacks to a time when a game’s story was simply something to be discovered through gameplay.

Storytelling: 7/10 Open ended, it depends what you make of it on your playthrough.
Gameplay: 7/10 Very traditional combat, but a unique story progression system and an interesting cast of party members keep everything from becoming too tedious and stale.
User Interface: 8/10 Convenient quick saves, but otherwise a laughable options menu without even text speed adjustment.
Production values: 10/10 Looks great, and the score is amazing.

Suggestions:

Bravely Default/Second (3DS)

Rune Factory 4 (3DS)

Etrian Odyssey (DS)

Stella Glow Game Review-60/100

I really should be getting Grand Kingdom or waiting for Mirage Sessions. My review of Stella Glow is way past relevancy being nearly 8 months late, but I finally completed this and it wouldn’t hurt to briefly wrap up my thoughts about the game created by the now-defunct Imageepoch. I somehow managed to get through Lord of Magna in little over a week but I couldn’t motivate myself to finish this game after chapter 6. So first, jumping into the game, I admittedly didn’t have too much experience with much of Imageepoch’s previous titles, I only played Luminous Arc 1+2 and thought the gameplay was pretty good (although I’ll always hate the story in these kind of games). Therefore, I expected Stella Glow to be much of the same. In terms of its gameplay, it’s even somewhat over-simplified/dumbed-down since my last Imageepoch game.

To be brief, combat is turn-based spread over a 3D grid ala Luminous Arc, separated by free-times in which your character can buy weapon upgrades, find loot, do odd jobs for money, and interact with party members in order to unlock new support abilities. With combat, the atrocious AI aside, it’s relatively vanilla and doesn’t rock the conventions very much. It’s blasé to say the very least, with an outdated concept of PP-based skills that is actually a regress with its lack of any equivalent to Luminous Arc’s Flash Drives aside from the conducting (which doesn’t do much for strategic depth). There is no more depth beyond these standard attacks and skill-attacks, so what you see is what you get all the way through your 50+ hour game. Moving your team members around a strategically-lacking battle area has never felt more unexciting as a direct result, and makes grinding all the more painful to do. And you’re going to have to do a lot of it.

Compounding the problems to combat are the enemies. The AI in the game utilizes little form of strategy or out-maneuvering. If it has a better shot at greater damage output (such as attacking my characters from behind) it doesn’t do it, and as is the case almost all the time they rush the nearest available frailest unit and zerg-rush them without any semblance for party-cohesion/roles. For example, even when my tank Archibald is quite vulnerable sitting at a low health, enemies still often rush my witch who’s at full HP because the AI simply cannot understand strategy and the benefits of knocking down selective units. The challenge instantly turns to frustration as early game I didn’t even bother using healing units very often, since they have to come close to another party member in order to heal, yet then become vulnerable to long-range enemies’ ridiculous ranges. On the other hand, some skills thankfully offer low-mobility characters like Archibald with long range attacks to attack past 2 squares, which is sorely appreciated for such a slow unit, and it theoretically gives these characters better usage early-game with stronger party cohesion. However, this does not work as well as it should, as you often cannot attack diagonal squares aside from magic skills. For me, that defeats the purpose of trying to give slower units a greater mobility. Yes, Archibald gets better later on in the game, but there is little logic to not allowing long range attacks in general, Archibald or otherwise, to hit diagonal boxes especially when terrain heavily limits your ideal range of movement anyways. Some elements of Fire Emblem would’ve been great here, like diagonal attacks and earlier long range healing skills. Otherwise, everything else about the combat system is solid, such as the satisfying range of roles in your party, and the activities that you can do in between battle times are varied and interesting.

As for story, it’s about a generic protagonist with a mysterious past who has the power to collect witches, in true harem spirit–as is plastered all over the back cover. I’m not going to complain too much about the generic plot as much as I hate it, it’s simply there to provide a backdrop for the challenges that our characters will face after all, and none of the party members felt forced or too out of place. However, any longtime JRPG player will recognize the story going through the motions in a half hearted attempt to try and set these characters beyond their archetypes to no avail, and the writers have every blame for this. In a game like this it’s imperative for it to be a worthy character story, with immersive character conflicts to make up for the lackluster backdrop concerning some generic kingdom under attack by some generic villains. Unfortunately however, by the end, there is very little characterization. Well, apart from “She’s not shy anymore” and “He’s less strict now.”

Lastly, the user interface is clunky and bare bones to put it lightly. Whilst in battle, you cannot access an options menu to adjust your game settings, it is only available outside of that and events. Even then, the options menu is simply pathetic. There are volume sliders, options to turn off combat animation (which is already available in battle), and little else besides it. No options for changing the controls to adjust the inversion, utter disuse of the circle pad, story recaps, turtle paced scenes, and the list goes on. But at least the game looks good for the 3DS and the soundtrack isn’t half-bad, even if the fan service is irksome as hell and never stops, but that point is rather moot with a game like this that lets you know what you’re in for with the cover. Overall, if you haven’t picked this game up yet I’d recommend you give it a try at least, it’s honestly far better than the likes of Lord of Magna.

Storytelling: 5/10 Average fantasy story
Gameplay: 7/10 Limitations aplenty, but otherwise strong system that remains familiar
User Interface: 3/10 Clunky and frustrating
Production values: 9/10 Looks and sounds great for the 3DS

Suggestions:

Fire Emblem Fates

Luminous Arc

Lord of Magna

Odin Sphere Leifthrasir Game Review – 87/100

Oh my. This game was just utterly, utterly incredible when it came out, so despite disliking the usual remasters (ahem, Valkyria Chronicles), I was pretty stoked when I learned I’d be able to play this again on better hardware. It came out really late into the PS2’s lifetime in 2007, so at the time, I like a lot of others thought it should’ve been on the Playstation 3, as Tales of Vesperia had also been transferred to the PS3 despite being developed for the PS2 – and two console generations later, here we are with Leifthrasir.

In case you don’t know what Odin Sphere is about, it’s simply a 2D fairytale action JRPG that puts you into the shoes of 5 characters in individual stories each with their own background and self interest, with nods to well-known fairy tales. We start off with Gwendolyn in the first book, during the great battle against the Ringford Army, when her sister is killed and she herself is defeated but spared by Oswald, the shadow knight. As we move on from her story, through Cornelius, Mercedes, Oswald, and Velvet’s, we see these individual stories slowly come together by the sixth book to create an interesting spin on the “party members banding together to save the world” RPG trope. Here, some main characters are even enemies with each other, and not in the Tales sense where they’re mysteriously hostile at first, only to turn out to being the good guys (ahem, Sheena). No, some straight up try to murder each other out of self-interest no matter how good their intentions are, and I love it because it shows a gray morality usually handled black & white in other fantasy JRPGs. There’s a reason why some aggressive kingdoms act the way they do, and while it’s certainly not insightful or original for that matter, it’s a breath of fresh air. As a result, the climax is very well done, and the ending is just as explosive and does an excellent job of laying the story to rest (so long as you get the seventh book) since characters undergo tangible conflicts. Individually, each story by themselves are pretty standard fairy-tales. However, what made Odin Sphere’s plot just that fun to play through is how interconnected each story is and the subterfuge that goes on back and forth between the main characters, even if it isn’t on a very deep level.

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Lucid9: Inciting Incident Video Game Review – 85/100

It’s not often I pick a game up without prior knowledge. I abhor the act of pre-ordering and at least do a google search on the title to get a general idea of it’s overall quality. Gone are the day you walk into a game store and buy something purely on a whim or the box art. With the internet you can at least get an idea for what you are in for. Lucid9 is one of the few I pick up out of curiosity, partly due to the few steam reviews present were very positive and the fact that it’s a free game. I knew nothing regarding what it was about and my only previous contact with it is a vague recollection on a Fuwanovel blog post. So I thought that it’s been awhile since I played a genuine visual novel and I was itching for something different. This is the first part called inciting Incident of a series of visual novels planned however despite that the story in this is more or less conclusive despite a pretty big cliffhanger for a sequel. At least the mystery for this game is solved with just a few hints of behind the scenes manipulation to be addressed in later chapters. Besides the pretty big turn of events at the stories end you could leave off this one content. Provided you stop before the last scene. But anyway enough baiting, lets us move on to the review.

For the unintroduced, Lucid9 is a visual novel and no, that is not the same thing as an eroge or dating sim. An eroge is like a visual novel but features a stronger focus on pornography. Often you can tell the difference between the two by the game’s title or synopsis. While visual novels do feature hentai content, it’s much lesser than an eroges content. In many new titles it’s getting phased out completely. A dating sim is more of a game where the objective is to raise girls affection for you and improve stats which are normally not present in visual novels. The best way to describe a visual novel is that it is like a choose your own adventure book. You go through a story and are presented choices which can lead the story on a different path. Most of the time the paths are decided by which girl in the narrative you show most interest in and the route you take often has them as the main heroine. Today’s visual novel is an exception to that as their is only one route and the choices you make don’t have much of an impact on the overall narrative. I will also point out that this visual novel doesn’t have any hentai within it’s narrative. The story involves a series of disappearances that are happening at an high class academy which are the work of a serial killer. Our protagonist is a cynical snark mouthed student who attends the school and manages to get caught up in the case. He’s recruited by a private investigator as an assistant and the case begins to affect those around him. Slowly he finds that he has a growing talent for investigation and detective work. Admittedly the murderers aren’t put on full focus here as the story mainly is concerned with the development of the main character and how this helps him get over his own issues to finally put effort into doing something with his life. For a free VN I was surprised at the quality of writing, this author really excels at writing back and forth dialogue though it can make the characters too quipy at times. The story is really carried by the interactions between characters and it does manage to keep things interesting.
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Langrisser Re:Incarnation Tensei video game review- 35/100 (avoid it like the plague)

To preface, I’d call this the poor man’s Fire Emblem if it wasn’t so damn expensive for its quality, not to mention so difficult to find. Here in New York City outside of lower Manhattan, there’s game stores in Brooklyn, Queens, Flatiron, and Newport, to a total count of 12 game stores in a 20 mile radius, and not one location had this cursed game for a while. I certainly did not want to preorder this because the Japanese E-shop rated this game 1/5 stars at one point, and the way in which marketing constantly hit us over the head with the fan service characters did make me not want to buy the game at all. But I just got out of Fire Emblem Fates and finished Bravely Default, so I needed to try this series out for myself. I won’t even bother to structure this review like my Fates review, because it’s just that cynical, shallow, and undeserving of your money. I’m going to compare this game to Fire Emblem a lot, because that’s clearly what it wants me to do by riding on the coat tails of the Fire Emblem hype train.

It’s difficult to play this without thinking about why this was released in the first place.

Immediately upon jumping into the game, I noticed a lack of quality on the production end of things, despite its improvements from the Japanese version of the game. For one, the voices. God, the voices. It follows the Fire Emblem route of dialogue in that the characters say a short phrase followed by a line of text, but the voices still cut in and out inconsistently from time to time – this originally happened on the Japanese version a lot more and it doesn’t seem to have gotten much better in the NA localized version. Speaking of which, there is no sense of pacing, characters pop in and out of dialogue text scenes without even a fade transition and it’s pretty jarring to sit through when you start to say “where the hell did he/she come from?” to yourself. But the NA version is apparently a masterpiece compared to the initial state of the Japanese version last year. Whenever there was a transition from one scene to another, there was apparently an abrupt black screen for a few frames before it cut back into another scene. Those black frames are still there, but now they have fade transitions. Great job, they’ve finally remembered to do the basic minimum: test the game.

Look at this embarrassment. The game would have you believe these are two separate locations, and this happens only a minute apart from each other just minutes into the game.

That was the state of the game back then and it hasn’t gotten much better. It’s to the point where they reuse the same, bland backgrounds with a lazy color adjustment done in Photoshop just a minute after they last used it. You have to wonder if they even knew what they were doing when they were making this Fire Emblem clone or just didn’t care; I’m going with both. On the art department, there’s really nothing outstanding about any of it, it’s by Satoshi Urushihara and Hiroshi Kaieda so I suppose I expected better from them besides bland character designs, over-use of fan service, and the uncomfortable sheer number of half-naked loli characters. It’s not as if other JRPGs don’t have fan service, but once it begins going overboard I can tell that the developers are hoping to cover up the crappy game itself with pretty visuals and pandering fan service.

Lastly, the music is just terrible, it’s a stupid cluster of 10-15 second loops of generic fantasy rpg music, with bland rock music that isn’t rock, and it’s frankly just hilarious that they made a soundtrack CD, as if anyone would ever want to listen to this garbage ever again. Yet I know that with this situation, it’s a desperate attempt to try and attract as much buyers as possible, because they can’t possibly be proud of this soundtrack, very similar to the hole that Lord of Magna was in a few years ago. Yet at least Lord of Magna wasn’t a disaster, and it actually had a decent soundtrack.

The models are just lazy. Look at that puke-green grass.

Now, the gameplay. This is perhaps the most atrocious abomination I’ve ever seen as of late, surprising when all Langrisser has done is attempt to copy Fire Emblem’s combat mechanics. Since they just rushed it out the door in order to release the game at the same time as Fire Emblem Fates in Japan, everything is shallow, irritating, and half-assed. The battlescapes look like they were ripped straight from a 2006 DS game, the UI is awkward, the bottom screen is rarely used at all, and the battle animation scenes (as you can see above) are just utter trash. They didn’t bother to render a proper battle area and we get just a space with some textures and low-res buildings slapped onto it, with 3D sprite characters which were clearly not a stylistic choice – they did it because it would save time and money. Aside from the utterly garbage visuals of the gameplay, combat itself is very similar to Fire Emblem, with a rock-paper-scissor mechanic, except you can control multiple grunt units in addition to the main characters in your party. This sounds interesting, until you see just how boring it is in actual gameplay. There is little to no difference between different types of units, the range of your units is basically the same whether they’re on horseback or motorcycle (yes, an out of place steampunk motorcycle in a traditionally fantasy RPG). I haven’t played any of the original Langrisser titles so while I can’t say whether or not this game is an improvement, it brings nothing interesting to the table. Ultimately, the gameplay isn’t just simply a shallow rip-off. It’s a frustrating, uninteresting, and unbalanced experience that somehow managed to infuriate me within the first ten minutes. I wouldn’t recommend this even with a price drop.

~~K-Off~~

Storytelling: 5/10 – By-the-books-fantasy RPG story.
Gameplay: 2/10 – Unbalanced, clunky, and lazy.
User Interface: 3/10 – Messy, cluttered.
Production values: 4/10 – Decent-yet bland art, terrible music, lazy visuals, and buggy dialogue.

DanganRonpa 2: Goodbye Despair Video Game Review – 90/100

 

There may be those of you who know this series more by its anime adaption instead of it’s video games and if you haven’t watched the anime of this I highly recommend that you don’t watch it. Instead play the games which have been recently ported to Steam. The reason I say this is that due to the decision to make the anime a one cour length it essentially cut down the story into its bare necessities. The anime of Danganronpa is essentially the barest cliff notes of the game and most importantly removes its greatest aspect. For you see when this anime was announced people compared it to the likes of battle royale. Speaking purely mechanically it’s gameplay is actually very similar to Phoenix Wright. But at it’s core is a murder mystery. Hence why watching the anime first is a bad idea as it spoils the answers to the mystery before giving you any chance to speculate. Lucky for myself I played the first DanganRonpa before the anime aired and found it to be an excellent game. It’s sequel to me however is a much better title. If you are into online poker or mobile sports betting, GCB licensed operators are a perfect choice. Visit https://nonukcasinos.uk/category/casino-licencing to read more.

The story begins with our protagonist about to attend Hope academy which is a school dedicated to the best of the best. However upon entering the academy he falls unconscious and finds himself and fifteen other students stuck on an Island with some strange stuffed bunny telling them that to get off the island they all need to get along. Despite how odd it is everyone decides that they might as well enjoy their time on the island. Naturally this peace doesn’t last long as Monokuma appears and once again forces the class to play in a killing game where the person who manages to kill someone and get away with it in a class trial can then leave the Island. The plot is quite similar to it’s predecessor but has a more interesting set of eccentric characters and a deeper mystery regarding the island. From the excitement and enjoyment of playing casino games using this 먹튀 verification, you will easily forget that particular issue that is stressing you and ride in the wave of fun and excitement. With Monomi, Monokuma now has the yang to oppose his Yin as Monomi encourages the group to work together while Monokuma tries to turn them against one another. Though both mascots annoy the hell out the characters. Monokuma is the same as he was before, balancing his silly humor with a level of undertoned malice. I originally wasn’t too fond of his english voice but as I played the game I found it fit quite well. Monomi has an attitude if trying to be cute that gets on the characters nerves and often she’s being put down or reduced to tears despite her optimistic efforts to get people to not fall for Monokuma’s provoking. However both of them are clearly hiding the truth from the students for different reasons. As for the students themselves, at first they seem like one dimensional characters defined by their “Ultimate” talent but the game does allow them to develop though it’s mechanics and how the story turns out.

This game is truly a game to be played by those who have experienced the first though it can be played with no knowledge of the first game. But this is meant to be played after playing the first game as their are plenty of things here which reference the first game. But what I love about this is how this game makes use of your assumptions gained from the first game and uses them to trick you into a certain line of thought. Basically there are point in this story which makes you think it’s rethreading on the story of the first game only to laugh in your face and toss it aside. This is pretty clever writing that knows how to get you thinking in a certain way but I have some pride in that I managed to figure out a good deal of the mysteries it presents. But I never managed to nail everything down. Something usually escaped my notice. The characters this time around I would argue are stronger than the first in that there isn’t someone here I could consider background decoration. The first game had a couple of characters who just were rather bland or had nothing really to contribute to the game. Out of a cast of sixteen characters, everyone here has their interesting points and are a worthy addition to the story. I would say the weakest would be the Ultimate team manager and the mechanic but even they have a part to play. What I think is a true mark of genius though is in how one of these characters is used as a kind of secondary antagonist. I originally didn’t think much of them at first but once they showed their worth they proved to be one of the best characters in the game. I especially love the comparison between them and a character from the first game. You have the choice between Japanese and english voices but l say you can’t lose out either way. I played the english dub and frankly it’s perfect. Some truly outstanding performances, especially when a character goes completely insane.(They are rather insane from the start due to their own eccentricities but when they go insane, they really go full throttle insane.) The soundtrack is very good though tracks are reused from the first game and new versions would have been appreciated. The graphics are strange in that I don’t think DanganRonpa is trying to be visually impressive but rather just trying to have style. For most of the game the world looks like a diorama with cardboard figurines. It’s strange but it doesn’t work well. Either way you aren’t here to see pretty graphics and there are some rather clever effects applied sometimes. Their is a keyboard and mouse support but it is awkward for the menus with still require you to use keys instead of a mouse to navigate it. It works decently and the mouse gives some nice precision but recommend using a controller over it for an optimal experience.

The mechanics of the game truly are very similar to Phoenix Wright. there are six chapters and each chapter takes place in three stages; a free time stage, an investigation stage and a trial stage. The free time stage is a period before the murder which is mainly setting up the murder and seeing how everyone is handling the situation. You can walk around the Island and talk to certain characters to get to know them better. Though time passes as you talk to a character and as you grow closer you get things called “Hope Fragments”. Getting all the hope fragments in your first playthrough is impossible as it requires you to know who is going to get murdered so you can get all their hope fragments before they are taken out of the game. But you do unlock a Island mode that allows you to collect them at your leisure upon completing the game. You also unlock a DanganRonpa IF novel written by Ryohgo Narita. This system is similar to Persona’s social links system but it doesn’t really grant any benefits besides some extra character development and the ability to purchase skills to use in the trials. The skills are rather superficial though and you can get through the trials without them easily. The investigation stage is just that, a murder happens and you must look around for clues. This mainly involves clicking on areas to find evidence and asking characters about the murder. The game pretty much makes it impossible to miss evidence as it suggests you look around again if you happen to have not clicked on something. You cannot proceed to the trial stage until you have gathered all the evidence. The trial stage is where things get really heated up as it acts as a series of mini-games which make use of the evidence you have gathered. The key to it is to find contradictions in what people are saying by using the right evidence that disproves their statement. For example, if the autopsy report states the victim was stabbed and then during the court trial a person claims the victim was shot, you can use the autopsy report to disprove their claim. This is exactly as Phoenix wright worked but their is some differences. In Phoenix wright you could go through a person’s statement at your leisure but in DanganRonpa you are placed in a rail shooter styled game where characters words appear on screen as they say them and you must load your chosen evidence into a gun and fire the words at a highlighted statement to contradict it. This is odd but a satisfying way of landing a hit as you manage to push the trial forward. However sometimes it can be difficult to distern just what piece of evidence the game wants you to put forward even if you have figured out how the murder happened. At times knowing what statements to counter and what evidence to use can be a matter of trial and error.This isn’t the only mini-game in the trial however and this is where I find DanganRonpa falls short. The main mini-game remains the same as the original but the others have been changed for what seems to me just for the sake of differentiation. Most of the games are a nice change of pace but one of them is an absolute chore to get through. That is Hangmans Gambit. This is a minigame that requires you to put together a word like hangman but the process of doing so is slow, needlessly complicated and just a drag to play. I failed the game on my first attempt simply because I didn’t understand how it worked despite it being explained to me. I figured it out on my second try but it didn’t make the game any less tedious as it basically involved you waiting for the game to put the letter you need on screen. You can speed it up by pressing the skip button but the fact is that this is not fun. It’s far more flustrating when you know what word you have to spell out but must wait ever so slowly as you put down the word letter by letter. This minigame outstays it’s welcome and i was tired of it by the end of the first trial.

There is no real way to die as when all your health depletes you get a game over screen before being allowed to retry from the point you died. The only penalty is to a score that only grants you a grade and monocoins. Monocoins can be used to purchase presents which help in the free time period of the game. There are two ways to get presents, one is to buy them from the supermarket and the other is to use a kind of random draw machine at the beach. The beach machine is the much better option as you can continue to put in one coin at a time and get the majority of the presents through random chance. So monocoins quickly become useless but despite their being no penalty for death I am glad it is this way. For the class trails are long affairs that can take up to an hour and a half. If you were sent back to the beginning after every game over it would get very old fast. Besides, I see DanganRonpa more as a visual novel than a genuine game.(You can argue that visual novels are indeed also genuine games but I find the level of interaction to be far too insubstantial to justify the game title. Much in the same way I don’t consider walking simulators games. I likely annoyed some people with that statement but frankly in my book if the gameplay itself is merely a secondary optional priority to the game developer then you aren’t trying to make a game.) The aspect I really love about this game is that you can piece together who committed the murder and how they did it just by looking at the evidence gathered from the investigation stage. I made it a point before each trial to have a long think over who I thought was the murderer and the method they committed it so that I would have a better idea how to use it to break contradictions as well as see just how right my speculation was. The first trial was a real stand out moment as I walked into that thinking I had figured out everything. I breezed through the first rounds and it all looked to be point towards the conclusion I saw coming. And just when I reveled in my own brilliance the game took my deduction and turned it right on it’s head. Almost as if the game knew exactly what I was thinking and threw me off with a red herring. Ultimately while I managed to figure out a number of the details of the murder, I got the murderer completely wrong. I wasn’t even mad, I was impressed and knew this game would really test my deductive capability. It’s rare for me to experience a story such as this as it truly is a story that can only be experienced twice. Once blind and a second time breaking it down. Such is the sad fate of the murder mystery as a large amount of it’s appeal is lost upon revealing the machinations behind the tale. The wacky characters and style are great side dishes of this tale but if you play DanganRonpa then you have got to play it like a detective.

DanganRonpa is a tale featuring the utterly ridiculous with the macabre, all the while telling a series of murder mysteries. It always manages to keep the more fantasy elements of the setting and characters from interfering in the logic of the murders. It’s tongue in cheek approach and self aware nature allow the reader to accept the more silly aspects while still managing to hit hard when time comes to toss aside humor and make things serious. It’s a tale that can only be experienced once but that one time is going to be a memorable one. There is a new anime for DanganRonpa coming soon which is labeled “DanganRonpa 3: The end of Hopes Peak Acadamy”. This is not to be confused with “New DanganRonpa V3: Everyone’s New Semester of Killing” which is the third title in the series and will feature a brand new story with new characters. The anime DanganRonpa 3 will feature a original story which is not an adaption of any work and happens to be under the supervision of the writer of the game series. My hope is that this time as the story can be made for the timeframe that it will not end up a misfire like the previous animated series and showcase this series true strengths. Though with Seiji Kishi in the director’s seat once again that might be an impossibility. Still this anime is planned to cap off any loose threads from the previous two games to allow the new game to start off with a new slate and I am curious to see the world outside of the death games. It also has a bizarre airing plan where it plans to air two episodes at once every week with the two being about separate stories. One a prequel to DanganRonpa 2 and the other a sequel. Truthfully this anime adaptation will likely leave me in despair but if it’s one thing this franchise has taught me, it’s that there’s always hope.

~AidanAK47~

Fire Emblem Fates Video Game Review – 77/100

Now that Revelations has been out for a month and I’ve had a chance to thoroughly replay all three games and virtually explore all of their gameplay elements, I figured now would be the best time to review the latest editions to the Fire Emblem franchise.

As a pretext, I’ve decided to review all three games at the same time in this spoiler free review, because they’re essentially the same games in terms of their core gameplay aspects. I’ll be breaking them down first with respect to their gameplay, then I’ll split my discussion about their stories into a spoiler-free review.

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