



It’s episodes like this that really show how good this series’ soundtrack is. The soundtrack of the first season was of course great, but this one is completely original and doesn’t try to rip it off in the slightest. This time we also have insert songs. Nice touch.
Anyway, this episode is probably going to be hard to buy for the people who were turned off by the new direction that the second season went in: a lot of emphasis is yet again put on whether or not it’s right to kill others. Don’t worry though: Suou doesn’t revert back to her old whiny self. Instead, the goofball’s mother gets killed in front of his eyes, and Suou nearly kills Yin (yeah).
Still, let’s take a look at the concept of death in this series in terms of storytelling. The problem with a lot of series that jump the shark is not the fact that they’re jumping the shark, but instead that they’re just jumping the shark for the sake of jumping the shark: they don’t put enough thought in how to make it work well and it’s indeed just seen as a cheap rip-off.
I believe however that Darker than Black avoided this. The pacing has been quick and varied: no episode looks like the other, and the action-scenes are imaginative, detailed and have a great sense of location, and the story has really been well-crafted so far. The themes of life and death are very new indeed. However, as long as they’re well explored, I’m not going to complain. At first they indeed seemed half-assed, but they’re getting quite a bit of depth at this point, and this episode really shows different sides and views.
Goofball isn’t a contractor, and therefore the loss of his mother forms a sharp contrast with this series habit of “one-hit kill”-attacks. Call this a series that kills off characters too fast, but I actually applaud this series for it: in so many fantasy-series, I keep wondering how the heck characters can stay alive and even survive without any sort of serious scratch after they’re hit by a wave of fire, struck by a very sharp sword, fall in the middle of an explosion, plummet hundreds of meters off a cliff, get hit by lightning, et cetera. I’ve gotten tired from those bad guys with their “well, I could kill you but I don’t feel like it today”-speeches.
In fact, while the themes of life and death are one point, I think that that’s just a part of one of the main themes of this series: contractors versus humans. In this episode, the only ones who acted with morals are the ones who aren’t contractors: goofball (yeah, I forgot his name) and Hei. Suou meanwhile remains a contractor, but you can see that she’s still very young. Contractors can make decisions regardless of their emotions, but Suou remains a typical teenager beyond that: still struggling with her identity.
And yeah, the fanservice returns again. It’s annoying, but in a way I can understand why it’s used. The first season aired in a time of economic prosperity. The second season was produced in the middle of a recession. Sex sells, and I guess that even Bones would run out of money, trying to keep up with these amazingly looking series they’ve been producing.
Of course, this also means that the conclusion is going to be very important for this series. I agree that when it’s simply going down to the message of “thou shalt not kill”, it will be really lame. But at this point, there’s no telling whether this is going to happen or not.
Rating: ** (Excellent)



































