91 Days – 03

Seeing as things didn’t quite go to plan for Avilio last episode, it’s now time for him to prove his innocence to Nero. Avilio is playing his cards right and things would have gone to plan if it wasn’t for the man who lead them to Fango before. He states out of curiosity that he followed Vanno and found both their bodies. Then decided to sell Serpentines body to the police. Personally I doubt it was concern that drove him but rather his own greed as when pressured he did mention that he got too greedy. Chances are he knew what was going down and decided it would be a good chance to make a profit. So todays episode was essentially Avilio tracking down the body in order to show Nero that his story wasn’t made up. Having done that it looks like Nero believes he is in the clear but I think otherwise. Nero may be acting normal on the surface but looking closely he has been showing signs of suspicion about Avilio. I don’t think him taking Avilio with him on his little vacation is because he trusts Avilio but rather him practicing keeping his enemies close.

Fango returns once again to liven things up and I will give him credit in that his character allows him to add a little chaos into the mix. Having him follow Avilio and Nero resulted in a pretty excellent scene with him exchanging hostages. I still think he’s more a loony tunes character than a Mafia underling but that move with him noticing that it was Avilio under the hostage hood and then brushing it off unless he was close enough to pull out a derringer was quite ingenious. His relationship to the Don is interesting as well in that they seem to hold the same opinion on food. However it does feel like Studio Shuka is trying to make him their version of Ladd Russo in places. There is a possibility of him taking over his family and ending up the main antagonist and in regards to that I am not sure on what to think of it. Maybe if he can dial down the crazy he can become a compelling character but otherwise I fear he may steer the show in the wrong direction.

If the title is anything to go by it looks like Avilio’s revenge is going to be a long process and a time skip may be coming soon with this incident escalating into a war between mafia families. Avilio and Nero are leaving before things get too dangerous but it’s possible that when they come back the family will be no more with Nero left to rebuild it. This could create an interesting dynamic between the two as Nero would need Avilio’s intelligence but at the same time Avilio would be taking every opportunity to kill Nero. However chances are that Nero is Avilio’s final target and before him are people Avilio also plans to take out. That look in his eyes as he lights up that cigarette makes me think he’s got some machinations in the works. Though first it looks like the two of them have to deal with a hitman being sent on their trail.

~AidanAK47~

Re:Zero -Starting Life in Another World – 17

While I did enjoy this episode and think that some interesting things have been brought up, I must admit that even my patience is starting to run out. I blame this mostly on the fact that I am watching this weekly instead of binge watching it all as the progression in these episodes has slowed down. This is part of the problem with adapting something which wasn’t tailored to be shown in portions over weekly periods. While I see value in the characterisation and failing of Subaru, at this point his redemption is long overdue. The level of suffering he’s going through has gotten excessive to the point of reaching torture porn status. I am certainly not above the primal pleasure of tragedy, it is something that I was looking forward to after all, but I am not in favor of it when it halts progression. That’s what is missing here as I watch Subaru fumble around and make mistakes.

At the moment Subaru is like a child with a shape puzzle in that the solution is there but instead of stopping to think, he just shoves random shapes in and gets further frustrated when he doesn’t get a result he was after. Of course I don’t think that Subaru should immediately become a perfect being and start making all the right moves as that would defeat the purpose of his downfall here. Subaru’s problem is not something a happy ending can immediately fix and requires time. What I need is for him to start getting on the track that gets him close to solving this, even if for the wrong reasons. Instead of running around in circles I need him to start taking steps in the right direction, so even if he hits another bad end then at least he has made some progress on resolving the matter. If it takes him the entire second cour to start doing this then I can’t say I would look fondly back on this.

This episode be get a big introduction the the White Whale whose powers are quite terrifying. It seems that those who fight the white whale are removed from everyone’s memories and even have their existence completely wiped from the world. What makes this especially terrifying is that the Whale has erased Rem who was practically main heroine at this point and she now no longer exists. The impact of this detail was somewhat removed for me thanks to some youtube commenter spoiling it in an unrelated video so Mister commenter I say you can sincerely go to hell.(Why do people do that, it’s such an ignorant thing to do.) Now I fear that even if Subaru does die and respawns at the apple stand then Rem could still be erased from the world. I would like to believe that such a development would be far too sadistic to include but considering the writers intense desire to make Subaru suffer as much as possible I think it’s a high possibility. Even if that were the case I at least am confident that she wouldn’t be removed from the story completely as the opening hints at a confrontation with the White Whale. Speaking of which one of the most surprising things about this episode was that it had an opening. I actually forgot that this show had those considering their lack of usage, well it’s a good opening and those singers were paid for a reason so why not.

I don’t blame Otto for kicking Subaru out of the carriage as his words wishing for Subaru to die likely echo the fan base’s sentiment at the moment. His words about how he and Subaru were weak are also things Subaru needs to hear. Though I must say that he mentioned something quite interesting in that a Master Swordsman faced the White Whale and died. In this series there are two characters with the title of swordsman. One is Wilhelm and the other is Reinhart. Considering that Reinhart has been considered away on business for a while I have a firm suspicion that he was the one recently killed by the whale. Part of how Subaru fixes all this could do with him helping Reinhart defeat the whale to get him in debt to Subaru. With that he would have the leverage to ask him to defeat the witches cult. There was also the matter of Subaru trying to make a good move of warning Emilia even at the cost of his own life but the curse killed Emilia instead of him.

It’s possible that the curse actually only affect those he tells and the first part is a warning. Or the Curse was being malicious at this moment to let Subaru know that even if he steels himself for death the curse won’t be bypassed so easily. I like the second option as it suggests that this curse isn’t some kind of automatic function but rather someone who is watching Subaru and threatening him. In his case the obvious suspect would be the jealous witch. Her attachment to Subaru may have grow as well seeing as he can now see Betelgeuse’s power when he couldn’t before. I suppose I shall close this post out by saying that it was nice to see Beatrice again and she certainly had a great moment where she refused to kill Subaru. From her words it seems she has gone through a rough time in her life and at least begrudgingly cares about Subaru. Maybe next week some closure is coming, like Betelgeuse getting impaled on one of Pucks icicles for example.

~AidanAK47~

91 Days – 02

At this point I think it’s clear what kind of show we are getting. It’s not Hitman Reborn which essentially uses its mafia inspiration as window dressing for shounen battles. Nor is it Baccano with a silly yet funny atmosphere combining the prohibition setting and supernatural. No, what we have here is the old school classic Mafia drama. A big tip to that this episode had a number of references to the godfather, even the series logo is reminiscence of it. I am actually rather worried about studio Shuka in this regard as this is an anime more for western audiences as I am sure it won’t sell well in Japan. They are likely safe considering they have Natsume to fall back on. I must say though that anime needs shows like this. Too long have we had the high school self insert harem supernatural battle fantasies and I say that it’s shows like this that display what anime can really do. Two episodes in and I feel like I am getting something from anime that I have been aching for a long time. Of course I hold my scepticism as Joker Game certainly betrayed me into thinking it was something is simply wasn’t. However 91 Days is showing great promise and I would like to believe in it.

This episode had great development for Vanno and I really took a liking to him. He’s a booze runner but he doesn’t drink. He seems to be quite religious as he prays before eating but holds no hesitation in killing someone. He’s hot headed but not stupid. And from the looks of things he has a connection to the girl getting married in this episode. I liked the guy in the first episode but this episode cemented him as my favorite character of the show. So I was truly genuinely shocked to see Avilo/Angelo kill him off. I thought Vanno was someone who was going to make it all the way to the end and I actually lament his loss. He was a truly great character, how could you keep Fango alive and yet kill Vanno?! However while I am disappointed in his loss, I truly respect the decision to kill him off. This show went to the lengths to establish his character, give him depth and make him likeable before putting him in the guillotine. Still, we could have had him around for a couple more episodes couldn’t we? Such a shame. Avilo is also a great character as well and I like that the anime is showing him to be intelligent without spelling it out for the audience. It’s also great that he isn’t being shown to plan things out perfectly and can make mistakes. Avilo is a really clever guy who lacks the precognition ability that so called masterminds seem to have, that to me makes him much more human.

Fango is another story. When this anime is fairly grounded in all other aspect, Fango is like a cartoon caricature standing out like a sore thumb. By some miracle he managed to avoid being burned by the molotov cocktail thrown at him last episode and now this episode we see him getting whipped by a dominatrix. Fango is the guy who seems to know he’s being watched, so he acts as crazy as he can when the camera is on him. In a series like Baccano that character was Ladd Russo but he fit the mold of what the series was trying to be. In a world as crazy as Baccano someone like Ladd Russo is expected. In a series like 91 Days, Fango is just too crazy to be taken seriously. Well at this episode’s end we finally see Avilo’s objective as it looks like his target is the very men he’s signing up to work with. Whether those are actually the men who killed his parents is another thing as he was given the details by an anonymous source. Still it should be rather interesting seeing Avilo play the part of ally while taking out people behind the scenes. The mafia family looks to be in a perilous position at the moment and it is possible that Avilo is being manipulated to stir things up and bring its downfall. His story could very well end here as he has stirred up suspicion when he lead Nero to Vanno’s body. I say he will make it out of this alive but Nero is most likely going to keep an eye on him.

~AidanAK47~

Re:Zero -Starting Life in Another World – 16

Looks like the new opening and ending won’t be getting much use in this second cour either, not that I am complaining of course. This week I  wouldn’t be surprised if people were getting sick of Subaru as his actions continue to be erratic and destructive. The ending of the last episode gave hope that Subaru would be driven to make the right moves and strike back at Betelgeuse however while Subaru has got the right idea, he doesn’t have the know how to achieve it. I think it’s important for people to keep in mind one thing. Subaru is not you and you certainly wouldn’t handle this situation any better if you had gone through what he has. I actually find this aspect rather interesting as Subaru is at a simplistic level the kind of character you would normally self insert yourself into. However now he’s going against the viewer’s wishes and it forces us to see him from an outside perspective. I sort of see what the author is trying to achieve here but I must admit that his efforts may go to make Subaru too unlikable which would affect how we view his efforts in episodes to come.

What must be taken into account from now is the key to writing great tragedy. For you see what makes tragedy great is the ratio between hope and despair. The very impact of the events themselves depends on the author building a certain set of expectations and hope before ripping it all apart in front of the viewer. A constant tragedy is a dull boring affair that lets the viewer become desensitised to what’s happening on screen, therefore killing any attachment to the characters. I believe this is what caused Attack on Titan to falter in its later episodes and why I believe a second season won’t be quite as well received as the first. When your story is a constant stream of never ending losses then the viewer loses any hope of the characters winning and it just becomes a matter of when all is lost. This is what Re:Zero needs to avoid at this point in time because there is only so long people will put up with Subaru’s act. What we need right now is some small victories, things which give credence to the idea that maybe, just maybe Subaru could beat the witches cult. It is then when you bring out the tragedy again and smash expectations. Then begin the cycle  again by building up hope. My friends, Tragedy is like Dark Souls, a series of failures building hope towards a dream of magnificent victory.

This episode could be seen as each member of the King’s selection candidates telling off Subaru for being so arrogant. To some they may even seem mean spirited in how they lecture Subaru but it is important to take into account their perspective. A boy who previously talked big in front of everyone is now making claims that the witches cult will attack a village and that he needs their help. All things considered it’s actually rather kind that they gave him the time of day to listen to him ramble on like a madman. Each of the Candidates saw past Subaru and realised his true intentions so simply picking the right moves isn’t going to get Subaru through this. However within each telling off Subaru got was some wise words of advice which if Subaru heeds could lead him to victory. Crush is trying to get Subaru to realise that he is working out of his own selfish intentions and not for the sake of others. Priscilla is showing him that begging will get him nothing and that he needs to prove his worth.(Through that may have been unconsciously as I believe she thought that if she made him beg it would be more entertaining, but only found it disgusting.) Anastasia told him the keys to negotiation and that in order to get what he wants he needs to have something to trade.

In these words are the lessons Subaru needs to learn and it’s really a matter of when he decides to heed their advice. Still despite all of Subaru’s missteps this episode I admit that the idea of evacuating the village before the witches cult attack was a rather clever idea. Pity he forgot about the creature Rem previously warned him about in a previous episode, the white whale. I have some idea’s as to what makes this creature so dangerous as evidenced by the final minutes of the episode but I think I will wait to see if my thought is true. Start thinking Subaru, the wait till sunday is too long just to see you fail yet again.

~AidanAK47~

Re:Zero -Starting Life in Another World – 15

I have a certain belief when it comes to anime and it is that in a great series there is “That” episode. You know the one, the one you will always remember. The one that comes to mind when the series is brought up. Of course depending on personal opinion, that episode can be different for other people. However I think that sometimes in a series, there is one episode that truly hits the hardest. Some examples for me are Madoka’s episode 10, Cowboy bebops final episode or Fate/Zero episode 23. That episode that when the credits roll all you can really say is, wow. This is likely premature of me as we are only over the halfway point but I believe that this is Re:Zero’s, That episode. When this series is brought up in the future I am certain the image that will come to everyone’s mind is that of a decapitated Subaru holding Rem in the snow. The studio might agree on that point as a new Key visual came out on the official site which displays Subaru carrying Rem in the snow. But let me dial back a bit before I am labeled a zealous fanboy.

We finally hit the point where Subaru dies and it’s after finding the corpses of Rem, Ram and the children of the village. The bodies of Beatrix and Roswaal are oddly missing but considering their fighting potential they are likely guarding Emilia and if they are guarding Emilia that means they are dead center of the snowstorm. The room Subaru was about to enter is likely where they hid out and we get a rather unexpected death of Subaru, as he’s frozen to death and shattered. Thus we finally get the first death of the arc and find out where his “save point” is. It looks like it’s in front of the apple salesman again and upon first seeing it I thought Subaru had returned right back to the beginning. However it turns out to be in the middle of the shopping trip he and Rem went on. It also happens to be after Subaru and Emilia’s argument and his foolhardy mistakes at the selection which I am truly grateful for. It could have been so easy for the writer to just undo the mess and put Subaru on top but instead he took the high road and made it that Subaru needs to live with his mistakes and mend his broken relationships. Though he’s not doing that now as he’s gone completely insane and no longer has the mental capacity to deal with things anymore. This is the point where Rem has pretty much won the main heroine title. I don’t care if Emilia is technically the main heroine, Rem’s earned it ten times over by this point. Which is surprising as it wasn’t all that long ago when she caved in Subaru’s skull with a flail.

Subaru has been rendered a unresponsive vegetable at this point and despite not knowing how this suddenly happened, Rem sticks with him. Though she does make an accurate guess in that the witch is likely involved due to the scent of her growing over Subaru. She even fights to the fight to save his life after he’s abducted by the witches cult. That brings me to what I would call the biggest flaw of an otherwise perfect episode, Betelgeuse. Betelgeuse is the main villain of this arc and boy, does he want you to know it. For Subaru’s development he’s perfect as he’s so unredeemable evil and unforgivable that he drives Subaru to fight him. However while in some aspects I like his purpose, I rather dislike his overly cartoonishly exaggerated insanity. He’s trying far too hard to be creepy and unstable that he’s just too hard to take seriously. He bares a heavy resemblance to Gates from Full Metal Panic: The second raid who also had a spastic personality as well as a pendent for killing his own subordinates. This kind of villain suits the needs of the plot but as a character he just comes off as weak. If he can manage to tone down his mood swings I think he has potential in how perceptive he is of others. Particularly he managed to see that Rem had unrequited love for Subaru and more importantly, that Subaru was retreating into insanity.

As the Joker stated in the famous comic and soon to be animated adaption “The Killing Joke” “So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there’s always madness. Madness is the emergency exit…” Subaru tried to take that exit but Betelgeuse wouldn’t let he close the door and that’s the strange thing about this. Betelgeuse did horrible things, brutally killed Rem and left Subaru screaming bloody vengeance but in an odd manner, he “helped” Subaru. Well, help might not be the right word, more he gave Subaru drive and focus. With the next loop Subaru is ready to fight back but the look in his eyes isn’t that of a hero. It’s the eyes of someone out to kill a man called Betelgeuse. Betelgeuse put down some nice hints in his scene, with him labeling himself Sloth and aptly wondering if Subaru was pride. It looks like all the archbishops of this “gospel” are representative of a sin and in the manga Betelgeuse does say that he knows everyone’s face but pride. I must admit however that I am really getting tired of the seven deadly sins being used as symbolism. When Full metal alchemist did it that was cool but lately everything under the sun has been using the seven deadly sins motif. At least change it up a bit. After all, there were originally eight deadly sins. Those original sins had despair instead of envy and the eighth sin was vainglory. Vainglory being the human desire to be seen, appreciated, acknowledged, and accepted. If this writer is very smart it could be possible that Subaru is Vainglory and that suits him to a much greater degree than pride.

What is by far the signature of this episode is the closing credits. Rem limped her way to Subaru and released his chains.(Still questioning how she’s still alive seeing as I was sure Betelgeuse broke her neck.) After she confesses her love and dies in his arms, Subaru carries her all the way to the manor which has been overtaken by a sudden snowstorm. After seeing Ram’s dead body a giant beast comes out of the top of the manor and upon locking eyes with Subaru, freezes and decapitates him. As the credits roll and Subaru is buried under snow and fog, this doesn’t feel like the end of a single episode of a series. If feels like the dramatic end of a movie and is just mesmerising. The music on this point as well is just superb with orchestrated violins. I think it’s fairly safe to say that the beast that froze the manor is Puck due to the ice powers, his tendency of calling Emilia his daughter and looking closely at the silhouette you can see the earring Puck wears clearly. It was previously mentioned at the selection and by Puck himself that he is a very powerful spirit and this is likely his true form revealed after the death of Emilia. His killing of Subaru feels like a mercy killing as he didn’t want him to see Emilia dead. Or it could be possible that he is aware of Subaru’s power to a degree as he has shown elements of a mind reading power. The real question now is what happens after this, when Subaru now is ready to strike back. My guess is Wilhelm will notice the change and play a part. My biggest worry from this point forward is that Re:Zero may have played it’s strongest hand, hit the peak and after this it’s all downhill. It has so far managed to avoid that but truthfully, I am not sure how it can top this.

~AidanAK47~

Re:Zero -Starting Life in Another World – 14

Never have I wished so much for a main character to die and not have it be out of spite. Todays episode shows us what Subaru will likely be fighting to prevent for the rest of the series and it is quite brutal. First let us have a moment of silence for the first Opening and ending. Poor souls never got much use in the end but well enough of that, the new opening hints at plenty of new developments and things to come. The song isn’t all that great but the visuals make up for it, particularly like the ending part with Subaru reaching out to a Emilia being engulfed in dark hands. Our main enemy this time around looks to be the witch cult and damn if they are not intimidating. They have a certain disturbing aura that just makes they unnerving and based on the strange way they showed up in front of Subaru, they don’t seem quite human. What makes the scene most interesting is that the hooded figures bowed to Subaru and left him alive despite killing an entire village. I was already certain of it but it’s clear than Subaru’s power and presence is tied to the Jealous witch and somehow these figures recognise that. Either way the sound work was top notch during this scene and throughout the anime now that I think about it. The unnerving choir notes are the most notable and well used as they do add a layer of mystical malevolence to the scene.

So after the spat with Emilia, Subaru isn’t in the best mood, nor has he come to his senses. I like that he isn’t following the typical pattern of locking himself away from people and curling up in a ball moaning “Woe is me”. He is actively going out of his way to break out of his funk but the problem is that his answer for doing so really isn’t the right one. Subaru as he is right now isn’t particularly likeable but there’s a difference between being unlikable because of poor writing or unsympathetic protagonists, and being unlikable because the protagonist is heading down a path the audience knows won’t do him any good. No one is supposed to agree with Subaru here because it’s clear that his motivations are wrong. It’s funny because if we take only take Subaru’s dialogue without context then in a regular light novel it would be the path to victory. Snapping out of your depression because there only something you can do and brashly running to a battle. In another story Subaru would be celebrated and encouraged. However Re:Zero is not that kind of light novel and it’s clear that Subaru’s problem runs a whole lot deeper. I have sympathy for him, for throughout all of this it’s easy to forget that Subaru is just a teenager and that he has gone through events that would leave a lesser man mentally crippled for life. I say he has more right to go off the rails than a certain Eva unit pilot, that’s for sure.

Subaru is busy convincing himself that only he can help Emilia, that he is the only person on her side and that she needs him. This is very dangerous thinking and I think Subaru needs to come to terms with his limitations. He needs to see Emilia for who she is and stop making her his end all for all problems and if he wants to get out of this he needs to recognise that he needs help from others to do it. Rem is likely the best person to show him that and by god I don’t know how she hasn’t nabbed the main heroine spot yet because in my book she’s earned it more than Emilia. She sticks with him even when she sees he’s making mistakes and even stops him from getting himself killed as she goes to the mansion alone. However that action could cost her as I doubt Subaru’s mental state will allow himself to trust her after being tricked like that. Crusch and Wilhelm seem to hold some sort of respect for Subaru and are actively trying to help him come to terms with things. With Wilhelm it’s easy to see, as he recognises that Subaru has indeed faced death before based on his eyes. Crusch is a bit more of a mystery, maybe she’s a romantic at heart or maybe she sees something in Subaru. Or maybe she’s tired of seeing him depressed, who knows. She does hold a firm set of principles so it could be just a matter of wanting him to look forward and prove himself. But she certainly accidently planted a dark incentive in Subaru’s mind. After all there is something only he can do and he might be thinking of using it as his get out of jail free card. Regardless of intention, I hope Subaru does make use of return by death because Rem just died. I certainly am not in favor is staying in the dead end were the best heroine is dead. After a weak start episode and a flustrating episode this is now when this arc has kicked into gear and I am certainly excited for it. The stakes are higher, the circumstances difficult and enemy unsettling. Subaru’s suffering is of a higher degree but my wait till Sunday will be arduous indeed.

~AidanAK47~

Re:Zero -Starting Life in Another World – 13

When I heard about this arc being hard to watch I readied myself for a number of things. I was prepared to see Subaru die gruesomely, to see him tortured and broken. However while I was ready to see him get destroyed by others; I didn’t expect him to be the architect of his own destruction. This was truly a painful episode to watch with Subaru attempting the brute force his way through story developments like a typical shounen protagonist and it just failing miserably. It wasn’t elegant, nor was it impressive and Subaru came off as outright pathetic in his attempts to make himself seem like a big deal. This is by far Subaru’s lowest point in the series and the visuals certainly show it. The manga tried to give him dignity in that there he was at least given some acknowledgement and looked decent even when getting beaten. Not in the anime, here he looked seedy, graceless and desperate.

Which leads me to rethink something I said in the last episode review of this series, namely that I was worried about Rem becoming irrelevant to the story. Perhaps I was worried about the wrong person and in truth the one whose rapidly becoming irrelevant is Subaru himself and he’s all too aware of it. After the closure of the mansion arc Subaru is in a a brand new run where he has no real idea of how anything will turn out. His usefulness has dropped to zero and his existence in Emilia’s life is no longer necessary. For when you think about it, he has no real reason to be at the King’s selection nor any real reason to be in Emilia’s life. The spotlight is moving away from him and I think Subaru has noticed. That’s what makes this episode a little easier to watch for me, for I see it as Subaru desperately kicking and screaming so that he doesn’t end up left behind.

I will admit that seeing Subaru going through all this is not a pleasant experience and while I appreciate the subversion of the shounen tropes, it’s still somewhat flustrating to see Subaru act like this. What makes this somewhat more frustrating is that Subaru is basically making the moves the viewer likely would. I know if I heard someone start berating the girl I liked by racist assumptions I would call him out on it regardless of where I was. Same goes for Julius as he questioned Subaru’s declaration of being Emilia’s Knight, I too would try to shout him down. Upon being challenged to a duel I would relish any opportunity to hit him. But here Subaru is making all the moves the audience wants but is experiencing the consequences of taking such actions. By declaring himself a knight he publical embarrassed Emilia in front of everyone and by fighting Julius he showed everyone just how much of his words was pure empty talk. I really like that when looking at it from Julius’s perspective all his actions seem logical. Most often to make the hero look better they have his opponent act illogical and unreasonable but here Julius was the more level headed one. He tried to make Subaru see just how he was making Emilia feel and even his challenge was him giving Subaru a chance to show his worth; while preventing him from getting murdered in a back alley for insulting the knights by making him an example. Obviously he isn’t right in every regard, I am fairly certain he got some enjoyment out of beating Subaru to a pulp and his philosophy of might makes right is just wrong. However he isn’t just some one dimensional caricature for Subaru to beat down and show everyone how great and right he is.

On the matter of the king’s selection I find it amusing that none of the candidates is aiming to simply be a good ruler and many are going for a radical and dangerous change. We have Priscilla who basically promises a complete dictatorship. Crusch wishes to rid ties to the dragon and let the people rule the nation which seems like a pretty big deal. Anastasia admitted that she is only after the crown to satisfy her own greed. Felt after being pushed into running as ruler due to Roms interference, declares that she was get rid of the social class hierarchy. Emilia in contrast seems to be the most reasonable one and promises to give equality to all people. Basically each participant has pretty much declared that they are going to do whatever the hell they want when they get the crown so I wonder just how this is planned to be settled.

The defining aspect of this episode is the scene after all of Subaru’s embarrassments where he and Emilia finally have a talk. The talk bordered on the overly melodramatic but hit some big points. Namely that Subaru has placed Emilia on a pedestal so high that he can’t even see her for what she is anymore. Emilia cannot understand just why he holds her so highly and Subaru can’t explain because of the curse. Leaving him rambling like a madman to Emilia about events that just didn’t happen to her. After Subaru lets out his most selfish true feelings; Emilia declares that they go their separate ways leaving Subaru alone. This is probably the most human Emilia has been in the series and he comments such as “I had high hopes for you” cut deeper than a knife. This is a massive turning point in the series but one that has me worried. This is big in regards to Subaru in that once he arrived in this world he made Emilia his center and focused all his efforts for her.

Now he’s lost that and the time has come for him to find a new objective but there lies a problem in this. If Subaru dies then possibly all this will be undone and even though while watching this episode I desperately wanted someone to kill Subaru just to undo the utter cringeworthy displays he put in, I do not want his confrontation with Emilia to be undone. If I am asked about whether this episode was a good or bad episode I say my decisive factor is what comes after this. This could be a great example of Shounen deconstruction if it remains this way and a great cornerstone of Subaru’s development as must pick up the broken relationship pieces caused by his mistakes. But if all this gets swept under the rug and Subaru gets to replay for the perfect end then this episode will leave a particularly bad taste in my mouth.

~AidanAK47~

Joker Game Review – 50/100

When experiencing the wave of new anime each season it can get rather tiresome to notice all the teenagers fighting supernatural forces while gathering a harem through seer luck or similarly tired concepts. So when something like Joker game comes along and takes a road less traveled with it’s story, naturally I am well on board. However the sad thing about entertainment is that even if you try something new, if you don’t succeed it amounts nothing more than a show which had a good idea and a lesson for others to not brand out from their tired concepts. In that regard I truly lament such anime but unlike them I don’t think Joker Game will remain as a lesson for others, for to do so it would have to be memorable. An idea with such promise, a tale about a team of Japanese spies sent out to gather info in the time right before World War II broke out. You could spin quite a tale with that setting but sadly Joker Game settles for a much more simplistic level.

The first problem with the show is it’s episodic format and it truly limits the plot when each episode’s story needs to be resolved in a short time frame. Each episode has a brand new cast and a brand new setting. This essentially prevents the viewer from becoming attached as there is rarely anything consistent to latch on to. But most importantly in episodic shows the show is often held up by the characters and their interactions. However Joker Games protagonists are completely interchangeable with little in defining characteristics. No matter the episode the main character plays the role of the super spy who never fails and in that regard is mainly a plot device. When looking over the story, Joker Game is style over substance and merely a spy power fantasy. The writing lacks the nuance to weave a compelling narrative around international espionage and often resorts to contrived or trite developments in order to make the protagonist look as good as possible. The villains in each episode range from the over the top evil to inconsequential, often any threat they pose is completely undermined by episodes end. The writer holds his protagonists in too high a regard which ultimately makes this a show about the triumphs of several Gary Sue’s and how much better they are than other people. It don’t take long for this aspect to wear on you and through the episodes the victories of the D-agency spies become less compelling and more boringly anticipated.

Through while the writing can reach unrealistically silly levels as the D-agents display skill bordering on the supernatural, you can still find some interest here. The show never truly drops to a level of becoming bad and to some they can come to enjoy the exploits of the spies and their missions. I found three or four episodes to have above average value and the show remains consistently watchable. However it never truly excels and in episodes can become quite boring as you wait for the inevitable cop out win of D-agency. The episodic structure continues right up to the end where the show simply stops instead of ends. The art and animation remain consistently good and the soundtrack is rather catchy and nostalgic of Noir fiction. Joker Game is a show that lacks the high points to be recommended and the low points to be outright hated, it’s middle of the ground which made the score of this series rather appropriate. Joker Game is a series destined to be lost to the ravages of time, soon to be forgotten.

~AidanAK47~

Mayoiga Review – 78/100

Mayoiga has to be one of the most misunderstood shows in recent years.

On a surface, the premise alone has a lot of potential. The idea behind putting 30 people, each of them has very different set of personalities, together in a bus to a mysterious lost village, in order to start over new life is an intriguing concept, because there could be lots of angles to explore, even within its mystery/horror fare. The show could use the setting to explore the internal conflicts between the cast, or the nature of those monsters that drive anyone insane or even dig deep to the mystery behind Mayoiga, or the show can go full cannibalism that was suggested many times in the first episode.

Instead Mayoiga goes off track very early and never looks back and the overall execution certainly stands out, in a very-bad-it’s-good way

Billed as a mystery show, Mayoiga contains many elements that feel like a recipe for disaster: over the top characters, awkward pacing, long and meaningless conversations. In the first 10 minutes of the show for example, literally EVERYONE in the cast got introduced (and that 20 plus characters to remember). The characters have a distinct and overall solid character designs; but most of them are way too over the top to feel like real people. Mitsumune, our main character, for instance, feel really bland and his only traits are unsure about himself and his affection towards Masaki. The conversation drags on, don’t really advance the plot or flesh out the characters. Worst of all, the pacing sucks, sometimes it drags for too long before moves too quickly, for example in the first half of the show, there are few episodes where nothing important happens except the cast arguing. The cast themselves uses their time wisely to talk about how to call rock, paper, scissor the most correct way, arguing over the name of one of the cast who just vanished, or lying asleep in the end without the care of anything else.  The cliffhangers, were presented in almost the end of every episode, just so that the stake returns back to normal in a very next moment.

Thematically, Mayoiga actually has its meaning underlying under the surface. The monsters are revealed to be Nanaki, which are part of each individual’s past psychological trauma, come to life. They are a symbol of all those ugly things that the cast left behind to start over their new life. They are not, as the series progresses, intend to harm the cast, but are a part inside each character, and the show made a point (as in your face as possible) that all of them need to face their own Nanaki (their traumatic past) in order to become a better person. The Nanaki monsters, represented in 3D animation, are both out of place and uneasiness at the same time, which actually fits to the theme very well.  But I have to say, reading this underlying message is a bit too much, as the series itself never attempt to dig deeper into its theme.

Which brings me to the next point, many of the above elements actually WORKED in favors of the show. One thing that Mayoiga truly excels, the one thing that Mayoiga will likely be remembered for years to come, is its ridiculousness. All the ridicuolous, awkward bits are intentional, majority of them are so well-aware that it becomes hilarious. Many of the Nanaki monsters, for instance, are just plain silly in concept, such as a big silicon boob monster (yeah! You read it right!), or a girl seeing a giant Mitsumune because he happens to look like her ex-boyfriend, so instead of seeing her ex she would see Mitsumune who she just met for 2 days. See the absurd sense of logic here? Indeed, most of the cast embrace that ridiculous sense of logic wholeheartedly that it’s actually refreshing to see them keep betraying our expectation. Lovepon would be nothing if not for her “execution” speech, and after a while it’s just feel so welcome to see her running for her life from the monster, still remain in character “We going to be executed!!”. The Driver and his bus also keep appear/ vanish without any explaination is also a good running gag. Other characters, like Mitsumune, Hayato, Koharun, Nanko, actually the whole cast also embrace their one-note traits to a bitter end, put it up to the max that they become so gimmick and fun to watch. The conversations, as I mentioned above, drag on and on; but there is a lot to enjoy there, mainly for their unique train of thoughts and the ridiculous topics they could come up to.

Like I mentioned in my review posts, Mayoiga is a masterclass of using anti-climax not only to twist our expectation out of the usual conventions, but also to reduce any tension whatsoever. Take the revealing about the nature of Nanaki for examples, in a sequence where 4 members of our group witness their own Nanaki, they seem defeated, had nowhere to run but somehow, all of them managed to escape from it, without any injury. In other scene we witness the group decided to tied Masaki up and attempted to stab her, just so that she got ambushed by the bus driver, who drove her away just to beg her to allow him to meet his daughter again. The extensive use of anti-climax might seem uneven, absurd and even laughable at first, but actually these are all intentional so that the show can screw you out of any conventional sense.

But self-aware or not, Mayoiga can’t hide a fact that, in a nutshell, this show is an incoherent mess. In fact, inconsistency is the only consistent trait the show has. Mayoiga always feels like a product of too many minds, too many ideas that crammed all together, that contributes to too many half-baked ideas, and the pacing is all over the place. This seems understandable though, as in the process of making Mayoiga, the director Tsutomu Mizushima (Girls un Panzer, Shirobako, Prison School) encouraged the team to come up with ideas, and Mari Okada responsible for putting everything together. On that note I have to say the ending is surprisingly conclusive. Yes we would never know what happen to the people before the cast arrived, or how the majority of the cast meet their Nanaki (they JUMPED straight from those guys sleeping to they being back to the bus), but all the main questions are addressed and I actually feel kind of satisfied with the ending. This is a show with lots of obvious flaws, but it is also a show that unlike most of our usual anime fare. I have a great time with Mayoiga and ’m happy that I got the chance to cover it.

~SuperMario~

Joker Game – 12

Upon finishing yet another rather uneventful episode of Joker Game, I began to wonder just what this series had planned for its finale. “How best to top off a rather mediocre series such as this?” I thought to myself. However when looking over general consensus over the episode I found out that I seen the finale of Joker game, and this was it. I was truly shocked. Nothing in this episode felt final or conclusive, not even an after credits scene or a simple affirmation that yes, this was indeed the end. In some ways it’s fitting, as Joker Game is a series without an impact so to bow out before anyone notices you are gone is somewhat poetic. However i must wonder why this particular story was chosen as the finale. When compared to other episodes of the series it is a much somber and simple affair. A spy is killed under the watch of a D-agency spy and he must investigate just what happened. Naturally he finds out what happened easily and decides he is unfit to be a D-agency spy. For he actually has human traits worth caring about.

It is rather funny that this was the first Spy to make me somewhat care about him and at least showed some level of humanity. Yet when the episode ends they get rid of him because he is far too human to be a part of the team. It really is a testament to the utter lack of defining traits these boring supermen have that they see any some shred of personality as a weakness. This is the author pretty much saying that because this man was lead astray by his memories of a girl in his past that he was no longer “cool” enough to be a part of the big boys club. Also got to love the casual sexsm of Yuuki stating that the reason the D-agency doesn’t have women is because they are far too temperamental and in less control of their emotions. Considering the time period it’s not all that surprising for Yuuki to think this but considering how much of a super spy he is, I would have thought he was too smart to believe such rubbish

Frankly I don’t have much to say about this. I have long beaten the problems of this show to death and seeing as it just repeated those problems it’s just left me reiterating points like a broken record. There’s really nothing here, a man dies, the spy finds out why he dies from offscreen info and decides he’s not fit to be a spy anymore because he feels love. Only real point of note is when the man of the episode got bent out of shape when the D-agents were reporting to hm. Yuuki pretty much gave him full authority on the mission which is likely because he knew what happened and figured he would let the man be in control of his last mission. With an episodic series like this you could have chosen any episode to be the finale and there are certainly better episodes to end on. Ultimately I think I will have a hard time recalling this series in a year’s time, in fact I still don’t even know anyone’s name. Besides Yuuki. Maybe because he was the only real consistent character in the series.

~AidanAK47~