Boogiepop wa Warawanai (2019) – 04 [VS The Imaginator 1]

It starts with a girl jumping off the building.
I’m always a sucker for this sort of opener (clue in to Lain and Satoshi Kon even though Kon never technically did that for opener), and it feels like a decent start for the next arc to come. It basically repeats the same formula as the first three episodes, albeit more to my likings. The biggest distribution to that is that this episode more coherent than the first arc, while at the same time remains ambiguous. So far, Boogiepop introduces 2 new characters, both of them prove to be significant to this arc.

It starts with a girl jumping off the building, yet she isn’t literally dead. As we soon learn, she is another non-human villain whom Boogiepop is here to destroy her, and whom Boogiepop refers as “The Imaginator”. Who or what exactly she might be is up to the air right now, and the moment she falls down from the building she disappears to thin air. It’s worth noticing that the Imaginator (in the body of Minahoshi Suiko) is voiced by the recognisable Hanazawa Kana, which for me is a strange choice. She is later referred herself as “a future that’s taken form in the present, or a hypothetical possibility given substance”, which basically just pretentiously BS for me. What I do understand is that unlike Manticore in last arc where he eats human to survive, this supernatural being’s motive is unclear and it mighj not be necessary a bad cause. At the moment she seems to progress human’s strength by giving them a push, both mentally and supernaturally.

And her first prey is Asukai, a school counselor who can see what missing in people’s heart in the form of flowers. That makes it two series this season that a character can see the insight of people that naked eyes can’t (the other one is Dororo), and while it’s certainly an interesting concept, visualize people’s heart is a flower is a bit simplifiable for me. Isn’t it a bit too convenient that “this girl’s flower has no root” or “she’s nice but she has no bud” where there’s no deeper attempt is made for how they are the way they are? What I do enjoy though, narratively speaking, is that it becomes clear as we witness Asukai going through his routine that he’s nearly his breaking point. He can see people’s heart but he has no resolve to it. He’s over the edge of his psychological breakdown and all Imaginator does is push him down the rabbit hole. She appears before him in multiple forms, first as a floating being, and then as she possesses girls around him. The deal-breaker event comes when she possesses a drug-addicted ex-student of Asukai, in which her argument is basically “it’s more justifiable to kill them right away rather than let them suffer” before gives him the power. I expect next week we’d see more of him going berserk and how it pulls other main characters into this whole mess. I’d say this episode is much better and leaner than the premiere in terms of setting up the plot and introduces new characters more methodically, and thoroughly.

Yakusoku no Neverland – 02[131045]

Thus the story of the Promised Neverland starts in earnest now that the first episode has revealed it’s book and the nature of the orphanage is revealed. As someone aptly put it, this is like Chicken Run, the anime. It’s quite interesting seeing things from a new perspective now that the curtain has risen as this episode does have a scene which would be heartwarming in other circumstances but turns malevolent once put in context of the new narrative. Such as when a child becomes lost in the woods and Mama goes to search for her, returning with her safely in tow to all the kids welcoming her back. If nothing was revealed last episode this would be a sweet moment but as Norman points out, the action showed deliberate to everyone who knows the truth that Mama can track any of the kids down thanks to tracking devices on them. Though it’s a wonder that even after learning this Emma and Norman don’t seem too concerned over traveling to the wall of the garden often where Mama could look at her watch and figure out what they are up to any moment. But this is under the impression that Mama doesn’t already know which by all accounts doesn’t seem to be the case.

I truly must appreciate just how magnificent an antagonist Mama is for this series and how her particular brand of villainy is a rarity. Mama does not rule through physical force, nor through fear or other typical methods. The endgoal for her is keeping these kids happy in the playpen till it’s time for the slaughter and with that she doesn’t need bars or chains in order to do so. For this woman knows these kids, she is their mother after all for better or worse. That’s what makes her so terrifying. It is a safe bet that the minute she held that bunny at the gate that she knew exactly who left it there. And now her moves all seem calculated to ensure that whatever Emma and Norman plan is sure to fail. That one scene of Mother staring directly at Emma during her one moment of mourning for Connie felt like the first peak past the fake smile to the woman who manipulated and controlled these kids till the moment she lead them to their deaths with them none the wiser. Even the small movement of placing her hand on her neck which could be interpreted as a caring motion or Mama measuring her pulse for signs. Her last move of the episode almost seemed to be generated to crush the kids newfound determination to save all the children as Mama introduces a infant to make matters harder along with a brand new caretaker. If we have an award for best anime antagonist of the year then Mama is going to be a strong contender.

The direction of this series remains excellent as I particularly like the nightmare sequence of the beginning along with the show of Emma afterwards being watched from a swinging pendulum. Though there were these odd shots where the screen would blur and a characters face would be superimposed on screen. I get this was to somewhat emphasize their emotions and facial expression at that moment but the change I find somewhat disconcerting. This episode also has our three main characters truly get together in the mission and I rather like the aspect of freudian theming here with Emma being ID, Ray being Ego and Norman acting as Superego. Otherwise meaning that Emma is the emotional center, Ray is the rational thinker and Norman is the negotiator who generally guides or decides. It makes their approaches to the situation different from each other and how they see things. The mind games are now beginning and it’s looking hopeful that Promised Neverland can keep up the presentation to make this a tense claustrophobic experience. I am just hoping that new black character with the design similar to racist stereotypes doesn’t generate some stupid controversy which will probably make the show more popular but gives me a headache to deal with.

Boogiepop wa Warawanai (2019) – 02/03 (Boogiepop Does Not Laugh 2/3)

Welcome to Boogiepop, one of the hallmark franchise in the history of this medium. The Light Novels itself dated back in 1995 and is still considered as one of the earliest Light Novels ever released and is often credited as starter of the Light novem trend in Japan. The anime adaptation in 2000 remains one of the most disjointed and confusing anime ever made and the Boogiepop franchise has inspired (along with its LN sources) a movie adaptation and its universe is still remain well known to this day. A straight adaptation from its source has been a long way coming and this first 3 episodes in particular closes up what I believe is the first book of the whole franchise. This new anime keeps the tradition of its psychological thriller genre and the 2000 anime’s tradition: it’s disjointed, vignettes and it’s dense with information and multiple narratives that repeated-viewing might require in order to get the most out of the story. It took me two tries in the first two episodes in order to grasp what the hell is going on and remember all the names and faces. Like the 2000 anime version (which I watched, enjoyed but mostly forgot all the details), you can view all these events happened in the story as a piece in a big puzzle and until the puzzle itself is finished that it starts to make sense. While the general reception to this new adaptation has been muted, it’s packed with such layered narrative that I’m willing to take the risk to blog the show and smooth out all the plot threads so that anyone who confused by the episode can have a better grip to what is going on.

So we can start with the main catalyst of this arc, which are Echoes and Manticore. As we soon learn from Naoko Kamikishiro (for the sake of consistency I’ll use surnames for all characters) – in Boogiepop’s most info dump moments that they apparently shared a telepathic link – Echoes is an Alien who was sent to us to judge the human race. He’s fallen into an evil organization (which we know very little of at this point), and from there they create a failed clone of Echoes, Manticore. Unlike the original self who can only repeat what he hears (hence the name), Manticore can talk, eat human flesh and copy the appearance of the person he eats. In one of his attempt, he encounters Masami Saotome, whom offers him to create “slaves” and lures the human to Manticore. This narrative takes a big chunk in episode 2, and the string of disappearances from those girls (why not boys?) cause two other main plot threads, which are 1) Boogiepop comes into the picture by using the body of Touka Miyashita and 2) Kamakishiro meets Echoes one day and informs the eccentric Nagi Kirima to investigate before spirited away herself.

Nagi Kirimi emegers to be one of the real protagonist in the first arc. She’s also one of the most interesting character out there. Always considered herself of eccentric, she learns from Kamishikiro about Manticore, and gets suspended herself so that she can follow around the “slaves” and makes sure if they were Manticore. Kazuko Suema (a girl with glasses) makes a brief entrance when she follows up on Kirimi’s action. As of now I believe Suema, Kirimi and Miyashita are the main players in this whole universe.

Kamikishiro’s encounter with Echoes prove to be one of the important plot points for this arc. She’s an interesting character so it’s a shame that she’s killed off quickly and I still feel like I haven’t spent that much time with her (in fact from what I heard they cut many of her scenes and even an entire character was cut off). Her disappearance though, triggers her younger boyfriend Tanaka and Niitoki the President of the Discipline Committee, tagged along by Saotome, to search for her around school. Episode 3 comes into a climax where Saotome locates Echoes and Kirimi, slits the latter’s throat, and lets Manticore to kill his original self. Echoes “commits suicide” by becoming a pillar of light to transmit himself back to his world. You know the rest of the story so I don’t need to recap it here. Personally, I feel a bit underwhelmed by this sudden ending, but I gotta say it never fails to intrigue me. One of the fun in watching this anime is to make sense of what is going on and how a piece of information fits into the big picture. The story holds up for me so far, so it all depends how the execution gonna be like. While I feel that the characters can be stiff at times, and I’m a tad bit disappointed that the adapatation doesn’t follow the source that faithfully, Boogiepop still delivers many striking moments and so far they keep the mysterious atmosphere right. Just remember, all we see within an episode is always just snapshots of what is happening.

Banana Fish Anime Review – 67/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way back to the 80’s. The Vietnam war has recently come to a close, and Organized Crime is being forced to adapt to new times. Banana Fish takes this story and adapts it for the modern age, with smartphones and the Middle East. It attempts to touch on all these weighty subjects and conflicts, but in the end, can only manage a story about two young men, in over their heads.

Welcome to Banana Fish. Lets jump in.

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Banana Fish – 24 [The Catcher in the Rye]

Hello one and all, and welcome to the Finale of Banana Fish!

Starting off, let me say, I was surprised with the ending. I will keep the spoilers to a minimum above the ‘Read More’ line, but suffice to say Banana Fish successfully tricked me. I loved it. As far as the other 28 minutes of the episode go though… well, its up in the air. First, I want to direct you to this reddit post, which goes very deep into some symbolism and the dichotomy of Banana Fish. I disagree with it in some areas, but still a good read if you care about the series. Second, to get it out of the way now before I start tearing into specifics, I enjoyed this ending. I would say it was a net positive for Banana Fish. With all of its problems in the second half, at the least we got a definitive ending. Something becoming rarer and rarer these days.

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Banana Fish – 23 [For Whom the Bell Tolls]

Welcome one and all penultimate episode of Banana Fish! This week we lose 2 antagonists, Blanca gets a history and Ash asks for help for the first time. Lets go!

Opening, I have to say, a lot happened this week and Banana Fish just nailed it. No part of it felt particularly rushed or cut. Sure, parts came as a surprise, such as Dino’s fate, but that doesn’t mean it didn’t work. If anything, the surprise of who are final villain is made it work even more. I was not expecting the episode to go down how it did. Of course, I am talking about Foxx and Dino, which I will get into deeper in just a moment. Now, I suppose this justifies Foxx’s introduction so late in the series a bit. I still think that compared to say Arthur or Yut, he is a much weaker villain. I wish he had more time to build his character and threat. But for a narrative surprise? Good enough. Now, onto the meat!

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Banana Fish – 22 [As I Lay Dying]

Welcome to what is, to me, a very contentious episode of Banana Fish. This time Blanca gets sentimental, Ash learns Japanese, and Eiji sets Ash on a Warpath through no fault of his own. Let’s dive in!

Overall, this was a good episode. It flipped everything on its head and, assuming Banana Fish doesn’t backpedal on it next week, really committed to it. With what has happened to Max and Eiji this week, it goes without saying that stake’s haven’t been higher than when Shorter was done in. Banana Fish also really slowed itself down pacing wise this week as well. For the past few episodes, we have burned through content at a breakneck pace. Freeing Ash, right into another gun-fight, into being captured again. This episode Banana Fish freed Ash and then gave the characters some much needed downtime. Establishing the final stakes and their relationships. With 2 episodes left, to clean up the series and give us some kind of epilogue with the double length finale, this is a good thing. Now, onto specifics!

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Banana Fish – 20 & 21 [The Unvanquished/The Undefeated]

Hello and welcome to Banana Fish! Apologies for missing last week, but the call of Thanksgiving Turkey could not be denied. This time Eiji fires a gun, Max gets groped, and Ash gets captured. Again. Lets jump in!

To start off, I have to mention it, the elephant in the room, the pacing. My god was the pacing fast. Early on in the series, this was a plus. It never felt like nothing was happening. But the pacing has only increased since then, as we burn through more and more volumes. Episode 20 alone we went from Ballroom Infiltration, to Sewer Chase, to Museum Fight, to prepping a new villain. At the least this should have been split into 2 episodes, so the leads could have time to cooldown between these set pieces. For me, this really hurt these two episodes. Banana Fish was jumping from cut to cut, scene to scene, without any artistry put into it. The tone broke down because of this and became a jumbled mess. Fast is good Banana Fish, but only if you stay in control. And in control, it was not.

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Banana Fish – 19 [Ice Palace]

Another week, another episode of Banana Fish, this time with 100% more depression! This week Ash starts to break, Yut gets what he wants and Eiji steps up to the plate. Lets jump in!

So in general, this week was weird for me pacing wise. Certain sections felt slow while others passed at a blistering pace. This week alone hit multiple plot points and resolved them in the same episode. No doubt this is an effect of the sheet size of Banana Fish’s manga and how much is getting adapted for this series. I enjoy that there isn’t much downtime, something is always happening in Banana Fish. But we have no idea what or how much is getting cut. If anyone has any idea how much is being cut, then please let me know down below. I am very curious how this adaptation is doing on that front. Now though, let’s get into details, cause a lot happened.

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Banana Fish – 18 [Islands in the Stream]

Ah Banana Fish, back in form this week. Ash and Eiji act like a married couple, Blanca show’s everyone whose boss and Yut continues to have no idea what’s going on. Lets jump in!

On a general note Banana Fish is really picking back up. The Gang War/Hospital were easily the weakest part of the series, excluding Arthur’s final fight at least. It just felt like a minor B plot compared to everything else that was going on. And as much as I enjoyed Arthur, an antagonist already setup as weaker than our lead is not compelling. Banana Fish seems to have realized this, because it has replaced Arthur with Blanca. A much more threatening, and charismatic lets be honest here, antagonist. It’s a fantastic move really and I can’t wait to talk about him. Before I jump in to that though, I have one question I want you to think about as you read through this. How many times has Ash been captured now? Because for such a Gary Stu, can do it all, every other arc is a rescue arc. Crazy!

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