Night Head Genesis – 04 – Ark?



The first half of the episode was not very special. It just featured a very long recap of the previous episode, and basically the same thing in the next-episode preview of the previous episode. Naoya still wasn’t doing well, though it wasn’t as disturbing as in the previous episode. He sees the future of the girl, and Shouko explains that he’s having visions of the future. Then, at the beginning of the second half of the episode, we basically see the same vision Naoya had, though this time, in real-tie. Naota and Naoya meanwhile rush to the hotel, in order to save them.

That doesn’t mean, however, that the end of the episode wasn’t awesome. The victim gets dropped off a billboard at a high building, though Naota manages to save her with his power. That’s another thing he can do, apart from destroying things. This takes a huge toll of his brains, though. By seeing this, the woman gets more paranoid by the minute. She’s defeating “them”, though they keep coming back. Then she realizes that both Naota and Naoya aren’t one of “them”. Upon realizing this, her body relaxes. As she stands on a billboard, it makes her lose her balance, and she falls. Naota tries to save her, but he actually fails. She then falls, and dies.

Jiro breaks by seeing this. He claims that she was always running. She was always running from a certain “Ark”, but they kept coming after her. Naoya meanwhile is incredibly happy that the girl managed to get saved. Guards arrive, and the two brothers flee. Back in their car, Naoya is still happy. Naota, meanwhile wonders what “Ark” might be.

Shouko also still remains shrouded in mysteries. Especially her reasons for acting the way she does. What’s her original mission? Did she help Naoya because she conveniently found out that Naoya was tracking a couple of mass-murderers and wanted to safe the final girl as well, or did she plan for this to happen from the beginning?

In the end, Jiro’s reaction after seeing Reiko die was awesome. He’s always been a shy, uncertain guy. Now that his raison d’ĂȘtre is gone, I wonder what he’ll be doing afterwards. The fact that we also saw Reiko fall, and hit the ground was quite shocking as well. Most times when such a thing happens, you don’t see the character hitting the ground. All you see is some kind of high place, along with a big sound. Seeing a character actually hit the ground really proved to be a pleasant surprise.

Ergo Proxy – 16 – The Joys of Living Together



I wonder what I’ve been watching just now…

There seems to be no wind, so the Usagi can’t fly. This means that Real, Vincent and Pino have to wait until the wind comes back. And well… that takes the entire episode… Meanwhile, we get to learn about the life on the Usagi, through Real’s perspective. It was an amusing episode. Okay, it was most definitely strange, but amusing as well.

Real makes good use of her diary in this episode, as half of the episode is told through the things she writes in her diary. She wakes up, while Vincent is still asleep. She brushes her teeth. Later, in the afternoon, Real goes outside with Pino in order to check out the surrounding area. She doesn’t find anything, though. It only confirms that they’ve landed in nowhere.

She also checks up the remaining supplies. Pino, meanwhile, is having fun doing absolutely nothing. In the meantime, Vincent has woken up by Pino, who has been playing with Real’s make-up. ^^; It’s 2000 more miles towards Moscow, which immediately explains why this journey of theirs is taking so long. Real realizes that they’re just wasting time. She has yet to understand any of the mysteries of the Proxies, and especially Vincent. Then the title of the episode appears, and it couldn’t have been more fitting: “busy doing nothing”.

Vincent wakes up, and bangs his head against the ceiling in his enthusiasm. Real is getting quite annoyed by this, as she writes, in big letters, “unacceptable” in her diary. Pino, meanwhile, is copying her, writing it. Still with make-up. Real spends most of her days, observing the actions of Vincent. This involves her, randomly pushing him off the Usagi. ^^; She’s also noticed that he’s left-handed. Later, we see her doing exercises, and get quite pissed when Vincent forgets to close the toilet-seat (since when was that a problem?).

Pino’s playing on her toy-flute, while Real scolds him about this. Later, we see Real play catch with Pino, in order to observe her actions. Pino is having quite some fun ding this. Later, Real attempts to cook. She makes a few sarcastic remarks, and lets the pan of hot water boil over, dropping the noodles she was supposed to cook on the ground and not being happy with the result. Later, she discovers a blemish on her cheek.

While Real prepares dinner, she notices another thing: Pino’s left handed. She confirms this by letting Pino perform certain tasks, and Pino always uses her left hands on this. Quite interesting, if you consider that autoraves originally are ambidextrous. When Pino ends up having to use both of her hands, though, the difference is very hard to spot. ^^;

We then turn to Real, who seems to be looking for something. Vincent helps her. In the end, it appears to be her pen which got lost. While she tries to reach it, she notices a very large and prominent hole in Vincent’s sock, and mentions it. Exercises again. Later, Real’s taking too long in washing her hair, wasting needless water. Vincent tries to say something about it, in vain. Pino, meanwhile, continues reading her book.

Next up. Dinner. Beans. Real then notices quite an annoying hair, Vincent forgot to shave off. This really annoys Real in some way. We then see Pino, playing a popular child’s game: two empty cans, put some strings through to them, step on top of the cans, hold the strings and walk! Later, it seems that Pino and Vincent have been sitting next to each other, staring into oblivion, saying nothing for three whole hours, looking quite happily. Real really doesn’t understand this.

Another dinner. This time, however, there aren’t a lot of beans present. Vincent tries to make it better to add salad dressing, of all things. In a sense, I do not want to know how such a thing tastes. Real, meanwhile admits that Vincents annoys her an awful lot. He’s just too carefree, and the situation they’re in doesn’t really make it better. Next up, exercises again, while Pino reads her book again, on top of Real.

That afternoon, Vincent still sits, staring into oblivion, for no reason at all. Real then notices Vincent’s drawer, and decides to take a small look. Suddenly, she discovers nine pair of brand new socks, stuffed away, and never used. ^^; Later, Real doesn’t like the fact that Vincent forgot to close the seat yet again. A firm kick in a nasty place is the punishment for this.

Later, the blemish doesn’t seem to go away. Real then discovers Vincent’s shaver. Later, Real sees both Pino and Vincent playing the child’s game mentioned earlier. She really doesn’t get it. ^^; Later, Vincent’s cleaning, and he discovers one of the noodles Real dropped earlier when she failed at cooking. Pino, meanwhile, still continues to play with Real’s make-up, and she also lets Vincent have a dose. Real then notices this, Vincent gets scared, bangs his head against the ceiling and messes up some of Real’s make-up tools. Real then leaves. Vincent heads out to apologize to Real, though Real hid herself in a fairly obvious place. Vincent, however, doesn’t see this, and runs into the wasteland, thinking Real went there. Still with make-up on.

The next dinner, Real confronts Vincent with the situation. Vincent really is carefree with the situation. He doesn’t seem to care whether there is wind or not. Real, however, has a good chance to dump her frustrations on him. She tries to force him to speak up when he has something to say, and stop getting indecisive. Though she fails.

Later, Real watches Pino putting on make-up again. Though this time, in mime-style, without the make-up. She’s quite talented in this. Especially when she starts performing some impressively accurate impressions of Real. ^^; Real however, begins to look more pitiful by the minute. The blemish still hasn’t disappeared either. Vincent, meanwhile, is cleaning. Real’s watching him.

The next day, Real awakens again. Then it seems that snow has fallen. She immediately goes back to bed, as she doesn’t want to wake up with such temperatures. Vincent and Pino, meanwhile, are having fun with the snow. Pino tries to get Real to play too, though Real gets stubborn. Then Vincent calls Pino, in order to show her the Aurora, a first see for Pino.

Later, Real wakes up again. She heads outside, and then sees Vincent, yelling at the top of his lungs, throwing various curses at the wind, in the hope of making it return. Real still doesn’t know what he’s doing. Later, Vincent continues with pathetic attempts to make the Usagi move. They’ll never work, of course, but he definitely has fun in the process.

To save energy, the crew switches to candles. We later see Vincent shaving. In the mirror, he sees Real speaking the words “come on”, over and over. Vincent doesn’t know what she’s talking about, but in fact, she’s getting extremely frustrated about that hair that he keeps missing to shave off. That’s just one of the few things annoying the hell out of Real. She’s really at the point of breaking.

We then turn to the next day. (Wait a minute… doesn’t the wind sound when they show a shot outside?) Real lies in her bed again. Pino sits, doing nothing, and staring in front of herself. This time, without an expression at all, surprisingly. Real sees this, and falls in a deep sleep. Real wakes up when Vincent and Pino are cooking some food. She keeps looking more pitiful by the minute.

That evening, Real grabs her chance, by pulling out that annoying hair when Vincent attempts to change candles near her. Quite a suggestive scene, wasn’t it? Later, Real sees the aurora for herself. This actually is what brings her some motivation, to stop seeing things so serious. Vincent, meanwhile, trips while going off the Usagi, and Real almost does the same.

Vincent, meanwhile gets hit by one of Pino’s dangerous snowballs. Real keeps staring to the aurora, and suddenly starts actually screaming at the top of her lungs, throwing the same curses Vincent did. It’s indeed something to at such a moment. It feels good. Pino, meanwhile, keeps throwing snowballs at Vincent, and Vincent gives her the same treatment. When Vincent keeps staring at Real, Pino has had it, and hits him with an extra large snowball. ^^; While chasing Pino, Vincent trips and Real actually laughs! Indeed a healthy thing to do in such a situation.

Then the wind starts blowing, and they can move out. For some reason, Real hadn’t closed her diary, so when the wind comes, all of the pages blow away along with it. The episode ends with the Usagi taking off, and a shot of the cans, used for the child’s game. Apparently, they were left behind.

I can imagine that the creators really had a fun time creating this episode. It really takes quite some creativity to make all of these every-day events happen. They most probably had a lot of fun, thinking of the things for Pino to do, for Vincent to mess up, and for Real to get annoyed at. The result is this quite peculiar episode.

Real’s realistic attitude really isn’t meant for situations like this. When you’re in such a hopeless situation, and you’re used to luxury, and like to see everything objective, you’re going to notice all of the small details which go wrong. At one moment, these details become way too many, and you get more frustrated. Real’s diary indeed was a good. symbol for this. Real wrote all the details she could find in it. Eventually, it became just a way of her to write down her frustrations. You could really see that in that unshaven hair of Vincent. At one time, she drew “BEARD” in huge letters into it. The pages, flying away at the end of the episode are a symbol of Real, letting go of these frustrations. I’m not sure what the symbol of the cans, left behind at the end of the episode are supposed to be, though.

Overall, I don’t think I’ll ever be able to figure out my opinion about this episode. At one side, it’s pointless. At another side, Real opened up. At yet another side, it may have been too much. At yet another side, it did feel complete. Still, one thing I do know about this episode: it was quite funny. Not just Pino, but both Real and Vincent were funny as well in their daily antics.

Ergo Proxy – 15 – Q-QQ-Q!



After seeing this episode, I knew. I totally knew. This anime’s crazy!

Finally, the subs of Ergo Proxy return. I think that the reason for this was a combination of Shinsen’s laziness (they only seem to be actively working on project which are subbed by other people. That’s why they’ve been churning out so many blood+ episodes right after Your-Mom started subbing that series) and the fact that this episode was supposed to be near-impossible to see. After watching the episode, I totally can understand that.

The case is this: we have a Proxy, who likes to kill his victims by using a fully fledged quiz show, complete with autoraves as the audience and he even broadcasts his show. The goal of the quiz is to accumulate 1000000 points, within 30 minutes. If the contestant manages to do this, the host, aka the Proxy, dies. If this goal isn’t reached, the contestant dies. By doing this, the Proxy has already managed to kill 24 other Proxies. It isn’t surprising that he plans to make Vincent as his 25th victim.

The first round: a fixed set of questions about general knowledge. We really get thrown into the episode, without any information about this at all. That only makes the confusion better, with some great effects.
– Question one: Which Philosopher said “Man is a reed, the weakest of nature, but he is a thinking reed”? Honestly, I have no idea what a reed means, but apparently, Pascal was the one who said that. Vincent doesn’t know this either.
– Question two: Which ancient Greek mathematician formulated the theorem that determines the length f the sides of a right triangle. That’s a simple one, Pythagoras. Vincent, however, doesn’t know about this. Things like these make you start wondering about what kind of education Vincent followed in his youth.
– Question three: According to the English author Lytton, “the pen is mightier than” what? Another easy one, and Vincent indeed knows the answer: “Sword”.
– Question four: What is the phenomenon that describes the pitch of a sound becoming higher as the source approaches, and lower as it departs? Another physics question. I’m ashamed to admit that I couldn’t think of Doppler at that moment. Neither did Vincent.
– Question five: At how many degrees centigrade is water’s density the greatest? Of course it’s 4, though again, I couldn’t think of the answer. Vincent also had t wrong.
– Question six is a peculiar one…: Which question is this? The sixth, of course. 😛
– Question seven: Who invited dynamite? The answer is Nobel, of course, though Vincent’s answer is quite funny: “Mr. Dynamite”.
– Question eight: In astronomy, the distance between which two celestial bodies is considered when defining an “astronomical unit”? Apparently, that’s the earth and the sun. I’m ashamed to admit that I didn’t know about it. Vincent also remains silent.
– Question nine is a brilliant one: What is the name of this song? Then the OP rolls.
It’s interesting. All of these questions are just basic knowledge, though this does show that time pressure can be powerful at times.

The introduction. It’s strange for a quiz-show to have one round first, and only after that round giving the explanation. Still, we already knew that this Proxy was rather eccentric. Apparently, the show is named Q-QQ-Q, and the Proxy introduces himself as MCQ. Then the explanation of the game follows, and I was startled a bit when I found out that MCQ would be dying as soon as the 1000000 points were reached. What follows was quite an amusing parody on a lot of different quiz-shows and then Vincent gets introduced to the audience. MCQ has a bit of a slow chat with the shy Vincent. Apparently, Vincent has accumulated 90000 points up till now. This means that, with probably 30000 per question answered correctly, Vincent does know the name of the OP. Quite interesting. ^^ Then, Real and Pino’s whereabouts are revealed. They seem to be in the supporters’ box, otherwise known as an unbreakable glass, soundproof tube. Both look quite pissed. ^^;

The second round: Who is this? We’re looking for a person. Every ten seconds, one hint is dropped. The more hints which are dropped, the less points you get.
– Hint one: He likes to wear black.
– Hint two: He’s got scary eyes.
– Hint three: He looks young. At this point, Vincent gives his first try: Real Mayer. She indeed likes to wear black, she looks young, and she certainly has scary eyes, especially in Vincent’s perspective. But she’s not a he, which means the answer is wrong, and I don’t think that Real liked it too much that Vincent saw her as someone with scary eyes. ^^;
– Hint four: He likes the cold.
– Hint five: He’s shy.
– Hint six: He thinks about Vincent a lot. This severely limits the possibilities. Vincent answers Pino, though that’s wrong again. She likes to dress in a bunny-suit, not black. Pino’s making some funny faces at that moment. ^^
– Hint seven: He’s quiet by nature.
– Hint eight: He’s tearful.
– Hint nine: He may be a two-timer.
– Hint ten: He always wins. This, indeed, has to be Ergo Proxy.
– Hint eleven: He’s naked beneath the blue sky. I’m suspecting that this is some kind of analogy.
– Hint twelve: A silhouette of Vincent, in Proxy-mode.
At the twelfth hint, Vincent also sees that the person is Ergo Proxy, and he answers. Very surprisingly, this episode suddenly turns from a strange filler to an episode dedicated to explain a few things about the background of this show. Vincent’s answer appears to be actually wrong. The right answer is Proxy One. This really is yet another one of Vincent’s aliases.

Round three: Mosaic Quiz. A distorted image is shown, and Vincent has to guess what it is. It seems like some sort of life cells, bearing a suspicious resemblance to the ones we saw in episode seven. Before we get to see the answer, MCQ gives a moment to the sponsors of the show, which appears to be the eye-catch. We never get to know the real answer afterwards, as we switch to Raoul. Apparently, he’s picked up the Proxy’s signal, and now knows exactly where Vincent is at that moment. This brings him back in the story. On the background, we hear Announcer-chan giving an explanation about something, though I don’t get it at all. The “Awakening” seems to have set a plan in motion, in order to attempt to preserve and transmit important data in the event the creator of something dies. In the land this takes place, there isn’t a need for a system to combat the planet’s environment, suggesting that there is some kind of place which isn’t poisoned and polluted like the rest of the world. For some reason, it seems that that’s the cause that the original bodies of some civilizations predecessors couldn’t be replicated so a new generation had to be constructed. Don’t ask me what kind of sense that’s supposed to make… In any case, this new generation was produced in a hurry, though they had nearly the same strength as the originals. In the end they weren’t strong enough for the project’s objectives, however. Still, despite these products being incomplete, he still embraced them. In return, these creations destroyed the world, so the creator failed to save the world that was.

Round four: Triple Chance. It’s the same as Round Three, but now Real and Pino have to guess as well. Real was quite funny when she got the chance to talk to Vincent again. What follows is a small history of the world, starting from the very beginning. Nothing new. Then, the distorted picture gets shown. It’s an unknown picture. Real doesn’t even bother playing along, and Pino pwns everyone once more by drawing a direct replica of the distorted picture. ^^ Vincent also has no idea.

And from this point, things really get interesting. The picture appeared to be a trump card, which was meant as a way for humans to escape the apparently fast-approaching Judgement Day. Apparently, at some point, humanity had gained the technology to migrate away from earth. It was created in a great hurry. The question remains: why was this technology never used? Or are we currently living in a world, abandoned by the humans who went to outer space? A world in which Humans have learned to survive after the Judgement Day? Quite an original setting for a sci-fi series, isn’t it?

Commercials: before the final round stars, a few commercials follow, and the stage for the final round is built up. The Proxy really stays in his role of host, even when the commercials have begun. Real and Pino are asked to leave, and it seems that commercials in the world of Ergo Proxy are exactly the opposite of what they are today: short.

The Final Round: More questions. A list of questions is asked, each correct one worth 30000 points. Vincent has to accumulate 910000 points, in order to win. Especially the first questions are very interesting, as they actually explain some valuable things about the world’s background yet again.
– Question one: What was the most important form of energy in the twenty-first century, formed by the compression of underground methane gas? Quite an impossible question for someone who isn’t into chemistry. The answer is methane hydrate.
– Question two: So, regarding that methane hydrate, a string of explosions in the reserves wiped out what percentage of the earth? It’s quite sudden, but it somehow does explain the current state of the world. At the twenty-first century, methane hydrate was the most important form of energy. This suggests that the substance is quite easily flammable, and that there were a huge amount of tanks, storing it. I’m suspecting that at one point, something went wrong, and one of these storage tanks exploded, causing a chain reaction in which a huge number of other storage tanks to explode as well. This wiped out 85% of the world population (the correct answer), turned the land into a wasteland and put the sky full of poisonous air. Still, there must’ve been a lot of methane hydrate in order to cause such a huge explosion.
– Question three: If you make an acronym out of the name f the plan to save humanity, you come up with double what? Another introduction for the next question. It appears to be Double P as the name of the plan to save humanity from these explosions. Vincent actually gets the answer, by trying things out.
– Question four is where the fun really starts: What is the biggest obstacle to the restoration of the human race? Proxy. Quite interesting. Especially when you compare it with the next question.
– Question five: How many Proxies were released as a result of the Double P, or Proxy Project? The PP was the plan to save humanity, though on the other hand, Proxies also are the biggest obstacle to the restoration of the human race. This definitely means that 300 Proxies (the right answer) were released, in order to stop the explosions, but this plan backfired horrifyingly. This, however, also means that Proxies were made by men. It also means that they were prepared. After all, you can’t just make them as if it’s nothing.
– Question six: What is the heartbeat of commencement? For some reason, it’s the end of the Proxy Project.
– Question seven: Cark Gustav Jung, a famous author on the subjects such as psychology and alchemy, revered which monarch? King of the Dead. I don’t know where this one fits in.
– Question eight: What was mankind’s other plan, which involved the creation of the Cogito virus? Boomerang Project. It’s got the same name as the rocket in the Triple Chance. Why are these two related? In fact, why was the Cogito virus released in the first place? In any case, it’s another plan of the humans which backfired.
Then, the questions stop informing about the background of the world, and show how Vincent keeps getting the answers right. This indeed shows that Vincent is special, even among the 300 other Proxies. There’s no way he’d be able to catch up this much in the final round, when twenty-four other Proxies have died before him. It seems that Ergo really wants to survive, no matter what. We’ve seen this before, though at that time, Vincent’s ability to survive was only compared to humans. Only now, it’s also being compared to the Proxies. I think the reason he’s special is because he’s Proxy One. This gives some clues that he was the first Proxy to be ever created/appear.

What follows is a small note about the Mistake Quiz. In which the audience has to find one mistake in the show. The previous show apparently showed some Koi Nobori, or huge fish flags, at which two scales missing. I have no idea where that came from, but ah well. I wonder if we’ll ever learn this week’s Mistake.

Then, MCQ says a final goodbye, in an interesting speech. Quite touching and original. Overall, I think this was a great episode. Not the best that Ergo Proxy has showed us, but it was definitely entertaining. I’m really loving these original methods the Proxies have for killing each other. Another thing I loved about the past two episodes was that you just get thrown into the scene, without knowing anything. And then at one point, you realize what’s going on.

xxxHolic – 18 – Spirits Have Interesting Rituals



Haha! This was yet another great example of a good xxxHolic episode. The theme of the episode once again was fascinating, the Vestal Sprite was very cute once more, but especially Watanuki was very interesting again. And funny. ^_^

This episode is about the Demon Parade, or the Hyakkiyakou. It’s a gathering of spirits, which happens once a year. This episode, xxxHolic gives its own version of the Hyakkiyakou. Yuuko seems to be a frequent visitor of this event, though now she lets Watanuki go instead. During the parade, each of the guests present has to carry a Demon Lantern, otherwise known as some flower from some tree which looks suspiciously like a paper lantern. The parade then goes to a huge, talking tree, which will provide nectar to every lantern. It seems that Yuuko loves this nectar. ^^

When Watanuki and Domeki arrive at the parade, it seems that none of the spirits has any bad intentions, as Watanuki doesn’t feel sick or nauseous. Only when Watanuki accidentally lets go of the lantern, the demons immediately notice him. It seems that humans in the spirit world are a big taboo, and the demons get extremely worried. They then decide to eat him.

I liked how this episode enjoyed to toy with predictability. The vestal sprites helped Watanuki escape by offering one of their flying boards, so the Vestal Sprite herself had to be near. When Watanuki falls from the sky, it’s indeed obvious that she’d save him, like she did before. She indeed wants to help Watanuki and Domeki escape, though when she grabs his hand, she gets scared, causing Watanuki to fall. After all, she’s extremely shy, and she’s in love with Watanuki. When he touches her hand like that, she’s bound to have such a reaction.

In any case, Keith and his gang get to be the ones to break Watanuki’s and Domeki (who fell along with him)’s fall, though in a very unorthodox way. The other spirits, however, still are after Watanuki. You’d expect that the Vestal Sprite would talk them out of it. She tries, indeed, though she’s way too shy to make any impression. The saviour also doesn’t get to be the Rain Sprite. It’s the child fox from episode four. He shows the monster the Haja arrow. This only shows how important such an item must be.

When they return, Yuuko seems to have waited for them. She then reveals that she loves drinking that nectar. She also tells Watanuki that there isn’t any alcohol, though I doubt that that’s true, as Watanuki seems to be getting drunk after he drinks it. It also seems that he’s very easy to get drunk, and he quickly sleeps in. Then, Domeki brings up something he’s been wondering: why did Yuuko meet up with the two of them once they returned? After all, Watanuki and Domeki’d just go to the shop and deliver the nectar to Yuuko. It seems that Domeki doesn’t need to enter the shop. Only people who have a need to enter the shop may enter it, and Domeki would disrupt this balance. Still, this is weird. I could have sworn that I saw Domeki at the shop numerous of times. At the end of the movie, for example.

On a side-note… am I the only one who noticed the magic rod from Sakura, from Card Captor Sakura between Yuuko’s stuff? It makes you wonder why Sakura needed to pay her a visit. In any case, it was very funny to see Akari and Yuuko have a pleasant conversation, right on top of Watanuki. He had more of these funny moments like this in the episode. ^_^

I also think that I’m beginning to understand how Yuuko’s planning to cure Watanuki: by making him well-known in the spirit-world. Akari already said that many spirits have heard of him. This episode only made him more famous. I think something’s bound to happen when enough spirits know/acknowledge him. I’m also getting more and more interested about Maru and Moro. They’re bodies without souls, though they still helped Mokona write the letter.

Ayatsuri Sakon – 08 – Sakon Really is a Different Person Without Ukon



I’m going to blog this arc a bit more systematic than I did with the previous ones. After all, this show deserves some kind of character analysis. This is an interesting arc, in which Sakon actually is without Ukon. To make things even better, Ukon’s actually missing, with a possibility of being in the fire. Of course, we know he isn’t really gone, as it would make for a bit of a crappy second half of the series, but still.

Sakon still remains the main character in this anime, but, like I said, this time, it’s with a few twists: he’s without Ukon, and he has personal interest in the murder. The first is the most interesting, as Sakon’s suddenly lost all of the confidence and level-headedness he used to have in the previous two arcs. He’s turned unsure, he doesn’t know when to speak and when to keep silent, he’s become inpatient, and you can actually read emotions off his face. Something he was quite cleverly hiding in the previous two arcs. This also is shown when Hayami’s building caught fire. If this would have been a normal case, he would have attempted to calm everyone, ask the elder about Ukon and then start to search for him. But because the bond between the two is too big, all he can do is sit in a corner in foetus-pose.

Ukon either was hidden in Hayami’s building, in a place the fire couldn’t reach, or he’s somewhere in the main building. The fact remains that nobody talked about his location, even when Sakon asked. This means that something must have happened, and that there are more things going on than the ones we got to see during this episode. I’m also starting to thing that the guy really has a soul, despite being a puppet. When Sakon was performing with him, at the beginning of the episode, he moved very slowly, almost unnatural, though then he actually felt pain when some of his parts weren’t connected smoothly. Then he fell out of his role and became the old Ukon again, acting very natural. It’s no wonder that Sakon has been considering him as a very good friend. I’m so much reminded of the persocon-dilemma.

Sayoko plays the role the woman played in the first arc, and the police officer played in the second arc: supporting character. (Another reason I’m doing these character analysises, it gives me a good overview of the different characters, and their names. The previous arcs learned me that the names of the different characters are impossible to remember, unless you write them down somehow) It’s interesting to see how the relationship between Sakon and the supporting character keep changing with every arc. In the first arc, he protected the woman. In the second arc, he helped the police officer with her investigations. In the third arc, Sayoko helps Sakon, and actually tries to comfort him. She’s quite a strong girl, having lost her parents at a young age and all that. So far, I like her character, though we know that she’ll be surviving in the end. Ah well. You can’t have everything.

Hayami is the first victim. He dies because someone let all of the gas escape from a small camping-cooking-thingy (how did you call those again?). All Hayami had to do is light a lighter, attempting to smoke a cigaret, and the building catches fire. I don’t think he would’ve survived that treatment. Hayami is a master in puppet-making, though he thinks too high of himself. Add that to the fact that he likes getting drunk, and that this he starts insulting people very easily when drunk, and you can come to the conclusion that he’s made lots of enemies. One of these enemies probably let the chamber get filled with gas. He also was the one who fixed Ukon up, so Sakon immediately believes that Ukon was in the building as well, as it set aflame.

Main suspect #1 is Kishikawa. He also makes puppets, but he’s far from as skilled as Hayami. Hayami, in his turn, likes to brag in front of Kishikawa about his achievements, and Kishikawa himself has a very short temper. Naturally, Kishikawa’s come to hate Hayami because of this. One explanation for the murder could be that Kishikawa couldn’t take the pressure anymore, let his anger go out of control and thought of a way to kill the guy, which in the end succeeded. Still, I don’t think that that’s what happened. If he were to kill because of that reason, if he really let his anger get out of control, he would rather grab a pointy object and stab the guy to death. Also, when he realized that Hayami was dead, he didn’t give the reaction you would expect from a killer. It was rather an event which conveniently removed a major pest from his life.

Main suspect #2 is Yoshida. He’s in love with a woman named Keiko. Keiko, however, seems to be in love with Hayami, and thinks Yoshida as some kind of freak. Hence the dilemma. He’s so much in love with her that he’s become obsessed with her. He could have thought that if Hayami would be dead, he would be able to win Keiko over him. obsessed people are able to do strange things. He also had a suspicious smile on his face when he saw Keiko’s reaction when she found out about Hayami’s death. Still, I don’t think he did it. Simply because it’s too damn obvious. I know that the creators aren’t that stupid to drop the most important clue right at the beginning of the arc. He does play a role, though. But he’s not the one who did it.

Keiko’s reasons for loving Hayami remain unknown. She seems like the servant of the puppet-makers, so she would have a lot of contact with both Hayami and Yoshida, so perhaps something in the past happened to make the two of them being attracted to each other. In any case, she was devastated when she saw Hayami killed. Yoshida and Kishikawa didn’t really help to comfort her.

Aoki is the guy who has his head wrapped up in bandages. Either he has a strange sense of fashon, or he got in a nasty accident a while ago. In any case, we don’t see too much of him, though he does get to be the host for the guests who arrive at their house, and he seems to have a strong sense of honor, when he tried to prevent Kishikawa from getting out of control in front of a guest at all cost. Overall, he seems like a nice guy, which makes me think that he actually was the one who did it. I hope that Ayatsuri Sakon isn’t beginning to get formulaic.

I’m suspecting that the old guy is Fukami, though it’s never directly said. In any case, he’s an old master of puppet craftsmanship, and he’s the head of the mansion. He seems like a nice old guy, but the fact that he never said anything about Ukon’s location disturbs me. When Sakon arrived, wouldn’t the first thing be to hand him the puppet, instead of having a small chat. Even after Sakon asks what happened to him?

Ririsu, while I doubt that she has anything to do with the murder, you can’t be too careful these days. She’s a cat Sayoko picked up from somewhere, and she seems to like to run away towards adventures. I’m suspecting that she proved quite the support for Sayoko regarding her parents.

Overall, it was a nice first episode. This arc definitely seems intriguing. Especially Sayoko comforting Sakon at the end of the episode was too cute.

Ayatsuri Sakon – 07 – A Mother’s Love Goes Deep



Okay. Why did I ever decide to drop this show?! It’s awesome!

For the ones who see this show for the first time, this show is a typical murder mystery anime, carried out perfectly. The main character, Sakon, is an interesting case: he’s a puppetteer, and he always carries his favourite puppet, Ukon along with him. The awesome thing is that Sakon himself is a quiet, serious young man. Ukon, however, has a complete opposite personality. He’s impulsive, talkative and rather innocent.

The best thing about this anime is the fact that Sakon’s very good at solving murders, especially the really gruesome ones. he really shows this during the episode. It probably was one of the best episodes of Ayatsuri Sakon yet. In the end, it turned out to be a beautiful tale of a mother’s love to her daughter, and therefore taking the wrong pathway in order to protect her. So sad.

In any case, if you’re a fan of mystery-series, I seriously recommend you to check this anime out. I really have no idea why I stopped watching this show.

Night Head Genesis – 03 – Space Gives Answers. Literally



For the ones who haven’t seen this episode yet, I’ll just give a small warning: Night Head Genesis is one disturbing anime! You could say that it’s the Higurashi of the Summer-season. People really are driven mad during some of the scenes. Especially the fact that we’re only at episode three of 24/26 shows that there’ll most probably be a lot scenes to follow, which will be even more disturbing than the things we’re shown here.

Heh, I’m beginning to like this show more and more. Remember the vision Naoya had about the woman in red? Where she was strangling that woman? Well, it appears that she’s a serial killer. That totally explains her behaviour from the previous episode. She and her companion were hungry and looked for something to eat. A bar in the middle of nowhere was perfect for this, in order to keep the amount of suspicion as low as possible. This plan, however, backfired once Naota and Naoya dropped by. Once she heard about Naoya’s ability, she wanted to leave as soon as possible. She grabbed her chance after Naota went out of control, though she carelessly pushed him aside, which was enough to trigger Naoya’s visions.

The thing is, that both Naoya as the woman are still being haunted by these visions. The heavier the images are, the bigger the size of the impact is they make on Naoya. Naoya gets plagued by the visions of the woman violently struggling five different women with purple clothes, while the woman keeps seeing eyes everywhere, in combination with the fact that her mind became unstable once she touched Naoya. I think that that’s a nasty side-effect of his powers.

Naoya does realize, however, her motives: she’s crazy. For some reason, she considers every woman in a purple dress as her enemy. And enemies in her eyes have to be killed immediately. It’s not yet clear how she came to think of this. Bad youth? Dumped by a guy for a girl in a purple dress? Blackmail? Her male companion also is an interesting case. He’s in love with the woman, and even though he knows what she’s doing, he’s so blinded by his love that he’ll help her in anything. It’s strange if you realize what a person is willing to do for his loved one.

Naota investigates a bit, and notices that only four victims have been found. The fifth one has yet to be discovered. However, the woman never made any effort in hiding her victims. It’s as if she wanted the victims to be found. If that’s the case, wouldn’t it be strange that this fifth body hasn’t been found by anybody? The preview for the next episode had the answer, surprisingly. *note to self: the previews of Night Head Genesis are not afraid to display spoilers. Skip them.* In any case, Naoya also has the ability to see in the future. The fifth woman he saw being killed has yet to be killed. That’s why her body hasn’t been found yet, as it it’s still alive at that time. Not aware of the things (ropes, in this case) to come in the future.

Meanwhile, we learn where Shouko has ran off to: space. It seems that from there, she’s able to see everything. I think that you can compare her power a lot with Naoya. Still, the differences remain. While Naoya needs to touch people in order to get information, she needs to be in space in order to make her powers work. Shouko also has the abilities to see events, while Naoya can see thoughts. It’s not yet clear whether Shouko can read people’s minds as well, but both of them have the ability of foresight. ShoukoÂŽs goals, however, aren’t clear yet. Also, does she work alone, or does she have superiors?

We also get a bit more info about Elder Misaki. It seems that Naota and Naoya never knew that he was the one who created the barrier. This explains why they haven’t tried to kill him. Though I wonder why Naoya wasn’t able to just… read his mind and find out that he created the barrier. Or the guy had some special skills which enabled him to forget any memory he has, including the fact that he was the one who created the barrier. We also see some shots of him at his death bed. It seems that the last thing he did was point at the sky (Shouko?).

This series’ art actually surprised me. During the first episode, even though the music was awesome, the art looked really low-budget. Though in the second episode, the art only showed flaws when Naota went out of control. And now with the third episode, the art looks even better. It’s strange. You would expect that the creators would try to make a good impression with the first episode, concerning the art style. They of course did, but the low-budgetty art-style could have turned some people off.

In any case, I liked this episode. So far, the first episode has definitely been the best one in Night Head Genesis, though it’s not very easy to make an episode better than that one. Still, I do love the themes of this anime. And for some reason, this anime reminds me of two other ones: Higurashi no Naku Koro ni and Jigoku Shoujo. Could that be some sort of sign?

xxxHolic – 17 – Give Someone Some Fake Glasses and They Can Overcome Anything



Oh my… this surely was a unique episode. And I mean that in a good way. I’ve honestly never seen an episode in which so much emphasis was put in just characters talking. 85% of the episode contains just Yuuko and Watanuki, talking about the case of the episode. 10% of the time is spent showing the woman while during the last 5%, Watanuki has to buy a couple of fake glasses. No Doumeki, no Himawari. Heck even no Mokona, Maru and Moro. Is it also me, or did the 85%-part of the episode feature no background music at all?

I really am left utterly silent because of this episode. Clearly, this manga chapter was taken in order to save a little budget, but the results turned out pretty awesome because of it. The woman in this episode has tendency to deliberately do all kinds of things which aren’t in her best interest. Things like pressing fire alarms, deliberately failing her tests, throwing a cup of coffee at Yuuko and even getting hit by a moped.

It’s easy to think that the woman’s got a problem, though Yuuko explains that she actually was busy balancing her life. For every good thing which happened to her, she’d compensate with something which wouldn’t be so good for her. But she’d never do something which would ruin her life, and the aftereffects of her actions all were only bad in short terms. She would easily be able to recover from all of them. After all, pressing fire alarms would get her in detention and she’d get yelled at. If she fails her tests at one school, she can just try another. Yuuko can get pretty angry if someone threw a cup of coffee over her, though it’s just someone she’d never see again, and Yuuko would quite probably forgive her for it. And fractures, indeed, heal.

The interesting thing was that there was also no spirit involved at all. Everything was going on in her mind. The question, however, remains whether she liked her habit or not. After all, everyone of us has some kind of strange habit. Some of them we like, some of them we don’t mind, and some of them we hate. The woman clearly was unconciously in the middle-category, but she did ask Yuuko to cure her. I think that Watanuki made her see that the things she’s doing aren’t very healthy, and that she’d indeed better stop. You can compare this with smokers and drinkers.

Yuuko uses the good old placebo-effect in order to cure her. In case you don’t know what this means: give a sick person a worthless item, tell him it’ll cure him and 10 to 1 that he’ll feel better afterwards. It’s very strange, but interestingly enough, it does work somehow. It also does in this case. Because the woman thinks that the glasses help, she tries to lose her habit. We don’t see how it’ll turn out, though the does manage to surpress the need to get hit by a car.

Yuuko also definately was interesting during this episode. After all, there had to be a reason for her to know that the fake glasses would be useful. The fact that she ordered Watanuki to buy some must mean that she knew or anticipated that someone with a problem which could be cured with the placebo-effect would come to her. Or was there more to it? Was her reason to put this order all the way in a locker near a train station just to tease Watanuki (which worked perfectly, by the way) or was it some method of aquiring things you need before you even know you need them? Or maybe it’s just me, thinking too much.

Overall, now that I think back, this was an awesome episode of xxxHolic. Some may find it boring, though I loved the fact that the episode just consisted of people talking. xxxHolic sure does know how to bring a bit of variety in its episodes.

I’ve got just one problem with xxxHolic. It’s a great series, but why does every victim have to be a woman? Seriously, apart from Watanuki, Domeki, the foxes and the guys who dated the woman back in episode 9, every single one of the appearing characters has been female. Was this also the case in the manga? Or did the creators of this anime decide to leave out every manga arc dealing with a male as victim?

Memorable Moment: Watanuki, finding out about Yuuko’s order.

Night Head Genesis – 02 – Interesting New Show



I decided to wait till the second episode before determining to blog this or not. I just saw the second, and I’m really enthusiastic about this show. The first episode will come as soon as two other anime get their first episode subbed. I’m looking at you, Angelique and Flag!

I do admit, though that the previous episode was better than this one. In just one episode, it made me feel huge sympathy for two young boys, which does not happen that often. The fact that fifteen years passed also added up to this, as I’m a major fan of time-leaps. At least, if they’re carried out well. *coughJyuuOhSeicough* The music also didn’t play through the entire episode. This is a shame, as it’s one of the most-fitting soundtracks I’ve heard in a while, except for Noein, perhaps.

Still, that doesn’t mean that I didn’t love this episode. It’s very different from the previous episode, and it focuses on a man, who hates people with supernatural powers with passion. And this guy just happens to frequent the pub in which Naota and Naoya have landed in.

This guy, or Jin, is an interesting case. He used to have a extremely cruel mother, who used to harass him, and eventually ran away with a guy who claimed to be supernatural. Whether this guy really was paranormally gifted remains unknown, but Jin never got over this. The fact that he’s violent and impulsive, combined with this lead to a growing hate towards people who claim to be supernatural, and he isn’t scared to let the world know whenever he’s got the chance. He’s a pitiful guy, though the short-tempered Naota really has trouble not to pay attention to his ramblings. In the end, Jin remained the one with the most unstable personality. After all, he just believed what he saw and heard from people who were “pretending” to be supernatural, and let his anger take control. I wonder how he will end up after this incident. After all, he can’t say that supernaturals don’t exist anymore. I think his hate will either get larger or he’ll just pretend that nothing happened, and stop talking about supernatural things in the first place.

Naota also really has grown during these fifteen years. But at the same time, you can see that he still remains the same Naota. His temper still remains, though he doesn’t just go out of control when he’s angry anymore. The times at which he does lose control is when Jin is beating someone up. Naoya also seems to have set himself a goal to prevent Naota from getting too angry. Though his own powers remain horrifying, especially when the only things he sees are horrible, malicious and depressing thoughts.

In the end, the main purpose of this episode was to show the fact that normal humans are unable to accept paranormal humans, and they instantly get labeled as monsters. Most humans indeed are afraid when they see things they don’t know about. To see things that aren’t right in their world.

Two visitors in the pub appear to be either main characters, or major side-characters. Apparently, they also decided to stop by and eat something, and never had any intention of getting involved in the mess which followed afterwards. At the end of the episode, they go away as fast as possible, though the woman does make the mistake of letting Naoya touch her. This shows a picture of a woman, trying to strangle the two of them. According to Naoya, they died afterwards, though I think they either lived afterwards, or theyÂŽve got some paranormal powers which makes them revive after being killed.

Shoko, the paranormal girl from the previous episode, meanwhile indeed has disappeared, in order to do something concerning the two brothers. She seems to be a major character in the anime, though her role still remains unclear. I also wonder what Miki will be doing afterwards. Her role cerainly isnÂŽt over yet, though what is it?

Overall, I’m a huge fan of character-studies, and Night Head Genesis really promises to be awesome. It isn’t without flaws, though. The storytelling’s a bit unconfortable at times, and things depend on coincidences a bit too much. Not to mention that Naota getting angry gave me Higurashi-flashbacks. Still, this anime definately stands among the three good shows of this season.

xxxHolic – 16 – The Sprites Return



Wow, that was touching. It seems that Himawari is going to have a rival. It’s going to be interesting, since she doesn’t think of Watanuki as someone who’s in love with her. Also, for some reason, it appears to be good for Watanuki to interact with the Vestal Sprite. In any case, according to Yuuko.

We start with Watanuki, who’s having some trouble with the Pipe Fox. For some reason, the creature turned big again, though it didn’t lose its tendency to hug Watanuki at every possible moment. Meanwhile, the Vestal Sprite pays Watanuki a visit, though she’s a bit too scared to show herself. Therefore, she throws stones in order to get his attention to a package of deep-fried tofu, which happens to be the Pipe Fox’ favourite food. Yuuko gets a strange look when she sees this. One of the spots on the forehead of the fox disappears when he eats the deep-fried tofu.

The next day, when Watanuki, Domeki and Himawari are walking to some place, Himawari runs into a jewelry shop, and it seems that she likes things like these. Watanuki then decides to buy something for her as well, though he’s probably too scared to directly give it to her. Later, when Watanuki feeds the pipe fox another bunch of deep-fried tofu, Yuuko warns him about it. Even though it may be the pipe-fox’ favourite food, it isn’t really healthy for them. If it eats too much of it, it won’t be able to transform.

In order to make the pipe fox transform back at this stage, Watanuki needs to enter a place full of pure spirits. Yuuko then offers a special vase, which has to be filled with water and crystals, while the light of the full moon shines on it (there are a lot of full moons on xxxHolic, aren’t there?). It then brings him and the pipe fox into some kind of dimension which is full of animated daffodils who can change their size. They’re apparently pure spirits, as the fox changes back.

Afterwards, Watanuki meets up with the Vestal Sprite, and ha eactually gives her the present he intended for Himawari. I also like Watanuki for the fact that he doesn’t blame others for the mistakes they made (except Domeki, of course), as he never mentioned the fact that deep-fried tofu is bad for Pipe Foxes.

Overall, the episode was surprisingly touching. The Vestal Sprite is surprisingly cute.

Memorable Moment: The Rain Sprite getting her umbrella stuck in a tree.