Category: Monogatari Series

Well done Monogatari for building up a final showdown that is tense, not by the climatic battle but by the amount of information release, how the pieces of the puzzle finally get into place. An ending that tied up everything the show has paintakingly constructed from previous dozen arcs; an ending that emotional satisfied and an ending that unlike any other ending. Usually for the climax this crucial, all the important players will be in place to play their roles; here in Monogatari, it’s an one-on-one confrontation, mostly through talking, and concluding with a single line of acknowledgement on top of it. Monogatari series has always been a show about growth, about characters who learn about themselves and embrace their dark side. Thus, isn’t it fitting that after saving all the girls, it’s time for Araragi to face his darkness and save himself? Growth, after all, is about acknowledgement. It’s until Araragi acknowledges his dark side that he’s truly become more mature. How NisiOisin make an ending that perfect and conclusive really prove me again how I fall for his style in the first place. The following paragraphs will content huge spoilers of the whole Monogatari series, so if you don’t want to spoil yourself, I guess I will see you out there in the chatbox.

Gaen makes herself very clear to Araragi by her two “minimum requirements” in order to reach everyone’s objectives: assign a new Deity for the North Shirahebi Shrine; and exterminate Ougi Oshino (one of them ultimately failed by the way). Since Araragi unexpectedly bring Mayoi up from hell, she becomes a perfect candidate as a new God for the shrine. And to think that the catch phrase that I always overlooked “Kami Kashita” is a forshadowing all along – from back to episode 3 in 2009. My hat off to you NisiOisin. If you really notice, despite having a large cast, Monogatari never had more than 4 characters in the same sequence (something I’d love to write more about, another time), up until this episode. Here, basically Gaen’s monologuing and info-dumping us much needed expositions about the history of the Shrine, and how everything came to the way it is now. The exposition is long and demanding, so Shaft again uses their old tricks to engage our attention: having Mayoi and Ononogi playing around, and then emphasis on irrelevant topics like playing baseball and cricket (something I’d love to write more in deep some time, again. I regard this technique as “the art of distraction” to keep our attention). Originally Gaen intended to put Shinobu as a Deity, but it’s rather fitting, and surprisingly make so much sense to enshrine Mayoi as a new Deity. The snail that defeat the snake part is a bit of a stretch to be frank, but all those info had been planted well before in previous arcs (notably, Shinobu Time and Hitagi End) that it just comes all together in a neat package.

The second minimum requirement is to exterminate Ougi. But what makes Ougi dangerous is that her true identity is a total mystery. In fact, she has only two purposes: to eject those broken the rules, and to point out how imperfect Araragi’s approach is. The one thing left she knows she has to do is to exterminate the biggest “fake” of all: Tsuhiki the Phoenix. Tsuhiki, stays true of being one of my favorite (but under-developed) characters, and stay true to herself, doesn’t care about the future and just simply enjoys the present. That what her character always is: embracing the present, having fun while supporting what other people do, especially Karen and her brother. “I’m pretty good at living.” That is indeed a marvelous thing that she can say confidently. In that moments alone, Ougi feels compassionate towards Tsuhiki’s “fake” nature. Coming to face Araragi, I sense something about Ougi I had never felt before. A hint of sadness. She comes to the fight knowing that she’d get suck by the Darkness, but it’s the fight she has to fight. Kudos to the seiyuu of Ougi who give such a demanding performance that make her sound emotional towards this final climax, a feat that isn’t easy to pull consider her spooky emotionless role.

And here, all the concepts the show has built throughout its near-decade long all surface: The act of selfless sacrifice for the sake of others. The concept of rightness. Justice. We know before that Araragi keeps pushing himself over his limit results in him slowly losing his humanity. But he also forms a guilt towards those girls that he had helped: regrets that he could do it better, feelings that he cheated because of his vampiric immortal ability, blame himself for the unfortunates of others. All those negative feelings, plus the strange occurrences of the town (most notably during the First Minion’s period) that create Ougi – or Koyomi Darkness. Ougi is an appariation that has all the special abilities of those girls he helped, specifically assigned to attack Araragi, form a justice that oppose to his very ideal and has a dark intent to crush all the girls and his ideal down. Araragi just does what he thinks is right, and Ougi does what “right” by eliminating the “wrong”. In the end, no one is truly right and wrong. And Araragi just doesn’t give a damn about what is right anymore and come saving her instead, if it means that he would be exterminated too. That act, that Araragi finally saves himself, is the biggest personal grown for him. Bye bye adolescent. Araragi now becomes a full-fledge adult and Ougi the Koyomi Darkness now becomes Ougi the niece of Meme Oshino.

All the girls all make an appearance in this last episode. It’s rather heartwarming to see how much Nadeko has grown since her last arc, and she’s cute now because she doesn’t try to be cute. Hanekawa’s still kicking ass, getting Meme back all the way from Anartica goddamnit (the only place where there is no oddity, thanks to the Lost Cow effect by Ougi) and Shinobu shines just by little things that she said. Brilliant. I would love to see more from Kanbaru but this ending just hit all the sweet spots in my body, so I’m done complaining. This is a conclusion that easily justify the insane amount of time I have been following this series. I’m not at all joking when I say I’ve grown along with Monogatari and at a specific time of my life few years back, this show, along with their characters who struggled for their own issues, connected deeply with me in a personal level. As for what my opinion is about the possibility of further adaptation of the Monogataries series. As much as I love the whole cast and its universe, I believe that the story (pun obviously intended) has run its course. Monogatari series had been blessed with too much efforts from Shaft and I would love to see the same kind of attention for some other materials out there that needed adapting. Not sure if I can be able to grade this Owarimonogatari, or the whole Monogatari objectively so I guess I will spare you guys on the full review. Monogatari is one of a kind series, there’s nothing like it, just like there’s no place like home.

This arc certainly is a calm before the big storm, in which instead of the final showdown promised at the end of Mayoi Hell, we have a date between Araragi and Hitagi, a day after his college exam and a day before the actual graduation. Their last date as a high schooler. Normally I would be in tears because seriously, a date when we’re nearly reaching the climax? But I’m totally at peace since it offers more Hitagi’s precious time. As much as most people regard her as the main heroine in Monogatari series, in truth she barely has any screentime at all. Her first own arc was right at the start of the whole franchise, and her second arc was a disguise of Kaiki’s arc. As such, her presence is always there but she has mostly relegated to scene-stealing moments from other arcs (most notably, in Sodaichi Riddle).

Well, as far as a date goes, Hitagi and Araragi spend some sweet times together, and I’m honestly quite surprised that their date is really a normal date. No battle between appapriation. No other characters interfere (actually, yes, but this girl Ougi hardly counts) and they enjoy their date like any normal couple would do: driving a car, going to the planetarium, playing bowling, drinking some tea and singing karaoke. It kinda funny to know that she intentionally put up a penalty: the promise of absolute obedience for loser but then keep losing the challenge to Araragi. Especially, in a karaoke turn when she sings her own song “Futakotome” and somehow still lost to Araragi when he sings Hanekawa’s song (guess what the karaoke’s comment was? “You have very high singing skills, but emotional expression seems slightly week” Great touch there Shaft. A true tsundere huh?). At first, I thought she goes easy on him in bowling but after learning about her request, this isn’t the case. For all her manipulatiion and emotional demanding, the request is as sweet and simple as ever: Hitagi wants Araragi calls her by her first name for the rest of their lives, meaning their relationship is taking more intimate step this time.

Ougi again appears like a shadow and she’s as spooky as ever. Well, her true nature is still a question mark (and finally we going to have a glimpse at it in final arc) but her intention is getting clearer this time. Her main role is to eject those that have broken the rules. In addition, she clearly states that she isn’t the Darkness, an entity that almost swept away Mayoi’s existence before. The long-winded presentation about the constellations from Dream Ougi might not make much sense, but I’m digging how she compares the Hydra with Shinobu. Now that the show mentions it, it was the same method they kill the Hydra that almost killed Kiss-Shot: cutting their heads/limbs apart and destroy those before they can regenerate. Apart from the nightmarish air she always manages to bring, this time around I can also sense the desperation from her. She knows that she’s in inferior position right now, she knows damn well that she’s about to step into the enemy’s trap, she knows that not only she has to face Gaen, she will face off invincible Kiss-Shot as well. But as a “principle of the universe” she won’t back down, knowing that her chance to get defeated is coming right near. She asks Araragi for his assistance and Araragi has a tendency to take on such request from any girl. The big battle is coming near and I’m sure heads will roll this time.

The Monogatari-fest is reaching near its end. For those of you who are slightly off about the current events; here’s a brief break down. Araragi wakes up in Hell and learns from Mayoi that he had been killed – chopped off by the kokorowatari – by Gaen, just so that he will be resurrected back again. Sound like a meaningless roundabout course of actions, but in truth, there are some subtractions and additions involved. The “subtractions” part: his vampiric ability is fully gone and thus, restore Shinobu into a full-fledge sparkling eye-winked vampire lord Heart-under-Blade (such heartwarming to realize that even now when their bond is broken and Araragi is no longer her “master”, she’d go such length – threatening to rip Gaen apart – to bring him back). The “additions” part: Araragi also grabs Mayoi back up, the decision that wasn’t initially planned by Gaen, but something she did expect from him; and a neccesary time to reassert his actions and learn more about his role in this masterplan.

I must say that the cast of Monogatari is one of the rare cases that I have personal attachment to almost all of the characters; and I like Mayoi well enough (her matter-of-factness regarding her staying in hell to pile stones up everyday like it’s a part of mundane daily life totally won me over). But the chatter banner between Araragi and Mayoi has always been one of its weaker, more questionable part that does more harm than good in my opinion. Even at large, the introduction part when characters get together has never been Monogatari’s strong forte as they usually rely too much on established gags and wordplays that really hard for us, foreigners to comprehend. Here, Araragi apparently is all over the moon and can’t keep his desire to “touch” her. Bleh. Apart from that though, even with her role this time as an assistant for Araragi to lead him back to surface, Mayoi more than hold her own. It wouldn’t be much of a stretch to say that his help meant the most to Mayoi more than any other harem character. Others still have their lives beyond their apparition nature, her life was an endless cycle of wandering alone – the lost snail. Thus, more than anyone, she understands about how all his efforts really worth, as a result she won’t accept the low-esteem, woe-is-me Araragi. That’s why when she’s furious and hits Araragi for his insecure rubbish, it holds so much weight. For all of its “heavy-dialogue nonsense” and “irrelevant visual style” and “weird characters’ poses”, the series’s heart is always in the right place because the show understands the characters’ struggles and sympathy with them.

As Mayoi leads him to meet Teoru, they pass through all the girls he had “saved” with a “what-if” scenario. What if he didn’t save Hitagi back then? What about Hanekawa? Interestingly, he always regrets about saving KissShot because obviously his life would take a very different turn had he walked away from her. Even in Nadeko’s case it’s a sense of regret that he failed to help her, or to be more exact, he failed by helping her. But make no mistake, although he’s at his lowest confidence, if he had a second chance to redo everything, he’d still help those girls out. This episode also raises another interesting theme: the difference between doing the right thing and correcting mistakes. I believe this will tie up to Ougi’s arc as she always believes that she does the right thing by erasing the part that don’t function like it’s supposed to. I highly believe that she was the person behind the darkness entity that threaten to erase Mayoi in “Mayoi Jiangshi” for example and I think the reason she said she’d come into the trap that Guen prepared is to exterminate Kiss-Shot for good.

I didn’t expect to see this guy Teoru back, and he has one or two intesting expositions to spare. First, all his kipnapping, his supposed “death” in Yotsugi Doll was all scams to deceive Ougi. In reality, since he failed in his own experiment, he became an entity himself: half human – half monster, wandering the boundaries of material world and the afterlife. Meme got him into the plan and he was put in hell to prepare for this moment: bringing Araragi back to life. Second, he also reveals the person who ordered him to exterminate Araragi and Shinobu: none other than Ougi. Really love the fact that this episode set in Hell (that made it the third Hell episode I’ve seen this year, all of them were fantastic), so that Shaft even has more opportunity to go wild on the visual; and the visuals were spot on for most part. The OP is good though a fair bit forgettable. Now that all the pieces are fit into place, we’ll head to the next equally important part: Araragi and his college entrance exams plus his full date with Hitagi the next day. Unbelievable, right? That’s Monogatari series for you.