Megalo Box: Nomad – 3 [Si deseas la dañina pudrición de las raíces, no bloquees la boca del ánfora]

Welcome back to another week of Nomad! A lot happens as Nomad kicks it into high gear, sprinting through the tournament. Meanwhile the hostility between the locals and the immigrant community has escalated to new heights! Without further ado, lets jump into it.

Like I said, Nomad is moving way faster than I expected. I figured this tournament would be the entire season and that the final match would, well, be the finale. Yet Nomad has sprinted through the first 2 rounds and we are already facing the final round next week. I love it! The pacing is great and this really opens the door for where Nomad has to go. Will Chief win and buy the land the community is on? Even if he does, how will that resolve the growing tensions between them and the locals? And what about Joe’s growth as a character, does this mean that he is going to return to the city and reconnect with Sachio? I have no idea but the options are limitless now that Nomad isn’t constrained to this one tournament in bum-fuck nowhere.

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Megalo Box Nomad – 2 [La desesperación da coraje a los cobardes]

Welcome all to the Spring 2021 season! My name is Lenlo and like usual I get to have the first post of the season. This time brought to you by Megalo Box: Nomad! So without further ado, lets dive in!

And what better way to start off than to talk about the music? Manabu Yamaguchi, also known as Mabanua, has done it again with this OST. Whether it be the ED “El Canto del Colibrí” or the as of yet unnamed festival accordion track or the bar song of episode 1, its great. He has managed to nail that country Spanish twang. I can’t speak to the authenticity of it nor can I speak Spanish beyond a 3rd grade level. But it certainly evokes that imagery, that culture. It makes you feel the setting just as the visuals make you see it. And what’s so astounding, aside from where a Japanese composer found a Spanish singer in Japan, is how different it is from his other works. BNA, Space Dandy, even the first season of Megalo Box. Each have their own unique sounds. And now so to does Nomad.

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Megalo Box – 70/100

Ah boxing, the quintessential manly man sport of beating each other unconscious. In anime, the sport was first forged in the fires of Ashita no Joe, and some would say later perfected by Hajime no Ippo. Both fantastic series in their own right. Both filled to the brim with epic clashes of wills, phenomenal characters and some of the best fight scenes in anime. Some would probably count Megalo Box among them, near the top of sports anime. I am not one of them. For you see, Megalo Box is not a boxing manly mans sports anime. Megalo Box is a character drama. With boxing.

Lets jump in!

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Megalo Box – 13 [Born to Die]

Its finally here, the finale of Megalo Box. And what a finale it was. Lets just get right into it.

Cutting right to the chase, I think Megalo Box was golden until the last 6 minutes. Everything was going great, I had no complaints, and then… Megalo Box anti-climaxed itself. The final 6 minutes simply didn’t fit with the rest of the series. It’s not a bad ending per-se, the status quo has changed and arcs have all been wrapped up. It’s simply an ill-fitting ending. I can understand why they went this way to. They didn’t want to copy Ashita no Joe, they wanted to set themselves apart from it. And I can appreciate that. However I think they went to far away in their quest to be different. Ashita no Joe’s ending is memorable even to those who only see a 5 minute clip and nothing else. Its so beloved for a reason. This? This feels less like an ending and more like groundwork for a second season.

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Megalo Box – 12 [Leap Over the Edge of Death]

Ladies and Gentlemen, welcome to the hypest episode of the season, as Megalo Box lays everything on the table for next week’s finale. Lets just jump right into it.

Megalo Box has a lot going on this week. We saw the return of multiple characters and got updates on their lives. We were shown backstories for our leads, and best of all Yuri made his choice. But we will get to him.  First up, the ending rap. I am not normally a fan of rap, and what Megalo Box and Devilman Crybaby of last season made me realize is, that’s because I hate the subject matter. The “gangsta” lifestyle makes for terrible music to me. But lyrics about people, their struggles, who they are? Reminds me of Eminem’s “Mockingbird” and “When I’m Gone”, the only rapper I could ever stand. That plus the uniqueness of hearing Japanese rap, so very distinct from English, just really sells it. If nothing else this season, Megalo Box has succeeded in getting me to buy its soundtrack on the 27th.

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Megalo Box – 11 [A Deadmarch]

Incredible Megalo Box… Simply incredible. This week was perfect in every way but one, and at this point that one is easily overlooked. Let’s skip this preamble and jump right in!

Megalo Box had a lot going on this week as we see the culmination of a lot of characters big arcs. Starting off, lets go with Joes. The symbolism of his shoddy gear, which we only saw him wear back as Junk Dog, falling off through the fight was amazing. We saw that each time his gear fell off he took the lead in the fight, hitting Burroughs hard. It was a rather obvious, but still great, metaphor for Joe refusing to be/fighting back against “Junk Dog”. We saw that Joe didn’t want to throw this fight, but was content to stay “Junk Dog”. Atleast until Nanbu and Yuri/Sachio stepped in that is. What’s interesting to me is Yuri is Joe’s dividing line. Yuri is what separates Joe from Junk Dog, ever since their first fight which woke him up. I love everything about it.

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Megalo Box – 10 [The Die Is Cast]

Hello and welcome to another week of Megalo Box, with perhaps the best pre-finale hype episode ever. This week we have amazing music, fantastic language skills and lots of converging plot threads. Lets jump in!

First, numero uno, Megalo Box has the best soundtrack of this season. It’s simply fantastic. Pepe Iglesias’ theme was on for maybe 30 seconds and I already fell in love with it. It just oozes style and reminds me of Cowboy Bebop with the rhythm and what I believe is a trumpet. It also fits his character perfectly, with it providing a majority of Pepe’s characterisation this episode. It’s a shame he was taken out so quickly but we will get to that in just a moment. We also had Yuri’s theme this episode which was barely a piece of music, frankly. Hopefully Megalo Box has more in store for Yuri because so far its music has been on point. I mean, c’mon, just listen to this and this. Are they not the hypest tracks you’ve ever heard?

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Megalo Box – 8/9 [Deadline of the Dream/A Dead Flower Shall Never Bloom]

Hello again everyone and welcome to another (2) week(s) of Megalo Box! First off, apologies for missing last week. Was a bit hectic. Still, means we can cover the rest of the Mikio arc in a single post! Smaller victories! Lets jump in.

To start off, Megalo Box continues to stand out. The rough lineart, the style in every scene and the narrative are lovely. Mikio’s build up, backstory and motivations all made me enjoy him as a character. He was a complete toss-pot of a person, terrible dude, but as a villain I enjoyed him. I am a little annoyed that they are playing up his “pride”, a good loser, at the end with his respect towards Joe however. It just doesn’t fit his character to me. This man was willing to blackmail his opponent, run with AI Gear and inject himself with what can only be drugs all to steal the family company from his sister. These are not the actions of a “good man” and I hope Megalo Box doesn’t attempt to redeem him. Not all characters need to be “likeable”, and we already have Aragaki for this role.

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Megalo Box – 7 [The Road to Death]

Hello everyone, and welcome to the most surprising episode of Megalo Box yet. This week we have family drama, Joe’s declining health and a shocker of an ending. Lets jump in!

So starting from the top, lets talk about this ending. I never thought Megalo Box would pull something like this, with its limited number of episodes. I assumed there would be a basic, linear progression of fights. With this however we now have 2 strong antagonists, or perhaps 2 protagonists. Its difficult to decide where Yuri fits into this, though Mikio’s place is clear. Regardless I am very impressed through brought Joe’s legal citizenship back into question. Mikio was already an interesting opponent, the rich boy with something to prove, but this blackmail really sells his “Anything to win” attitude. I am slightly disappointed that we didn’t get a fight, and might not get one next week, but based on the quality of previous fights, its not that big a loss. Fewer, higher quality fights with intense narrative weight like the inevitable Mikio fight will beat out Samejima any day.

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Megalo Box – 6 [Until the Last Dog Dies]

Alright, Megalo Box was a series of highs and lows this week and I don’t want to waste time with a preamble. So this week, lets speed things up and just jump in!

To start off, the big showpiece of this week is the Aragaki vs Joe fight. We will get to its place in the story, its result and all that later. For now the elephant in the room is the quality of the fight and booooy, is that a mixed bag. To start off, the good. The music was, as always, good. It gave each round its own distinct feel. The final 30 seconds was also phenomenal. The rotating camera shot as Aragaki and Joe just hammer each other… Ive rewatched it more times than I can count. The weight, the rhythm, everything from the first two episodes is there in spades. This single shot managed to keep me excited for Megalo Box’s finale. Sadly, this shot was, animation wise, the only thing it had going for it.

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