Tokyo Magnitude 8.0 – 07

Aah, I hate this effect. Do not get me wrong with this entry: this episode still was a really good one, but at the same time I do believe that the creators have jumped the shark a bit and moved away from what made the first five episodes so incredibly good. This effect started at the last episode, but back then I was focusing too much on details that didn’t really matter. But let me first start with the good parts: it really was a good lesson for Yuki and Mirai this time that they shouldn’t be wandering off at every occasion. Now that they’ve gotten a good night sleep and the initial shocks are gone, they’re starting to get a bit more of their energy back, and so they start to act more child-like. The rain was also nicely preluded with the dark clouds coming up. As for the robots, they’re an interesting idea, but they could have been made more practical in my opinion. If they were made to scout around for survivors, they should have been made faster and smaller. Otherwise they could have just been replaced by a rescue worker on a bike. Still, it does seem logical to use robots like these if they’ve been sufficiently tested and fail-proof: this way the rescue workers can act more efficiently and don’t have to waste unnecessary energy to search around for survivors, and instead can concentrate on rescuing. Anyway, my “problem” with this episode was that the creators are trying a bit too hard, which takes away a bit from this series’ realism. And really, Yuki’s sunstroke would have been a great ordeal for the characters to overcome, but it just feels cheap right after Mari succumbed to anemia. It’s nearly like the characters are taking turns in getting sick here. The creators instead should have just focused at the three of them trying to get home. I realize I’m complaining a lot, but I’m just rather unhappy that the past two episodes didn’t manage to uphold the amazing standards that were set by the first five episodes. It’s in a way like Now and Then, Here and There: the second half there was still really good, but it wasn’t as gut-wrenchingly sad as the first half. This episode also took the focus away from everyone else, in the favour of focusing more on Mirai and Yuki, and while it would have been an excellent episode for most other shows, I just know that the creators could have done better here. The boy with his fascination of robots was also nice and all, but it felt too much like he was reading a script rather than telling about his life. Rating: * (Good)]]>

Konnichiwa Anne – 20

Ah, thank goodness. I was fearing that Henderson would end up ruining the entire series, but thankfully I was wrong. This episode returned back to the darker roots of this series, and was absolutely nothing like the past Marysville arc, and it’s a great thing to see that this series is attempting to go back to the quality of the first ten episodes. In this episode, we return back to Bert, who is being approached by one of his colleagues, who’s planning to rob the place he works at. He only finds out at the last possible moment, but at that point he’s already broken into the office and stolen the key to the valuable goods of the train station, with nothing there really is to do about it. The episode ends as he is suspected to be the one to have robbed it and gets taken away. This episode really showed that Bert is very easily influenced by the sight of money, and that even though he sobered up, he still hates his current life and wants to be able to spend money on something nice. His biggest sin however was trying to involve Anne with it. She probably is the member of his family that he feels the most comfortable with, but in this episode he really overdid it. As for Henderson… okay, I’m not going to lie. As much as I hate that woman, she really had her best episode here in which she proposed to Eggman (who looks really different with his beard and hair shaved off!). I’d love to see her move away to a different town, but it’s good enough to see that she’s going to stop teaching and instead leave things to the new teacher. Rating: ** (Excellent)]]>

Tokyo Magnitude 8.0 – 06

Well, this episode unfortunately wasn’t as impressive as the previous ones. It still was amazing for any regular series, but this is Tokyo Magnitude we’re talking about, which had been consistently awesome up to this point and it’s a shame that this episode broke its flow a bit. This episode was a bit too… “anime”, for a lack of a better description. It was the only episodic episode of this show so far, but especially the animation budget was considerably lower. The creators thankfully kept trying to animate all of the on-lookers around, characters still are very much animated, but the faces in this episode were sometimes too distorted to take seriously. It works in some series that go with this all the way, like Birdy the Mighty, but here it doesn’t really work, unfortunately. In this episode, Mari also catches a cold from sleeping without a blanket. She collapses a bunch of hours later, sleeps for some more hours, takes a few pills and after that is completely fine again. That is not how colds work. This really was my major beef with this episode. I’m not sure about others, but when I catch a cold I don’t immediately notice this. Of course it’s annoying and I feel terrible while having the cold, but is it really enough for people to pass out on? Where does the heavy breathing come from, and why do they disappear that often? I’ve seen this often in anime: people catch colds and nearly always pass out afterwards for dramatic effects. Or do the Japanese have different colds than the Western world or something? Especially in a show as realistic as this one, it stands out. But apart from that, there was a lot to like in this episode and it really allowed us to show a different side of Mari. The aftershocks made as much of an impact as ever, especially when Mari, Mirai and Yuki, especially since they were inside a building (the building where Mari works, actually). We learn that a bunch of accidents have taken place at the place where Mari lives, and she suddenly becomes a completely different person as she tries to find out more about what happened back there. All we know from this episode is that there’s some sort of fire going on, but nothing on her daughter yet. We do get to see another bunch of pictures of her daughter and her husband though, along with a small flashback of how she and her husband fell for each other. So a major part of this episode was spent on Mari, trying to decide whether or not to abandon Mirai and Yuki in order to check up on her daughter. Mirai and Yuki even go as far as borrowing a scooter from a person who managed to survive the earthquake without any major casualties (I loved that scene in which they tried to steer that scooter. So realistic). In the end, she just decides to take her time and go along with the two children. Rating: ** (Excellent)]]>

Konnichiwa Anne – 19

Haha! Finally an episode that doesn’t focus on Henderson, and it also was much better than the previous episodes and much less annoying. Instead, this episode develops Mildred, and pushes her character into a different direction. A nice idea, and I especially liked the moments in which nothing was said, yet we all could see how Mildred is longing for attention. Unfortunately, this episode again played out like a soap opera. The moment in which Mildred came running to Anne and the two made up was cheesy at best. This is the kind of drama you’d expect from a teenaged romantic comedy, not the World Masterpiece Theatre for God’s sake. I’m not sure how many people were following the summaries I wrote for this series, but I’m going to quit doing them. This series simply isn’t good enough for that, especially since I’m now also writing detailed summaries on GA. I can only hope that the cheese isn’t going to hop over to the Thomas family. This series is in a way like Ie Naki Ko Remi: some parts were really cheesy, but others made a huge impact on me. The big difference is that Remi was an adventure series, while Anne is slice of life. But still, Henderson is much more annoying than the worst character of Remi (which was the character that the big bad guy developed into; in the end he just became a bit too stereotypical for his own good). She’s now reached the point with me that any scene she appears in becomes annoying. Even though the past few episodes have been dramatic, you can see that this series is building up to some of the more darker parts. We know that Anne is going to have to leave the Thomas family at one point, and arrive at a new family of hers. That’s where I have my hopes on for this series. With a bit of luck she’ll also move away to a different city so that that Henderson will also disappear. At the moment, the creators are going to have to put in a lot of development to get Anne to the character she was at the start of Anne of Green Gables, so let’s see whether the creators can do this, or they become too caught up in their own cheese. Rating: (Enjoyable)]]>

Tokyo Magnitude 8.0 – 05

This series is seriously tearing me up as I watch it. I remember wondering at the end of Birdy the Mighty Decode 2 whether or not the rest of 2009 would premiere a series that would match its brilliance. I’ve finally managed to find a contender. It’s amazing considering how much this series has already done in only FIVE EPISODES so far. This episode lacked any action and didn’t have a rebellious Mirai, but it left me as an emotional wreck afterwards. This episode first showed Mirai’s old elementary school (she seemed to have had to travel quite a distance to reach it), which leads to an anecdote in which Mirai tells about how her mother embarrassed her at her graduation ceremony. The rest of the episode shows the three lead characters as they spend the evening and the night in the shelter camp that has been set up at the school. I loved how this episode didn’t just tell the story of Mirai, Yuki and Mari, but also that of the school, the people who lost their loved ones, the old couple who lost their grandsons, the girl who had a mental breakdown due to the aftershocks, the guy who seems to have suffered from a sunstroke, Megu, one of Mirai’s classmates and heck: even that couple sitting next to each other and staring at the wall that only appear in one frame. Seriously, you don’t see many series in which the creators just pull out a random classmate, give her less than a minute of airtime and yet manage to make you sympathize with her with a believable back-story. But yeah, this was the episode in which the chaos settles down a bit and the emotions pop up even more. It’s in a way similar of getting an injury during sports or something else: in the beginning the adrenaline is still rushing through your body and you’re still too bewildered to really get what’s going on. Then a few minutes later, the seemingly endless pain really starts. In this episode, it really starts to sink in that people have died here. Really, while watching this episode, I kept wondering whether this really was only the fifth episode of this series. It feels like much more episodes have passed for this series, and yet there seems to be no end to how amazing this series can be. It’s really going to rank among my favourites of 2009 if the creators can keep this pacing up throughout the final six episodes. Rating: *** (Awesome)]]>

Konnichiwa Anne – 18

Oh for god’s sake! The start of this episode really spelled out promise: with an episode title of “Love’s Course”, and a start of the episode that showed a lot of Eggman, this seemed like a great episode in which we finally get some in-depth look at his back-story. But that turned out to be pretty much a false hope when HENDERSON butted in again. This episode wasn’t about Eggman’s past love, it was about Henderson FALLING IN LOVE with Eggman. What a let-down! Henderson has really turned into the Saji Crossroad of this series, and I’m sure that this series would have been much better if it wasn’t for her constant whining and cheesy morals. Sure, the episode around Randolf would have been a tad annoying, but at least he managed to grow into an interesting character after that. Henderson just continues to be downright obnoxious, she continues to overshadow all of the other characters with her cheesy, dull and uninteresting problems and she sticks out in this series like sore thumb. And to think that usually it’s the kids that are annoying! Henderson: you’re a grown adult, for god’s sake! Grow the bloody hell up and move far away from this series! I really don’t feel like summarizing this episode. The reason why I started doing these summaries was because I loved Porfy no Nagai Tabi, and I wanted other people who had problems understanding the raws to have a few pointers. Porfy really was an incredibly well crafted series, with imaginative and yet realistic situations that Porfy was thrown in. It’s a shame that Konnichiwa Anne couldn’t live up to its standards, but at least the Thomas family made this series worthwhile in its own way. The focus on Henderson starting from the Marysville arc has completely destroyed my fanboyism for this series and I really don’t feel like writing an incredibly long summary about that woman anymore. There was one point I liked in this episode though: Anne’s hilariously horrible letter in which she pretended to be Henderson. It really looked like the handwriting of a kid who just learned to write letters and you have to give it to the creators: they really did their research in how little kids behave. I just wish that they also did this for teachers. *headdesk* Rating: — (Lacking)]]>

Tokyo Magnitude 8.0 – 04



Four episodes in, and this series still hasn’t show any signs of dulling in. This episode yet again was amazing and heart-wrenching. I was already suspecting that the creators were going to crash Tokyo Tower at one point. That happened here. Interestingly enough though, it was far from the highlight and main focus of this episode.

Media coverage on such disasters like Earthquakes and the like always tend to be rather one-sided: they always focus on the people who have been hit the worst. These disaster documentaries like the ones you see on National Geographic Channel always tend to pick out the ones with the most spectacular cases and all. That’s why it’s incredibly refreshing to see that this series picked out a bunch of random people who got caught up in the earthquake. This brings things surprisingly close to home: “it could happen to you”. And I think that that’s what makes this so engaging.

The first half of this episode was about… Mirai trying to go to the toilet. Perhaps it’s not the most appealing of side-plots, but for a child her age to suddenly get bothered by a bad stomach… it indeed could happen and this episode showed that even that proves to be full of troubles in such a situation in which millions are stranded.

What struck me also here was that scene in which Mirai and the others tried to get some food. The way Mirai judged that person who walked away with two cups instead of one is exactly what’s going on in just about everyone’s mind in such a situation. We have no idea whether this guy took advantage of the situation or whether he really had a good reason to be carrying two cups, but that single scene said so much about the situation everyone’s in.

The second half of this episode showed Mari leaving the two kids alone as she tried to get information on where to go, at which point Mirai and Yuki get into a fight. At that point, Mirai really felt miserable because of everything that happened to her, not to mention that at that age, you really find your little brother’s whining annoying no matter how good he means it. In the end they both have a good cry and make up.

I’ve always been a fan of realism in anime, so I really love the touches of realism in this series. Yuki may be a bit too nice for a boy his age, but I definitely could see a character like his in real life. And besides, I don’t think that he’s ever seen his sister in so much distress as here, so I don’t think that he had any time to panic for himself. I think that that’s why his tantrum in this episode was so good for him, because it finally allowed him to blow off some steam.
Rating: *** (Awesome)

Konnichiwa Anne – 17



Okay, so that play turned out to be utterly terrible, but then again that was most likely the intention of the creators. I don’t want to know how stupid I looked when I performed as a kid in the plays we had in elementary school.

Anyway, this episode starts with a little recap of what happened in the previous episode, with the play getting cancelled and Henderson temporarily suspended and all. Anne overhears this, and tells it to the others who are pretty shocked. Mildred starts feeling guilty, and when Micheal notes that it was indeed her whining that caused her mother to overreact, she really gets defensive.

Henderson then calls them to class, with the message that the play is getting called off, and she’s suspended. She then continues with some boring speech about morals and chasing your dreams that I don’t want to summarize.

The new teacher then arrives and takes over, though we never get to see him teach. After class, everyone is down because the play is cancelled. They’re thinking of throwing away the props they made, but that would be a waste as well. Anne then suggests that even though the play was cancelled for school, they could still perform it in order to show the adults that Henderson is right.

Meanwhile, Mildred tries to talk to Henderson but runs away a the last minute. Henderson tries to stop her, and since she knows that Mildred’s anger at the role decisions was what caused the play to be cancelled, she tries to make Mildred feel better, instead of scolding her. This doesn’t work however, because she never seemed to know that Mildred was jealous of how much attention Henderson gave to Anne instead of her. Mildred breaks down, and when Henderson tries to hug her, she runs away to her parents.

We then see Henderson as she drops by Eggman’s place, probably for moral support. What follows is yet another boring speech on morals that I again don’t want to summarize.

The next day, the kids are thinking of a place they can perform their play, since the school has become off-limits. Randolf then comes with the idea: at the church! Yeah. They quickly gather everyone and the necessary props and costumes. Anne runs off to Eggman to tell him about this plan, when it seems that Henderson has been bugging him again in her worries of what to do next. And so she learns of the plans to continue the play, even though it was supposed to be a secret for her to not get her in trouble.

At the church, everyone is in costume, but at the same time they’re too scared to go on stage. Nobody really has the courage when the moment comes there, but Mildred arrives and saves the day by announcing the play to everyone sitting in the church. Reluctantly everyone arrives, but everyone is way too scared to read their lines. Anne however is different and she starts reciting until Mildred’s parents arrive and see what’s going on.

What follows is YET ANOTHER boring speech on morals that eventually gets enough funds for the library, and I again don’t want to summarize it.

As much as I’m a fan of the World Masterpiece Theatre series, I do have to admit that they can be divided into two categories: First Tier and Second Tier. the first tier is everything the franchise is supposed to be: incredibly realistic characters and they stand on their own as unique and touching series. Examples of those (that I watched anyway) are Perrine Monogatari, Anne of Green Gables, Little Princess Sara, Les Miserables and Porfy no Nagai Tabi. These are the series that made me fall in love with this wonderful franchise.

Then there is the second tier, which can usually be recognized by one thing: cheese. Perhaps the characters aren’t fleshed out enough, they don’t mix well with the storyline, or the direction is simply flawed. Either way, the dramatic scenes are very hard to buy and are laughable, rather than charming and touching. The Trapp Monogatari for example is a bit too full of teenaged angst (especially Hedwig delivered them with buckets at the time), Ie Naki Ko had its very generic finale and Anne of Green Gables unfortunately also belongs to this category after the Marysville arc.

And believe me, these series are nowhere near bad: they achieve things that a lot of series couldn’t even hope of achieving: Trapp, despite the angst, has some of the most realistic angst out there. Ie Naki Ko was incredibly heart-warming at times and did have its moment of brilliance, and Konnichiwa Anne had its first ten episodes. However, the standard for the World Masterpiece Theatre is high. These series are enjoyable, but nowhere near the masterpieces of the First Tier.

In this episode, it was Mildred who surprised me the most. I’m happy to see that she finally managed to completely cast her shell away as a rip-off from the Emily of the New Moon universe, and established herself as a character of her own. I also liked that scene in which Anne tried to tell Eggman about the play, while she didn’t know that Henderson was listening.

It would have been nice and all, but what really bugged me in this episode was that the moral lessons just WOULDN’T SHUT THE HELL UP. The creators really tried to shove their cheesy morals down our throats over and over. I know that it’s supposed to be a children’s show and all, but I doubt that even kids are going to appreciate being told these life lessons. What made it even worse was the downright cheesy reaction of all the adults who were at the church. I mean, people were living in a strict Christian environment, as shown in the early episodes of Anne of Green Gables. I find it hard to believe that the library issue would be solved that easily. It was of course awesome to see the kids trying to gather their courage, but they would probably just have been sent away before they would have been able to come up with that cheesy speech of theirs.

And it’s not like this series can’t produce good filler episodes either. The episode in the beginning of this series, in which Anne was invited to play with that rich spoiled little kid was downright awesome. Very witty and it had a great characterization. The past few episodes have just been dull and boring due to Henderson’s moral ramblings that just went on and on and on. And on.
Rating: – (Disappointing)

Tokyo Magnitude 8.0 – 03



To those who found the second episode a bit too mild and unspectacular: watch A Spirit of the Sun. It’s a two-episode OVA about an earthquake that is so powerful that it splits the entire Japanese mainland in half. That’s destruction for you. I however, prefer series as Tokyo Magnitude much, much better. After all, what makes more impact? An atom bomb dropped onto some sort of major city that wipes out millions of people, or a section of a highway that crushes some people who were worrying about their loved ones and tried to get home, dying right before the protagonist’s eyes?

Anyway, this episode showed what I have been suspecting: the real disaster hasn’t even started yet. Mirai and Yuki are miles away from their house, a distance that’s very hard to walk for a bunch of kids, and the two of them are going to have to try and reach it inside a city in which millions of people are trying to do the same.

And then there are the aftershocks, which may not have been able to cause destruction on a large scale, but definitely on a small scale. Take buildings that have been well designed, but caught fire in the big earthquake. Through an extra push of an earthquake of size 5.0, they can still collapse, which is what happened to the bridge in this episode.

There is no doubt in my mind that this is an amazing series. This episode did so well in bringing across Yuki’s fears of being abandoned and separated from Mari, even though she often bitches at her. The blisters on her feet due to her sandals was also a very nice touch. Because the weather is so hot, I doubt that a lot of people there are wearing shoes fit for long walks.

As for the typical Bones endings, I can actually see little that can go wrong there: if the series is just going to be about Mirai and Yuki trying to get home, this will make for a very charming conclusion to the series if the creators end it at their reunion. The only problem I can see is that they might force in a conclusion to Mari’s storyline about her kid.
Rating: *** (Awesome)

Konnichiwa Anne – 16



This show is overplaying Anne’s thirst for learning. In a way, the creators made this show too “Japanese”. More on that later, first the summary:

The episode starts with Anne, reading a book at Eggman’s while Eggman is picking Tomatoes, and she’s getting impressed with it as always. We then cut to a scene in which Henderson talks with a couple of the children after class about books. One of them (Michael) wants to be a newspaper editor, and so Henderson gives him a book on the matter. He’s very happy with this, since they don’t have any books with them at home.

Henderson then passionately continues on how books are going to be very important for the class. Anne then thanks Henderson for lending her the book of King Arthur (it took me a while to figure out that “aasaa” stood for “Arthur”; damned Katakana), and asks whether she can loan it again. Her classmates then get angry because they too want to read the book, and rip it apart in the process.

The problem is that there are hardly any books around, so that’s why Henderson suggests to start a school library, and therefore she asks the children to bring some books from their homes. Unfortunately, nobody has any except for the book by Robert Browning from Anne. Mildred’s father has a ton of books, but her father doesn’t find it necessary for her to be reading books, since she’s going to get married to a rich guy anyway.

Since there are so few books, Anne suggests Henderson to pay a visit to Eggman, who she reckons is bound to have some idea. Eggman still acts rather grumpy against anyone who isn’t Anne. Eggman is disinclined at first, but in the end he becomes friendly with Henderson, and suggests that they should host a play in order to collect the funds needed to buy books.

Eggman writes the script, while Henderson is busy dividing the roles. Randolf wants to play Arthur, while Anne and Mildred both want to play the female heroine of Guineviere (however you spell that), so auditions on that are going to happen the next day. Eggman meanwhile managed to rewrite the script into some strange fantasy story, and for some reason Henderson loves it.

The class loves the script too, and so everyone spends the rest of the day rehearsing the script for the parts that they want to audition, while Henderson draws up a poster for the play, which gathers quite a bit of attention. The next day, Anne seems to have not just memorized her own lines, but also those of the entire script and so gets admired by the whole class.

During the auditions, everyone does well apart from Mildred, who gets a black-out because she loses her cheat sheet. So yeah, Anne gets to play the role of Guineviere, Randolf becomes Arthur, and Mildred becomes a little fairy. Obviously, the latter is angry and disappointed. She complains about it to her father and mother. Her mother then gets angry at the teacher for organizing a play while she should be teaching, and so the episode ends with the entire play getting blown off because her mother used her influence and refuses to listen.

I’d really wish that the Marysville arc is going to end soon so that we can get back to what’s really important: the Thomas family, but it’s certain that we’re still going to bet at least three episodes about them: one about Mildred, one about the play and one about Eggman’s dead daughter. It’s a bloody shame: the first arc of this series was a true emotional roller-coaster ride, but none of the newly introduced characters in Marysville are interesting, and most of them are just Kaze no Shoujo Emily rip-offs.

I’ve really been trying to not compare this series to the original Akage no Anne series, since that would just give me unreasonable expectations, and for the most part this worked. However, there is one thing that really bugs me: Anne’s thirst for knowledge. I have so many issues with that, I hardly know where to start.

The reason why I meant that this series is too “Japanese” at the beginning of this post is the following, and do correct me if I’m wrong about this, but the children here are way too obsessed with learning and books. Perhaps Japanese kids are like this: obsessed with learning. However, Anne is SEVEN. When I was that age, all I cared about was playing and having fun and school was boring. Only when I entered high school (or whatever the school is that you enter at the age of twelve) did I start getting interested in learning, and I was a real geek back then.

The thing is that at the moment, this series doesn’t feel in canon with the original Anne of Green Gables. What strikes me the most was how Anne at the beginning of the series indeed was a huge talker, but all she talked about was girly things, like puffed sleeves, rainbows and scenery. Not once did she mention her thirst for knowledge: that only became apparent gradually throughout the series, when she developed into the perfectionist we came to love. The Anne right here is completely obsessed with knowledge, so the second half of this series is going to have to include some really weird development in order to get that one right.

Als, probably the most annoying thing about this episode: ANNE IS NOT THE NEXT EINSTEIN. I mean, seriously: she’s six or seven years old; what the heck is she doing reading advanced books and stuff: she should be too busy catching up with everyone, doing her endless repetitions of basic summations and getting a good grasp of the written language. I know that she learned a bit from Elisa, but learning really doesn’t go that easily. She worked really hard in the Akage no Anne series. If she really were a naturally born genius, she would have blown away Gilbert Blythe’s efforts without any problems. The way she completely memorized the entire script in less than one week, while taking care of the housework at the same time is very hard to believe.

I praised this series for how it so naturally portrayed a bunch of little children. And really, Horace and Edward really feel like bunch of small brats. Anne also started out really well and down to earth, but I think that this series screws up at the character-development: the only well developed characters here are Bert and Johanna. The development of especially Mildred and Randolf feels superficial. And Anne… the creators seem to be forgetting that little kids don’t have the biggest attention span, which is something that the first bunch of episodes did really well, but completely disappeared once Anne became obsessed with learning and reading.
Rating: – (Disappointing)