This episode was just… amazing. As cheesy as the drama was around Mildred, Randolf and Henderson, this episode was the exact opposite: powerful and subtle, and a very fitting end to one of my favourite characters of this series. I’m really happy with this series: there really were times when my patience had completely ran out because of said cheesy drama, but the past two episodes have actually made up for that. I’ve seldom seen series that start off great, then turn out disappointing, and yet manage to pick up themselves back to their previous level eventually.
the star of this episode was to my surprise Horace. While he was the oldest of the family, he was able to still remain a little kid because Anne was there to take care of his siblings. With this however, it really occurred to him that he is the oldest man in the family. His character-development from such a bratty little boy to an older brother who desperately wants to be dependable really was one of the best parts of this episode.
And yet for Johanna, it’s the complete opposite. It’s ironic: I kept wondering why Anne would be forced out of the house, because the series has shown that she’s able to support her family, if only barely, with the help of Anne. However, this episode fully explained that: she may have hated her husband at times, but she still really cared about this good for nothing drunk. His death completely sapped the life out of her, and who knows how long she might take to recover from it?
So yeah, the next episode yet again promises to be something amazing: thankfully Johanna’s parents have agreed to take her in, and take care of her children. Anne however, doesn’t fit in there, and so she’s going to have to find a new family. The next episode is going to be a major episode for Anne, and I’m really curious to see what the creators can do with her at this point.
Aside from the next episode, I have absolutely no idea what the final third of this series is going to be like. Is it going to be good? Bad? This series has proven to be so brilliant at some times, and yet so painfully annoying at others. It can really go anywhere, especially since I suspect that the final third is going to focus on a whole new cast, and we’re soon going to say goodbye to the Thomas family.
In a way, I like this: I really like series in which you won’t know what to expect. There really have been few series that have had such a large contrast between their highs and lows. It’d be awesome if this series could keep this up, but even if it doesn’t, it doesn’t change that this episode was an amazing one.
Rating: *** (Awesome)]]>
Category: Finished Series: Slice of Life/Drama
Tokyo Magnitude 8.0 Review – 92,5/100
One thing I love about watching anime is that sometimes, there are these series that come from absolutely nowhere and blow you away. Tokyo Magnitude is one of those series. It’s based on a “what-if” scenario: what if modern-day Tokyo were to be hit by a massive earthquake? This actually is a very likely scenario: it turns out that there is a 70% chance that Tokyo will be hit by an earthquake of magnitude 7.0 in the next 30 years.
Tokyo Magnitude shows that even in the city that is probably the most well-prepared city for an earthquake, it would still be plunged into chaos if an major earthquake actually were to take place. Tons of people would end up either dead or injured, even more people would lose their homes. The creators end up portraying this sense of chaos and despair incredibly well.
The series follows three people in particular: two siblings Mirai and Yuki and an adult called Mari, however that doesn’t stop the creators from showing how everyone else is doing. They make really well use of their budget to create an identity for every single passer-by: they take care in emphasizing that every single person in the background was also just a regular person who also was hit by the earthquake, who also may or may not have lost someone, or might be separated from his or her loved ones. This series really managed to create a setting that feels real, in which just about everything is filled with details that make the setting come alive. Figuratively, of course.
The first half of the series is mainly this, while the second half, in which the chaos tones down a bit, changes the direction of the setting in a character-study of the lead characters. I’m not going to spoil exactly what happens, but both halves are equally bittersweet. You do need to know that the second half does this at the sacrifice of a bit of realism, though. The second half is much quieter in comparison to the chaotic first half, but that really allows the plot to be very subtly developed, and the emotions to sink in.
The biggest flaw of this series is a little disclaimer at the start of each episode, which claims that this series is as realistic as possible. While this series is indeed very realistic (more realistic than like, 98% of all other anime out there), there are points that could not have happened in real life. Besides, it’s a rather pretentious disclaimer anyway: instead of telling us it’s realistic, we’d rather like to be able to judge ourselves.
Nevertheless, at this point Tokyo Magnitude has the potential to remain a classic in anime. It’s believable, depressing, but also uplifting, fresh and inspired. There’s been a lot of discussion going on whether or not this series took the right turns along the way, but personally for me, it has been an amazing series. Most people who know this blog will know that I’m already a big fan of the Noitamina timeslot. Aside from Honey and Clover, I’ve seen every single show that came out of it, and Tokyo Magnitude has become my favourite series out of all of them.
| Storytelling: | 9/10 |
| Characters: | 9/10 |
| Production-Values: | 9/10 |
| Setting: | 10/10 |
Tokyo Magnitude 8.0 – 11
Haha! Another show with a very satisfying ending. This episode was bittersweet, and I think that everyone who managed to keep his/her suspense of disbelief is going to find it an excellent conclusion. In this episode, Mirai comes to terms with what happened to Yuki, she meets her parents, and attempts to continue her life. While most conclusions in anime are a bit lackluster, this episode was in no way inferior to the rest of this amazing series.
But damn, I don’t think that I’ve ever had such a heated discussion going on as for the past few episodes. Personally though, I wasn’t bothered by Mirai’s hallucinations. Instead, I just see this series as fiction, with a very high degree of believability. For me, there were only three points that seemed forced: Mari who just happened to run into her co-worker as she collapsed, the point where Mirai was trying to save the trapped robot and nearly died herself, and the point at which Tokyo Tower nearly collapsed on Mirai but Yuki managed to save her. Nevertheless, in any other show this would just be anal nitpicking.
Thinking back though, the whole Yuki vs. Mirai relationship seems to be much deeper than I originally thought. I mean, we all thought that this would be a series in which the initially bratty Mirai would grow up and take care of her brother. However, this happened already in the second episode. After that, these whole themes reversed, and it was actually Yuki who took care of Mirai; it could be seen as his way to repay Mirai for saving him, he kept her out of danger, he saved her from the Tokyo Tower and the accident with the falling robot. He was the one who tried to cheer her up when she was feeling down.
And even when he died, his hallucination continued this trend: he safely guided her back home, and slowly tried to make her understand that he died. The question remains of course, what the real intention from the creators was. Was the Yuki meant to be taken as symbolism, something like a guardian angel, or did Mirai subconsciously create something that would guide her back home safely until she would be out of danger? Are those options realistic? Nah, not really. Are they believable? For me, they are.
It’s always a bit of a gamble for a series to go into a different direction. The first half of this series was clearly different from the second, as this series changed from a detailed look at how a major city reacts after being hit by a major earthquake, to a character-study of Mirai. In my opinion, these changes can work as long as the new direction has enough to offer, which was definitely the case with this series for me. It was a nice gamble in any case: if the creators would just have continued with the same direction as the first half, we definitely would have gotten a more realistic end, but at the same time, I don’t think that it would have been as memorable of an ending as right now.
Also, on a side-note: I love how the creators actually spent time in creating distinct character-designs for Mirai and her family throughout the years, rather than simply being lazy and just creating a bunch of mini-versions of their characters, like a lot of anime seem to do. Very nice.
Overall, Tokyo Magnitude, as amazing as it was, didn’t end up being my favourite series of 2009. Birdy the Mighty Decode in the end was better for me. It however has a good chance of showing up in my top 5 for this year, unless a lot of really good shows shows happen to air in the upcoming Autumn Season. But for now, let’s just assume that that won’t happen.
Rating: *** (Awesome)]]>
Konnichiwa Anne – 24
Oh my god… it’s happened. It’s bloody happened. What an incredible episode this was, it totally changed the way I look at this series. I know that I’ve talked down to this series a lot for the past months, but damn. This episode really reminded me why I’ve become such a huge fan of the World Masterpiece Theatre… BIG SPOILERS coming up!
But yeah, that disclaimer must have been a bit redundant, because it’s an event that probably everyone knew about before this series started: the death of Bert. And that’s one thing that makes the World Masterpiece Theatre stand apart from all those other series: you know bad things are going to happen; you know that the shit is going to hit the fan, but you just never know when exactly it’s going to happen. Especially Les Miserables loved pulling this.
But seriously, the end of this episode took me utterly by surprise. The build-up for this episode was just SO adorable. Because of all the things with Henderson, I was really starting to forget what makes the World Masterpiece Theatre stand above 90% of all other anime: the character-development. And of course: that’s going to take about 25 episodes to really pay off in your average series. This episode really was where everything came together in terms of development in a really adorable Christmas episode. From Bert finally selling his trophy, to the villagers forgiving him because of how he risked his life to save Noah in the previous episode. It all fit incredibly well.
It’s really a shame that this series was wrongly advertised as Anne of Green Gables’ prequel, because that would suggest that Anne is the only important character here, while in fact this series is just as much about Bert, Johanna and the rest of the Thomas family.
I really wonder how this series is going to play out now that Bert is about to die. Not in terms of where the plot is going, but whether Anne’s second family is going to be able to match up to the Thomas family, or whether they’re going to be more like the stereotypical Henderson, Randolf and Mildred. I really have no bloody clue, but the past few episodes have really made up for how this series just kept going on about Henderson in the Marysville School Arc.
Rating: *** (Awesome)]]>
Tokyo Magnitude 8.0 – 10
Oh my god. This episode was just… incredible. It’s because of episodes like this that I still remain a fan of anime, even after watching hundreds of series. It’s series as this one that just keep me coming back, and make it all worth it.
The way this episode played out… it just allowed for the best way to show Mirai coming to understand that her brother is actually dead. We knew this for a few episodes by now, so it wasn’t the revelation or shock of his death that made this episode so powerful, but instead it was just Mirai’s character who carried this entire episode. Yuki’s illusion started to waver when Mirai met Yuki’s best friend. I think that at first, she was unconsciously confusing the two boys with each other, and therefore didn’t see the two of them at the same time at first, but eventually she did start talking to Yuki once she got used to his friend being there.
The sad thing wasn’t just Mirai realizing the death of her brother, but rather the subtle differences between the dead Yuki and the remains of the real Yuki: the things he wrote and did when he was still alive. It was really heart-wrenching to see how Mirai unconsciously tried to fit in her image of Yuki with the things he did, still refusing to admit that he was dead.
Whether or not this is realistic, I don’t know. I’m not a psychiatrist, I can only relate to what sounds plausible to me. Still, at the same time that doesn’t mean that there’s no gray area. Anime for me has always been a combination between fiction and realism, with the more realistic, or I guess that “believable” is the better word, usually being the most enjoyable for me.
A slightly spoilerific example, but excellent to illustrate the decision of the creators to insert a not-so-realistic plot twist in this series is Porfy no Nagai Tabi. It’s in many areas similar to Tokyo Magnitude: both feature two siblings, caught up in an earthquake, both feature a lot of realism, both involve travelling to get back to a family member you’ve been torn apart from, and both have females who were left with mental illnesses after the quake (in Porfy’s case, Mina loses all of her personality and memory).
Anyway, Porfy no Nagai Tabi was also incredibly realistic. Perhaps even more than Tokyo Magnitude because its length is nearly five times larger. However, when the final arc starts, a plot twist happens that’s in no single way realistic. There’s no way for something that convenient to happen. Does it ruin the anime, however? No. Instead, it really allowed the characters to get the best out of their development. With Tokyo Magnitude it’s the same: sure, we may not often see perfectly realistic illusions of our dead ones around us. But does that make this series any less incredible? For me, it absolutely doesn’t!
Rating: **** (Fantastic)]]>
Konnichiwa Anne – 23
FFor me, this was the best episode of this series since the move to Marysville. I really expected some emo cheese-fest in this episode, with Noah randomly getting sick and all, but as it turns out the creators had very clear ideas on what this episode was going to be about.
Unlike what I thought at first, this episode really wasn’t about Noah. It’s sad and all that he got sick to the verge of death, but I really don’t care about this kid enough to really call his near-demise engaging. What instead caught my attention was how his accident completely jumbled up the Thomas Family: we suddenly got a complete different image of what everyone was like, and a couple of characters actually got some development out of it.
I mean… when Noah collapsed, it was Anne who took him out of the hands of HIS OWN MOTHER, in order to take care of him, while Johanna was instead following Anne and assisting her. You’ve got to fail pretty badly as a mother if you let a nine-year-old make decisions for you that affect the life of your children.
Horace thus far has been your typical child: always goofing off, however in this episode he slowly began to see that he was the oldest. Of course his attempts to show this failed pretty badly, but I think that he reached the point at which he’s going to start to mature, rather than goof around all of the time. Edward meanwhile kept staying with Harry: he’s starting to become a big brother to him, even though before he was just mimicking Horace. I suspect that from now on, Anne is going to have it much easier to try and take care of the house, simply because with this, the Horace/Edward combo has finally been broken.
But the biggest focus of this episode was of course on Bert. In a way, this guy is actually developed better than Anne. While on one hand that’s a bit wrong in a series called “Konnichiwa ANNE”, but on the other hand it allows a really in-depth look at a type of character who hardly ever gets this much attention in today’s anime which is all about moe and bishies. We hardly ever get to see this much attention to a character who is as flawed as Bert, and in this episode you really could see the fruits of all the mistakes he made in the past: what the doctor’s mother said may have been very blunt, but it was how just about everyone in the village saw him as: a good for nothing drunkard who never works. Because of that, he never gets the chance of another job, keeps drinking and just continues the vicious cycle.
The scenes around Noah recovering were a bit too cheesy, on the other hand. I’m surprised that even though this series really knows how little kids behave, they really only seemed to have focused on their every day behavior. Not what they’d be like during a crisis. But then again, that of course is pretty hard to study, since you can’t just sit by a sick kid and observe what his family is doing.
Rating: ** (Excellent)]]>
Tokyo Magnitude 8.0 – 09
Oh my god. I’m just… at a loss for words after this episode. This episode was just beyond sad. I’ve been a huge fan of Noitamina for years now, and I have watched every single of its shows aside from Honey and Clover. But damn, this series has a good chance to be the best thing that Noitamina ever brought forth…
Now that we’ve finally arrived at the last part of the story, it’s time for all of the build-up to pay off. IE: it’s time for this series to get back to the amazing quality of the first five episodes. Mari gets home this time, and starts looking for her mother and daughter. At first sight, they appear dead, but eventually they turn out to have survived in one of the most heart-wrenching reunions. Usually when anime try to play around with “is he dead or not”, this feels rather cheap, but within the context of this series it becomes downright scary. With so many people dead, and at the same time so many survivors left not knowing what happened. There’s no way of telling who might have survived or not. Heck, are we even sure that Mirai’s parents survived?
Speaking of which: OMG at the cliff-hanger at the end. Mirai and Yuuki have actually decided to travel to their homes ALONE!? Taken into account what happened to Yuuki in the previous episode… how the heck are the creators going to end this?! Probably the most evil thing of this episode was that even though Yuuki is most likely SPOILER just about everything kept Red Herringing around him.
I now see why I was so disappointed with episode 6 and 7: with such an amazing start, I expected the rest of the series to be also this consistent in quality, while in fact they were meant as a calm before the storm: they were meant to build up, and take it easy a bit for the finale. I’ve indeed been incredibly stupid thinking that this series was going to jump the shark in its second half. This episode was utterly amazing, and the final two episodes… wow… just wow.
Rating: **** (Fantastic)]]>
Konnichiwa Anne – 22
And finally, two years pass and Anne has grown up to nine years old. While it’s good to see lots of development, this episode also confirmed what I’ve been suspecting for a long while now: Anne is not Anne Shirley of Green Gables. She really is just an incredibly bright girl who happens to look similar to Anne of Green Gables, she just happens to share the same name and same name of her parents with her. And hey, Canada’s a big country. It could have happened.
Because in this episode, it becomes clear that Anne hasn’t been attending school for two years. Anne of Green Gables, however, was fully able to attend school; she just couldn’t attend it in the winter because it was too difficult to travel to her school, something which Randolf and Mildred don’t seem to have any problems with.
This show simply shouldn’t have been advertised as “Before Green Gables”, because it simply isn’t. I remember how Budge Wilson commented that she wasn’t going to try and mimic Lucy Maud Montgomery’s style for the novel, and instead would keep to her own. That’s understandable and I fully agree with that. However, she should have kept the characters in canon with the Anne of the Green Gables novel. She seems to be a famous writer with lots of experience. She should have been able to predict how Anne would have looked like in her childhood, which is nothing like the Anne in Konnichiwa Anne.
Nevertheless, this was a very nice episode if you ignore this. We get some background on Walter, the characters have all developed in an interesting way especially since this probably is one of the very first time in which we see a character as detailed as Anne, develop from seven years old to nine years old. Usually, when characters are shown below the age of ten, the creators usually just pick one age as a base, but this series instead shows Anne as a six, seven and nine-year-old.
Anne really strikes me as a child who grew up too fast. Children her age should still be busy goofing around, and being children. Instead, because Johanna has been forced to get a job after Bert’s job backfired, she had to face her adult responsibilities way too early. Because of this, even though Mildred and Randolf are much older than she is, she acts as if she’s of the same grade they are.
Rating: * (Good)]]>
Tokyo Magnitude 8.0 – 08
The past two episodes of this series made me think a lot about the nature of criticism. Especially after the previous episode, which I slammed down for having Yuki supposedly collapse for cheap drama, even though it’s not that weird for people to get sick in these situations. I also remember people who weren’t happy with that episode because it included robots. But yeah, then you have things as this: is it still unrealistic and unbelievable when it’s being used in real life?
I think that a lot of people (including myself; I’ve caught myself doing this plenty of times), whenever they are turned off they start looking for reasons why. These seeming logic flaws are then very easy targets for these criticisms. Ignoring the obvious cases in which a plot twist becomes so stupid or unbelievable that it destroys the entire suspension of disbelief, these things often aren’t the real reasons for these declines in quality, and in the case of very realistic shows as Tokyo Magnitude, you can see people who start blaming things that turn out to be perfectly normal.
In the end, the only thing that I can really criticize this series for is that I don’t like the OP. I’m one of those people who is too lazy to skip through OPs (aside from perhaps marathons), but at the same time I’ve never been a big fan of neither j-pop or j-rock, and Abington Boy’s School is no exception to this rule, and the song they used for this series’ OP is getting more and more on my nerves.
I think the thing with this series is that episodes 2-5 were utterly amazing, and the past episodes, instead of building up to a great climax at the end, instead went to go for a much quieter aftermath. It’s not exactly the same as Eden of the East, where it became clear along the way that the creators just took too much on their plate and badly paced the series after its initial episodes. With Tokyo Magnitude, I think it’s obvious that the past few episodes lacked the same emotional impact of the first five episodes. The question however is: does it need to be?
I’m getting more and more convinced that this show indeed doesn’t really need to be. I’ve become so used to anime, which nearly all have the general pattern of a build-up that gets increasingly full of tension, but here we have an entire subversion of this trope. During an earthquake, the biggest emotional shock comes right after it happens, and after that the tension, while it’s still there, fades as more and more people regain their sensibilities. The more I think about it, the more realistic it becomes.
Anyway, about this episode, aside from the total chaos in the hospital it was a very quiet one. Yuki turns out to be fine for now, while Mirai has visibly grown up while Mari becomes more and more worried as to what happened to her children. It’s a role reversal here: the reason Mirai managed to grow wasn’t just because she had to look after Yuki, but also because Mari, who started out as a mother figure, started to show more and more of her weaknesses. And that was the strength of episode six: its purpose wasn’t to insert some random illness, but instead show that Mari instead was just a human being, and at that point Mirai realized that her whining wasn’t going to help at all to solve the situation, especially since you can really see that she wants Mari to be reunited with her daughter.
As for the reason why Mari refused to take the scooter in episode: she might actually be running away. Take a look at this episode: instead of walking fast, like what I would do when I was worried about someone, she often walks way behind Mirai and Yuki. It’s as if she’s scared to find out that her daughter died.
Rating: ** (Excellent)
Edit: I rewatched this episode, based on your comments, and you’re right: they’ve given this episode a completely different meaning, and what I believed was a rather quiet episode has now become incredibly sad instead. I really have to give thumbs up for the creators for having the guts to go this far.
Rating: *** (Awesome)]]>
Konnichiwa Anne – 21
When I read some of windy’s comments, it amuses me that we both ended up liking and disliking the complete opposites in this series. It just shows that there are many ways to look at this series, even though it’s not among the better World Masterpiece Theatres.
I can somewhat understand how the Marysville arc was supposed to be what this series should be about: Anne and her every day life. However, I think that the biggest problem I had with the Marysville arc is that it was a complete rip-off of Emily of the New Moon. Its adaptation, Kaze no Shoujo Emily, was one of my favourite series of 2007, and I really hated seeing it butchered like this, with a lot copied over and just about every good part removed, with the most notable one being Henderson as Anne’s teacher. At least the Thomas arc had its own identity, of a poor family that was on the verge of being broken up due to a drunk husband. It’s a very down-to-earth problem, and I liked that part a lot.
But yeah, I do agree that these parts did take the focus away from what’s really important in this series: Anne. In exchange we got a very nicely developed Thomas family, but as a prequel of Anne of Green Gables, this series fails. I think that I stopped looking at this series as a prequel a long time ago. This simply is a show that just happens to have a lead character with the same name and looks as in Anne of Green Gables. Nothing more, nothing less.
In any case, I thought that this really was a great episode for Anne. I thought that they would again focus on Bert, but instead he simply gets fired and throws his family in disarray. The focus became much more on Anne, who now had to work extra hard because Johanna would end up working continuously in order to be able to support her family. We also see her get mad at her brothers for the first time, which definitely was the most memorable scene in this episode.
For a minute, I was worried that she was indeed going to join Henderson and Eggman as they moved away from town, but thankfully she eventually chooses not to. A very nice build-up to the point at which she in the end is really going to have to leave them. Especially imagining that the second house she eventually ends up in was much worse than the opportunities she has got to live happily as a family.
But yeah, there were parts at which this show was a bit too cheesy again, mostly again around Henderson. I just couldn’t buy that the entire class was crying because Henderson had to leave. I mean, come on. She wasn’t that good of a teacher and she wasn’t at her post for that long either.
Anyway though, I’m very glad that she’s gone now. The good thing about this show is that it seems to be divided into four arcs that are probably going to be entirely different from each other, so if you don’t like one arc you can just wait until the next one and just consider the dull arc as build-up for the good parts. I’m interested where this series is going to go after this, now that it stopped being an Emily of the New Moon rip-off and can start focusing on its own direction again.
Rating: * (Good)]]>