Sarai-ya Goyou – 11



A very promising start to the climax of this series. Like expected, it’s all about Yaichi and his past, and the creators did a really good job at building up to it so that they can now start dropping hints as to what exactly caused him to shut off his past. By now, it’s clear that certain things have happened that he has yet to digest, and at this point, there are a ton of people from the past, coming back to bite him. And then there’s also Masa, who is getting closer and closer to him as well.

Yaichi in his teens was… scary. He really had this air around him that didn’t care about anyone or anything. While he killed without remorse in this episode, it’s probably something else caused him to break up with his gang. It’s now interesting to see whether the creators will also be able to give this series a good closure. I mean, I know that the creators are able to do this, but the manga it’s based on complicates things by being way longer than something you can just put in 12 episodes. But still, Ristorante Paradiso did it a year ago, so why shouldn’t this series be able to do it?

Still…. I am missing something here, though. I can’t put my finger to exactly what, but the past number of episodes have lacked a certain something, that prevents it from becoming a masterpiece. I wish I knew what that was, though.
Rating: ** (Excellent)

Yojou-han Shinwa Taikei – 10



This episode was brilliant, there’s no other way to it. it’s THE proof that this very much was a series that was building up to its conclusion right from the beginning, and now that everything is coming together, it has just surpassed itself. It’s without a doubt my favourite episode of Yojou-han so far. Really, out of all the endings this season, I’m looking forward to the final episode of this series the most.

So in this episode we were promised that finally Watashi would break through the tradition of joining random clubs and pushing reset buttons, but I’m very pleasantly surprised with how he actually did it. Instead of running after a whimsical dream, he just gives up. He spends god knows how long in his own room, and eventually he ends up trapped in a maze full of endless parallel worlds of this room.

I loved how the creators portrayed Watashi and his confusion as he tried to make sense of his situation. It’s interesting how he just doesn’t speak in this episode aside from just one line: all we hear are just some grunts and his inner monologues, which seemed to be wittier and more descriptive than ever here. Especially the scenes in which he just tried to waste time were priceless in how down to earth they were.

In the end, this indeed is a series about parallel worlds: worlds that can change depending on even the slightest decisions that you can make different. Even in the current world, there were aspects that returned in other worlds, like the Castella. Oh, and the cockroach trick “backfired” with some hilarious result. What’s also interesting is that Watashi usually hardly ever was at home. In all of the rooms that the Watashi of this episode crossed, he only came across himself once (also explaining why that weird man with a beard appeared: it wasn’t exactly an older version, just a version of Watashi who refused to shave).

It’s also interesting how Oz doesn’t seem to be the main bad guy of this series after all. This also could be expected after the previous episode, but it seems that Oz is just another characters in all of the universes that Watashi takes place in. This anime really is a journey of self-discovery for Watashi. The main concept wouldn’t be that different if Oz weren’t there, and the biggest difference is that Watashi didn’t have someone to put him down to earth by reminding him what an idiot he is.

Now, this really is a series that’s perfect for the short airtime of 11 episodes: it’s short but focused, and knows what it’s building up to. Those are often the most successful short series, compared to the ones that either just cut off, or try to do just too much in too little time. That will make for enjoyable series, but not the masterpieces like Yojou-han and Kaiba because it can never get really in-depth about its characters.
Rating: *** (Awesome)

Yojou-han Shinwa Taikei – 09



This was just awesome, the way in which everything came together in this episode, and there still are two episodes left for Yojou-han’s conclusion. This episode took events from all of the previous episodes and wove them masterfully into one.

Very different from usual, Watashi ended up being a bad guy here, rather than joining a regular club. It was some sort of evil society that was responsible for the rounding up of bikes in episode three. I think that this was the first time he really made Akashi angry here. In fact, we get confirmation that she’s still a member of the same clubs as she’s ever been in, and we get more and more a confirmation that every episode is the same, aside from which club Watashi decides to enter. The previous three episodes were special in the way that he wasn’t too involved in these clubs (an English club and reading club… yeah), which allowed him to explore love a bit more, instead of getting all caught up with these clubs here.

In all of these episodes, he met Akashi in different ways, because they pretty much were in the same campus, and she happened to live next to Ozu. Ozu on the meantime… I really begin to suspect that he was involved in everything here, from the tennis club to being Higuchi’s disciple to being the captain of the lucky cat Chinese restaurant. The reason he was involved in the cult in episode five was because his girlfriend was that raven-haired maiden that Watashi was chasing after back then; that’s why he crashed that airship. This episode finally revealed all of his motivations.

There was one big difference here though, that doesn’t really fit into the canon of the other episodes: Watashi did NOT find Akashi’s Mochiguman, but instead Ozu went after it. Could this be a hint that Watashi is getting further and further away from her, and that he’s just failing to notice what’s right in front of him? This episode does show that now that he finally found wealth and power he still feels like he’s missing something, which was pretty much the first time he acknowledged this.

Also, this episode did NOT feature a rewind. Instead we just have Watashi sulking in his room. I think that out of all the conclusions this season, Yojou-han is the one I’m looking forward to the most. There are just so many ways in which it can go, and I really feel like the creators have been carefully building up towards that ending.
Rating: *** (Awesome)

Sarai-ya Goyou – 10



Ah, like expected: the series is going to close off with Yagi’s arc. This episode was meant to set everything up, while the final two episodes can really explore this guy.

We also now know why Yagi was so important to this story, as he turns out to have known Yaichi as a child (yeah, the child in the flashback really was him). It all points towards a trauma: the guy witnessed the death of the only adult he looked up to, which is probably what made him turn to become a member of a gang. The beauty is that he already developed a lot in the meantime. Yagi has some weird ideas, and he keeps sticking to his criminal roots with the use of Goyou, but he’s also bright and witty.

It’s interesting how there have been no kidnappings for the past few episodes. It’s probably because of Yagi that he’s not trying to do anything funny; he must have recognized him back there, though it was probably a bit harder for Yagi to lay the link because of how Yaichi grew up and completely changed his appearance. The white hair also could be some sort of hint here: why did he suddenly lose all of the pigmentation there?

In any case, with two episodes left I’m very curious to see whether they can surpass the middle episodes. I think my highlight of this series lies at episode six and seven. The final two episodes have already received a ton of build-up at this point, now it’s up to this series to make optimal use of this.
Rating: ** (Excellent)

Yojou-han Shinwa Taikei – 08



What am amazing conclusion to the love triangle arc. Seriously, Sarai-ya Goyou has really gotten some serious competition for my favourite series of the season, I really love the way in which Masaaki Yuasa has been delivering this series so far. This episode was nearly again the exact same as the previous two, only with the focus on Keiko, Watashi’s pen-pal, and a different conclusion.

The past arc has been brilliant in making everything spiral out of control. It’s THE proof that repetition doesn’t need to be bad, provided that you use it well. There have been tons of series who did amazing things with it (Utena, Higurashi, Jigoku Shoujo and Umineko, and it’s very interesting to see Yojou-han joining them.

I think we all knew that Keiko was actually Oz, the moment he handed Watashi that magazine, in which he found Keiko’s address. Part of what made this episode so much fun though was the way in which he was so genuinely enamoured with her. The look on his face (and especially the dialogue that went on inside his head) at the moment he found out that he had been exchanging love letters with Oz was priceless.

Akaishi’s role in everything also turned out to be very interesting in the past arc. The big difference with the previous arcs is that Watashi actually did something nice for her, instead of ignoring her (that was probably the meaning of the promise-scene of the earlier episodes: it’s to show that the two actually fit each other quite well, but because Watashi is so incredibly dense he never made any advances on her and forgot about his promises to her). Also, she’s living next to Oz.

Seriously, now that prediction that Higuchi made back into that first episode gets a new dimension with this. Who knows how often they hooked up with each other while Watashi was messed up in his umpth weird idea? We’ve heard of Oz’s girlfriend before, but have we actually seen her once? And again: Johnny was no use in this episode, and Watashi again left her. But then again, he really was in love with the image of Keiko he created. That’s the really weird part here: his love for Hanuki felt a bit shallow. Instead however, he has been genuinely in love with two women who didn’t exist. In fact, Watashi is a guy who just keeps chasing after these abstracts that don’t really exist, instead of looking what’s right in front of him: something concrete that can make him happy. Johnny turned out to be the complete opposite of this: not looking far away, but instead just trying to go after what’s right in front of him.

I really wonder what those final episodes will be about: how will they put everything to a conclusion? This is Masaaki Yuasa. For the sake of spoilers I’ll be vague in this, but ‘certain’ series of his have had really… ‘interesting’ endings.
Rating: *** (Awesome)

Sarai-ya Goyou – 09



That was an excellent conclusion to the Matsu-kidnapped-arc. Masa did exactly what he needed to do in order to get the guy out, and there wasn’t some kind of last-minute thing that went wrong in order to cheaply increase tension here.

Instead, the final part of this series seems to centre around Yagi, who indeed turns out to be a government official. It’s not sure whether he uses Masa to get to Yaichi, but nevertheless he’s in between two parties who he cares a lot about. This episode very much showed that he has accepted five leaves as friends.

This episode also introduced the dreaded sister with a brother complex. Still, it’s a cliche here that’s handled well: she’s not outright in love with Masa here unlike MANY of her counterparts, and instead the creators portrayed her as a worrying sibling who hasn’t heard anything about her brother for a while. Finally there’s a show that understands that.

Three episodes left, the problem does remain that there still remains a large part of the manga unanimated. I really hope that the creators can create a satisfying ending with what they have. That’s the one disadvantage of this otherwise excellent series.
Rating: ** (Excellent)

Yojou-han Shinwa Taikei – 07



Awesome, this is exactly as I hoped: this show just continues to get better and better. Screw the repetition, every episode manages to add ten new things for everything it recaps. I was a bit fearful of the prospect of having an episode more similar to its predecessor than ever (who knows, perhaps it might even have pulled a “Seraphim Call”), but this episode very skillfully took the the previous episode, and built further upon it.

The overall scenario is pretty much the same as in the previous episode, it’s just the focus and ending are different. Instead we gloss over Hanuki and the pen pal, and instead this episode is about the love triangle around between Watashi, Jougasaki and the love doll. Oh, and Johnny. He has gotten way more extreme with this episode.

This episode really was masterfully written, not just how Watashi’s feelings kept spiralling out of control, but also that Jougasaki kept entrusting Kaori more and more to Watashi in a surprisingly similar way as how we’ve seen him in the second episode. On top of that there were also a ton of parallels with that proxy proxy war of episode four. Seriously, it felt like Ozu kept pestering him even without Watashi’s help. That could explain why he’s been so relatively absent in the past few episodes. It would be pretty awesome if he was some kind of ever-present prankster.

The next episode will be about the pen pal. the end of this episode even hinted at that. But what about episode 10 and 11? Especially Akashi had a really weird role in these episodes, as she was supposed to be the female love interest and instead Watashi has chosen three other girls to fall in love with. Will episode 10 actually be the same as these past two episodes, but on the perspective of Akashi?

It makes me think about the one oddball episode about this series: the one about Higuchi’s disciple. All of the other episodes were about portraying Watashi as some sort of socially awkward loser: the past two episodes were all about his desire to remain pure, and the other episodes really all stressed what a social dork he is. That episode was different, though. His life was miserable there not because of his own actions, but rather only because he ended up choosing the wrong club at the beginning of his university life. That proxy-proxy war was completely different from Watashi’s other struggles, not to mention that really weird scene in which Higuchi suddenly started riding a giant whale.
Rating: *** (Awesome)

Sarai-ya Goyou – 08



This episode seemed to me like the start of the arc before the finale. You know, the arc that isn’t exactly at the centre of the plot, but rather is meant to develop some of the most prominent side-stories. With this series, that is about Matsu: in this arc we finally get to know him for real, and it’ll probably get resolved in the next episode, before the series can close off with a finale dedicated to Masa and Yaichi. At least, if the creators know what they’re doing and don’t just cut off this show without any conclusion or second season in sight. That’s the ONE disadvantage of this series: it’s an adaptation.

In any case, this episode was as wonderfully paced as usual. The plot is a bit more straightforward, now that Matsu has been captured and all, but the creators really made sure for it to make sense within the story. Matsu is portrayed as the noble thief. He may steal, but he’s doing it all to repay the debts that were paid to him to save his son. by a store owner. Before, we’ve already seen that when he operates alone, he becomes very reckless. He’s only the careful Matsu when guided by Yaichi, and I think that Yaichi knows this very well.

What made this episode for me however were again the tiny things, like the interplay between Masa and Yaich, and how at first sight Masa might be another one of those wimps, though his lines are all surprisingly calculated and sharp. This episode also stressed how important the friendship is in keeping Goyou together. I mean, if Yaichi wasn’t there, there would be no reason to keep doing it. Instead, everyone is acting not just out of loyalty and admiration of Yaichi (which only seems to be the case for Matsu), but also out of loyalty for each other. Masa is indeed very interested about Yaichi, but he has also gotten attached to Ume and Otake. Ume on the other hand actually nearly left, however due to what happened to Matsu he just couldn’t leave.
Rating: ** (Excellent)

Sarai-ya Goyou – 07



Oh my god… Tomomi Mochizuki might actually be surpassing himself with this series. Within seven episodes, he managed to put as much meaning into its characters as what Porfy no Nagai Tabi took 26. He’s got such a great sense of realism and character-development, and it also really helps that aside from directing he also did the series composition so that he could really put forth his vision of the manga. And on top of that it’s just awesome to see what a great manga he got to adopt. After having seen two of her stories now I really have to say that she’s a genius at characterization.

This episode again: from the outside the scenario was just about a few mundane tasks: Masa running away from a fight, him starting to train under that other older samurai, etc. From just those sentences it looks like a cheap shounen series, but just about every scene in this show was focused on putting as much meaning as possible in these events. A simple plot of Ume gets a ton of extra side-effects: it was his way of getting Yaichi to pay a visit to Masa. Yaichi knew very much that Ume was lying about Masa’s condition, but went anyway. He knew that he would be recognized, but at the same time he knew that it wouldn’t be that big of a problem since the old man wouldn’t tell much. And yet hints about his past were bound to be dropped here. It’s like he’s getting Masa to learn a bit more about him… but only a bit, nothing too much.

The characters here are nowhere near stupid. They’re very observant about each other. Masa himself knew very well that Yaichi had to have some sort of criminal past, and not just as some rogue bandit. You can really see him trying to get through to Yaichi, whether this is out of admiration, fear or something else still remains a bit of a question. Yaichi on the other hand can really notice Masa’s mood change as he gets to know more about him, and thus more afraid.

At the same time this episode was also very much about Masa’s self-loathing, or perhaps that’s a bit too big of a word. Either way, he’s being held back of an interesting career because of his personality, and knows it. The fight in this episode at which he ran away also really showed that he’s a guy who really keeps clinging to the past. As this is in his case a rather bad past (he had to cope being a samurai with that personality of his), he has a ton of anxieties, especially when alone and there being no reason for him to actually be tough.

This episode also gave a very interesting dimension to the older samurai and the graves he visited. The anecdotes he told about the people he lost were interesting yet down to earth, not to mention that that cliff-hanger was an interesting one. It’s obvious that there can be more dogs called Scruffy, but it is one gnawing cliff-hanger nevertheless.
Rating: *** (Awesome)

Yojuo-han Shinwa Taikei – 06




This episode finally introduces that strange cowboy we’ve been seeing in the OP. Guess what his name is? I really thought that it was some kind of Euphemism that Eden of the East came up with, but here we’ve got another show that comes up with that strange nickname.

In any case, this episode was just awesome, by far the best of Yojou-han yet. It was a masterfully written romance that felt incredibly refreshing when compared to all of the uninspired high school romances out there. It’s the episode that finally gets a close look at Hanuki, the dentist assistant. Watashi meanwhile is in the middle of a really weird love polygon in which he often hangs out with her after club activities (this time it’s the English Club, at which for once he doesn’t suck… or at least feel out of place at), exchanges letters with a mysterious girlfriend whose identity we never really learn and somehow ended up taking care of Jougasaki. Hanuki in the meantime also hangs out with Jougasaki and it’s heavily implied that Master is her boyfriend.

The reason this episode rocked so much was how well it got into Watashi’s head for this episode. Especially when the liquor popped up everything kept spiralling out of control masterfully. I’m not exactly a fan of Johnny’s voice actor, but nevertheless it shows what a genius Masaaki Yuawa is at portraying chaos.

Ozu this time was interesting again, in the way that he was very much out of the picture for the biggest part of this episode. He’s still causing trouble, but it’s affecting Watashi less and less: he actually got close to three girls other than Watashi here. Speaking of which: she never made an appearance at all. This was a very interesting episode of Watashi, experimenting with other women than what this series made out to be his “true love”; very refreshing.
Rating: *** (Awesome)