Natsume Yuujin-Chou – 46

This arc was just wonderful. Here once again, Natsume’s character gets pushed forward. Before, he kept worrying and worrying about involving his friends in the youkai world, which is why he kept trying to distance himself. This time though, Tanuma actually gets hurt because of this, and actually would have gotten killed if it wasn’t for Natori. With this, I now also get why this season needed to put in episode 44, about the younger classmate that Natsume met: she was supposed to be the lead-in to this story, showing how the people around Natsume have gotten closer to him. That’s slightly different from the third season, which really was all about Natsume.

I loved how this episode placed parallels between Takashi, Reiko and Natori: Natsume is actually walking a path that the other two couldn’t. Natori actually gave up on it, while Reiko actually failed to do it? Is that why she was so involved with Youkai and kept stealing their names? Indeed, in the flashbacks we’ve seen her in, she always was with youkai. We’ve never seen her before with other people.

This episode also had some very expressive animation. There really were a lot of different youkai in this episode, and there were some scenes in which the characters looked really dynamic. It’s interesting how Brains Base have gotten better and better at animating this series here.
Rating: *** (Awesome)

Natsume Yuujin-Chou – 45

And so, this was the comedic episode of Natsume Yuujinchou. Nyanko-sensei was completely hilarious here, but it’s yet again a wonderful story about Natsume himself as well. This one really takes the themes of him not wanting to involve others, and builds further upon it, putting him in a situation where he’s just completely powerless and in the mercy of them.

It’s another two-episode arc here, and I am particularly curious to see how the aftermath will end up. Nyanko-sensei didn’t bother to stay in character at all, which was especially bad with Sasada this was particularly bad. You can really see that Natsume usually does his best to stay polite, and this was about the complete opposite of that.

The best part of this episode though, was how it combined the comedy so well with the drama. I mean, usually with these kinds of episodes characters start overacting a bit too much. Everyone here stayed in character, yet showed something new here. Especially the final parts of this episode, as Natsume watched Tanuma get involved into something that might seriously harm him.
Rating: *** (Awesome)

Natsume Yuujin-Chou – 44

It’s getting a bit repetitive here, but this yet again was a really heartwarming episode. And as if the third season hadn’t already spent enough time developing Natsume, this episode took a look at yet another different part of his childhood, to the time when he was still passed around from household to household, but when the harsh times from when he was really young were already past.

It’s the point where he doesn’t get bullied anymore, but instead ignored. Because of that he also wasn’t really trying to not involve the people around him as much as he is now,so he caught the attention of one particular girl who started noticing that he wasn’t just randomly actin weird. It’s all told in one wonderful flashback and I really loved how the two didn’t really meet in the end, but rather were reminded of each other due to a random incident. The whole set-up of showing two different perspectives in the two halves of this episode was a very nice touch. The point of this episode I think was to let the people that Natsume met know that he ended up in a kind place.

It’s also interesting how this shows a time in which Natsume was really trying to restrain himself. That one like of his, when the girl asked him if he cut his hair himself. That’s something that the current Natsume would have never said, so it struck me when I heard it.
Rating: ** (Excellent)

Hyouge Mono Review – 87,5/100



Nowadays, there are few series that you could really call unique. Nearly all shows base their ideas and concepts off of some other work that came before them, or build further upon concept introduced anywhere else. Once in a while though, an anime appears that just can’t be compared to anything. Hyouge Mono is one of those series.

I mean, seriously, I’ve got nothing. At first sight this might be lumped with the other historical series, but there are just a ton of elements in this series that no other historical anime has. Here we have a series of 39 episodes that is solely about a bunch of old guys talking about aesthetics, while making the most bizarre faces in the process. Beyond my wildest expectation, this series ignores just about every convention that has been established over the past ten years and just goes into its own direction. It has really been years since I last saw a show do that.

Being unique is of course one thing, but you still need to be interesting. A show can be unique, but a chicken riding a unicycle while singing the Estonain National Anthem is too, but that perhaps isn’t the most interesting to watch. Thankfully though, Hyouge Mono is a delight to watch for those who are looking for something slow, yet substantial. There are a lot things that this show does right.

The acting in particular is just sublime. This series managed to deliver the most accurate version of the Sengoku era we’ve seen so far (which admittely isn’t that hard with shows as Sengoku Basara), and put down very believable portrayals of characters like Oda Nobunaga, Toyotomi Hideyoshi, and the tea master Sennou Rikyuu. And on the other hand it’s also chockfull of the most bizarre facial expressions that are almost glorified throughtout the entire series. And strangely enough, these two extremes blend in really well. The performances of the main characters in particular is stunning, but also the side characters (and that cast is HUGE) shines with very diverse and true to life characters.

By far the biggest mystery of this show is how on earth it managed to land itself a whopping 39 episodes. In a time when all experimantal series can consider themselves lucky if they can get 13 episodes, and here this show comes from out of nowhere with a length three times of that. Because of that, it can get really in-depth into its subject material. This both is a really good look into history, but it’s in particular the detail into aesthetics, and the teachings of “wabi sabi” that really stand out in this series.

In terms of flaws, I’d say that this series is a little too slow for its own good at times. It’s not exactly dragged out or anything, but when you look at each individual episodes, there is relatively little that actually happens, for the sake of detail, and that balance at times was skewed a bit too much to the slow side. The visuas in this series are limited, but most of the times they try to make very good use of their budget. There are some exceptions here, resulting in badly drawn faces on what are actually key moments.

Also, this series can be quite misleading in its actual subject matter. At first it might seem like there will be quite a bit of attention into medieval warfare, and the first half of the series has some very interesting battles (including what could possibly be one of the best death scenes of the most recent years). There really is signfiicantly less action and even more talking in the second half. The action that’s there however is incredibly stylish. This is a series that really evolves and changes over time, amd the conclusion they went with really fits the series perfectly.

Storytelling: 8/10 – Excellent direction. A bit slow at times, but the use of camera angles and the dialogue are just wonderfully written.
Characters: 9/10 – The acting for these characters is just sublime. Rock-solid performances from the main cast in particular.
Production-Values: 8/10 – The animation is simple. but very effecitvely used with very detailed character designs. Soundtrack also is excellent, but doesn’t get many chances to really stand out due to its restricted nature.
Setting: 10/10 – Spends a huge amount of time fleshing out the teachings of wabi sabi, japanese tea ceremonies, and is an amazing look at the days of the Sengoku Era.

Suggestions:
Not gonna even attempt to find similar series for this one

Hyouge Mono – 39

And so it has ended. I originally thought that Sasuke would arrive to do something crazy, but this also was the perfect way to end this series with: an entire episode dedicated to the ceremony of Sennou Rikyuu, committing harakiri. It gave a beautiful closure to this series and definitely set the standards for the endings of the rest of the year. As usual, Bee-Train definitely did not disappoint.

The build-up in particular was wonderful here, and I especially loved the last moments between Rikyuu and Sasuke, who was the one who ended up killing him. The final scene of the series really made an impact here: it was just Sasuke carrying Rikyuu’s head. No aftermath, nothing. It was entirely about the ending of a visionary.

Overall, the last third of this series turned out to be completely different from what I imagined. The reason for this was that suddenly the main character role shifted to Rikyuu, and this series started to explore exactly why he ended up committing harakiri here. It was completely different from the first third, which was centered around Oda Nobunaga’s conquests, and the second third, which was about Sasuke building up his influence. The fromer were crazy, while this was far more dark and brooding. The picture they all paint together however is wonderful.

I can only hope. Hope that there will be more series like this that don’t care one single bit about being moe or delivering bishies. Series that just have a completely unique vision and aren’t afraid to fully go with it. It perhaps didn’t end up as an utter classic due to a bit of a slow pacing here and there, but it once again reminded me why Koichi Mashimo is one of my favorite directors. I am really, really looking forward to his next work.
Rating: *** (Awesome)

Natsume Yuujin-Chou – 43

Oh my god, Natsume. Are you really delivering another brilliant episode? Seriously, even the previous seasons had episodes that slightly disappointed or didn’t work out as well as the others. This season has delivered one amazing story after the other.

Interestingly, this wasn’t necessarily about Natsume’s development. Instead, we’ve got a story entirely dedicated to a youkai here. In this episode it still was apparent how much Natsume has grown over the past seasons, but it really was about this quirky youkai that runs into him, along with a story of what happened in the youkai’s past.

For one, the Youkai was delightful to watch. He really nailed being funny, while also not getting lost in his own quirk. This guy is funny, but also surprisingly complex for a youkai. All in all it was a really interesting twist on the usual “youkai versus human romance”. It masterfully stayed away from cheese, despite an arranged marriage being used, along with “we can’t meet because we’re different!”. The ending in particular was delightfully light-hearted, yet incredibly charming. For the girl, it probably was a very nice experience, after which she went on and lived the rest of her life doing who knows what. All we see here is the side of the story of a youkai who is full of guilt for what he did.

I also realize now that the third season had surprisingly little of the book of friends. Because of this it’s also been quite a while since we last saw Reiko. With these opening episodes, you’d think that this season would be more about Matoba and Reiko, but with this series you’ll never know what the next story will focus on.
Rating: *** (Awesome)

Hyouge Mono – 38

And so it has finally happened: the beginning of the end. I’m still quite surprised that it completely revolves around Sennou Rikyuu, rather than Sasuke. Still, Rikyuu having to perform Harakiri: it makes for a great ending. The end of this episode also showed that it will be Sasuke’s turn to try and stop things, which is actually something that will put him into the spotlights again one final time. I know Koichi Mashimo. He really finds a good ending important. Even the mother of all incomplete shows, Blade of the Immortal, still tried to leave with a good feeling. This build-up really can leads to some excellent finale that will be really hard to beat by the rest of the year.

This episode finally finished the thing that this series has been building up for months now: Sennou’s death. Bit by bit, ever since that bald priest got executed, things have slowly been building up to this point. There was the statue, the many scenes of high tension between the two, and last episode showing Rikyuu destroying one of those three legendary pots. This time with the assassination, it was the final straw, and I especially liked how Hashiba made the conscious decision, yet was partly pressured to do it.

I mean if you read it in a history book, things like Harakiri and Seppuku seem so incredibly distant. Were these people really so crazy to just order people to kill themselves? It’s really hard to imagine the state of mind that these people were in when they made these decisions, and especially reading about them quickly makes them feel like they were made on a whim or something. With that in mind, I really have to congratulate this series for deliver so many solid performances. Despite the over the top moments, the acting of this show is really top-notch and believable. With such an in-depth look at the mindsets of these people at these times, I really can say that this show gave me new insights about the history of Japan.

And really: it’s been a while since a series taught me something. Especially as extensive as how this series has been doing.
Rating: ** (Excellent)

Natsume Yuujin-Chou – 42

Well, there you have it. The third episode, and yet again this show delivers. Heck, I did not expect this, but out of the four Natsume seasons, the fourth actually had the most consistently excellent opening three episodes. I really hope that that’s a sign for the rest of this season, because this show already is better than anything else that airs right now that I’m watching.

This episode really toyed with the heartwarming type of stories of Natsume Yuujinchou. Natsume has taken care of cute things before, but this one had a bit of a twist here: it was poisonous and easily startled. It’s much more like a wild animal than the others that Natsume took in, and for a long while it didn’t reveal how sentient it was exactly, especially with it disappearing around the halfway mark of the episode. Because of that, it was really heart-warming to see how it felt sorry for hurting Natsume. This episode was completely adorable, though in a different way from the other cute episodes so far.

My one criticism of this episode is that it had some obvious continuity errors. One scene Natsume’s room is full of holes and blood, the next it’s finished. Also, it’s implied that Natsume went to sleep right on top of dirty berries. Of course this is nothing minor. It’s easy to assume that he cleaned all of that up out of camera, but here I believe that it would have made this episode even easier to relate to if there was just one small scene spent on Natsume actually doing this.

Also, this episode showed sometihng very interesting about Nyanko-sensei: he got sealed off in this episode and walked around through most of the episode with this strange eye-patch. It’s implied that he can’t get it of on its own, and yet he easily dispatches of it near the end of the episode. He could have chosen to do it immediately to just get rid of an unthankful youkai, but instead he agreed with Natsume to first try to solve things in a peaceful way by allowing Natsume to reason with it.

I mean, at this point it must also be obvious to him that that book of friends will be mostly empty when he can finally get his hands on it. I sense the same loyalty here to Natsume as the other youkai that Natsume befriended. He keeps teasing Natsume to hide it, but I doubt that the book of friends is his biggest reason to stick with Natsume at the moment. Heck, even Natsume teases him with that in this episode.
Rating: *** (Awesome)

Hyouge Mono – 37

Date Masamune, the one eyed dragon.. playing Jesus with a golden cross. I have no idea how they came up with that. Still, it’s interesting that this show touched a bit upon the Christian issues of that time. It’s not a major theme, but it’s still interesting to see.

In any case, we’re two weeks away from the ending, and this really shows in the catfight between Rikyuu and Hideyoshi, of all things. Surprisingly, Sasuke is not the main drive of the conflict in this series. He’s important, but more like a bystander. When looked at the actual story the finale will be centred on Rikyuu. Although, I know Bee-Train for having really good endings, and Koichi Mashimo very likely wants to keep up this tradition with this show.

The one thing that annoys me about this show is that it’s getting harder and harder to write about this show. Not fully understanding every sentence probably isn’t helping here, but I’ve already said everything I wanted to say about this series, and am starting to suffer from writer’s block with this series. So yeah, these entries are rather short.
Rating: ** (Excellent)

Natsume Yuujin-Chou – 41

And the first series this season also is very likely going to be its best. I mean, it’s Natsume Yuujinchou. The other shows this season are going to have to be really good if they want to be able to match it, but based on just first impressions, there doesn’t seem to be any other series that can get close to it anytime soon. I do emphasis “seem” here, because things haven’t aired yet and I do stress that this is just a prediction, but I will be really surprised if I turn out to be wrong here. I wouldn’t mind this at all, though. Does that make this season bad? Nah, but more on that later. I first want to rave all over how good these two episodes were.

But seriously: this fourth season wasted no time at all. This episode already was amazing. This one was one of my favorite arcs of Natsume Yuujinchou so far. This episode immediately took the third season, and went even further with it. Matome became an even better villain in this episode due to how he immediately researched Natsume, and checked up on his background, and tried to use this against him. I mean he probably too knows how it must be to be looked at weirdly. He just grew up being expected to head the Matoba house, and was surrounded by like-minded people. Natsume meanwhile had to do everything for himself.

Matoba really is a great villain. The research this guy does makes excellent use of this series’ arc-based nature, and how the arcs are relatively small. He is a villain who experiments. He’s constantly looking for things he can use, and if things don’t work out, then ah well; he learned something new, he can move on to the next, and he actually has a lot of different ways of accomplishing whatever the hell he needs to accomplish. This guy is very, very flexible for a villain. That’s not something we see often, considering how often villains need to be thwarted by a bunch of teenagers.

Overall though, I really am serious here: these were the best two opening episodes of all of the Natsume series so far. The other three needed to take their time to really get going. This one immediately is awesome. Now talk about promise here!
Rating: *** (Awesome)