Sakura Quest – 06 [The Rural Masquerade]

This episode of Sakura Quest… Did I just miss an episode or two in between? Remind me again when exactly did all those movie productions come from? The show just drops its woodcarving storyline to this film production storyline and that switch is jarring. Now Sakura Quest heads into one of direction that I’m quite nervous about: a sitcom anime – a type that don’t need much continuity. On top of that I can’t say I’m fond with this film production scenario. I don’t get the idea of the movie they’re making either: A slice of life story set in Manoyama (see self-reference here) that… have a blue-faced zombie outbreak? How’s that supposed to be a slice of life then? Okay, now to what we have this week, we have our girls run along with the film crew, trying to find good locations, calling up extras and finding old houses to blow up. It’s good to see the functions of small film productions in action, and the old man Kadota and oba-san Chitose provide many good laughs on screen (the comedy in this show remains very good). I love Kadota’s commitment to the role he played, and just by few scenes both Chitose and the tsun café girl Erika’s unpredictable reactions really tell us the person they are (oh, and Ririko’s cute little victory). Lovely character works all around. The director is a bit of a douchebag though, I can see him piss a lot of local people off by the next episode.

Out of all the main girls, it’s Shiori that I’m initially worried the most. For other girls, I can see how they develop their potential conflicts. Yoshino with her adaptation to the rural village, and her quest to gain more tourists for the town will serve as the main driving force for the story. For Sanae, we already had her being insecure about running away, and the potential love-triangle with the wood-carvers. For Maki, it’s her job insecurity and her conflict with papa. Ririko will have to deal with the difficult oba-chan and maybe her love for video-recording. But as for Shiori, there’s not much to develop. She’s a stable character with a stable job and a stable family, and so far, she serves mainly as the supporting voice for Yoshino and the girls. Prior to this episode, the only development angle I could imagine for Shiori is her closeness to Ririko, which whenever Ririko has an issue, she’d be the closest to help out her friend – But that, as well, is a supporting role. Thanks Sakura Quest for given her something to work with this episode without distracting the main storyline. It’s obvious that she feels connected to the abandoned, worn-out house and for now, my guess is that she was close with the person who used to live in that house. Her close friend maybe. Whatever the case, it’s good to see that she takes a main stage once in a while, and I really hope that Sakura Quest gives her something of an arc to develop her further in later events.

But the main beef in this episode is all about developing Maki. Aside from Ririko, Maki is my favorite girl and this episode both flesh out her current situation with her family, as well with her acting career. When she remarks that “Loving (the job) is also exactly what makes it so hard” and “Your twenties are a special time, and I wasted them”; I feel the sensations. Her underclasswomen appeared as a main female lead just puts the salt in that open wound, made she feel frustrated. But Maki, remember that Moe’s getting more acting roles ain’t because of eating cicadas, and besides, cicada isn’t that bad (take my word for it). Sanae seems to knock some sense out of Maki and all eyes now are looking for her to take the acting part. I know she’d be exceptional there. These concerns about adult-insecurities are really relatable and grounded and those character’s moments are what raise this show above the bar of your average anime.

But I finished this episode feeling unsatisfied. While, like I said, the characters’ works and the comedy are the show’s greatest strengths; the main storyline feel abrupted, unbalanced that feel more like a wasted opportunity. This episode, judging as a whole, is a solid episode, but that is precisely why I have a feeling that the series will be just sitcom-y like this from now on. At this moment, my interest in continuing cover this show has dropped dramatically; I will give this show another episode to see if it can redeem itself. Sakura Quest is not bad per se. I just feel underwhelmed by the potential it could’ve had and the actual presentation right now. Otherwise, with 2 other shows that I find myself more invested in, I would just pick one and cover instead.

Uchoten Kazoku 2 – 05 [Daimonji Leisure Cruiser Battle – Continued]

Who would’ve thought that the chaise will be a declaration of war in that universe? For the record, their head-to-head battle: Nidaime:2 Benten:0

If last week was all about romance – which now looking back the Eccentric Family had never actually focused on this aspect before – this week we have dispute as a main theme – tanuki and tengu disputes, such fool and prideful creatures; another reflection of their idiot bloods. This week manages to be one of the best episode of all season, offering both the magical sensation this show is famous for, and further deepens the conflicts and most of all just full of beautiful, heartfelt moments. I’ve realized that reviewing Eccentric Family is getting harder and harder since I’m embracing the show so much that instead of critique I’m just babbling about my favorite moments. But damn it, let’s do it anyway.

The first half we have a continuing of our tanuki love from last week. Turn out Gyokuran, Yaichirou and Yasaburou were sucked into his father’s secret shogi room, which in turn is the place where 1) it linked directly to Akadama-sensei room and 2) their parents were trap by none other than that old cranky tengu and then their love blossomed. Such lovely details. Eccentric Family don’t usually go sweet, but they handle that romance with such heartfelt. I guess Akadama-sensei is actually useful for once (in truth, he looks like a mighty, proper professor this episode), bringing the courage between two individuals who too shy/stubborn to admit their love – and what they say to each other is rather simple, TO THE POINT (other anime takes note, cut out all the Bibbidi-Bobbidi-Boo bullshit and the romance is strengthened). And that lovely story from Tousen seriously melted my heart. The storytelling of Eccentric Family is as strong and effective as ever, even the comedy really hit home as well. I have a good laugh when Yaichirou gets dokidoki he bumped his head to Gyokuran, roleplayed by Yasaburou. This first half is up there as one of the most magical moments in the whole Eccentric Family, hands down.

As the title suggests, the leisure cruiser battle begins, again. I’ll be frank, this year’s battle just can’t compare to the one in last season; both in scope (last year the Shimogamo was an underdog; this year do we have any doubt they would lose to the stupid twins?), and in the excitement it evokes (they don’t even focus on the Daimonji festival for Christ sake. Such a waste). The only stand out moments were when Gyokuran loses her temper at the twins (she fits right in the Shimogamo family. No doubt). Seeing another vulnerable side of Gyokuran sure is great fun, but also witnessing the bus (Yajirou) landed right on top of the cruise that literally blew everyone out is the whole other experience together. It is a tradition for tanuki to enjoy themselves in a floaty house on the Daimonji festival, now adding the dispute between those tanukis as part of the tradition as well. While this sequence sure highlights the slapstick, silly nature of the show, it sadly is the weakest part of this episode, but I guess mostly due to the fact it was bookended by two stellar sequences.

Right after the chaos created by the tanuki, the tengu takes the stage. Nidaime comes to pick up his chaise, whom Benten took for her sightseeing. Now I am convinced that the reason Nidaime come back to visit his estranged father have something to do with her visit in Britain. For now, I guess that she triggers him in some ways, but her true intention is still for him to see his father (I’ve learned the roundabout logic of the tengu. So it seems). The final showdown between Nidaime and Benten comes as quickly and unexpectedly as none of us would guess. Indeed, blink and you might miss the outcome. It’s the first time we see the weak, helpless side of Bentei, when all her pride is strip down by the (foreshadowing) beaten. As Yasburou points out, there is something that hold her back? What is it then? I love the last part, as Yasaburou stays behind, looking at Akadama who solace Bentei. Now the ED sequence starts to make so much sense. We see Bentei visiting Britain, and later we see what likely is the continuing of that last scene. Akadama carries Bentei on the back, Yasaburou picks up her lost thong from behind. That is pure visual storytelling my friends, when two such simple shots can tell us much about the mood and the emotions of the scene. Likewise, what Bentei admits, that she’s frustrated, while sitting at the pond, is understated and just goddamn fantastic. I have never thought she’d be no match for Nidaime. But what are they even fighting for? Tengu dispute? From a human and a tengu turned English gentleman? Over the chaise then? That makes no damn sense.

But really,

I’ve truly missed Kaisei.

Sakura Quest – 05 [The Budding Yggdrasil]

And with this episode the main overarching plot starts to form, or so it seems (there’s still a big possibility that the town dismisses the whole idea but by the end it seems less and less likely). The main project these girls come up with this time is about making a palace full of sculptures that inspired by Sagrada Família, itself famously known for its still-under construction for over hundred years. Now, I had actually lived in Barcelona for almost 2 years; so I know one or two things about Sagrada Família. Many people, like the cast of Sakura Quest, admire it as the representation of multi-generation body of works, as a symbol of passing the torch and live on the spirits for generations. The thing is, the cathedral was never meant to be that way. They were simply out of fund. Yes, the death of Gaudi hurt the project too but it hadn’t finished for over hundred years because it couldn’t. We’re talking about the cathedral here which have both the approvals from the religious crowd as well as the artistic crowd, yet somehow the constructions have always been delayed and funded by private funds. Now flip back to Sakura Quest, do I think that ambitious project will see the light of day? Nope. The Sagrada Família is made out of the desire to make it the ultimate cathedral, the Sakura Pond Familia is made to attract people to the small town. Already a wrong approach, and that doesn’t take funding (how someone wants to put heaps of money for this) or the sheer implementation into consideration.

But that, I guess, is exciting in its own way just to see how the cast manages to deal with those issues. For this episode we see them making their own efforts to actually go out there and study about the woodcarving art: Yoshino goes to various houses to have a look at the mantra, Shiori and Ririko study about the history of the art in their hometown, Maki gets her hand on making one, and Sanea… well, she just wanders off alone but those are positive signs for fleshing out our characters; which is a clear step up from last week’s episode. I like the way there was no tension from the group when Sanae bailed out, because come on, we all know she will be back sooner or later. So the show frames her action as a necessary step back to know what she really wants. The decision to build a palace from Yoshino comes rather out of the blue but well, she’s a fool so it should be expected, and I mean it in a positive light. I’m not so sure how to feel about Sandal-chan character, he’s given a more active role in this episode and the sequence where he gets busted by the police was hitchhiking a police car certainly among my favorite moments this week. However, I still feel the guy’s so out of place with this Manoyama town and I have a feeling the show creates him as a vehicle for Vinay Murthy’s first voice acting, he’s himself an American actor (MASQUERADE). Seriously, I love the humors in Sakura Quest, they have a keen sense of comedic timing, witty dialogues and slapstick situations that bring joy and heart to the story.

At the same time, the other half of the episode focuses on Sanae and her little crisis, as she realized she has been half-hearted about the project. She has a brief talk with the woodcarver Tatsuo while staying alone in front of train station that inspired him to create a lovely wooden shoe. As much as my hesitation to the Sakura Pond Familia project, making wood-carved products to promote the industry is actually a very neat idea. It’s true that every industry needs to adapt as time changes, for wood-carving, it’s starting as Buddha statue, to the house’s plate, to the mantra… making wood-carves products and furniture seem like a natural progression for me. Yoshino gives Sanae a great view about Sanea’s issues: although it’s true that everyone, everything can be replaced, it’s each individual’s personal touch that distinct one person to another, and therefore everyone will always have different results. I also find Sanae’s idea of building the palace next to train station a solid idea, as from my own experience (especially towards Japan), the train station is where it gets the most crowded, insanely crowded. Hmm, I hope there won’t be a love triangle between Tatsuo and Kazuki and that IT girl because it’d be a one-way fight anyways since Kazuki cares for nothing but carving little piece of wood and Sanae is clearly drawn to that tsundere guy. At long last, the girls end the episode with their first taste of success, even if it’s only a modest one. But things look brightly ahead, now that the girls and the villagers are looking at the same direction for the big project (I guess exoskeletion suit will come very handy), and THAT is what really matters.

Uchoten Kazoku 2 – 04 [The Tanuki Shogi Tournament]

Time for little furball romance. This week is all about pairing up Yaichirou and Gyokuran and she definitely fits the show like a glove. So far, Eccentric Family has been successfully follows Yasaburou around with his frantic odd jobs, while at the same time reintroduces the old cast and more over fleshing out the new additions, as such this week is another great week for our furballs adventure. We have a solid 3-arc standalone development for our new girl, Gyokuran. She first appears in this episode when she pays Yasaburou a visit, he himself serves as a stand-in for Okazaki family – a zoo tanuki family that consists of dozen members that all go to a holiday on a city bus (how can you even beat that?). Upon the conversations two things are pretty clear about Gyokuran: she’s lovely, caring person and she has romantic feelings towards Yaichirou, but they had a “tragic past” that prevent Yaichirou from playing shogi with her again (in other words, silly little reason – she was purposely lost that made Yaichirou raged).

But good things never go as plan in the world of tanuki. Despite making the best efforts to bring back such an old tradition of Shogi Competition (which in truth is the match between only 2 players: herself and Yajirou the frog) to tanuki community, small disputes between the idiot twins and Yasaburou bring annoyance and chaos to the event. Gyokuran shows her insecure side by transforming into a white tiger to snap back the twins. The commotion upsets Gyokuran so she holes herself up and refuses to meet everyone. Yasaburou shows up to make amend and bridges the love between Gyokuran and Yaichirou. All those flashbacks are lovely, which I’m particularly impressed with the second flashback when the young kids looking for Yasaburou: the atmosphere, the vivid background and the sound of the wind really bring a sense of overwhelming-by-the-nature to life. The shogi match at the end between the love birds feel like a natural progression for their relationship. Gyokuran appears as sincere, yet insecure who like Yaichirou is torn between responsibility with the community; her own family’s tradition and the desire of freedom. Just like how the tanuki lose their ability to transform when they’re inside a cage.

This episode further examines the main weakness of Yasaburou. Yasaburou lacks any sense of responsibility, that we all know well. So far, his carefree attitude breaks the normal convention to bring something fresh, fun and exciting to his everyday life, but when putting in the context of society, his impulsive actions tend to bring trouble to the people around him. Sure, the twins start the fight but it’s just plainly irresponsible of him to ignore all the efforts of others and fight back. I actually feel worse that he shows little remorse over the consequences. Likewise, he can’t understand the appeal of shogi in which discipline and patience take priority. For him, he rather invents new rules instead of follows the old beaten path. But given that he’s flexible in every situation also equal to Yasaburou is very quick to console others from their disappointment. His meeting with Gyokuran where he humors her by his silly shogi moves and directly tells her to go for what she’s feeling because “why not!” says the best of his characteristic to bring optimism and enthusiasm towards other members.

Other characters all doing fine this episode whenever they appear on screen, but it’s those characters who don’t appear this episode that makes me kind of puzzled. I can overlook the absence of Kaisei (she comes and goes as she’s pleased, just like Benten), but I can’t think of any reason why Yashirou didn’t appear in the Shogi Tournament. I know The Eccentric Family has such large cast so it’s better to divide them up but please don’t put them away for too long or make them disappear inexplicably. Hopefully as the story keeps rolling forward together we will have everyone appears again soon. Other than that, Tousen steals the scene by offering Yasaburou an offer that he can’t refuse. Yajirou is as observant and cool as ever and Bentei, OMG Benten, she comments how petty Nindaime is but she proceeds to ruin all his shirts and flies off? I’m hype for their crash in the future. As of now, like the old tanuki say, after beating Yaichirou, Gyokuran is taken by the God of Shogi (remember this guy? The one who made a contract with Rei in 3-gatsu). Or is it Father’s forgotten secret room? We will have the answers next week.

Sakura Quest – 04 [The Lone Alchemist]

Hmm, I don’t really like the direction Sakura Quest is going for. To be more precise, this episode brings up some questionable variables that I don’t think blended well with the show. The actual story for this week though, is still enjoyable and grounded enough to overcome those concerns. At least for now. This week the Queen and co take up a new approach of boosting tourism: promoting woodcarving industry that is indeed a traditional government-protected industry in Manoyama, albeit many earlier attempts of gaining tourist flows using woodcarving industry have been failed. This time brings the same unsuccessful outcomes, as expected, mainly because of the girl’s lack of knowledge to the town, and to the art of woodcarving itself. How can they expect to successfully draw people in if they don’t really know about what they’re promoting? The plot is going to get worse for Yoshino and her friends before they can learn from those mistakes and get better. So this episode is functional enough at its core, but it leaves a lot to be desired.

The first issue is its weird addition of modern technology in this otherwise mundane and down-to-earth world. The girls meet the oddball local mechanic who is your typical silly inventor-type that usually brings more trouble than success, or both at the same time (think about “Doc” in Back to the Future). In this episode, his inventions come a bit too handy that they would be right at home at Phineas and Ferb’s daily summer break: an iron box that transforms into a jukebox, the mechanic suits that help farmers carry their loads easier. I get the point of merging the traditional woodcarving and the modern technology (old and new) from the outsiders with the assistance from the locals (in and out); but if the show meant to be a grounded, realistic portrayal of tourism job in rural town then those weird robotic arms and suits throw that realism out of a window. It’s so out of place and weird that for once I’m not on board with their plan and agree to that grumpy woodcarver and Mama merchant instead (come on, Buddha vending machine is BLASPHEME!!!)

The second flaw of this current approach lies in the main cast themselves. Take their spiritual predecessor, Shirobako, for example. The main cast in Shirabako have different jobs within the anime industry and even in different stages of their careers; they each have to deal with their own problems because each of them have different issues in their lives. Sakura Quest groups them together too early, so that all of them now work for the same goals, share the same house, eat the same food and that don’t work well in their favor. I have fun following them for the first 3 weeks because each of them still has different interesting traits, but their personalities start to blur in this episode. Give me more drama, tear the group apart so they have to overcome their issues by themselves is for me a much more appropriate approach (but seeing that we have 20+ episodes in our hands here, I don’t worry much about not having enough time to develop them). This episode sadly doesn’t work well character-wise.

Furthermore, I have a mixed feeling towards hinting at the romance of Sanae and the new guy woodcarver. Romance isn’t bad by all means but Sakura Quest is about mature people and their tourism jobs, so I hope the romance will only serve as a character’s development for Sanae and not taking too much concentration. The new guy nails it when he mentioned about the insecurity of Sanae: running away to the small town because she feels replaceable, like her existence isn’t that important to the busy Tokyo life. I had that experience myself sometimes so this might cut a little too close for myself. Overall, this week is a slightly misstep episode as the core material is still running strong here, but this episode is bogged down by some unconvincing details. These issues won’t deal any permanent damage, but Sakura Quest needs to work harder than this to become a real sleeper hit.

Uchoten Kazoku 2 – 03 [The Scent of Europe]

Dear, how this show spoils me with its magnificent and whimsical magical realism Kyoto world. Last season, we were treated with many Eureka moments like Benten pulling a whale’s tail; tanuki drinking in a floating house to enjoy Gozan Fire Festival, or a fake train running around the shopping mall. Whatever the case, the way the show treats those moments with ease like they’re the most natural thing in the world just made my heart swell. This episode manages to raise up that bar by having Tenmaya reaches up the moon and GRABS IT. Of course, that doesn’t bode well for Benten, because she wanted that moon all by herself. So at the worst timing for Tenmaya ever, she backs to town (BENTEN’S BACK) and gives him a head-on-the-ground treatment. Benten has been the femme fatale for most of the time, charming not only to the human, but to the tanuki and tengu (but knowing that makes the last scene even more powerful). Here on a roof, owning the moon (Yasaburou’s moon) all by herself but is pleaded by Yasaburou to return the moon back because “it would be hard to live in darkness without the moonlight”, she pitches it back baseball-style and I know full well that this moment right there will be what I remember most about the Eccentric Family: whimsical, warmed and always be its own thing.

In the second sequence, we meet a new character (ANOTHER NEW CHARACTER? This show has such a huge cast) and she again is a fantastic addition to the show, although unlike Tenmaya and Nidaime I don’t think she will appear often for the rest of this series. That new character is Yasaburou’s grandma, a whitest white furball tanuki. I guess she’s more like a big grandma of that temple’s tanuki. Around her, it seems like time has ceased to progress, as she sits there, blind and sleeping most of the time, her memories is fading but she still sees many things that only the wisest livings see. For her, Tousen leaving for marriage was just yesterday (now, she’s already a widow with 4 grown up boys) but that warm conversations between them tell us how much they still care for each other. I also appreciate that she had a small talk with Yasaburou afterward, and never at once he mentioned that he is her grandchild because… they’d know it at heart. Tousen asks her Mom about Yajirou’s condition, further informs us how she still really cares for her kids, even when she still respects his decision to not go visit him in a well. I don’t particularly think grandma’s medicine will have a physical effect on Yajirou, it’d be more of psychological effect of resolving self-guilt from this shogi-addicted frog.

The last segment, which is a nice set up to the main personal conflict of this series, is all about Nidaime and his clash with Benten. I am just amazed how the show portraits Nidaime in this single episode. Moving home to the rooftop of the building by paying the twin tanuki- ironing his identical white shirts in a flick of time – giving his goggles to Yashirou and invites the tanuki to have afternoon tea with him (in which he always calls them furballs but never ever disrespects the tanuki) – then SEND BENTEN OFF HIS CHAISE AND PROCEEDS TO HAVE A NAP LIKE NOTHING HAPPENED. Benten of all people. Like I said, The Eccentric Family sets up the main conflict from way back by showing how opposite those two are: one is a tanuki who was exiled by his father and now living as a fine gentleman, the other is a human who was taken by that same person that disowned him to be a tengu. Both having a race-crisis and both have pride as high as Eiffel Tower, it only makes sense that they’re going to clash and they’re going to clash hard. This episode, without a doubt, is the best episode so far of this new season because it achieves everything I could hope for in The Eccentric Family in a solid package: the whimsical world that has a great sense of wonder, characters that are grounded and have a great, warm chemistry together and the plot that shaping up to be both personal and epic. Like the wise grandma tanuki said: makes sure to cause a lot of trouble, The Eccentric Family.

Sakura Quest – 03 [The Cry of the Mandrake]

“The one who can change the town is the young fool outsider”
Which kind of makes sense, since the outsider’s perspective will give a fresh take to improve the town. That makes our Queen Yoshino the perfect candidate, but as the interview goes on, she learns the truth: she hardly knows anything about the town, except from perhaps its scenery and expired manjus. So her first step as Manoyama’s Queen is to find what the locals like (to no result) and what makes the town unique. Here Yoshino learns the main conflict between Tourism board and the Merchants Group, the UMA boom resulted in Kadota-sensei switched from homemade carrot Kabura-kun to the silly Kabura-chupa mascots. As we knew last week, the Kabura-chupa has nothing to do with the Mexican mythical creatures and does seem to cause more mixed response from the local and neither attracting much tourist attention. After the hilarious runs from both our girls and the Tourism board to achieve the mascots’ heads, the final parade where Yoshino decides to ditch both the town’s previous mascots (making Kadota-sensei appear in a mix of Chupa with Carrot head, but that mainly for practical reason) and her promotion speech is a touching, if not a bit too honest for her own good (now I have an idea why she failed 32 interviews). She decides to spend her time as a Queen to pick a mascots that could stand the test of time. And now our real Quest finally begins.

One thing of note that I find particularly true to life is the way the villagers are indifferent about what they want to make the town better. They’re just a bunch of locals who born and live within the town to the point they don’t really question about the town’s condition anymore. Usually in other series that take place in a small rural area, they tend to feature many local custom (like welcoming the sunshine in Love Live Sunshine), and the local’s unabashed love for their town. Not here. The old people in the town don’t want anything to change; while the young ones pretty think it’s a dead town anyways, why bother trying. Manoyama feels really like some random small town we might come across. It’s not like they don’t love their town, but more of they are born here, taking a job that passed through generations and taking the town for granted. Whatever going to happen, they’d still live there, so why bother on the change at all? I’m kinda curious to see how the girls can fire up those people in coming events.

Finally, I’m glad that Sakura Quest is a more adult-oriented show that don’t feature high school settings with juvenile humor, because the humor in this show is deadpan and much more attuned to my own taste. Lines like “just the cold indifference of time’s unending march” both sound true, but with a more sarcasm tone. Also I really enjoy the various costumes that the main cast’s wearing. There is a great attention that focus on these costumes here as oppose to say, high school uniforms. As it announced, the show will be 26 episode long and so far Sakura Quest more than earned its spot in my watching list.

Uchoten Kazoku 2 – 02 [The Conjurer Tenmaya]

The Eccentric Family becomes increasingly eccentric this week, with all the business about bear running wild and a strong reference to hell (who would’ve thought that?). But first, I’m delighted with two new returns this week. The first “return” is the OP that were sorely missing last week, in which we have the opening song that would sit comfortably next to the wonderful OP of first season. This new OP carries the same spirits and energy sing by the same artist that almost bring tears to my eyes; although I’m not quite sure the implication of Yasaburou taking camera and the settings went back and white. All part of memories? It’s weird choice consider that colorful and rich settings are one of the show’s selling points. The second return is from my favorite character of the show, Kaisei, and again today she proves to be more helpful than most of the cast (man, she’s reliable). It’s very Kaisei to let Yashirou go home early, then hides inside his bag (or is she the bag?) to hang around Yasaburou. I enjoyed their chemistry and a touch of jealousy from Kaisei towards Yasaburou’s affection of Bentei. But when Yashirou stated the obvious that why don’t they get marriage, I have a feeling the show doesn’t get the timing right. They could’ve make the scene much wittier with a beat, instead they play it quite safe, thus generic, this time.

This episode also introduces us to a new character and boy, he really knows how to stand out. We still can’t say for sure whether this new character Tenmaya is a human or any other kind, but it’s heavily implied that he’s a human. Not your regular Ningen, he’s a human who went through hell. As much as I love the character’s writing in Eccentric Family, one of the show’s weakness is that the bad, negative characters are bad and negative. The twins will always be annoying, stupid little brats and the bad guy is bad all the way. It often feels like out of all the characters, the writer doesn’t care about them the most. So here in Tenmaya we have something completely different, he’s not a good person at all. He’s sly and tricky, but he’s multidimensional. He appreciates the old painter and it shows clearly. He loves to play prank, but there’s no ill intention yet. He’s even outwitted the tanuki (who love to play pranks) and the whimsical sequence where the bear runs loose is exactly why I love this show. And how about Yasaburou gets back at him by transform into a devil? How about Tenmaya got all serious he pulled a certain missing air-gun from certain someone. The Eccentric Family is pure gold in small details and whimsical moments that I can’t help but sucked in.

We also meet Professor Akadama (the tanuki-otaku) again, this time not with the Friday Fellow, but in the equally strange and misfit group of Thursday Fellow protest group. The old painter Ayameike is a wise man who basically sees through everything. Tenmaya really respect the old man because he was the one who draw the Buddha into the Hell picture, thus Tenmaya can escape through the spider’s thread. As of now I will take it literally as it appears Tenmaya has some illusion tricks that ain’t either from tengu or tanuki. And what is the connection between him and Jurojin? I remember that guy Jurojin back from last season, already possessed some supernatural ability (using his goatee to catch the tanuki anyone?) and so far the show seems to set him up to be the main villain this time. I’m still not sure how they going to develop the “hell” direction but it’s sure interesting as we never really see the show addresses this concept before, so for now I will give it a benefit of doubt.

Oh and Nidaime did acknowledged his father after they fight off but they’re both too pride to accept each other. Understated maybe but I strongly believe the reason Nidaime comes back this time isn’t to fight his father again. As this episode makes a strong case, sometimes all tanuki cares is to spend huge efforts to trick other people and all tengu cares is to settle some stupid scores; you could say they’re directionless but I’m totally fine with it; call it a reflection of their (and our) idiot blood.

Sakura Quest – 02 [The Gathering of the Five Champions]

I’ll be honest, I’m digging this tale about the attempted runaway queen that ends up selling sweets in a self-made stand. Sakura Quest is a third of a loose trilogy from PA Works about characters and their specific jobs, after Hanasaku Iroha (about hot spring inn) and the heavyweight Shirobako (about anime industry) which are more adult-oriented than our typical anime field. This week runs more like the first trial for our Queen Yoshino as she has to sell 1000 boxes “Chupakabura manju” sweets, which ultimately failed. But of course, she’s having fun in a process and all of our primary cast is gathered to make the selling project altogether. It’s great fun to see those girls pour the hearts and passions for the work. Sakura Quest maintains its nice pace and firm gasp on small moments with great eyes for details and absurd humor.

After finding out about one year contract, meaning, she has to stuck in rural town Manoyama town for an entire year; Yoshino understandably freaks out and wants to escape the place as quickly as possible. But the old man Kadota gives her a first mission: to sell of those sweet boxes that he placed a wrong order (haha, this guy). So comes her first quest of gathering all the necessary people, meeting up the locals and running a website to promote the sweets. Only in 2 episodes this little town already has a warm and live-in atmosphere, and those locals already feel like my actual neighbors. There’s a diner store which do fortune-telling on a side. There’s the bus driver, the cranky old woman who hates tourism board, the cowboy blonde guy who plays harmonica (he actually doesn’t fit with the rest of the cast). This little town is not unlike any other small town, but it breathes so much refreshing air.

In order to sell that huge amount of sweets, the girls figure out the way of promoting it: making a fancyccult website. 0 products sold. Then the Queen will shake hands with the commoner. 3 sold by Shiori’s family members. Then putting an advertising video. 1 more sold. That’s it, they have no merchant skill at all. I have a good laugh with the absurdity of the video, but it’s well made, I totally sold to buy it. At the end of the week, all the girls just sit there and enjoy the expired sweets, while reflecting that the last week was indeed FUN.

The five champions, as the show put it, have their own personalities and while they’re not that flesh out yet, their interactions to each other are gold. Apart from Yoshino the running Queen who is energetic, we have the local members of Shiori (soft-spoken sweetheart) and Ririko (the typical dandere quiet, monotone shy girl. Still, her shifting glance is awesomely animated) and the girls from big city Sanae (who becoming anti-social when moving to this rural life; she’s sadly my least favorite character so far) and Maki (my favorite character, a no-nonsense local celebrity who appears in a popular series- as an unknown side character). All of them have different jobs and different characteristics, but that exactly why they can bring such great chemistry together.

The more serious theme for this episode, however, lies in the allure of big city versus quiet rural town. Yashino loves to live in big city Tokyo because it provides more job opportunities and it basically has everything. But nothing in particular. I guess this is the attitude from most of young people out there: going to the big city, getting the fine job and settling down there. But as Yashino finds out, putting a foot into that world isn’t easy with countless interviews without single job offer, but here in Manoyama she is given an opportunity. Sakura Quest presents an alternative mindset regarding that: “Doesn’t matter where you go, with the right attitude you can find a place for yourself anywhere”. That is a solid advice if you ask me. Sakura Quest is an energetic dose of anime that I’m gladly welcomed to my life right now. Long live the Queen!

Uchoten Kazoku 2 – 01 [The Nidaime’s Homecoming]

So Eccentric Family is back. If you’re already enjoyed the first season of this gem, the pilot of this second season sure won’t disappoint you. If you haven’t checked it out though, just go watch it. Seriously. The first season really understands the dynamic of a family, and what it meant to be the person tanuki you are and be a part of a whole society. Plus, like I said in the preview, the show’s depiction of magical-realism whimsical world where tengu, tanuki and human live in harmony together in a lustful and vivid Kyoto setting is one of my favorite anime settings ever. That comes as no surprise because Morimi is one of my favorite writer. While Tatami Galaxy offers what I considered an unique, singular interpretation to Morimi’s world, The Eccentric Family is the case where I feel the visual completely in sync with the writing, the way it rarely stands out but always sinks you in with its world (if you ask me which kind of adaptation I prefer though, then it’s Tatami Galaxy, as I always believe creators SHOULD give their own take to the source material).

This new season unfortunately sets us back to a status quo, a bit of disregarding the happy conclusion of last season. That includes Bentei departs from Master Akadama (yet again) to cruise around the world (Singapore, SYDNEY, she got taste), Yaichirou (the first son) still aims for Nise-emon title, Yajirou (the second son) reverts back to his frog-self who lives inside the well (there’s no reason for him to stay there anymore, right? But still, a frog who plays shogi by himself in a well is pretty cool). This first episode re-introduces majority of the main cast from the first season; yep that including the tanuki twins who still annoying like an (double) alarm clock, or Master Akadama who is still too prideful to accept that he has been in bad shape for years. My two favorite characters from last season don’t make an appearance though. But I am sure Kaisei will be back very soon; and as for Bentei, while she doesn’t technically appear in this episode, her aura still presents strongly throughout the episode.

The new additions bring some nice, fresh air to the table, yet completely at home with the old cast. We get introduced to the big brother of Ebisugawa family, Kureichiro, who at least sensible and responsible unlike his twin brothers, but his introduction makes me really question where the hell was he in the first season at one of the most important events for tanuki. The girl Gyokuran seems very nice and it’s possible that Yaichirou and her having a bit of romantic feeling. But the man of the moment is, of course, Nidaime (which literally mean “Second Generation”), Master Akadama’s son. He seems to take a liking to Yasaburou, and their meetings makes up some excellent moments. Now the first shoes are dropped, Nidaime and his father had a big fight that lasted 3 days and 3 nights (again, cool!) that after he lose, both men were to prideful to even see each other or make amends. But to be fair, “big ego” is a trait of all the tengu, as they believe they are “the only being of any significance between Heaven and Earth” after all. I really like the roundabout ways both Master Akadama and his son behave, act like they don’t care for each other at all, yet both appear in the meeting as planned. Actually, we could draw an interesting parallel between Nidaime (who obviously is a tengu but denies himself to be) and Benten (who is a human but have all the tengu ability). I believe this aspect will become more apparent in later episodes. Although Nidaime said that his air gun is still missing somewhere, so… maybe the twins have it again, right?

But the sequence that almost grabbed my heartstring was the first flashback of the young mama and papa from Shimogamo Family playing together in a temple. Such a great way to kick off the second season. Those scenes are so sweet with the detailed backgrounds and some lovely character’s expressions. Those qualities, along with the sensitive writing and the emotions that often ring true are the reason why The Eccentric Family’s so enjoyable and re-watchable. It’s those re-watches that make me pick up some minor things that add up and appreciate more with the arts and camerawork. Indeed, the last time I re-watched the show, while I was right in the middle of Kyoto so I could pick up all the real locations and what the real Kyoto had to offer, was one of my best anime-viewing experience ever. This show already has a special place in my heart.