Heike Monogatari – 06

Heike Monogatari returned this week to the more character-oriented stories of its first two episodes. The renewed focus on Shigemori’s children saw Biwa come back in a major way, and the introduction of Atsumori’s naïve character was handled with detail, giving the show a strong symbol of innocence that it can corrupt at its leisure. Kiyomori’s hoarding of wealth and power was contextualized by his abhorrence of aristocratic decadence, and his grandson’s continued military struggles received further consideration. (I’m still not totally happy with Koremori’s arc – why does the show continue to limit his screen time outside of military settings? – but I won’t spend a second post lamenting Heike’s shortcomings here.) Even retired emperor Takakura (now on his sickbed) got to share a tender moment with Tokuko, framing their relationship in a much warmer light than previous interactions. Much darker was the revelation that their son, the newly crowned Emperor Antoku, “starts crying when he hears the waves.” How’s that for foreshadowing the fate of a future drowning victim?

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Blue Period – 03 [Prep School Debut of the Dead]

After years and years of wishing for it to happen, one show did finally break from the shackles of imprisonment that Netflix enforces on the shows it’s looking to produce, but sadly, it’s now caught within another nightmare: Fansubbing ;_;

It’s a pity that most anime-only viewers would be getting their first exposure to this story through awkwardly translated dialogue. But hey, at least it does make you turn back the years to the glory days of 2007!

And I would indeed suggest that if you’re interested in this series, you’d be well served to wait for the official Netflix releases which are a couple of weeks behind for the rest of the world. But hey, no pressure, of course. You do you. 

Either way, for all who’ve already watched this episode with the dodgy subs that are available for it, let’s just have a chat about it, shall we?  Continue reading “Blue Period – 03 [Prep School Debut of the Dead]”

Kobayashi-san Chi no Maidragon S – 11-12 + Final Thoughts

It’s shocking to me that season two of Kobayashi-san Chi no Maidragon was as good as it is. The 2019 arson attack, the loss of the project’s intended director, the demoralization of the staff – how did Tatsuya Ishihara and his team at KyoAni produce such strong work in the face of these obstacles? A word like “perseverance” seems inadequate given the severity of the situation, but “determination” might do – determination to honor their fallen friends, and to prove to Japan and the world that they wouldn’t be beaten. These final episodes were the product of artists at the top of their field, and also some of the best in all of Maidragon’s run, signaling the fulfillment of their vision for the series. Even if we get a continuation someday, nothing will ever diminish the conclusive statement issued by the second season: “Kyoto Animation is back.”

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Heike Monogatari – 03

This episode was a tale of two very different halves, but I loved them both. The first was a restrained catchup session that softened the blow of a six year time skip, updating us on the status of Shigemori’s family with impeccably lit shoreline scenes and dashes of humor. The second was a deathly recital of plot points from the Tale of the Heike’s first two chapters, full of violence and conspiracy. There was a lot of information to swallow in the last twelve minutes, but they were also packed with magnificent fires, shots of vindictive lords and urgent running animation, creating the impression of a visual accompaniment for a series of narrative poems (which I suppose they were). This show is seriously on another level where its direction is concerned – but we’ll get to that shortly. First let’s back up and situate ourselves in Heike Monogatari’s expansive story.

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Blue Period – 02 [I’m Not Burned At All]

With October finally up and running, we are now officially underway with the last anime season of the year 2021! Yes, I know, time is indeed that thing with wings.

So, to kick this Fall Anime Season into gear, I shall also be taking up the responsibilities of weekly blogging by covering the anime adaptation of one of the brightest beacons of modern manga, Blue Period!

Come join me as I spill my thoughts out on the page with the passion befitting the kind of artists that this story is about!

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Catching up with Kageki Shoujo!! – [Thoughts on Episodes 7-13]

Blood doesn’t really taste like you imagine it would. It’s red, sure. But it doesn’t taste red.

It’s not sweet like the syrup mom gives you two teaspoons of, to help ease the cough you get sick with after paying no heed to her constant warnings against sleeping with the air-conditioner on with your hair still damp as you felt too lazy to sit by the vanity and use a hair dryer for ten minutes.

It’s not tart like the tomato juice you sometimes swoop out of the mixer and taste a spoonful of, while helping mom cook for your father when he’s about be back from work any moment, and would give her an earful if she takes too long in serving his lunch.

It’s not luscious like the cheapest port wine your friends smuggle into school and strong-arm you into taking a swig of during recess. Or maybe it is. You would’ve known for sure if you’d have taken up their offer.

What you do know for sure is that it tastes cold. Metallic. Which is strange because you’ve been nothing but hot-blooded all throughout your teens; getting into fights with your sister for petty reasons, getting annoyed by everything and everyone. That last bit still hasn’t changed that much, just that now you know how to disguise it behind a veil of likeability. People change, the places you call home change, blood tastes the same.
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Heike Monogatari – 1-2

The Tale of the Heike is a classical Japanese epic detailing a war fought for control of the country near the end of the 12th century. It has received dozens of translations, is taught in schools across Japan, and is so foundational to the nation’s literary canon that it draws frequent comparisons to Homer’s Iliad. I am woefully unequipped to write about an adaptation of such a vital work, but Heike Monogatari deserves to be covered nonetheless, because it’s had one of the strongest starts I can imagine an anime having in 2021. My posts on the series will be brief and (assuming it continues to operate at this level) largely appreciative of its excellence, not essential companions for those seeking a fuller understanding of its adaptational choices. I’m just a guy with a cinematography boner and a few Wikipedia articles about the Heian period under his belt – if you’re okay with that, hit the jump and let’s talk about what makes this show so special.

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Kobayashi-san Chi no Maidragon S – 9-10

This is it – this is the Maidragon I’ve been missing. These two episodes were a potpourri of workplace comedy, dragon combat, intergenerational bonding, and concentrated optimism that left me grinning after each of their miniature stories. I won’t touch on all of them in this post, but each one was a worthy addition to the show’s already-stacked collection of vignettes. If you’ve fallen behind on this season, or simply found yourself too busy to start it up, this doubleheader is the perfect reason to hop aboard the Kobayashi-san Express once again.

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