White Album – 26



You know what? I’m impressed. I’m fucking impressed by this ending. The way it wraps up so many plot threads, there’s a very good chance that it’s going to end up being the best ending of all the shows that end around these times. At the start of this series, I was expecting nothing other than a school days trainwreck ending. And yet here this show comes and does the exact opposite. Holy crap.

I love how the creators again did not try to end this show with a bang. There’s only one emotional climax in this entire episode: the point where Rina forces Touya to remember that what he forgot as a trauma, ten years ago. After that, Everything else follows naturally as he puts back the pieces of the puzzle that he once forgot. It’s basically a lot of exposition, but for Touya it makes perfect sense, now that he finally realized why he heck he turned into such a big player in the middle of this series. It’s a case where bullying went too far. Yuki actually tried to console him with a ribbon, but he threw it away. Haruka then picked up the ribbon, after Touya was scolded by his father and went back to search for it.

So as it turns out, the majority of White Album was just there, to get Touya to remember his past, and put aside his trauma. All of his actions don’t just stem from his loneliness created by how he was far away from Yuki, but instead out of escapism, created by that trauma. Influenced by both Yuki, Haruka and Menou at that time, he kept searching for his goddess, and never really found it. The way Touya healed in the final quarter of this series was also well built up. I think it started around the time that Mana left: it forced him to actually do something: get after Mana and instead stop running away. That time with Mana and after that Haruka really changed him.

Haruka breaking down in front of Touya’s door was of course a bit overdone, but with this revelation you can see that she’s not just another childhood friend who randomly falls in love with a harem lead (in the end, only Misaki took on that role), but rather, she too suffered from Touya’s trauma, and I can bet that she vividly remembered it: she had the ribbon to remind her of what happened. And with that, I can see why she fell for him in a moment of weakness. Menou in the end just turned out to be a girl who likes to fool around with guys. Touya was extra interesting for her because she met him when she was little. The reason she stayed with him was really because she liked him as a friend, rather than that she seriously had feelings for him. This rebellious way really comes from how she was raised: she resisted her strict mother, and because of that her mother became even stricter to Mana, who ended up listening to her mother and ended up studying really hard, to turn out about the opposite.

The iffy part of this episode was the performance, though. While the aftermath made sense and was interesting (Yuki and Rina finally got to work together as a duo, which takes care of the tensions between them of being competitions. And it’s not like everyone got a happy ending either: Rina’s brother still ended up in jail), but for a supposedly “perfect” idol, Rina’s English is pretty abysmal. And her showing up is also a bit hard to buy. Also, what happened with the animation in this episode? It’s back to the quality of the first season?

But really, it’s been a lot of fun to blog this series, even during the annoying times, there was tons to write about it. This ending also really showed that you don’t need to go over the top in order to create a great ending. White Album overall was a true breath of fresh air in both the harem and the hentai game adaptation genre. It for once took its time to give its male lead deep and memorable development, rather than just letting him be the same over and over again. Touya was a huge idiot throughout the majority of the series, but he could be one of the best developed harem leads out there. I would never have said this after finishing the first season, but I really hope that more series like this get made in the future.
Rating: ** (Excellent)

Kimi ni Todoke – 12



This episode was… tedious to sit through. It was basically just Kurumi trying to get a love triangle started, which is probably going to be worthless in the next episode when everyone realizes that it was just a misunderstanding. Agh, it’s like Itazura na Kiss all over, but without the funny parts.

Let me list a bunch of shoujo-series that actually did get the love triangle right (Minor spoilers included):
Bokura ga Ita: mainly worked because the love rival got fed up with the indecisiveness of the lead male, which was a huge theme of the series.
Kodomo no Omocha: worked because we actually see both the lead male and female go through other relationships with other people, while it’s actually the distance between them, created by the lead female’s job as an idol that prevents them from hooking up, rather than the ditzy love rivals being the sole reason.
Ashita no Nadja: we actually see the lead female hanging out with other guys without it suddenly creating a huge drama.

On top of that, we also have shoujo-series as Glass Mask, DNAngel and Full Moon wo Sagashite in which the romances work because of their realism and the way they let their relationships progress naturally. Not in the forced way that Kimi ni Todoke has been doing for the past twelve episodes…

I’m interested to see the other sides of the story, though. I’ve heard quite a few arguments why this show is popular, but those all seemed to come from the ones who didn’t like it. When I look at various blogs, all I see is squealing over various characters, but for the past months I’ve hardly seen any people who liked this show and came with valid reasons.

Sure, that might just been me, looking at the wrong places, but still: fans of Kimi ni Todoke, enlighten me! What makes this show so great that it deserves such a high score on various anime sites? What was so good about this series that everyone vote for it here? Or is this really just another Twillight which has tons of squealing fangirls who like it just because of the hot guys and sparkles?

Whether I’m going to drop this show at the start of the Winter-Season, I don’t know yet. Because Aoi Bungaku, Darker than Black, Erin, Konnichiwa Anne, Kuchuu Buranko, Umineko and White Album are going to be ending all within a week, this means that I need to find seven new bloggable shows among the line-up of the upcoming Winter-season. Which is a lot during such a small season. However, if number eight does pop up, then expect to see this show in the dropped-list.

Right now, this show is just… too convenient. Sawako doesn’t really have to work hard for her newfound popularity. She gets protected everywhere, and her exaggeratedly weird personality makes sure that all the bad guys’ plans go wrong. At first I praised this series because it showed outcasts as they try to live back into society, but that’s not even what this series is about. We’ve just got another Mary Sue here where the entire plot revolves around. Sure, Sawako has flaws, but all those flaws seem to be more and more used in favour of her, rather than creating her as a character.
Rating: — (Lacking)

White Album – 25



Okay, so it indeed doesn’t look like this series is going for a School Days ending, but at this point, I honestly don’t care anymore. This episode was so emotionally moving, and the second season of White Album has just gotten better with every passing episode. At this point, I’m even sad that there’s only one episode left. I want more, dammit.

The dialogue in this episode was exceptionally well written. The way it carefully wrapped up, developed and progressed all of the different storylines in this series was really well done. Rina seems to have just lost her voice, but I really liked the subtlety with which she ended up dealing with it. In fact, the frail Yuki overreacted more than she did.

In the meantime, this episode also wrapped up Yayoi’s story, surprisingly. It had it coming, because she has been screwing and kissing Touya surprisingly little lately, and I really applaud the creators for letting it resolve itself very slowly, rather than just devoting an entire arc to her and wrap up everything that is about her in that arc.

I’m also really surprised at how much extra depth Mana and Menou’s mother has gotten through the past few episodes. She really seemed like your average uncaring mother, but the final quarter of this series made her a much more important character. Seriously though, at this pace White Album is well on its way to bombard itself into my top 3 favourite hentai game adaptations, along with Air and True Tears. The first season indeed drove me insane with the way it so annoyingly screwed up its potential, but for some reason the new director (yeah, apparently the first and second season have different directors) really changed the way this series worked, and instead of going for the cheap drama shots that the first season was full off, he continued the story with much more natural plot twists and developments.

Really, I think that if the director of the first season would have handled the second one as well, we indeed would have gotten this School Days ending. Under his guidance, everything probably would have gone to hell by now. I think that that’s also really nicely symbolized by that episode in which Touya buys himself his answering machine: it’s the new director’s way of saying: let’s develop the characters through their interactions, instead of these cheap plot twists.
Rating: ** (Excellent)

Kimi ni Todoke – 11



The final scene of this episode really showed that the creators of this series are biased for the main couple. As soon as Kurumi even mentioned the possibility of talking to another boy, the dramatic music set in and they tried to make it look like a cliff-hanger. Like it’s blasphemy if the two were to even look at each other. Even though Kurumi was doing what she’s been doing ever since the previous episode, and it wasn’t really worse than any of her other plans. This really could hurt this show in the long run.

But yeah, it’s the small things like this that prevent me from fully enjoying this series. When you look at the big picture, there really isn’t much wrong with this series: it’s got a nice concept of an outcast who manages to find herself. The dialogue is well detailed and the characters have good concepts. But then there are times at which the creators are just trying too hard, like for example dragging the evil bitch-arc on for too long (I’m sure that I wouldn’t have complained as much about that arc if it was done in just one episode). This episode also carried Sawako’s naiveness a bit too far, and I feel that Mamiko Nouto doesn’t really fit her as a voice actress.

So yeah, I’m not often one to agree with the “the manga is so much better”-arguments, but I think that it really holds up here. This is not about cutting certain parts off, this is rather about blindly adapting a pretty good manga without thinking about the transition from still frames to animation. I personally couldn’t care less whether creators of an anime delete stuff or add extra stuff in, as long as it works. This goes with series that take a lot of these artistic liberties like Umineko and Full Metal Alchemist, but also with series that do try to put everything in from the original source-material like this series and Bakemonogatari.

Incidentally, I noticed something interesting when I looked at the staff page at ANN. While there is very little to say about the main director, the script has been written so far by two people: Tomoko Konparu, who wrote the majority of the episodes, and Mamiko Ikeda, who wrote episodes 2, 7 and 10. Incidentally, now that I look back, I can say that these three episodes belonged to the best ones of the series so far. My guess is that Tomoko Konparu, who also is doing the series composition, really isn’t having her right year: the series composition she did on Chi’s New Address also left a lot to be desired and while she has worked and contributed to a lot of great and awesome series in the past, this time she just seems to have an off season.

I think another reason why I’m extra critical of this series, even though it seems to be loved by many, is because half of the times, the jokes fall flat. Do other people have this as well? I mean, there are tons of awkward moments in this series for me when the creators are trying to make a joke, which just isn’t funny to me. There really is this thing called suspense of disbelief, and if this series had built up any at this point I definitely wouldn’t be whining as much as I am now, but it’s a shame that this show continues to break this for me. It’s especially annoying now that even Kobato, which once was even duller than this series for me, is getting better and better.
Rating: (Enjoyable)

White Album – 24



I have no idea what exactly happened with this series. The first season was so incredibly cringe-worthy. And yet the second season is so good! It basically took everything that was good in the first season, and left everything that was bad behind. This episode yet again showed what a great series this turned into, both in terms of plot and romance.

Oh, and this show is so cruel in its cliff-hangers. I can’t believe it took me twenty-four episodes to figure this out. Every cliff-hanger makes you expect the worst, and yet in the next episode things progress naturally, rather than what people would be doing in a soap opera. Akira didn’t die, get into a coma, or anything. Instead, he just has to spend a few days in the hospital, and the development from this accident is mostly subtle, rather than really angsty and cheap. This episode too: Yuki walked in, in an emotional state, at Touya’s house. While he has Menou sleeping over. I was really looking forward to see how she’d react… and then the credits rolled. Even now, I have no bloody clue how the creators are going to progress this in the next episode. After all, we’ve only got two episodes left!

But yeah, this episode did mark the beginning of the end: you can see that the creators are working towards the ending of this series. The scandals surrounding Eiji (it was about his picture, wasn’t it?). It really looks like is agency is done for, and if this is the case then things are also looking pretty grim for Yuuki.

There are quite a few series that are going to end in the next two weeks. And really: aside from Aoi Bungaku, White Album’s ending is the one I’m looking forward to the most. Heck, I can’t help it. The build-up has been so good throughout the entire series. I have absolutely no idea how the creators are planning to end this thing. Out of all the upcoming endings, White Album’s is the biggest mystery to me. Again, aside from Aoi Bungaku, but that one’s special because I don’t even know what kind of stories it’s going to animate.
Rating: ** (Excellent)

Kimi ni Todoke – 10



Yeah, It’s as I thought: Kurumi indeed has a crush on Kazehaya, apparently just like any other girl aside from Yano and Yoshida, it seems. While this episode was fine, I see so many potential pitfalls for this show if it keeps going into this direction.

I mean, the Kurumi-issue is probably going to resolve itself in a few episodes for now, or at least that’s my prediction. This just doesn’t seem like a series like Bokura ga Ita, in which these things take their time to resolve themselves naturally. So what’s going to happen after that?Are the creators going to throw in yet another love rival? I mean, Kazehaya is really being set up as the perfect boyfriend for everyone: there are still tons of other girls who might potentially hate Sawako for going out with Kazehaya.

it’s a big cliché of romance shows that I’ve gotten tired off by now. My second fear of a cliché in this show is the lead romance getting stuck at this rate. While the relationship between Kazehaya and Sawako has progressed so far, it’s still pretty one-sided: Sawako likes Kazehaya, Kazehaya likes Sawako, and that’s pretty much it. One thing I hope is that this isn’t going to turn into a will-they-won’t-they show, because I feel that it won’t be able to get everything it wants out of the characters.

But yeah, Kurumi was very nicely done. I liked the subtlety in which the creators revealed her intentions. She’s a major step up from those evil bitches that preceded her, and the tensions between her and Sawako were very nicely done. Now all the next episode has to do is turn her into a character, rather than just another love rival whose sole purpose is to “test” the relationship between the two lead characters. Clichés aren’t bad, as long as they’re handled well. Now, Kimi ni Todoke: prove this!
Rating: * (Good)

White Album – 23



Okay. What the heck?

This episode had a very good chance to be among the best of this series yet. It was chock full of character-development, changing relationships, extra character-backgrounds, characters coming to realizations. Touya spinning even more out of control, and yet everything fitted. To think that Menou was the president’s daughter! That fully explains her rebellious attitude and it also gives a whole direction to Mana’s loneliness: she doesn’t just suffer from being neglected by her mother, but she also has to endure the fact that her older sister gets much more attention, because she just happens to be able to sing well.

Also, Akira and Misaki have finally broken up, which also really had it coming. Even though Touya tried to stay away from them, it was clear that Misaki still had feelings for him. She tried dating Akira, but in the end her feelings remain. Touya then obviously continues to screw even her. Or at least this is implied very heavily.

But yeah, we get more and more evidence that everything that made Touya the way he is stems from his childhood, and his relationship with his father. My guess is that the reason his father kicked him out of the house was in a desperate attempt to make him create his own happiness. It’s clear now that his father was very bad at raising his son: he wanted to reach out to him when Touya was feeling down, yet instead he tried making little girls do it.

But then, yeah. The cliffhanger. KANON-SPOILERS in the next paragraphs.

Akira… was hit by a car. Bloody hell, it’s now certain that the creators are planning to drop a bomb during the finale. I have to praise this show for really making me not suspect anything: even in retrospect, it came completely out of the blue: no shallow build-up or foreshadowing. But yeah: car accidents are always tricky to do. The question is: did the creators have a clear purpose for it. Are they going to use this to get the best out of the characters… or was this just a cheap death for extra melodrama.

I remember when Kanon pulled this, and I was reminded the most of that particular scene when Akira crashed down. In Kanon, it hardly served any purpose; it felt random and out of place, and just for the sake of a sad climax. This is pretty common in anime (or any other storytelling medium, I guess): We need extra drama! Let’s have a car run over someone!

These final episodes are really going to make or break this series. It’s been building up to this for so long, there had better be fireworks at that ending. What I want to see is total chaos that yet stays in canon with the rest of the series: I want melodrama that fits within the story without any cheap plot twists pulled solely for the purpose of extra drama. We’ve got Code Geass for that.
Rating: ** (Excellent)

Kimi ni Todoke – 09



Seriously, it’s like nearly the entire episode had its head in the clouds this time. The amount of slow-motion shots, close-ups with lots of sparkles, glitters and brightly coloured flowery backgrounds is really hard to believe. I don’t want to know how much sugar the creators took before writing this episode…

In any case, this episode also reminded me how different Japanese cultural standard can be at times. A lot of attention in this episode was spent to Sawako and Kazehaya who kept calling each other by their last names. I’ve been watching anime for quite a while yet, but the difficulty these people have with even pronouncing first names surprises me at what a polite country Japan can be.

The rest of the episode, aside from this and the countless other scenes that feature Sawako and Kazehaya getting uncomfortable toward each other, focused on the upcoming sports event. It’s a staple of any high school series to feature some sort of traditional school event, so I guess that Kimi ni Todoke has gone for the sports festival. In my opinion, anime in general puts too much emphasis on these things. Seeing these seemingly obligatory events in just about every high school series also doesn’t really help. And it’s a shame, really: shows like GA show that there are plenty of other things that you can do on a high school.

Oh, and a surprise was seeing that Kurumi suddenly claiming Sawako as a friend of hers. I’m not exactly sure what to think of this at the moment. It would have been pretty weird for her to do such a thing without an ulterior motive, so let’s see what the next episodes can do in explaining why she chose Sawako of all people to become friends with.
Rating: * (Good)

White Album – 22



Aah, I’ve seen too many shallow anime. I really thought that Mana would break down in this episode, while in reality what got into her was just a short emotional outburst. This doesn’t turn out to be the case in which a bit of talking simply solves everything and magically develops characters in the right direction. Ah, I should have known!

But yeah, this was likely the best episode of White Album so far. Instead of a major climax for Mana, we get to see a major episode for Haruka, which really surprised me: paste that scene of her in any other series, and it would have ended up incredibly cheesy. Suddenly coming out of the shower naked in a desperate attempt… that’s so hard to prevent from turning into soap opera material, it needs lots and lots of build-up. But I think that White Album actually pulled it off. I feared for a moment, because Haruka’s earlier emotion breakdown made no sense whatsoever.

This episode really shed light into her character. Her scene was daring, but still subtle and nowhere over the top, and again it was more like an emotional outburst: after that she behaved completely normal again, rather than some angsty teen that refuses to listen to anybody. Then there’s also the matter of Touya, of course, who really doesn’t seem to know when to quit.

Also, what on earth could Menou be up to? How did she find out about Misaki, and why does she intend to make her seem like a slut? I know she’s rebellious and all, but to do that just to protect Touya seems a bit unnecessary.

With only four episodes left now, we’re about to get to the point where everything goes to hell. I really wonder how the creators are planning to end this. I mean, at this point they can indeed show what they’ve been promising us ever since Touya started screwing Yayoi, or they could play the gigantic troll that laughs over us by having a very mundane ending…
Rating: ** (Excellent)

Kimi ni Todoke – 08



Nice. Two good episodes in a row for this series. At this point this series is starting to look a lot more positive than what it did in the beginning. At this point, the obligatory school sports festival is about to arrive, and the creators did a pretty nice job to show the preparations for everything, including Sawako’s antics because she doesn’t exercise.

The episode also did nice in fleshing out the romance and the different characters. It was pretty enjoyable to watch, and you can really see that Sadako is gradually getting used of not being ignored anymore.

I guess that the biggest danger for this show is the love triangles. When you see love triangles in a series in which it’s pretty obvious that the creators have no intentions to break up the main couple, they’re just boring! This episode established that the blond girl is yet another one of those girls who has a crush on Kazehaya, so I really don’t hope that this is going to continue on throughout the series. It reminds me of Itazura na Kiss: the creators just kept throwing in love triangles to supposedly “test” the strength of the relationship between the lead couple. Unfortunately, all that did was make the entire series incredibly shallow.
Rating: * (Good)