Uta Koi – 12

They may have been one of the best episodes of Uta Koi yet. In any case the emotional impact it had on me was one of the highest. It’s one of the more whimsical stories of the season (yet again of a love unfulfilled), and it also has this energy that was very addictive, and emotions kept changing from one to the other.

Also, what I really liked is how this episode basically told the same story twice: once from the perspective of the guy, and then from the perspective of the girl. The guy’s story was focused on how he met her, and his struggles to restore his family name that eventually failed, while the girl’s story was that of a young empress falling in love and being unable to do anything to get together due to society. Once again with Uta Koi establishing that there was no such thing as freedom back then.

On a side-note: this episode had a few cameos from Sei Shonagon. Slowly, we’re moving further down history, and that’s the red thread connecting all of the episodes together here. Apart from episode six perhaps.
Rating: 6/8 (Awesome)

Natsuyuki Rendezvous Review – 91/100



The Noitamina timeslot started back in 2005, as an attempt to air series aimed at an older audience than usual. It was a wide success and spawned many awesome series. Then, in 2011 something happened: Fractale aired. It was alongside Hourou Musuko of course, but Fractale is the best symbol for the timeslot as it headed into a completely different direction, making shows about teenagers like what every other anime was doing. There were exceptions like Usagi Drop and Un-Go, but the general new shift in style was definitely noticeable. Until the Summer of 2012, that is. The past three months, we got to see Noitamina return back to its roots. And it was awesome.

Setting aside Moyashimon, Natsuyuki Rendezvous pretty much delivered one of the two best shows of the year, leaving every other series miles behind. It’s just so well made. The production company may be Dogakobo, these guys manage to deliver the best animation they’ve ever done. The characters are drawn incredibly expressive and they come wonderfully to life. And that can be added to the fact that this series is directed by Kou Matsuo, whose series often have this interesting habit of recording the voices before the animation is made. The result is fantastic acting with voice actors who instead of focusing on matching the flaps, can focus on interacting with each other. This show has brilliant characterizations overall.

And realyl, the story knows what it is. It’s deceptively simple from the outside, with very little unneccessary twists. It knows exactly what kind of story it wants to tell and has paced this out perfectly with hardly any moment wasted or rushed turing its 11-episode run. Instead of random twists, it thrives on letting the characters just interact with each other and create their own tension. It has nailed their background and gradual development, and it really succeeded in creating an awesome romance based on the three main characters who feel real and down to earth.

The thing also is, that I can’t think of any real criticism for it. Perhaps there are times at which one of the characters, Hazuki, becomes a bit too forceful, but really: we’re givern plenty of explanation for him to act that way and his acting is really consistent thoughout the series. Heck, if there is anything such as perfection, then this series comes closest to it this year. It’s a must-watch if you’re into realistic drama. It’s not for everyone obviously: if you want action, then don’t bother. However, I do believe that this is the kind of series that can attract people who normally aren’t into romance, but are interested into the genre.

Storytelling: 9/10 – Goldilocks pacing: neither too fast nor too slow. Really manages to let its characters tell its story.
Characters: 10/10 – Fantastic voice acting, amazing chemistry, wonderful drama.
Production-Values: 9/10 – Very expressive and detailed animation throughout the entire series.
Setting: 8.5/10 – Down to earth and very believable, with a great idea to base its romance on that it uses really well.

Suggestions:
Aoi Hana
Sakamichi no Apollon
Hourou Musuko

Natsuyuki Rendezvous – 11

And here we have the ending of one of the top shows of 2012. I mean, back during the Spring season I already was very impressed with Sakamichi no Apollon, but that series had its flaws: it at times tried a little too hard, and as a result the characters forced themselves a bit too much into romance and drama. This series however was just perfect. It made brilliant use of its length and its story was simple, yet so effective. My favorite shows usually are complex series with huge storylines, but this was done so well that it completely won me over.

The ending here was no different. Screw trying too hard, this was just perfect: Atsushi got his time to say goodbye to Rokka properly, pissed off Hazuki one final time with his threat to kill her, and afterwards Rokka and Hazuki officially become a couple. Atsushi really shook up both of them in his attempt to leave a lasting impression, and I love how well the animators captured their emotions at just that moment. Hazuki’s utter surprise and Rokka’s hopelessly sad face were incredibly genuine.

And after that, this series picked a very interesting epilogue. Usually we skip forward to a few years later. This time however, we turn to the point where Hazuki dies, living his life happily. We got to see his daugthter with Rokka all grown up, which really is not something you see often. In fact, I can’t remember any other epilogue that did that. Beyond that, we never see Hazuki or Rokka in the epilogue other than in pictures. Again, a wonderful idea.

At this point I can’t say whether Natsuyuki Rendezvous will be my top pick for 2012. I can however say with quite a bit of certainty that it’s in the top 2 of the year. Its exact placement depentds on how Space Brothers fares in its third quarter, and whether it keeps up the pace it created. Space Brothers has slightly better characters, but on the other hand its pacing and animation just aren’t as good as this series. Nevertheless, these two shows stand miles above anything else this year.
Rating: 6/8 (Awesome)

Uta Koi – 11

Uta Koi already was a great series to provide background for Chihayafuru while we wait for the second season (Winter 2013, hell yeah!), but this episode showed a little detour. A detour into Genji Monogatari, to be exact. This episode was entirely dedicated to its writer: Murasaki Shikibu, offering its own interpretation of what her mindset would have been like while writing it.

Once again, this episode fits itself into the “being a woman in history SUCKS”-themes. Murasaki managed to avoid this fate, but a close friend of her according to this episode’s interpretation did not, and ended up being a captive in a marriage. With that in mind, I can see how that would result in the creation of such a romantic drama as with the Tale of Genji, although it remains a bit strange for her to at the end simply say that she wants to tell a story about female strength. Sure, it’s one of the themes of the Tale of Genji, but there was much more going on in Genji Monogatari, especially considering all that the girls and women went through. A few of them died quickly after giving birth after all.

What’s also daring is that they turned her of all people into a lesbian. I mean, I paid close attention to the OP and noticed one female couple amongst the different people who passed the screen, but I never imagined that this would be the author of Genji Monogatari. It’s an interesting idea, especially considering the contents of what she wrote about. This kind of meta-fiction is what makes Uta Koi so good and special: showing the mindsets and thoughts that were put into works of fiction and poetry. I have no idea how this happened, but nevertheless I’m really glad they made this.
Rating: 5.5/8 (Excellent)

Natsuyuki Rendezvous – 10

Natsuyuki Rendezvous! That was amazing! This is what a penultimate episode should be. It’s finally time to see where all that build-up went.

I love the twist in this episode. For a long time we just saw Hazuki interacting with various versions of Rokka acting as various fairy tale figures. Only for it to turn out that that indeed was the subconsciousness of Atsushi, resulting in Hazuki really trading places with him and becoming a helpless ghost himself.

The moment in which he found out what all happened was wonderful. His reaction was priceless. I really admire how the creators pretty much pulled him away from all action for so long. Right now a ton of stuff has happened outside of his knowledge (including that new look of his, but also the change in feelings from Rokka), and it’s awesome to think how he’s going to react and adapt to all that.

And as for that final episode, Rokka’s final like is just the perfect lead up to that. This is where she addresses her worries for Hazuki, and very likely it will become clear that Atsushi has done something with him. It’s going to be a perfect climax for all three of them together. All at a place in which nobody can bother them and which has a huge value for both Rokka and Atsushi. The ending I’m looking forward to the most this season definitely belongs to Natsuyuki Rendezvous.
Rating: 6.5/8 (Amazing)

Uta Koi – 10

Dressing up like towers… I get that kind of symbolism. The silly fifth episode had a great point to make. But why, dear god WHY, did you stuff Fujiwari no Teika in a tutu and make him perform bad ballet? Just… what was the meaning of that?

After that the episode started, and I actually found it among the better episodes of Uta Koi. It still is about Sei Shonagon (probably the last at this point). Whereas two weeks ago we saw stories from her past, and last week we saw her own romance, this episode shows some stories from after that, and how she dealt with the death of the important people around her. I like how this was all told from the perspective of yet another poet.

Especially the second half of the episode had some very good chemistry between Sei Shonagon and this poet, which can be attributed to both very good dialogue, and a very good delivery from the voice-actors, combined with some of the best tracks of the series. It’s here where the storytelling brings all of those together. If only the show had a bigger budget then it would be even better.
Rating: 5.5/8 (Excellent)

Natsuyuki Rendezvous – 09

Natsuyuki Rendezvous, I applaud you! That was magnificent!

Now this is really how you do a dramatic climax. There was so much emotion in it, yet it was wonderfully restrained. The acting here was just brilliant. Everything in this episode was just leading up to that one moment in which Rokka would realize that for some reason Atsushi is back in Hazuki’s body, and they did so brilliantly.

The way they built it up also was amazing. Whilst Rokka was catching up to Atsushi (which is believable considering his mind has no affinity with being fast in any way), this episode kept showing flashbacks of the most memorable moments that the two of them shared together, which this series very nicely saved specifically for just this moment (now that I mention it: we never saw the flashback of the actual moment in which Atsushi died, right? That’s a wonderful touch right there for this series).

Beyond that I also really want to applaud the dialogue for this episode: that was some really well written stuff, miles away from the usual cliches. It felt fresh and captured the characters perfectly in how it described them. It also flowed so well with the actual animation. This episode didn’t feel like “okay, and now we have a bit of exposition”, but all the scenes flowed into each other, and did so incredibly smoothly. Dogakobo, where have you been hiding this talent for all this time?
Rating: 7/8 (Fantastic)

Uta Koi – 09

Sei Shonagon again, this time with the focus on her actual romance. This definitely was an episode for dialogue, because the two of them loved making quibs to each other and there were a lot of tongues in cheeks this week, along with nice historical details like how hats played such an important role in those days.

A difference between this episode was that it wasn’t necessarily about the constraining environment in which people lived back then, but instead it showed a different side of how things went on for the nobles and poets of those days. Sei Shonagon is a woman who has enough influence over people to make a difference.

Overall, Uta Koi has painted this nice picture of who the authors of the 100 poems were. It doesn’t stray too long on one of them, but it also picks a few of them to give a bit more attention than the others. Whether it’s the most exciting show though… that is unfortunately not the case. The fact remains that the acting still is quite wooden (although this episode wasn’t the worst example of that).
Rating: 4.5/8 (Good)

Natsuyuki Rendezvous – 08

When it was revealed that Atsushi could move objects, I did find myself thinking “now what?” Well, the creators answered that question brilliantly, and at this point it has become clear that the main plot of this show is all about that body takeover, and the conclusion of this series will very likely also be the point where this will get resolved, and no sooner. This episode was meant to build up for that, and what brilliant build-up it was!

Clearly something happened between Atsushi and Rokka that involves mountains. The first half focused on this from Rokka’s perspective as she tried to puzzle what on earth was going on, and what I really loved was how well her acting was when she called up Hazuki. Talk about restraint! It said so much with so little dialogue!

The second half of the episode then moved over to Hazuki as he realized that there was a slight danger that he didn’t anticipate to the body swapping: not being able to return, with as the highlight that part that had the best track of the soundtrack of this series (the one with the bass-like guitar and piano: a simple yet wonderful combination).
Rating: 5.5/8 (Excellent)

Uta Koi – 08

One thing that this series has made clear by now: living in history sucks. Especially for women. The women featured in this series were great poets… and yet most they do is sit in a room and wait for their loved ones who are often gone for years. This episode was all about that. To the point where relationships just fell apart because of that.

And once again, this series actually links all of the poems together. This episode was about the poet who was the servant of one of the characters from last week, and it first shows a failed relationship she witnessed, and then a relationship she was in herself. Next episdoe seems to continue with her even more. Seriously, watching Chihayafuru’s second season is also going to be a treat now that the background of the characters has been fleshed out so well.

Something I did notice during the past weeks however was that the music isn’t as striking as what it used to be. Especially in this episode it was rather in the background, and most of the standout tunes that caught my ear in the first episodes are gone now. I do hope that the creators saved something for the final episodes, because a correct use of music is also a skill that can make an anime much better when used correctly.
Rating: 5/8 (Great)