Me two weeks ago: Ishigami has never been a more sympathetic character!
Me after watching episode 11: Looks like the honeymoon is over.
Kaguya-sama S2 – 11-12
Category: Finished Series: Comedy
Kaguya-sama S2 – 09-10
Two weeks ago, I wrote that Kaguya-sama’s second season was stuck in an alternating pattern of great and mediocre episodes. Among the mediocre ones, there was a tendency to create five-minute plots to push the cast into strange modes of behavior (Shirogane’s glare disappearing), or repeatedly underline a character’s most obvious trait (Iino’s conservatism). Those trends were largely absent from episodes 9-10, however, having been replaced by a dedication to backstory and self-commentary that made this the series’ best one-two punch since the first season. Honestly, I enjoyed every one of the show’s seven most recent chapters, and “enjoy” is not a word I use lightly when discussing TV anime (most of which I watch out of obligation). So instead of ranking them in order of subjective excellence, I’m going to run them down in airing order, because I’ve got something complimentary to say about each one!
Kaguya-sama S2 – 07-08
I might just do two more of these doubleheader posts to close out the season. The recent trend among Kaguya-sama episodes has been to combine three or four segments of similar enjoyability, whether they’re all great or all mediocre. When we hit one of the mediocre combinations, it leaves me with little to write about, so packaging my thoughts in bulk safeguards against weak standalone posts. That’s my justification for my forthcoming June laziness, anyway. Read on to see which chapter was my favorite during the second half of May (plus thoughts on all the other losers).
Kaguya-sama S2 – 05-06
What’s this? I’ve fallen behind on Kaguya-sama again? Well then, I guess it’s time for another chapter ranking post (this time with seven entries instead of six). Behold the fruits of my procrastination!
Kaguya-sama S2 – 03-04
In opting to cover three series this spring, it seems my eyes were bigger than my stomach. The whole self-quarantine thing increases free time, but it also decreases motivation, at least in my case. In order to get back in the saddle, I’m going to start with some low-hanging fruit and make a list post, ranking the six segments in these two Kaguya-sama episodes from worst to best. It’s very possible that my ordering is just the inverse of the conventional one (since I’m indifferent to, or simply dislike, the parts of the show for which others go gaga). If you’re prepared for Wooper’s Kaguya-sama Catch-up Session, hit the jump and get to readin’.
Kaguya-sama S2 – 02
Kaguya-sama’s second season is off to a good start after two episodes, but of all the positive signs we’ve gotten thus far, my favorite is that Masayuki Suzuki returned to sing the OP. The man’s voice has a magical quality to it, to the point that even a brassy opening theme like “Daddy! Daddy! Do!” sounds as smooth as silk when he’s on the track. Suzuki is known as the King of Love Songs in Japan, so when each episode of Kaguya-sama opens with his voice, it’s a reminder that underneath all its exaggerated antics, the show has a romantic heart. That’s a reminder I sorely needed this week, since a lot of this episode’s caricaturish behavior rustled my jimmies (I’ll try to dedicate no more than a paragraph to explaining why). On the whole, though, I’m very glad that the show is back, and looking as fresh as ever – hopefully it survives the current wave of TV anime delays and finishes in June as scheduled.
Kaguya-sama wa Kokurasetai Review – 84/100
Anime draws on many different media types in its endless search for properties to adapt, but manga is still the king of the bunch. And why not? It’s a distinctly Japanese art form, their main demographics have significant overlap, and manga’s panel-based layout means that some of the anime staff’s work is already done. Plenty of adaptations stick very closely to their manga counterparts (hopefully out of respect for the original), but some receive bold reinterpretations. Kaguya-sama doesn’t go quite that far, but under the guidance of director Mamoru Hatakeyama, it does manage to take on a life beyond that of its source material. Hatakeyama’s work on screwball comedies with Studio Shaft near the start of the decade gave him an eye for tricky camera positioning and outrageous character expressions. Since the show came to a conclusion several days ago, I’ve been skimming the manga and noticing the ways in which he embellished scenes by making full use of the student council room, where at least half the anime takes place. This is probably why that environment is rendered using cel-shaded 3D models, since it would allow extra freedom in deciding which angle of the room to capture.
Kaguya-sama’s move to television works to its benefit in plenty of other ways, as well. Its comic timing is terrific – I vividly remember the moment when a dump truck unloaded a towering pile of flowers directly onto Kaguya’s head. The slow, quiet manner in which the petals piled around her sold not just that scene, but a whole seven-minute segment. Things get loud when they need to, as well, with each battle of wits between Kaguya and Shirogane feeling more critical than the next. The show’s use of bright red and blue backgrounds (representing the two main characters) and urgent string accompaniments pushes their mental matches to absurd heights, only to bring them crashing down when fan favorite Fujiwara unwittingly interferes. Special mention must also be made of the series’ stellar casting, which put newcomer Aoi Koga in the lead role and reaped immense rewards as a result. Her blend of haughtiness and vulnerability made Kaguya my favorite character by a mile, but the other student council members had great actors behind them, as well. Even Ishigami, who I wasn’t originally fond of, found his stride once Ryouta Suzuki embraced the bitter, world-weary nerd at the heart of his character.
All these elements made Kaguya-sama successful as a comedy, but director Hatakeyama’s experience with drama paid off as well. Having headed up the masterful Shouwa Genroku Rakugo Shinjuu, he clearly knows how to frame more serious material. The two-part finale “I Can’t Hear the Fireworks,” which dug deep into Kaguya’s isolation and sorrow, is all the evidence one might require to support that claim. The moments when she reunites with her friends and realizes the depth of her affection for Shirogane are among the most heart-stopping in recent romcom history. Towering though that achievement may be, though, the blending of comedy and romance in simpler scenes also carried a kernel of drama, which was crucial in constructing a plausible on-screen relationship. Tropes like shared umbrellas and backseat bicycle rides felt more satisfying in Kaguya-sama than in other series, since Shirogane and Kaguya’s famed intellects gave way to their passion at just the right moments. Not all of these scenes were perfect – I had my reservations about a couple chapters near the end of the show’s run – but the hit-to-miss ratio favored the former by a sizable margin.
So what’s the final verdict? That’s up to each viewer to decide individually, but mine is quite positive. The comedy is clever and visually inventive, the romance is cute, and the dramatic conclusion alone is worth the price of entry. In fact, the series was so good out of the gate that my expectations went soaring for the second half, which didn’t always meet them. Still, I enjoyed my time with Kaguya-sama, and if you like shows that skillfully walk the line between silliness and sweetness, I think you will, too. It might not be on par with the Kare Kanos or Toradoras of anime, but it’s a thoughtfully-directed romantic comedy that ought to be watched by fans of the genre.
Kaguya-sama wa Kokurasetai – 12
And so we reach the end of Kaguya-sama’s twelve episode run. There’s no word of a second season yet, but given the original’s enthusiastic reception, I have to imagine that one will come. (We ought to get an OVA at the very least – otaku have come to expect them when shelling out for pricey Blu-ray boxes.) A sequel may be even more likely when we consider the strength of the first series’ conclusion, and this one definitely ended on a good note, following up on both the emotional promise and the more light-hearted elements of the previous episode. Kaguya’s newly created Twitter account and the Metropolitan Ramen Kings both played a role in her jailbreak, just as sickly Kaguya’s fixation on fireworks pointed to a deeper, more personal issue. The show’s reuse of seemingly minor elements is a big bonus for me, since it adds to the feeling that everything on screen has been put there for a purpose. Even when I didn’t care for them at first, the payoff was typically somewhere around the corner. Kaguya-sama’s standalone chapters were some of my favorites in this one cour run, but a little bit of continuity goes a long way in authenticating the show’s world.
The bulk of this final episode was dedicated to “I Can’t Hear the Fireworks,” putting a cap on the post-credits scene from episode 11. Of all the things to love about this two-parter, my favorite is the contrast between the reasons for Kaguya’s lack of hearing. In the past, she was forbidden from attending festivals or fireworks displays, so she could only watch from her bedroom window as they burst into view without sound. She sees the fireworks through a window in the present, as well, but this time she’s together with her friends and her first love, and it’s the furious beating of her heart that drowns out all other noise. These different contexts give the chapter a poetic flavor, as we witness how universal things like friendship and romance can prove so impactful in one girl’s life.
Kaguya might have stayed confined to her room and missed making a valuable memory if not for Hayasaka’s encouragement and the help of the student council members (including Fujiwara, who opted to skip her Spain trip in favor of attending the festival with her friend). In fact, she was originally so heartbroken that she wished she’d never gotten close to them, so it wouldn’t hurt quite as much when she was forbidden from seeing them. The series depicted that pain through multiple shots of Kaguya’s tear-stained face, as well as more experimental live action cuts of black windblown strands (representing the veil of hair with which she protects her eyes). When these sorrowful images eventually gave way to anticipation and wonder, there was a feeling of catharsis that most anime series couldn’t hope to match.
Of course, Kaguya-sama wouldn’t be a romcom without an eventual return to the status quo, and one last contest in the council room serves as the series’ parting note. It’s a chapter that focuses on spring cleaning, to boot, as if to polish and dust the show of excess sentimentality. Nevertheless, there’s a sense that Kaguya herself has changed a bit. Although Shirogane is preoccupied by the scale of his actions on that festival night, his crush is desperate to say “thank you” for those same efforts. Try she does, but even after ejecting Ishigami and Fujiwara from the room, she’s still foiled by a misunderstanding that causes the president to flee the scene in embarrassment. It’s worth noting that she chases after him, though, a gutsy impulse that she never could have acted on a year ago. Shirogane is still terribly self-conscious, and Kaguya is still learning how to process her new feelings, so their continued separation makes sense. But at least they’re headed in the same direction, with good friends to support them on their journey, and plenty of time before high school ends to grow closer together.
Kaguya-sama wa Kokurasetai – 11
Can somebody explain why, in an episode where Kaguya’s loveless upbringing is shown to have profoundly damaged her, 14 minutes were dedicated to stories about eating ramen and not understanding Twitter? With only two slots left in your single cour run, these had to be among the most skippable chapters in the manga (assuming they’re not original material), yet they consumed the bulk of this episode. Was the goal just to pass time so the summer festival could double as the series’ conclusion? It feels like every time we get an episode that reaches the standards the beginning of the show set for itself, the next one has to take three steps back. I’m sure many of you are tired of reading these sentiments, but I’m just as tired of the weird missteps the anime is making. Taken as a whole, this batch of chapters wasn’t even bad, just the sort of unfocused grab bag the show ought to have ironed out of its repertoire by now.
The first of our stories this week was more about Hayasaka’s occupational weariness than Kaguya’s lack of technological prowess. We’ve seen that Kaguya’s valet does a great impression of a normal high school girl, which helps her blend in at Shuchiin Academy while looking after her charge. What’s clearer than ever after this week, though, is that she has a real desire for normalcy, and perhaps even an awkward first romance of her own. She plays it off as a bit of bathtime musing, but it’s clearly real, which is what makes Hayasaka such a good fit as Kaguya’s friend – they both want freedom from their household’s oppressive atmosphere. If we’re being honest about the broader appeal of this episode, though, Kaguya’s search for “Twitter” in the dictionary will probably make a bigger impact than anything about the girls’ relationship. Her struggle to replicate a captcha phrase was the kind of “so relatable” moment that barely outranks reference humor in terms of comedic effort. And just imagine all the 13 year old guts her confusion about protected accounts must have busted. Is my general disdain for social media coming through right now, guys?
Only slightly better was the ramen chapter, which handled narrator duties over to a brand new middle-aged salaryman character who will probably never be seen again. He creepily observes every step of Fujiwara’s ordering and eating processes, and judges her to be a worthier ramen connoisseur than himself after she buys a fantastic dish and devours it with childish abandon. Was this segment funny? I’d say so, yeah. Some of the dramatic shading on the narrator’s face and his overreactions were worth a chuckle or two. But it didn’t teach me anything new about the characters I like. Even Fujiwara was short-changed by this chapter, and she was the only council member to appear on screen. A far better version of the same story might have cut out the middle-aged man and included both of Chika’s sisters in the restaurant with her. Then we could have learned about two new characters, while getting a different perspective on a familiar one by contrasting her with her family. Perhaps the temporary narrator was meant to parody a Japanese pop cultural figure? If not, this chapter feels like a missed opportunity, as the show is quickly coming to a close, and every minute counts.
The bit with Shirogane and Kaguya visiting the student council room and missing each other by mere moments felt abrupt, probably to make room for the post-credits scene. Those few minutes were certainly the most intriguing part of the episode. At first I thought Kaguya had been summoned to their family’s Kyoto home for a marriage interview, given the table where she was sitting, but apparently all she was called to do was greet her father for two seconds as he walked brusquely past. Perhaps she was called out just to interrupt the shopping plans she made in a previous episode, which would make her father a meddler on top of being an “asshole” (Hayasaka’s words). This is the third episode in a row where Kaguya’s love for fireworks has appeared, and here it carries the most emotional heft of the three. Fireworks are loud, bright, and colorful – all things Kaguya was never allowed to be as a child. Shirogane had better get his shit together and properly invite her to the summer festival. If her pained vocal delivery is anything to go by, she needs to reclaim her lost youth now more than ever.
Kaguya-sama wa Kokurasetai – 10
There are times when I judge anime series based on the number of screencaps I’m compelled to take per episode. This was one of those times. After closing the video and taking a look at my desktop, I was unsurprised to see it littered with mpv-shot files, all featuring distinct facial expressions, poses, and situations that were instantly memorable to me. The point I’m belaboring here is that this was a great episode of Kaguya-sama, even though it continued to explore a plot point from last week about which I wasn’t too jazzed. Though the consequences of the “sick in bed” plot were in focus for two of these three chapters, the show was packed with fun details and moments that had me smiling or laughing periodically throughout. Take the first segment, where Kaguya and Shirogane’s frustrations cause them to enter a gigantic argument over a piece of cake. Recognizing the need for de-escalation, Ishigami flees the room in search of Fujiwara, whose face (surrounded by sunflowers) balloons towards the camera like a scene transition from a retro American cartoon. The contrast between the heated fight in the council room and Fujiwara’s status as a comedic icon was too delicious not to play with, but the show pushed it even further than I expected with that silly logo. Kaguya and Shirogane’s rage marks popping like balloons was another neat touch, perhaps foreshadowing their anger evaporating once they took the other’s position into account.
The second chapter took a less conflict-driven, more thoughtful approach to the characters’ feud, with the president and vice president becoming advice seekers (rather than the advice givers they’ve been in past episodes). Kashiwagi and Ishigami give typically female and male answers to their inquirers’ questions, but also prompt Kaguya and Shirogane to think more deeply about the situation. Kaguya’s desire to have been touched is a tricky one to navigate (especially given her lack of sexual knowledge), but I think the show managed it with some grace, since her affection for the president is more than physical. What’s particularly interesting about the resolution of their fight is that Shirogane’s apology dovetails with the fulfillment of her wish, lending a sort of destined feeling to their romance. After Kaguya’s moment of reciprocity, the whole thing ends with an even playing field, but also the sense that some progress has been made between them. To me, this is the best way such a story could have possibly concluded, so bravo to the mangaka for providing a perfect blueprint for the anime. Also, Ishigami deserves a special mention for unconsciously (and hilariously) pouring all his frustration with women into his conversation with Shirogane. Their bro session nicely sets up a moment they share in the week’s final segment.
Free from the shackles of its sexless sleep session, Kaguya-sama revisits the idea of our characters taking a trip together, since summer vacation is quickly approaching. They quickly settle on a summer festival, which excites the fireworks-obsessed Kaguya in the episode’s cutest moment (pictured above). The layout of that scene was perfect, with the prospect of pyrotechnics proving so enticing to the VP that her enthusiasm forces even the bubbly Fujiwara out of the shot. Each character was used to great effect in this scene, with Ishigami acting as a unifying agent for the rest of the student council. Fujiwara temporarily adopts his role as the one to leave the room under the influence of some social trauma, but my inner theorist wonders whether this is just an excuse to get her out of the way for a bit. With the number of festival attendees down to three, perhaps some sort of romantic triangle will develop around a yukata-clad Kaguya? After an episode this good, I’m excited to see how the show’s summer vacation pans out, regardless of my ridiculous speculation. Kaguya’s in her right mind – all’s right with the world.