Psycho Pass – 21

So, it’s time for the penultimate episodes again. Starting with Psycho Pass, which pretty much showed an example of such an episode done right. This definitely was a story headed towards its climax with the country at stake, but at the same time it never stopped developing its characters. In fact, it’s this episode where a lot of the characters come together, and get pushed further.

And this is for nearly the entire cast here. It’s because of this that the death scene made impact. Everyone can kill off a character near the end of a series. Making such a death count is an entirely different matter, but that is exactly what Psycho Pass did with Nobuchika here, and his relationship with the other enforcers. It fitted perfectly onto the buildup that he has had for the past episodes. But also Akane really surprised me as a really strong character. Plus Makishima Shougo again demonstrates what it’s like to be an actually good villain here. Yay!

Now that the series is nearly over, I’d say that Psycho Pass for me ranks above Blassreiter, Fate/Zero and Madoka Magica as a Gen Urobuchi series, and below Phantom. Although out of all his stories, I do think that this is the strongest. Blassreiter mostly stood out through its CG. Fate/Zero had some pacing issues (which to me, Psycho Pass didn’t really have that much…), and it’s longer than Madoka Magica, allowing it to put more detail into its setting. Phantom had a weaker story, but its characters still made it as my favorite Urobuchi Gen series.

And yeah, it’s a shame. But in a week we’ll have no more Noitamina for the next three months. Bummer.
Rating: 6/8 (Awesome)

From the New World – 23 & 24

From the New World has been a delight. It has been such a long while since I saw a fantasy series in which the characters were so cunning. From both sides. The past two episodes were all about trying to kill Yakomaru and Satoru and Maria’s child, and the creators realy took a lot into account here. All tactics really are clever. People make mistakes, but they are covered by their allies in order to balance things out and preventing from god-moding everyone. And that lead to some wonderful casualties.

It also helps that every character involved in these two episodes was one that I really liked. Perhaps Satoru was the weakest of the bunch for having the least to write home about, but Saki has been a fantastic main character over the series, bringing a great balance of inventiveness and insecurities. Kiroumaru expecially surprised me in these episodes when he showed where his intentions lied: the survival of his colony, and how he underlined the difference in mindsets between the humans and queerats: the will to give up. Maria and Satoru’s child is an example of a villain with little screentime done right: he has been built up for ages as an incredibly dangreous foe, and time and time again this has been re-established, without making him invincible in the way shounen series do it: impossible to kill aside from someone who is “stronger”.

Also, Shun. The creators brought him back at quite an interesting point in the series. What exactly is he? Is he Saki’s instinct, which she portrays as his memory? Or is there something else going on here? I think that it’s the former, seeing as how this series has been so down to business, and how there have been no hints against the fact that the dead in this series stay dead.
Rating: 6/8 (Awesome)

Robotics;Notes – 20

So, Robotics;Notes. I really appreciated it when you claimed to try and be as realistic as possible. The fruits of that were really visible in this episode’s best parts. However… don’t pull stupid stuff like what you did in other parts of this episode. Those parts didn’t really work.

The worst one was where the life of a young child was saved by… a parrot. Seriously, I could buy the robots perfectly. It’s part of your setting. But don’t randomly introduce superbirds. That just… makes no sense whatsoever without build-up. Beyond that, there were a few plot twists that didn’t sit right with me. This more has to do with personal taste, though:

– First of all, why did Kimijima Kou find it necessary to tell everyone about his evil plans? What point does it make? He could just kill everyone and have things over with. But then again, nobody could anticipate that damned bird…
– Second of all, brainwashing. I do not like the usage of this as a plot device for having characters do things they wouldn’t do on their own. It takes away all of their free will. It’s like saying “screw our differences, I was just brainwashed and I totally agree with you!”
– Third of all: why did you have to wreck a plane for that?
– Fourth of all, why the robot? The villain here is a bit of data. The focus should be on Frau and Kaito as they use some sort of Killballad H4x0rz to get rid of him or something. Why are the robots useful?
Rating: 4.5/8 (Good)

Psycho Pass – 20

Aha, a great type of episode so right before the climax of this series: one that nearly entirely consists out of people talking to each other and exploring the ins and outs of the setting here. Discussing the advantages and disadvantages of the Sybil System. With this episode it’s clear that the creators knew full well what kind of flawed system they created with Psycho Pass.

I really liked the atmosphere of this episode, especially at the time where Akane was talking to those canned brains that make up the Sybil System. This episode also revealed that just about every pair of brains there comes from some kind of latent criminal, some of which did even worse things than Makishima Shougo did. That explains why they took an interest in him. It creates this interesting paradox here: when they contribute so much to society, does that make up for their actions when they still had a body?

And I wondered about this many times, but with this episode it’s really clear to me that the lack of security is intentional. Gen really intended this to be a criticism of modern society, and the way in which it’s heading. Having everything done and decided for us makes us lazy. We don’t take any insurances for the worst case scenarios, we don’t think for ourselves.

So this seires will get more epic and all, but there is one point that this episode stressed that I really like about it: destroying the Sybil System isn’t going to solve anything. It’ll just create chaos and nothing more. This is not a case in which we can just kill the evil big bad guy and have things automatically fixed. Also, since Makishima Shougo is far more interesting than your average villain, this is one finale I’d really want to see.
Rating: 6/8 (Awesome)

From the New World – 22

A build-up episode. And here this series once again shows how cunning the characters in this series are. And as a contrast, we have a weapon called “The Psychobuster”, to symbolize the huge difference in culture between how humanity is now, and how it is at the time of the series.

What is weird is how the landscape in this series has completely changed compred to today. I mean, usually with post-apocalyptic series, you’d see… the remains of buildings or skyscrapers, or anything. Here, Tokyo is reduced to a desert. There are a few rocks, but apart from that no trace from the skyscrapers that used to be there. Was everything really blown to bits in the past?

Also, the characters still seem to think that Mamoru and Maria’s child still is a fiend. That’s probably a big plot point for the next few episodes, since she seems to know exactly what she’s doing.
Rating: 5.5/8 (Excellent)

Robotics;Notes – 19

Whoa, plot twists! With this episode the creators managed to turn the entire plot around. So did it work?

It did, but for some reason I did expect something more out of this series if I have to be really honest. I still can’t really grasp why, but Misa as the main villain still feels flimsy. We know hardly anything about her and why she changed, so when this episode revealed that she was the main villain along with Kimijima Kou… it just felt like something was missing. Just as how Kai blindly accepted what that guy who was obviously the villain was saying.

Still, it’s great to see everything tied together. However, I do have to wonder: why is Subaru in this series? And why is Junna in this series? And most importantly: why did they get so much airtime? When you compare their stories with the rest of the series, they feel… out of place, to the point where the main players here did not get the time they deserved to get fleshed out.
Rating: 4,5/8 (Good)

Psycho Pass – 19

This episode earned a lot of points for me. It’s a build-up episode,but instead of being boring it actually makes very good use of its time. Most notably: the characters try to look inside the mind of the villain. Instead of heading towards the next climax they speculate what he will do next, and how his mind works. That’s not something you see often, especially with most series having villains with… rather simple motivations and plans.

Also, I’m really beginning to think that Psycho Pass is about a society that has evolved into the wrong direction. My biggest theory here was that there was a point at which the Sybil System was given too much influence, and that it transformed the society as monotone as possible, as free from outside influences as possible, and as safe as possible. What we saw in the first half were the exceptions that slipped by. I really became convinced of this when this episode revealed the crazy idea to have the entire food production of a country depend on one single type of crop. They’ve just completely eliminated variety. We’re not in a 1984 setting in which people have no privacy, but there are more and more similarities.

I think that that is one part that I would have done differently: the first half of this series was all about different psychopaths, but it did not show much about the setting: it didn’t colour the world as well as it should have, so now this series suddenly comes with details like this, this late in the series. If we had known this earlier, I think it would have made an even bigger impact.

The plot of this series really is fine, by the way. This episode again had a good balance of twists, and attention to the characters. Kagari suddenly receiving the attention of the Sybil system with her good behavior… I can buy that, and it will give her an even more interesting role in the story when she learns of what’s going on. Also: this episode stressed something. Kougami has some eerie similarities with Makishima Shougo, but Kagari does as well. Most notably with how her Psycho Pass stays the same.
Rating: 5.5/8 (Excellent)

From the New World – 21

We were just talking in the shoutbox about episode ratings, and what they mean when I hand them out. I’ve been blogging a lot of episodes over the years, so my standard are pretty high with this: an episode has to be pretty freaking good to warrant a rating above 6/8. And here Shin Sekai Yori pulled it off, with what was without a doubt the best episode of the season. Holy crap.

People wondered why I didn’t rate the latest Jojo episode as high. The thing with that episode was that it was a pretty standard episode that was really well delivered. It was really entertaining, and it deserves points for that, but it did not amaze me. This episode in comparison completely shocked me. It’s here where the series finally reveals what kind of plan the queerats have had since the beginning of the series. And holy crap is it sad! And holy crap they go far here!

Shin Sekai Yori is for children? Hah. This episode showed what amazing villains the queerats are. This episode made brilliant use of how we previously saw the queerats as a simple folk with simple rituals when they start using those rituals on humans. It was slightly shocking when they did it with fellow queerats, but abducting human children in order to let them grow into fiends in order to take over the world and escape the oppression of the humans. Holy crap man!
Rating: 7/8 (Fantastic)

Robotics;Notes – 18

And with this we have turned to the final arc of this series, in which we finally take a look at Aki and her sister. It brought in a sudden hint of romance as well now that Aki is in the main picture again (again, this could have been better balanced to take out the harem element because I don’t think it really contributes to much here apart from making Kai a less interesting character. That’s the downside of having a series with so many different plot threads, yet still wanting the main character to poke his nose in everything.

Still, Misa’s part in this episode is something I really liked. Kai really feels shocked by what happened to Mizuka and the creators used that well, only to move over to Misa herself, who seems to have betrayed her job or something…? The answer to that is probably something we’ll get in the next episodes. I really liked the cliff-hanger of this episode and how this showed the tension between Aki and her sister.

Lots of drama seems to have been created around Gunvarrel. This part did not work as well for me today, probably because it’s a part that has been a bit abandoned: how regular people think of Gunvarrel. It just felt too one-sided and forced at this point. I know that it has been stated before that Gunvarrel has had negative publicity, but for me it was a bit too much when everyone just walked away or when people started throwing with cans…
Rating: 4.5/8 (Good)

Psycho Pass – 18

So I already read that the animation of this episode would have… issues. So how did it turn out? Well, it was definitely noticeable For some shots, it felt like the cleanup-animation work was not done, and I suspect it was a case of an outsourcing company that did not make its deadline. Still, it wasn’t that bad and this episode did get across what it wanted to do, and it was a building-up episode anyway. I have seen much, much worse, many times before.

The strongest scene of this episode was where Akane shot Kougami. It was a bit of a strange move in which the Sybil System lacked a lot of subtleties in hiding their true intentions, but still: at htat point they probably believed that nobody could do anything against them and it was worth the risk. Akane has grown much more than what I expected her to do and I loved how dependable she has become.

The inner politics of the police force were really interesting in this episode. And yet again, I have to wonder why the police force is so small and why it’s so difficult to get replacements? I mean I get that there is less crime and all, but society has to be pretty screwed if there can be hardly any capable policemen in the case something goes wrong (like in this episode, where an enforcer starts to think a little too hard). I mean that is the big fault with the Sybil System: it doesn’t seem to grasp the concept of insurance. Did Urobuchi Gen do this intentional?
Rating: 5/8 (Great)