Little Witch Academia – 15[Chariot of Fire]

Shiny Chariot rides once again and I think that’s where most of the animation went besides the showcase at the end of the episode. Wise choice though as it shows that Ursula hasn’t dulled much in her later years. She still seems intent on keeping her identity secret from Akko though this may be because finding Chariot is her main driving force at the moment. We at least are getting some idea of Chariots past as it seems she and Akko are a lot more similar than first thought. Akko and Diana seem to mirror the relationship of Ursula and Croix in their youth. However it would be a strange twist of fate if Akko ended up under Croix’s wing while Diana and Ursula teamed up. Diana has started to look into Ursula so she could very well figure out her true identity.

I feel that Akko’s nativity is getting to be a bit much as her trust of Croix is so much that even when walking up to her lair she doesn’t seem to register how ominous it is. Though Ursula is at fault as well seeing as she doesn’t seem to be making an effort to warn Akko of Croix’s intentions. I don’t really understand why she covered for her when Akko woke up as letting Akko know of the danger Croix possesses would be a very good idea. Though what is Croix after exactly? Others besides Ursula to harbor doubts over her changes to magic and with good reason. Amanda makes a point that with her innovations magic has essentially been supplanted with Science, making it indistinguishable. It does feel like with the technological upgrades it’s getting that something more personal has been lost. However another reason to be concerned is that this direction for magic is heavily dependant on Croix. In fact she pretty much holds full control of magic power distribution with this system and she seems like just the kind of person to take full advantage of that. Those routers may allow magic to be used off grounds but who’s to say she didn’t place a backdoor in them to allow her to shut them down whenever it’s convenient for her. It’s getting to the point that when she makes her move, nobody would be able to do anything about it. For everyone would depend on her inventions at that point and she would have them by the balls.

Kudo’s to the commenter on the last post who correctly guessed the involvement of Yggdrasil as Ursula points out the tree as being the source of magic power. I originally wrote it off as I thought it was strange to involve Norse mythology when so far it’s been mostly Celtic(Though we did have a dragon named Fafnir so it’s not the first time it’s popped up.) but if Wikipedia is trustworthy then mentions of a world tree are in Celtic folklore as well though that tree was unnamed. The final bit of exposition that Ursula gave at the end of the episode was impressive animation wise but admittedly only really served to inform us of what we already know. It clued in Akko to what she needs to do and the main new information to be gleaned from it is that the seven words unlock some sort of reality warping magic and the bit about Yggdrasil. In that regard I feel like unsealing the words can only really lead to trouble as Croix could swoop in to take the magic once Akko has done her job.

Seikaisuru Kado – 02[Novo]

This episode answers the question of just what was happening to the plane survivors during the period the government were trying to break into the cube. The answer seems to be that they were interacting with an alien lightform. This episode does feel like the series is still in its introduction stage and likely the real start will be next episode when the Alien starts taking a active position in politics. We do at least find out why he doesn’t just release the passengers out of the cube right away as it seems it will take a degree of processing time to allow each passenger to leave. This seems to suggest that the inside of the cube isn’t really a psychical space but rather some kind of database which currently has the data of the passengers stored as virtual data. The big question is that does this mean that the passengers died when the cube absorbed them and now the Alien is reconstructing them based on the data it absorbed? What’s more, was this an intentional act or an accidental one?

This series reminds me of a book I read called Childhood’s End. In that the story involved Aliens coming down to earth in order to better mankind. Though unlike those Aliens, Yaha-kui zaShunina doesn’t seem to understand anything about human society and thus needs Shindo to act as interpreter. What he hopes to gain by helping mankind is not exactly certain, even the Aliens of Childhood’s end had their own agenda. He has already made it clear that he isn’t exactly an enemy or a friend. But what I think this series will mainly focus on is on just how much he can influence society. He could give over great inventions to Japan but that would result in other countries getting nervous. Truthfully not much happened this episode, this was more the Alien adapting to human communication and working together with a negotiator. Perhaps when this series really kicks into gear we might see how good this turns out to be. I just hope we don’t get more of the ditsy science girl as in a sea of rational human beings she is an unwelcome distraction.

Re:Creators – 02 […… that wasn’t funny]

Resuming from the convenience store shopping and onwards on to the sightseeing trip into Tokyo, Re:Creators does a massive info dump and theory, courtesy of the gluttonous caster-type Meteora Österreich. I wasn’t all too invested in how these heroes came into Souta’s world but information splitting off and colliding with each other between all the various realities provides a reasonable explanation on the mechanics behind Gunpuku no Himegimi’s plans. The first meeting between the creator and creation was far more enticing than the first half as the ogling and awkward revelation devolves in an another explosive fight.

I really like Magical Slayer Mamaika style as she completely shift the modern color tone into a ultra cheery mode whenever she does her magical girl thing. Of course, the stereotypical mahou shoujo tropes of Mamaika doesn’t survive first contact with the real world as the petty and colorful attacks actually does harmful damage to everyone and everything. I sense a touch of Madoka Magica’s conflicting darkness as her idealistic world comes crashing down and she struggles to comes to terms with the dissonance between her fictional and creator’s world in front of Selestia. Mamaika can’t accept someone who refuses her ideals and the only way she know how solve such a problem is to blast them with the power of love, which cleanly resolves any issues in her world but ends up being destructive attack in the Souta’s world. I suspect the other new character ,Yuuya Mirokuji, who looks and acts like something out of Kekkai Sensen (Blood Battlefront Blockade), doesn’t have the same inner conflict as he seems like the kind of guy who enjoys a good fight.

Especially when it comes to putting stuck up magical girls in their pace.

Speaking about the spat between Selestia and Mamaika, the amount of collateral damage probably comes close to tens of millions of dollars done to the building and streets. Between epic highway chases and Meteora’s missile strikes, tons of people have seen these fights go down and the government could not just ignore this. If I don’t see them intervening, I’ll just chalk it up to anime being anime .

The opening credits are ok with its sliding panels of characters in their own original world and then alongside with their promotion material with each a short clip  showing off their power. It could have used more battle scenes with characters fighting against each other and I found it to be a bit dull overall. The ED is something you wouldn’t find out of place in the PIXIV website with its fun fanart-like slides of everyone having a good time shopping, forlicking on the beach and ironically posing with their cosplays imitations. Overall, Re:Creators continues with its strong performance with its ambitious setting despite its main character falling neatly into self-insert category. With nine other crazy characters to contend with, all descended from the imaginative minds of the Japanese entertainment industry, I’m perfectly fine with this as long as the conflicts between creators and creations keep rolling in.             

Little Witch Academia – 14[New Age Magic]

Well here she is, miss antagonist and now another of the visions Akko had when unlocking the second word has come to pass. In a way this is still continuing the episodic structure of the previous episodes but again there’s enough plot in the background to make it feel substantial. We also have a new opening which looks to be hinting at a conflict between Diana and Akko which mirrors that of Ursula and the new professor Croix. I don’t think the new opening is better than the old one, feels a little too standard and like Kill La Kill’s second opening. I rather like the thematic  conflict with the main characters. With Akko and Diana being aspiration against realism while Ursula and Croix look to be traditionalism against modernization. Croix, much like Constanze, is mixing magic and technology in an effort to fight against the magic energy crisis. You could argue she has best intentions but her demeanor screams villain to such a degree that I expected rainbow spotlights to appear with a German theme song.

Akko seems well enamored with her but I think this was a missed opportunity to have Constanze play off her. As I said previously, Amanda and her crew have had little screentime so far in the series and I would certainly like to see them featured more than just being background characters. Though I suppose the purpose of this is that Croix is winning over Akko to the side of magical modernisation and leading to a conflict between Akko siding with her idol or her newly respected mentor. I think this was a really strong episode and a good introduction for Professor Croix. The witch academy did seem to be won over by technology a little too fast though even with one teacher still is not convinced. Tradition was one of the things holding back the academy, the Samhain festival is certainly proof of that. However to remove it entirely does seem to risk losing connection with the power of magic. I have a feeling that Croix is deeply involved with the decline of magic and it’s clear she has an underlying motive behind this Academy modernisation after setting  up the events that triggered the strike in the first place.

It was quite humorous to have Akko go to try and convince the spirits to stop the strike, only to join them instead. But the real golden moment is that Akko managed to get Diana flustered. Her method was a bit underhanded but nonetheless she did have a point in that Diana didn’t try to understand the situation the spirits were in. She condemned them for demanding more when they were clearly getting a raw deal here. A mere ten percent of the magic energy with witches taking up the rest. Considering that they need it to live that’s akin to cutting off their food supply. Akko may be unreasonable but her cause is justified and it is rather satisfying that after 13 episodes of Diana being a pure perfect witch that Akko managed to shut her up. A one sided rivalry looks to be becoming a true rivalry as Diana acknowledges Akkos worth. It also seems she is catching on to Akko being chosen to revive the grand triskelion which is sure to shake her up even more.

Re:Creators – 01 [I will remember everything that happened to me.]

From the various PVs, I expected that Re:Creators would be a Fate/Stay Night + Fate/Zero rip-off done in in the style of A-1 Pictures and upon viewing the first episode, I was pleasantly surprised by the direction of which this new series seems to be going. With big names like Eoi Aoki (Fate/Zero), Rei Hiroe (Black Lagoon) and the fairly competent animation studio of TROYCA behind this production, there is a very good chance that this will be one of the top highlights of the Spring 2017 anime season alongside with smash hits like Attack on Titan and Boku no Hero Academia.

Unlike the underdog story against genocidal Martians of Aldnoah.Zero or the episodic murder-mystery of Sakurako’s Investigation, Re:Creators is light-hearted affair that inverts the tired trope of average person gets transported into strange world. By bringing fictional characters from sources like light novels, manga and anime into modern-day Tokyo, it creates a genre-mashing battle royale scenario that is not unsimilar to the Fate/Stay Night franchise. While Fate is steeped in conflicting ideologies and historical characters, Re:Creators is very much about the relationship between creators and their fictional creations as I’m sure they will go into depth and connect the dots about the ominous opening scene with the girl throwing herself into the oncoming train.

I’m really digging all the crazy combinations that could have come out someone’s sketchbook like Gunpuku no Himegimi rocking an oversized military uniform, spinning swords and a submachine gun while the caster type Meteora displays Gilgamesh’s Gates of Babylon-like power that comes packed with FIM-92 Stinger missiles. Out of the two heroes introduced so far seem, they both have adjusted fairly well to the strangeness that is the modern world and the humor that accompanies their exploits actually works like mistakenly activating the windshield wipers or going to the convenience store for snacks. I’m excited to being introduced to all the other fictional characters like Madoka-like magical girl, mecha pilot and detective and having them all duke it out in their quest to find their creators.

This is will be Studio TROYCA’s third anime production after animating Aldnaoh.Zero and Sakurako-san and for the most part, it looks pretty good with its fight scenes being exciting, fast and fluid. However, it does retain that generic A-1 Pictures character designs with Souta looking like an otaku version of Inaho (Aldnoah.Zero) and incorporating some cancerous 3D CGI that seems to plaguing the industry. Behind the visuals is the booming soundtrack that composed by the legendary Hiroyuki Sawano (of Kill la Kill, Attack on Titan and Mobile Suit Gundam: Unicorn fame) which sounds like a more upbeat version of Aldnoah.Zero’s soundtrack with its multiple insert songs and distinct orchestral/electronica/rock combo. I haven’t heard anything that would rival the likes of ətˈæk 0N tάɪtn (Attack on Titan), before my body is dry (Kill la Kill), or βios (Guilty Crown) but it’s still gets the viewers amped up and it will be worth a listen once the OST is released.

Re:Creators seems to be a celebration of the anime industry in all its various forms and pay homage to the those are into creative entertainment, whether as a business or hobby. With the announcement that this will be an twenty-two episodes series, there is plenty of time to flesh out the plot and all its reincarnated fictional characters. It does comes with the caveat that it could all be downhill from here when it comes to the story. Afterall, Aldnoah.Zero was given twenty-four episodes to tell its story and it still wasn’t enough time to cover all its bases nor have a satisfying conclusion. The opening episode is a good indication that the staff behind it is up to the task and ready to take us all on a wild ride.

Little Witch Academia – 13[Samhain Magic]

While the episodic structure still lingers I can say that this is an episode I can get behind. There was at least progression in that Akko revived another word and a hidden villain at episodes end. But what makes it work is that unlike the more lackluster episodes previously, the story didn’t return to zero once the episode ended. In the zombie episode or bee episode, by the time the episode ended the characters were right back in the same position that they started. But then episode ended with good developments. For one we have Diana who has been rather harsh on Akko as of late. It’s quite understandable when you take into account that Diana was at first intrigued about her but over the series became frustrated at how Akko refuses to improve or take things seriously. In a way Diana’s feelings mirrored that of audience as she had lost any real faith in Akko. When this episode ends with her actually feeling conflicted and dissatisfied. Diana followed the rules and performed a impressive feat of magic but both the audience and her know full well who stole the show. Much like episode 2, Diana gets the kudos and becomes the moonlight witch due to Akko being disqualified for not following the rules. When comparing their fats, Diana summoned a unicorn and Akko broke an ancient curse to save the soul of a princess. Akko’s approach was clumsy and awkward but she nonetheless accomplished what Diana couldn’t or even dared to think of. I think on some level Diana does see Akko as a rival and may even dream of performing magic like Shiny Chariot. But Akko seems far closer to Chariot than Diana could ever be.

It’s nice to see that Sucy and Lotte were at first reluctant to go with Akko’s plan and Lotte even mentions that they can’t keep following along with her. Akko has often dragged the two along with her regardless of what they think so it was nice that they refused initially but decided to help in the background once they seen how hard Akko was practicing. It is a wonder as to why the school never tried to break Vajarois curse before but seeing as they are such a stickler for tradition perhaps they never even thought of it. But why is it that this was tradition in the first place? Well if the end of the episode is to go by, perhaps there was a good reason as to why this princess was kept cursed. Maybe to prevent something from escaping. Akko’s little show clearly took inspiration from Chariot as she attempted transformation spells in a similar manner. Of course due to her lack of skill these transformations became comedic rather than impressive. The audience enjoyed it regardless after the entire festival was a bore for everyone due to sticking with tradition.  While looking at them, I do wonder if those which judges might be playing a part in future events. One of them looks far too well designed to just be a one off character.

We have hit the halfway point of Little witch Academia so perhaps Netflix will finally put the series up on their service. Even better if they dub it. My overall impressions of the show is that it is overall great despite having a weak episode or two. This show is still indeed fun and when it gets it right it usually knocks it right out of the park. It’s possible now is the time when the series shrugs off the episodic structure and moves for an ongoing narrative but if they can keep a string of progression like in this episode I would be fine with the episodic structure remaining. Even the anime greats have a weak episode or two but for this show to be considered great the second half has really got to bring out all the stops. Amanda and her crew haven’t been present all that much so I think they are getting their due and it’s clear an antagonist is coming by the premonition Akko received and the mysterious figure at the end of the episode.

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when the protagonist gains a level of power that could never be challenged. Enter Youji Senki(Saya of Tanya the evil) where in a HR manager from Japan is tossed into a alternative world WWI by god in an effort to teach him piety. Tanya’s first episode may not win over many but if you check out the second episode you will be taken for quite a ride. This series is the first work by Studio Nut and while it pushed them to their limits it remains a impressive piece of work. Animation and art could be shaky and character designs took a hit for what looks to be for making animation easier. Tanya has some truly impressive set pieces and boasts the largest number of war scenes I have seen in a single anime.

There are shows which advertise themselves as action packed but are anything but, however Tanya is not one of these shows. Though when Tanya takes it slow that can be some of the more interesting parts of the series. Tanya and God’s interactions make for some of the best parts of the show and show a underline of Theism vs Atheism symbolism. The show doesn’t pick a side and admittedly any meaning gathered from this would be shallow level speculation at best. This aspect also becomes less prevalent in the second half of the show as God stands aside in favor of a more human antagonist. It didn’t delve into the concept as much as it could have but it nonetheless makes for a great hook to keep the viewer interested.

In regards to this series flaws the big thing is that it is Tanya’s show through and through. What means is that Tanya gets the bulk of the development, Tanya gets the glory and she gets every moment of badassery. This leaves a large majority of the supporting cast rather underdeveloped and I am certain you won’t remember most of their names by show’s end. In the same way Tanya is to a degree rediculously overpowered and a good amount of the shows second half is dedicated to her steamrolling her opponents. If you don’t find Tanya’s character compelling or interesting, I doubt there will be much here for you besides an alternate take on World War I. Still it’s hard not to like Tanya when she is a beautifully made anti-hero whose motivations are understandable but exceedly malicious. The series can be humorous at times with the after credits sequences taking on a more joking tone than the series normally goes for. The way in how Tanya’s actions and intentions are misinterpreted make for some really humorous scenarios.

For history buff this series provides some meat as well in how the war proceeds in the anime mirrors that of real history and while magical aspects are present, a lot of the equipment used is true to the time. Music is decent with the main theme having enough to get you pumped during an action scene. The opening is different and might not be to everyone’s tastes but the ending is great and closes out each episode perfectly. I applaud Tanya for being one of the few anime to not make use of fanservice as Tanya is in no way fetished at any point within the show. Considering that she is a lolita you would think that’s a given but believe me in that hasn’t stopped many shows before. This show remains a remarkably fun watch throughout, though it loses some steam in its second half but makes a comeback with it’s final two episodes. I say this is well worth any anime fans time and certainly deserving of a second season if being X is merciful.

Saga of Tanya the Evil – 12[How to Use a Victory]

This is certainly a fitting finale in many ways. While the ending is a massive sequel hook, at least satisfying enough to witness the end of this reality’s World War One and have it launch into World War Two territory. Honestly, I think this anime would make for one hell of an advertisement for the light novels and after seeing what the future has in store, I would definitely buy them if they were in English. It gives me hope that this series will see a second season as even though it has it’s flaws, it was still barrels of fun.

Tanya’s ending speech of the episode was a great one by taunting the viewer into maybe thinking that she had finally given up and accepted Being X, only for her to proclaim God to be shit and that she would kill him and take his place. In a way, I think Tanya has accepted Being X as being genuinely God but instead of giving in, her vendetta has increased twofold. Still, as great as that final speech was, I think her one earlier in the episode trumped it. When I heard Tanya talk to Rerugen, I thought for a moment that she was going to reveal her past to him. Instead, Tanya explains that humans are not beings who run on logic but succumb to their emotions and that the war will continue. Her words are prophetic to Rerugen but what makes it all the more beautifully haunting is that Tanya is speaking from her experiences in war as well as her previous life’s death. The way this talk was framed from the voice actors performance was just excellent. The minute she finished speaking, her words come true as a messenger arrives with words that the Republic will continue to fight against the Empire, even from another country. The Armistice is in shambles and now the Empire needs to deploy overseas to wipe out the remnants of the Republican forces.

Tanya laments that the Empire’s actions only spur more war, as crossing into another country causes the powers to be to no longer stand idly by. The Empire has become too much of a threat and now they stand with enemies on all sides. Perhaps, Tanya shouldn’t be so hard on them as the consequences of her actions is coming right back to bite her on the ass. With the death of her father, Mary Sue has decided to join the war. Coming packed with extra God power and while she doesn’t know about the killer of her father, Tanya carries a clear identifier in the engraved submachine. God, I would love to see these two duke it out. If this is the true end of Youjo Senki, Saga of Tanya the evil with no sequel being ever announced, then it’s not a bad way to cap off the series. For Studio Nut’s first work this was certainly a impressive offering and I will be looking forward to see just what they have in store next. If that happens to be more Tanya, then I certainly am on board.

 

Little Witch Academia – 12[What You Will]

I did expect to see the episodic stories return in some fashion but at least the story development from last week is still going. This week Akko is transformed into Diana by a mirror that looks to have some connection to Woodward. I worry that Akko may be falling into the same trap as the main character of the pokemon series. Proclaimed that she is gonna be the best while her strides towards it are small while being prone to backtracking. Diana does seem rather tired of her talk with nothing to back it up and I can’t honestly blame her for that. While Akko is improving she does tend to slip back into old patterns from time to time. She tries a little bit and suddenly gets a big head and thinks she can pull off statue magic. If Woodward had a point in this little prank it was likely to force Akko to recognise that she isn’t Diana. In a way they may not want her to be Diana. Diana is the poster child of the school and it’s clear the teachers are the ones who think she will be the one to bring back magic but Woodward didn’t test her on the night of the blue moon. If it really was her in that mirror then she might not have much of a good opinion of Diana’s methods. Perhaps because Diana treats magic as a science when Chariot treated it more as a art.

What we did find out is that Diana has tasked herself with unsealing the Grand Triskelion and bringing magic back to the world. As a fairly privileged child of magic it is rather appropriate that she sees it that she has to be the one to save the world. Unbeknownst to her, the chosen one for this task has already been decided. So how would Diana react to the fact that it isn’t her, the magic prodigy and pride of the school, but Akko the class dunce who is tasked with saving the world of magic. Diana so far in this series has been a reasonable girl but I think even she would be devastated at this revelation. At the start of the series I hoped that it would delve more into the two perspectives that Akko and Diana have approached magic. Akko is the dreamer aiming for the stars while Diana is the realist who takes into consideration the sacrifices and work needs to strive for a dream. Personally I stand more with the viewpoint of Diana but I do recognise the value of optimism and drive. It’s just that when that is all you have it just becomes reckless and destructive.

This episode is the first of two parts and we end with Akko getting advice from the fountain of polaris to do what only she can do. What that is I certainly have no idea but it’s clear she isn’t going to perform her part of the festival as intended. Speaking of which, what might be of interest is that the monster that will appear of the festival looks like one of the red visions that Akko had upon striking Woodward with shiny rod. If so then perhaps those series of visions are a premonition of the future and if that is the case then dark tidings are on the horizon. We still don’t know the meaning of Diana’s prediction as well that Akko would leave Luna Nova. For now it looks like Akko is set on becoming the Moonlight witch as she seems to believe that Chariot was made one in the past. Though based on Ursula’s reaction I don’t think that’s how things went down. Guess we shall see next week.

Saga of Tanya the Evil – 11[Resistance]

Studio Nut really must be hurting as this week starts off with a two minute recap of the last episode but what made this episode special is that for the first time, Tanya lost. The start of this episode at least had Ansen pay that check of giving Tanya a hard time. In particular I loved the irony that he tried to take her out with a suicide bombing much like Tanya did on their first encounter. There was also that moment where in Tanya was fought in close quarters and full herself getting manhandled. It’s sometimes easy to forget be she is still a little girl of twelve years of age. When in hand to hand combat she is at a serious disadvantage due to her under developed body. I spotted moments of janky artwork and cgi animation in the fight scene but otherwise it was a fairly accelerating affair. I am once again annoyed that Tanya shook off injuries and looked fine within the next scene.

They really need to clarify just how medicine works in this universe as this is the second time she’s gotten injured only to have it magically disappear by the next scene. It definitely gives a layer of invincibility to Tanya when she’s survived many explosions with only a bit of dirt on her despite being in the center of the blast radius. One really great detail of the fight scene was the Ansen was using a military shotgun which Tanya proclaimed violated wartime treaty. See in real history the German protested the use of shotguns in world war I. They stated the reason being that shotguns were inhumane and caused excess suffering to the victim. Though the real reason is that Germany didn’t have shotguns so they wanted to prevent the enemy from using them. What makes this particularly novel is that claiming that Shotguns were inhumane is rather hypocritical because Germany invented flamethrowers.

There may be those confused at what exactly happened in the second half of this episode.  For that you may need to know so history on the World Wars. The first is the matter that command signed a Armistice, not a surrender. An armistice is only a formal agreement to stop fighting and one of the things that lead to the start of World War II. Another event to know would be the battle of Dunkirk which has been site of one of the points that Germany could have won WWII. It was a mass evacuation of 338,226 soldiers. If the soldiers had been killed then this could have meant that Germany could have taken England and thus deterred America from entering the war. Here we see a combination of the two events as the armistice was used as a massive distraction to ensue the Emipire doesn’t notice the mass evacuation. The goal in this war was to have a severe loss of life to ensue the enemy was incapable of fighting.

Now that the enemy has fled the mainland it opens up the war for new people to enter the field. Tanya knows her history and  she knows that the empire will be in a very bad position if that happens. Here is the beauty of what happens next. Tanya only knows what she knows due to alternative history. Anyone high enough in command who would listen to her is dealing with negotiating the terms of the armistice. To anyone else she just sounds like a war crazed soldier who can’t leave the battlefield. But she know that this is her one chance for a peaceful life in this world. Yet command chains her for she just looks like a psychopath trying to start another war. This is beautiful. Tanya know’s exactly what is happening but is utterly powerless to do anything about it. All of her victories so far in the series have amounted to nothing as she will once again be forced into the fires of battle in the future.