Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for once and I found myself invested in his struggle to disarm the Hanging Gardens beam cannons. Part of the reason is because Astolfo isn’t acting his usual aloof self due to a new moon being out. As the legend goes, Astoflo’s sanity was taken by the moon and when a new moon is out he temporarily regains his sanity along with his noble phantasm.

So instead of the fearless comic relief he has been throughout the series, he’s much more serious and even feels fear. This gives his fight to take out the gardens some rela weight and i was genuine tension in the scene. Well…it was also partly helped by Sieg running off to fight Karna. I don’t know what it is but that kid can suck the emotion and fun out of a scene in a instant. I was convinced that this was Astoflo’s last stand and that he was about to exit the war but he surprised me by surviving. It certainly was amusing to see Seramus also mistake him for a girl before getting dive bombed by Mordred.

They follow this is what is by far the best fight scene Apocrypha has had yet and likely the best fight in the series as Achilles uses his noble Phantasm to stop time around the plane, making it that the only way Chiron and him can fight is through hand to hand combat.(Mortal Kombat if you will) I must say that was one fantastic fight scene seeing Chiron and Achillies beat the hell out of each other in the stopped time. Sure the animation and art could have been better but it still managed to make this one hell of an anime fight. Special mention to Chiron stomping on Achilies scarf to make him into his personal punching bag.

Alas Achilies comes out on top and Chiron exits the war, although Chiron manages to use his noble phantasm to remove Achilies protection by striking his heel. Chiron even manages to get Achilies to promise to hand over one of his noble phantasms to the black team and oddly enough the end credits sequence shows that he’s keeping to it, likely giving his chariot to Astolfo. This series has it’s ups and downs as well as not living up to the potential it truly had, but it’s episodes like this that make me glad I stuck with it. There is a few great moments in this series for a Fate fan and though it likely won’t be as highly regarded as other works, it’s still a worthwhile watch.

Dies Irae – 08[Promise]

Netflix has funded thirty anime which will air in 2018 and this has brought concerns over whether Anime as a whole could be westernised in order to cater to an overseas demographic. I find the chances of this unlikely and the more likely result is a more diverse lineup of anime for both Japanese and overseas demographics. However if Anime was westernised then that could lead to the removal of excessive unnecessary fanservice in shows as they would not longer need to pander towards Otaku in an effort to gain more Blu-Ray sales. So why is it that I am starting off this post on the latest episode of Dies Irae with this information? Well one because this is another one of those nothing happened episodes(Which I need to think up a term for) wherein the plot barely moved forward and not a whole lot was present in this episode. The other reason however is because to fill up screen time during a long exposition scene, it was decided to show Marie stripling off and trying on different clothes. So I will state that if this mythical westernation of Anime were to happen, this is one aspect of anime I certainly wouldn’t miss. Of course my enemy isn’t so much the idea of fanservice but rather lazy fanservice. When fanservice is part of a series appeal then it is understandable why it’s present but what annoys me is when a series attempts to have its cake and eat it too and throws in fanservice without considering its effect on the story. It’s akin to having a benny hill sequence in Lord of the Rings, immersion breaking.

So let’s round up what happened in this episode. Kasumi was taken by Shirou and Ellie for her own protection, Ren calls them up and gets information on the Swastika’s locations, Ren and Marie visit School to find all the students mind controlled and Shirou and Eilie face off against Rusalka only to get devoured anticlimactically. We had two rather intrusive fanservice scenes in this episode, the first with Marie trying on clothes while Ren was two feet away from her and Rusalka making out with some guys before she goes and murders everyone in the room. I admit the second scene isn’t exactly out of character for Rusalka as she does tend to get around. IN fact at this point she’s pretty much slept with half the guys at Ren’s school. Still I always felt that Rusalka generally didn’t do this while on the job so to speak and i also originally thought that she couldn’t transform between her younger and older self. After all I thought the whole point of her downgrading herself into a lolita was to make her live longer as she is nearing the end of her lifespan. The fight scene wasn’t much to speak off, just Shirou and Ellie firing bullets while Rusalka shrugs them all off. If this was the last we saw of them then this would certainly be a disappointing end to the interesting characters of the protagonist side.

Regarding Marie i find her new personality to be immensely annoying. I wasn’t quite fond of it in the visual novel but in animated form I am forced to see just how incredibly pandering her character really is. This is likely the kind of person that otaku believe to be the perfect girlfriend…in theory. After all, she’s caring, cute and love you? Surely you don’t need her to be anything else. But of course this is in theory as in reality girls like Marie would be very boring and in the worst case scenario, annoying. Sort of like a child who grew out of the phase where everyone found them cute but still tries to act cute for attention, only for it to be very aggravating. Maybe if I could get invested in her love with Ren I might find her more interesting but the fact of the matter is that their relationship is shallow as a puddle. I don’t even understand at what point Marie fell for Ren as she’s only known him for a few days and there wasn’t really any point I could see her growing remotely interesting in him. Does this girl know anything about him at all? Of course I may be jumping the gun here as they haven’t confirmed that she’s in love with him but frankly it’s inevitable. With Shirou and Ellie, i get why these two are together, as they just work on the same wavelength but an easy girlfriend character like Marie, no matter how pretty she may be, just seems so…dull.

Mahoutsukai no Yome – 9 [None so deaf as those who will not hear]

Hello and welcome to another week of Mahoutsukai! Lets hop right into it.

First and foremost, let’s talk about Chise. As the main heroine of the show, naturally it’s going to focus on her a lot. This week zooms in on her relationship with Elias and what it actually is. Characters and situations comment on it throughout the whole episode. From Simon the Priest mentioning Elias is rubbing off on her, to Angelica calling out her Stockholm Syndrome. Even the little side story about the Leannan Sidhe, which I will talk about later, is a commentary her relationship. Usually, I would applaud this sort of commentary, making the characters think about their lives. But with Chise, while I like how she has grown, we know based on previous experiences she won’t question anything. Its not that it’s bad writing, that’s far from the case, I just find it uninteresting to watch.
Continue reading “Mahoutsukai no Yome – 9 [None so deaf as those who will not hear]”

Kino’s Journey -The Beautiful World- – 09[Various Countries]

I will likely be spending most of this post talking about one segment of this episode as just as the title suggests, these are a series of stories involving different countries. But before I get into that I must truly question why these particular stories were chosen. I have stated before that I love Kino for it’s introspective parables and how they make you think but today’s episode was mainly comedy for some reason. None of the stories are put together with any kind of cohesion and some I question the point of animating at all. For example, at one point this episode went from a serious dark story to complete slapstick at the drop of a hat as a story about a cooking country was introduced. A country gets Kino to cook something for them and it is revealed that Kino is a terrible cook whose meals are nearly fatal. My how hilarious, the cute girl who has confidence in cooking but all her cooking is lethal. That’s a joke so unique that I have only seen it a couple of hundred times. I mean i just finished playing through the third game in the Blazblue series(Story is still god awful but I made i this far for the gameplay) and that has this very same joke.

Why was this deemed animation worthy? It’s a story setup for a single joke that’s already been done to death, not to mention it doesn’t make much sense that Kino can’t cook. She can survive on her own and has fed others before, it’s makes no sense that she can’t cook The beginning segment is also equally pointless as it just sets up that Kino’s master has traumatised bandits enough to be very selective of who they attack. There are so many other stories that could make the cut, why this? For example, I know a short Kino story where she journeys to a land that is burning all the toys, magazines and playthings of the children on the grounds that without they will grow into pure and good adults. But whent hey let the kids ask Kino a question, one of the children asks her how to burn alive all the adults of the country. That’s the story, short but undeniable Kino. The moral may be a bit too blatant but I much prefer this to having a story about Ti hanging a wish on a statue.(Again, why choose to animate this?) The story about Kino visiting a country that she wasn’t allowed to remember is a good way of doing humor in this series as if provides a philosophical angle while entertaining a humorous one.

Not every story in Kino’s Journey is a gem which is to be expected considering it’s episodic nature but I feel there should have been far more scrutiny on choosing which stories get animated. I am fairly certain that three quarters of this episode didn’t need to be animated and could have been replaced with superior stories. There are just some odd choices going on here, such as having the author’s afterward in the credits of this episode. It gave the episode a weird finality which had me concerned whether this would only be a nine episode cour but luckily that appears to not be the case. Now onto my favorite part of the episode, a land where everything is awarded virtue points and doing good deeds gives you leeway in the country. This is a fascinating concept because the system has it’s ups and downs. Namely that it encourages people to perform good deeds but makes the act somewhat disingenuous as everyone is only after points rather than displaying genuine goodwill. But what makes this concept most interesting is that your virtue points can cancel out any wrongdoing that you commit. Under the grounds that it’s unfair for a man of many good deeds to be condemned because of one wrongdoing and a bad man being absolved due to one good deed. The man whom Kino talks to in this story had accomplished great deeds but he soon reveals that the only reason he did all of it was because he wanted to earn enough points to kill a single person.

Now I actually find the system genius for this as it appears that it takes a massive amount of points to cancel out murder and here a murderer spends his life performing good deeds for the sake of killing someone. And when he finally has what he needs, he’s old enough to see the folly of it and has no one he wishes to kill. This is absolute genius, for a evil man is made into a benefit for society and when the time comes when he can do evil, he no longer has the will to. But the big question of this story is do we judge a man by his character or do we judge him by what he has accomplished? For this man was evil but still accomplished great things worthy of respect. Does it matter if his motives for doing so where unsavory? I feel this message hits harder at the recent news of the author of Rurouni Kenshin, a well loved shounen series, was revealed to be a pedophile who had a large amount of child porngraphy. For now and forever that series will have the authors sin staining it but again the question remains. Can we respect that this man created a well loved franchise despite how rancid his character is? Do we judge a person in history by what he accomplished or by who he really was?

For there were many horrible people who accomplished great things that we benefit from even in this age. The Fate Franchise has built itself on taking the legends of people and building characters around them, characters which are likely nothing like their real life counterparts and yet to some like myself, have completely replaced their image. I wish that Alexander the great was like that of Rider from Fate/Zero but in truth he was likely a much worse person and I would not like him at all. So in truth is the form of immortality that is records is not truly a record of people, but rather of accomplishment? For what they people thought, felt and even who they truly were has been lost to the ravages of time. Cutting this off bluntly but I think this post is long enough, next episode appears to be another remake of an old story and again I feel like we could just get a new story instead of this. The kind land made for a great closing episode to the original series and having it be in the middle of the series like this is just odd.

Houseki no Kuni – 09 [Spring]

Houseki approaches summertime this episode and this week feels like a breather after the intensity from the last few weeks, by that I mean Phos didn’t get into any real trouble by the end of this week. Not to say this episode is anything less amazing compared to last several weeks. One of the factor that I still regarded Grimgar quite highly despite its shaky overall production is that they nailed the feeling of grief admirably, something that the anime medium usually glosses over too quickly. The loss of someone close/ dear to you usually leaves a lasting, permanent impact, so naturally I found myself tuning out whenever the main protagonist overcomes that loss just several episodes like nothing ever happen. Here in Houseki, the loss of Antarc still lingering over Phos, and although Phos doesn’t have any significant alteration in their physical body, this week marks a tremendous change in Phos’ personality. At the beginning of this episode, we see the more collected, no-nonsense Phos and they still mourn over the loss of Antarc, whom they feel their capture was entirely their fault. The nightmare/hallucination of Phos about Antarc, in particular, is a powerful and realistic moment about people gem who experienced post-traumatic stress disorder.

Back to spring, when all the gems wake up from hibernation with a new job, and new pairs of spring uniform. Phos receives unanimous popular for their new alloy arms, which can stretch, turn, attack and making a wall at will. The other gems, behave exactly like children who receive new toys, at first scare of Phos’ arms, but then the curiosity takes a better of them. With the old Phos, the sudden popularity and recognition from their peers are all they could ask for, but now that Phos actually has all the attention, they don’t know how to deal with it. “Not a single good thing has come from it”. This line nails perfectly how the current Phos feel. Phos is now strong at battle, can single-handed hold off the Lunarians’ attacks, just like what they wished right at the beginning of the series. But everything else is off. They still can’t fulfil what they promised to Cinnabar, they lost what they consider their best comrade. My favorite moment of this episode has to be when Phos cries their gold tears, in which Kongou sensei calmly responses “This is merely a defect found in ancient organism and nothing to fault yourself for”. Somehow this line really sums up Houseki’s eye-opening world flawlessly.

One thing I didn’t pick up on my last coverages is how the Lunarians have several different types attacking the Gems. I guess the different in types all depending on the Jewel materials they used to attack the Gems. My take is that the old, classic type is the type that has none of such material. Which comes to a fascinating scenario: Imagine how Phos would react when the Lunarians use Antarc’s fragments as their core materials. Granted, Antarc is fragile in nature so there is a low chance that would happen. One more interesting factor in this episode is how Phos slowly lost their memories as well. Not sure when they response to Rutile that they don’t remember Cinnabar is just a total scam or the truth, but with Phos slowly losing their memory (due to their loss of fragments), changing both in their personality and appearance, what’s left to the original Phos except their gorgeous Tomoko Kurosawa’s voice? Are they considered the same gem then? As this is the episode dedicated to the new personality of Phos, the background visual appropriately has more colourful setting with the yellow reflection from the sun. The visual motif changes as well, as previous episodes we often see Phos lying on the grass, this time though they’re standing on it, but still feel lost and directionless. The visual and the music is as dead on as ever. This might be a slow episode, but Houseki again successfully establishes Phos as a compelling protagonist, and I really hope in the last 3 episodes, we gonna have a powerful arc that close up this magnificent, unique anime in a satisfying manner.

Inuyashiki – 8 [Mari Inuyashiki]

Hello and welcome to another week of Inuyashiki. We are approaching the end, with only 3 episodes left. The end-game has been revealed, Hiro returns to his roots and Inuyashiki gets found out by someone close to him. Lets jump in!

To start off, Inuyashiki tipped its hand this week as to the ultimate ending. A news report mentioned a 50 km wide meteor hurtling towards the planet. This is something far beyond any human technology to stop, but luckily we have two alien cyborgs to save the day. The only real question is which of the two is going to inevitably sacrifice themselves to stop it. On one hand we have Inuyashiki, the old man dedicated to helping people. Its completely in his character to save people, yet he has much more to lose than Hiro. On the other hand, Hiro sacrificing himself would complete the “redemption” arc/theme Inuyashiki seems to be going for. I am not sure which I would prefer, or how both of them sacrificing themselves would fit in. Regardless, the general ending is now obvious, we need only wait and see how it’s done.

Continue reading “Inuyashiki – 8 [Mari Inuyashiki]”

Fate/Apocrypha – 20[Soar through the Sky]

We return to what I feel Apocrypha does best, action, and what an episode to kick off the final confrontation. We have the black team approaching the hanging Gardens of Babylon in a group of airplanes. This kicks off a fights between Atalanta and Joan, as well as Achilles and Chiron. This fight is great, thrilling and for once the animation and sound design don’t ruin it. It’s an explosive confrontation between these servants as they jump from plane to plane trying to take each other out. Quite frankly this is what I came to this show for, to see historical figures duke it out in the more over the top ways possible. Of course learning about these figures and seeing how they interact and are characterised is a personal draw in this franchise for me but it’s clear we won’t have time for that. Still I do lament its absence even if signs of deeper characterisation are present. For example, we know that Achilles cares a lot for Atalanta but as a matter of fact the reason for this is because Atalanta was his first crush. When he was trained, Chiron used to tell Achilles stories about Atalanta which caused Achilles to gain a schoolboy crush on her. His caring for her in this series is actually his leftover feelings from that period. Though this requires clarification as while I seen it mentioned, I cannot find anything referencing it. There is also the nice detail that Achilles deeply regretted killing an Amazon Queen during his life and because of that he swore to never unleash the power of his spear on a female opponent. I really do wish that little details like this were included and utilised in the anime. Likewise i can’t really find anything about Chiron having a degree of precognition but hey, Achilles never had a flying chariot and it makes the fight more interesting.

It’s nice to have a little Shakespeare and amusing as hell that Shirou knew that Shakespeare would prefer to write the ending of this story as a tragedy rather than allow a happy ending. In other words Shakespeare actually wants Shirou to fail cause the tragedy of it would be far more interesting. So why does Shirou have to force Shakespeare to not turn his recount of this story into a tragedy? That is because Shakespeare’s writings have power, in fact he can pick up a pebble off the ground and turn it into a E rank Noble Phantasm. He can create up to C rank noble Phantasms just by writing about the object. As such there is a very real possibility that what Shakespeare writes about Shirou’s plan could affect it and Shirou cannot take that chance. Thus like a forceful editor, he must order Shakespeare to not write such an ending. It’s funny that in a way Shakespeare could have saved the world from Shirou’s plan but only done so because it would be more interesting to him. I really do love his character and the way in which he manages to get Semiramis to reveal more of her character goes to show how much more of a boon he could have been to the story if he was given more screentime. Just having Shakespeare running around inquiring into the servants characters could have given so much development to them.

So time for Nasuverse 101. In the Nasuverse there is magecraft and there is true magic. Magecraft is the kind that mages in this series use and it is magic but it has it’s limitations. True magic on the other hand, has no limitations. Bring back the dead, time travel to the past, enter alternative dimensions, even achieve true immortality. These are the things possible for true magic. There are five known true Magic’s but for simplicity sake we shall only talk about the one that is relevant here, that being the third magic, Heaven’s Feel. Heaven’s Feel is materialisation of the soul, essentially removing the soul from the body and allowing it to interact with the real world. What this would accomplish would be to give a kind of immortality as souls would never die and live forever. In fact the manner in which servants are summoned into the real world is a kind of third magic. This magic is actually the main goal of the Holy Grail War for the Einzberns as well as Zoukens main goal. This is also the reason that the Holy Grail War can be alternatively called “Heaven’s Feel”, in case this wasn’t confusing enough. Thus in the after credits scene of this episode we have Shirou’s goal be to use third magic on all humanity, hereby making humanity immortal and rendering death obsolete. In truth this isn’t the best solution as while it may work in theory, i believe there are Nasu works in which humanity has obtained immortality and it lead to the problem of humanity stagnating. It’s unlikely that he will succeed giving the current narrative but I hope we see some good fights till then.

Dies Irae – 07[Swastika]

After the episode we had last time, it’s only fitting that this episode is more down to earth. Don’t want to burn out the staff animating action scenes like that every week. So this week we have our protagonist and antagonist sitting at a table to have a little chat. In that regard it’s nice to get to know Reinhard and his general demeanour of arrogance. But unlike Gilgamesh, he doesn’t belittle his opponents. Frankly Reinhard wants Ren to put up a fight, to push him to use his full power so that he can feel alive. For Reinhard is suffering from the same thing that Shirou is suffering from, a constant sense of deja vu.(Or foreknowledge if you prefer. People get huffy about them not being the same but the general rundown is people feeling like they have been through something before and thus it feels trivial and routine.) It’s amusing to see Reinhard have the complete upper hand and yet just give back Marie after Ren declares he will kill him. From this talk we learn a few things. That Reinhard is looking to remodel the world into something fulfilling to concur and he requires eight swastika’s to be released around the city. A city which was apparently constructed for the sole purpose of being sacrificed to Reinhard. And that Mercurius is the being who gave Reinhard the power and drive to do all of this.

Now to address the line likely to have raised a few eyebrows which is where Rea asks Ren to either rape her or kill her. So first off you cannot ask someone to rape you, because asking them to do it is giving consent and it’s not rape if you consent to it. If he was assaulting you against your will, then it’s rape. Basically you are asking him to sleep with you, not rape you. Secondly, this out of nowhere request actually has some logic behind it, flimsy though it may be. Basically in order for Reinhard’s plans to succeed, Rea needs to be alive and a virgin. Though the second aspect, unknown to Rea, isn’t really needed. Now i will need to go on a tangent here to explain this scene better but let me begin by stating that it is a common misconception among the anime community to consider Visual Novels, eroge and Dating sims to be different words for the same thing. This is not the case as Dating Sims are more stat focused games about dating girls. Eroge stands for erotic game and pretty much stands for any game featuring erotic content. Visual novels can sometimes fall into this category though the level of erotic content varies between games. For example, DangonRonpa qualifies as a visual Novel but it isn’t a eroge. Whereas Huniepop qualifies as a dating sim and a eroge but not a visual novel. It can get murky due to the terms vagueness but the terms are not mutually exclusive. Now where Dies Irae comes into this is that the game is technically an Eroge but primarily a Visual Novel. But the only reason it can be considered a Eroge is because sex scenes were crowbarred into the story because of a strange obligation in the VN industry.

This is something somewhat influenced by Fate/Stay Night which originally wasn’t going to have erotic content but Type Moon thought that the game wouldn’t sell unless it had erotic content. It was a huge success and thus from that point forward all visual novels crowbarred sex scenes into their narratives. You can always tell when these scenes come in because they are jarring and sudden. Often bringing with it a serious downgrade in writing quality. So with this we finally get to Rea’s abrupt “Bang me or kill me” request. Here’s the thing, this part featured a sex scene, or at least I assume as I played the all ages version of Dies Irae.(Some of you may call blasphemy on that but hey, I ain’t waiting months for a adult patch to come out. Besides I don’t even care about sex scenes and truly didn’t feel like I was missing out on anything) As such the script demands sex, so sex must happen. Logic or proper timing be damned. And it is these things that makes it awkward to recommend visual novels to others. Well line aside i felt the whole heart to heart here was falling a bit flat, with Rea and Ren relating their similar feeling that they somehow both knew that this event would happen, and lament the loss of their ordinary life. It’s just…I don’t really care about these two. I have said it before but I find the protagonist side of this story to be quite underwhelming. As a last note, Marie is back and after getting stabbed in the chest she had upgraded her emotional range from innocent puppy to moeblob waifu. Sigh…such a pity that a lackluster character should have such an appealing design.

Mahoutsukai no Yome – 8 [Let Sleeping Dogs Lie]

Hello and welcome to another week of Mahoutsukai. This week, as predicted, Chise gets a new friend, our evil Sorcerer gets a name, and Chibi art ruins scenes. Lets jump in.

To start off, lets talk about Chise. Its a good week for her. She shows off her own magic power and smarts with the Tarantula Hawks, a wasp species that hunts spiders. She shows to have potential equal to or above Elias’s, with devouring his hand accidentally, and she binds a familiar. Who, by the way, I am looking forward to seeing more of. Our pair needed a third person to bounce off of. For Chise, I am glad she is standing out more and more, as this is her story.  Shes no longer the cowering new slave from episode one. However, there are still some things that bother me.

Continue reading “Mahoutsukai no Yome – 8 [Let Sleeping Dogs Lie]”

Houseki no Kuni – 08 [Antarcticite]

Houseki’s just getting better and better huh? This episode is a knock-out, this series is truly a knock-out. It must be Houseki’s most devastating episode, leaving Phos, Antarc and Kongou-sensei the deep wound that won’t easily be healed. Let’s get to the main turn of event upfront: Antarc is taken away by the Moon people. This result, in a way, is a paid price for Phos getting their new arms. Just two episodes since their first appearance, Antarc has earned more than enough to become a reliable, yet surprisingly poignant and humane character and they’re undoubtedly one of my favorite characters in Houseki. Just two episodes since their first appearance, but the loss of Antarc feels profoundly impactful, not only with us viewers (since Antarc was the very first gem from our point of view to be taken by the Lunarians), but also with both Phos and Kongou-sensei, the only two beings who share a deep connection with Antarc. But boy, the Iced Gem does put up a good fight. In a way, it’s more like Antarc is unlucky when they encounter a string of bad luck all by their own: Phos’s in the situation where they can’t help (another instance where Phos being useless when it counts the most), the sky is unexpectedly clear, Kongou-sensei being hold up and most of all, the Lunarians attack them TWICE. They’re a persistent bunch, to put it very mildly.

But Antarc’s character strength shines through all over this episode with many, many great character moments. From the very early on, where we can clearly see their frustration towards Phos’ losing the forearms. Diving deep into the sea of ice, risking their own safety and nearly losing their hand, all we can hear was “they’re gone”. It’s more like the far cry from Antarc that they blame the loss of Phos’ forearms as their own lack of teamwork experience. Or their furious later on when they wanted to take their hand back because they don’t want to lose any memories with the sensei. Or even later when they literally breaking apart, they do their best to take care of Phos and tells Phos to take care of sensei and carry on the winter job in their place. Antarc sure will be missed; an unsung hero who exits the field almost too soon, leaves a big impact to those remaining players, especially Phos.

Like how we expected last week (and frankly this was the only plot development that comes as expected, the rest is fairly unpredictable), Phos’ getting a new pair of hands and they’re much stronger, albeit much harder to control, than Phos’ previous arms. This is a true “body-horror” element if you ask me, unfamiliar limbs attached to the host and then grow accustomed and spread all over the body and go out of control. At first, these golden arms take completely out of hands, building themselves up into the golden jelly, then golden solid cage which completely “swallow Phos whole”. However, with the devastating feeling of watching Antarc broken apart, then being taken away by the Lunarians, Phos goes pass their own limits to control those freak arms and manage to make them a useful, powerful weapon. This is the first time, however, that we witness the desperation in the eyes of Phos. The laid-back, why-so-serious character becomes angry, distraught, and later, deeply disappointed about themselves that they can’t do anything to bring their friend back. Big part of why Phos is still very likable despite their seemingly-annoying attitude lies in the dynamic voice acting work from Tomoyo Kurosawa, who did a marvellous job voicing Kumiko in Sound Eupho last year. In an interview, the staff comment that they build Phos’s body acting based mostly on the nuance of Miss Kurosawa’s voice (which is not a common practice by all mean since usually the voicing session comes much later in the production phase), and here we can see the easy dynamic from Phos that made them click like a stick.

Houseki again drops another crucial setting: A Chord Shore where supposedly all the Gems are born in, and for my money, where it all begins. We get the see the brief part of an incomplete crystal who washed up, drop into the ground and become nothing. Only in rare occasions, the complete Gems are born, and they were taken immediately into the swings of Kongou-sensei, who teach them about the world and assign them to their jobs. All I’m getting at is that Kongou-sensei definitely controls their income of knowledge and he obviously hides something underneath the surface. Even Yellow Diamond, the oldest gem, admits that they already forget the reasons they fight the Lunarians. All other gems don’t know either the reasons they fight except that they were told to fight. I guess the main reason here has to do with Kongou-sensei, in the sense that those gems fight the Moon people to protect himself from the Lunarians. Just looking at the way the Lunarians “ambush” the Monk: for me their actions all hint towards to “worshipping” Kongou-sensei, and I suspect that they gather the Gems in order to make the best material to submit him. But what intrigue in the settings doesn’t lessen the fact that Houseki has delivered some of its most emotional-wrenching moments to date. I have a strong feeling that Houseki keeps building itself up to an epic drive, both in terms of emotion, as well as its narrative scope.