Mahoutsukai no Yome -23 [Nothing Seek, Nothing Find]

Welcome to the penultimate episode of Chise and friends, the premier hollow friendship simulator of the season. This week on Mahoutsukai we have biblical backstories, every named character shows up and a general decline from last episode. Lets jump in!

In terms of general quality, its a step down from last week. That isn’t unexpected, not because Mahoutsukai is a terrible show, but because last episode was simply its best showing. I would have been surprised if it managed to do that level of quality again. That said this episode is filled with stills, panning shots and low-detail characters everywhere Mahoutsukai thinks it can get away with it. Even the effects have mostly been downgraded to flashes/glows of color. It lacks the visual punch needed for our upcoming finale next week. As far as story goes this week it was, at best, acceptable. Both Cartaphilus’s backstory and Elias’s side plot have problems. From feeling rushed/condensed to just being unnecessary. And after last week? That’s just disappointing.

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Fate/Extra Last Encore – 07[A Story for Someone’s Sake ― Nursery・Rhyme ―]

Thus ends the Nursery Rhyme two episode arc and that certainly was more confusing than it needed to be. The fight was once again, anticlimactic and rather lacking strategy wish as well. I mean our protagonists kept talking like they had a plan but it pretty much amounted to just climbing the tower and fighting the monster again. Then on off chance the protagonist managed to pick up a book which convinced the monster to let them win instead of turning back the clock yet again. So it’s back to the game of figuring out just what the hell is even happening again. From what I can gather it appears that the story has been jumping between two different Hakuno’s. The Hakuno of the past who met Alice, sympathised with her and got her to give up so he could ascend to the next level, promising that he would come back. Then god knows how much time has passed and a new Dead Face Hakuno is climbing the floors. But in the time he was gone, Alice has been consuming materials and masters in order to stop herself from fading away, resulting in her turning into a monstrous amalgamation that no longer remembers what she was waiting for.

So our Dead Face Hakuno learned of his previous versions interactions with Alice and climbs the tower in order to put her out of her misery alongside Rin and Nero. WIth RIn providing truckloads of exposition and Nero admitting that she has been through this all before while suggesting that Hakuno was her master back then too. While it has been apparent for quite a while, Fate/Extra Last Encore does have a problem with characters dialogue almost consisting of pure exposition and little else. After all, we meet Nursery Rhyme in this episode and all she does is spout more exposition and when it comes to character motivations that too is told by the individuals themselves. This may be a result of the Nasu being the author as it is important to note that he is a Visual Novel writer, not a anime writer. Nasu doesn’t seem to be taking advantage of the medium to show rather than tell, instead treating it like a visual novel where stretches of exposition can be more forgiven due to limited visuals and the binge nature of the medium. Even Gen Urobuchi has this same kind of exposition heavy storytelling but in his case he writes exposition so well that it hardly becomes an issue. Nasu on the other hand isn’t quite as good at writing engaging exposition and I honestly feel his strengths lie more in his character writing and action setpieces. With this anime it feels like Nasu is focusing far too hard on the mystery of the story rather than the characters going through it with may be the primary reason for it becoming rather dull despite the actual story being told having interesting aspects.

You can write the most interesting story in the world but if you don’t care about the characters in that story then nothing that happens within it is going to engage the viewer. Spice and Wolf proved that with enough character chemistry you can make even the most boring of subjects engaging just by the interactions between them. Nero, Rin and Hakuno just lack that as Rin exposits, Hakuno may as well be a walking plank and Nero seems to be there to fight, make small musings and say umu while being the fanservice. So for this show to get interesting, we need these characters to lighten up, the action to get better and more show with less tell. Cause I got to tell you, as for the mystery of this series, I don’t give a damn anymore. As a last note, Nasu you give Rin the ability to install Cu but not put Cu into the story? Cu could have been the perfect ice breaker for all these serious scenes. I would have loved to see him throwing Rin off balance and teasing her. Also we can install in the extraverse now? How does that even work?

Darling in the Franxx – 09[Triangle Bomb]

Today on Darling in the Franxx, death flags averted. I admit that throughout this episode I fully prepared myself to see Goro die. The signs were everywhere with him confirming to Hiro that he was in love with Ichigo, the mission leaving him stranded with a trolosuar, the hair clip as well as the base fully admitting they were ready to leave him for dead. But low and behold Goro gets to live another day and even goes as far as to confess his feelings to Ichigo. The beginning of this episode had me worried that this series was heading in the direction of KIznaiver but Goro essentially did the one thing the Kiznaiver kids couldn’t manage to do even after a full cour. As for my thoughts on it I am in favor of Goro nuking this silly love triangle Ichigo has going on with Hiro. For let us be realistic here, Ichigo is not getting together with Hiro as the boy in question has pretty much fully decided on Zero Two. He’s made his feelings clear about Ichigo and while Goro revealing Ichigo’s feelings to him have made him more conscious of her, I doubt he would feel for her that way. To begin with Ichigo’s feelings seem very much like a first crush kind of deal that is a mixture of admiration for his younger self. If we are to judge purely on relationship compatibility, Hiro and Ichigo just feels awkward while Goro and Ichigo are ridiculously compatible. Goro takes care of Ichigo when she’s overreaching while Ichigo stops Goro from taking on everything himself. As far as I am concerned these two are perfect for one another and I am hoping that Goro’s confession helps get Ichigo off the doomed ship that is Hiro and move on.

The monster of the episode is quite fascinating being what looks to be a similar to that of a human brain with does seem to hint that these monsters may be related to humanity in some way. After all they have never been referred to as aliens which suggests their origin is on earth and with the human experimentation that’s going on here, it wouldn’t be a stretch to say these monsters were inadvertently created by humanity. Not the most shocking plot twist, I know, but this show hasn’t been all that surprising with it’s plot direction. Well discounting the odd unexpected fanservice. EIther way we had some good action and I would consider this a pretty strong episode that helps flesh Goro out, even if the majority of his fleshing out is just confirming his romantic feelings for Ichigo. It’s also fun to see Miku start a catfight with Ichigo, prompting Zorome to take the wise road of sneaking off frame before sparks fly. It is hypocritical of Miku though as the whole reason Goro got trapped in the first place was due to them jumping in to attack.

I have always had this feeling with Darling in the Franxx that it would take a darker turn and that feeling still persists here even if shaken by the current episodes events. It wouldn’t be out of the norm for this show to turn at the halfway point as Kill La Kill and Gurren Lagann did take on a more serious storyline as they hit their middleground. It’s isn’t baseless to think this show would go in this direction as there have been several hints to darker aspects and a general idea that these kids are destined to die one way or the other. Either in battle or what is a more likely candidate, shortened lifespan. It does feel like someone is going to die here but it wouldn’t be the first time for a show to hint at dark developments only to take the light road. I would say I will have my answer on where this story stands in a few episodes.

Mahoutsukai no Yome – 22 [As you sow, so shall you reap]

These past few episodes I have been rather critical of Mahoutsukai, and rightfully so I would say. The new characters are lackluster, the plot/stories dull. A 7/10 series at best. It is with this mindset, this frame of reference, that I can see “As you sow, so shall you reap” is the best episode of Mahoutsukai across the board. Lets jump in.

Overall, Mahoutsukai did a lot right this week. The story of this episode, Chise’s family, was concentrated while still fitting in/progressing the meta-plot. In terms of animation, there wasn’t anything mind blowing, but there were plenty of beautiful or compelling shots. My personal favorite however was the restraint Mahoutsukai showed with the audio. As if finally realizing that sometimes less is more. The complete lack of music during the Chise’s mother’s fall into depression made the swell during the penultimate scene really hit. The flower motif as well, while already used once in the season, still worked as the colors set it apart enough. The only real issue I saw was in some characterization of her family, specifically her father. But I see no way to fix it without ruining the already good pacing of the episode. General goodwill out of the way, time for some specifics.

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Mahoutsukai no Yome – 21 [Necessity has no Law]

Hello and welcome to Mahoutsukai’s newest attempt for the title of “Greatest quality disparity in a single episode”. This week we have the start, and end, of the Witches sub plot, a silent scene with to much dialogue and my favorite Elias scenes yet. Lets jump in!

To start off, I have to write once again about Mahoutsukai’s new tendency towards disappointing first halves. The first 10-12 or so minutes of this episode was either pointless, in the Witches case, or just plain bad. Why even bother with the Witches when they don’t affect the plot at all and are resolved in 5 minutes? They don’t need to be in the plot, all they do is take away from everything else. They steal time that could have been better used elsewhere in the series, for no payoff. It’s not just the Witches Mahoutsukai does this with either. The two scientists, Adolf and Torrey, have no place in this story and with only 3 episodes left I don’t see them doing much to earn their place. I only harp on this so much because its such a waste and I truly think Mahoutsukai would be better without these side-plots/characters.

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Fate/Extra Last Encore – 06[Perpetual Engine・Maiden Empire -Queens’s・Glass Game-]

In case you didn’t know this series was made by Shaft, this episode has left no doubt. As our heroes walk through a forgotten Madoka set piece to find the latest master. I admit that this may be a change of formula that I was hoping for last episode, though the two episode Master of the week setup remains. Visually it’s a busy episode with Shaft flexing all it’s muscles in providing odd locales but storywise it’s rather barren. It honestly seems that when I approaching a point where I can make sense of what is happening the story just suddenly veers back into what the hell territory. Something which has become quite annoying now as we are halfway through the series and I am so disjointed from the plot to bring myself to care about it much. The majority of this episode consisted of Nero,Rin and Hakuno just walking through the area while Rin throws down some exposition only to lead to Hakuno meeting Alice who proceeds to lay down more exposition. Today’s topic is cyber ghosts which is basically means that people can died in SE.RA.PH and still survive in digital space with just their mind and soul.

A convenient topic as the master this week is a dead girl who happened to become a floor master. Alice gave some background on herself this episode but allow me to elaborate because somebody’s got to set thing straight here and this show certainly isn’t going to do it. Alice was a English girl who was gravely injured in a WWII air raid and left in a vegetative state, however it was discovered that he body had magic circuits and she was kept alive for research purposes. She spend a few years in continual pain and suffering before he body finally gave out and died. Seems her mind was connected to the net when she died(Trying to make sense of the net existing around WWII) and she was left a cyber ghost wandering around till she found the Moon Cell(Big old supercomputer that runs Virtual world SE.RA.PH) SO she strolled in and made a contract with the Servant Nursery Rhyme which took on her appearance and became her only friend.

I told you the servants in this one get weird and Nursery Rhyme is a weird one indeed being a heroic spirit that represents childrens rhymes. Her real form is a book and she only takes the human form of her current master and it seems she can even have a different class or stats based on who contracts with her. In this case it seems they have made some weird floor reality marble with is like an Alice in Wonderland like paradox where up is down, left is right and time is all over the place. A neat idea and made all the more troublesome in that the world can essentially reset itself if the servant doesn’t like where it is going. What’s more it seems this place causes masters to have flashbacks to previous memories though here we mainly get cryptic nonsense from a girl called Amamia. Once again we get evidence that this has all happened before as Hakuno recalls memories where he oddly has a different command spell and of people he has yet to meet.

It would be quite interesting if Hakuno didn’t respond to that like a lethargic doll and I think that really is a problem with this series, the character simply not reacting much or responding to clearly bizarre events. Point is that if Hakuno, the one whose in the middle of all this, can’t bring himself to care about his own situation, then why should I? Once again the setup here is excellent as we have a world that writes its own rules, with a master whom you lose all memory of if you leave her and can have past and present merge together. Maybe if the cast was more interesting this could be an exciting prospect but so far our current enemy master has proven herself to be more interesting than the main cast. I do at least wonder how they will win when the rules are so turned against them and I hope the solution doesn’t come from Rins convenient access to the script.(How did Rin know that the Floor masters servant was Nursery Rhyme? There is no way in hell anyone could conveniently guess that)

Darling in the Franxx – 08[Boys × Girls]

Today on Darling in the Franxx…puberty? Well our cast learns an important lesson about respecting each others roles and working together to triumph over the death their predecessors met. And all it took was a monster spraying goo on the female pilots which dissolves clothing and the boys seeing them naked. I…sigh…really? Look Franxx we got to do something about this tone problem you got here. It’s like we have two very different shows smashed together into one with one side being a zany fanservice mecha show and the other being a serious exploration of adolescent with dark undertones. These two are like oil and water, they don’t mesh. Well unless you are Houseki no Kuni which somehow managed to mix serious and comedy without them butting heads. I guess in this matter it’s a problem of extremes, for when Darling in the Franxx is ridiculous, it’s ridiculously ridiculous and when it is serious, it’s deathly serious.

We have a chase where Zero two steals the clothes of the boys and girls in the bath causing hijinks to ensue which pushes one of the girls into the forbidden rooms to discover the objects left behind by previous squad members who are most certainly dead. Miki’s reaction to that photo of the old squad sure is odd overreaction though as she didn’t really know them so I don’t see what could provoke such a shock in her. It’s odd as to why these items were left lying around for the pilots to find as well but there is hints that this squad was given much more freedom over others and this very much seems like these items were intentionally put there to be found. To get back on topic, I feel Franxx should settle its mind on what it’s going to be as it works on the fanservice action “turn off your brain” side but that side undermines the show when it attempts a more serious tone. After all, those former squad members died in mechs with ass controls, tragic though it may be I just can’t quite take seriously the image of a dead pilot holding a girl to his crotch doggy style.

The story does have tonal problem but to give credit where it is due the character really are a saving grace. They aren’t all that deep nor that interesting as they are for the most part archetypes. But they do have great character interactions that really sell the commoradie that the kids have with each other. Each person has their own opinion on the situation and don’t react in the ways you would expect. The situation in this episode being the girls bright idea of placing a line of tape separating the house into a girl and boy half which is rather ridiculous and not thought out. Though they make the point that it was primarily Miku’s idea and the other girls stick with it out of stubbornness. So it was refreshing to see the voice of reason, Goro, be the one to pull sly pranks to try and show the girls how silly the whole idea is and how they could just go back to how things were. Zero Two of course doesn’t give a damn about the line at all and spends her time with Hiro regardless which does put her at odds with the other girls. Again it is great to see each person individual reaction isn’t the same, Zero Two doesn’t care that Hiro saw her naked, Miku is furious, Kokoro wants to forgive the boys but doesn’t have the courage to speak up, Ikuno honestly prefers the situation of having the boys separated(But that doesn’t make her a lesbian, come on internet.) and Ichigo just seems to want to teach the boys a lesson. These mindsets even parallel their partners mindsets who respond similarly. There are two things selling this show as enjoyable for me at the moment and that is the animation of the action scenes and the general character interaction. Even if the plot is confused on tone I at least care enough about these characters to see where it takes them. Something I wish I could say about Fate/Extra airing this season.

Fate/Extra Last Encore – 05[The Bow of Prayer -Yew Bow-]

So we have basically established that the events of Fate/Extra’s game story did in fact happen as Maximilian has a flashback to the point where he lost in Fate/Extra’s game. So it is rather odd that I still can’t make much sense of the plot here. What I can gather is that he was somehow revived as this floors master and effectively decided to throw away his chivalrous attitude and focus on killing a master to advance up the floors. However because he is a previously deceased master he can no longer advance up the floors but Robin and him still kill masters because…then they don’t lose? What is this motivation here? Are you telling me these two killed people for a thousand years only because they were sore losers? Yep, I think it’s time to admit it. The honeymoon period is over and I have started to lose a lot of interest here. So far the main drawing point of this series has been the mysterious nature of it’s plot but there’s a point where it’s too hard to care about something when you end up with more questions than answers. Not to mention the mystery is primarily presented through massive amounts of exposition and the characters just remain uninteresting. The only other drawing factor is the action which once again has a servant be taken out anticlimactically by Nero. The way these servants just go down so fast has started me making a pet theory that they all have pretty much given up over the thousand years and just let nero win, which would be delightfully cathartic if that was the case. Nero has previously staged fights in her life where the fight was rigged so she would win and the idea of her victories in this war being nothing more than servants just letting her win would be so suitable. Ultimately meaning she’s not really that strong a servant and is just getting full of herself.

The annoying factor is that the fights so far have a great setting for a showdown with the Sniper battle with the master and Robin hunting in the woods are great setpieces for an epic battle. These floors make for explosive battlegrounds for these servants to wreak havoc and yet the battles often just feel like they are cut off too soon with no real satisfaction. Topped off with the fact that Nero is the only one in danger here as we have more or less established that Hakuno cannot be killed. His dead face powers are far too vague at the moment as it’s not even clear if he can activate them at will or why he’s keeping them secret from Nero. What these powers can even do is a mystery as he somehow materialized a gun to shoot max and I don’t know if that’s part of his powers or not. It doesn’t matter if Hakuno gets shot by Max, he won’t die so there no real tension. Sure Rani can die but quite honestly who cares about Rani? She was introduced last episode, has the emotional range of a teaspoon and has done nothing but spout exposition. Am I supposed to be sad when she gets shot and dies? But this could be another trend with this shows formula as I recall Rin being on the bottom floor as Shinji flooded the city, meaning she could be dead. But then who is the Rin at the end of this episode you ask? Well I have gotten fully on board with the Rin is Tamamo in disguise theory. Though I think that only applies to the Rin that traveled up the elevator with them and then mysteriously disappeared during the events of this little skirmish.

Regardless despite this info I just find myself rather…apathetic. Tamamo fans might rejoice if she shows up but I don’t particularly care if she shows up or not. Fanservice can only go so far and I need something to get me interested here. The characters are not doing it for me cause our main heroine has nobody to work off besides the soulless husk that is Hakuno and everyone else just feels like exposition devices. The action scenes are lacking so no eye candy to keep me interested either. My point is, I want to care. I want to like this show, I want it to not be as disappointing as the other non Ufotable Fates have been. I remember referring to UBW with disappointment during it’s airing but over time I think it did a better job than Apocrypha and Extra here. As far as I see it, this show needs something to grab my interest again, perhaps a new character to join our duo to make their interactions more fun to watch? Maybe give Hakuno a bloody personality? Perhaps an upgrade to the fight scenes? Or maybe we can stop being all mysterious here and start telling the audience just what in the holy hell is going on, or at least a framework that allows for us to start making theories. What I don’t want is another Nero bath scene, another encounter of the new master and servant antagonists only to be interrupted by some new random serventless master who takes in the two, followed by another barrage of barrels of exposition, with another anticlimactic final confrontation while leads to the elevator and wash, rinse, repeat. As a wise man once said, Variety is the spice of life.

Mahoutsukai no Yome – 20 [You can’t make an omlete without breaking a few eggs]

Hello and welcome another episode of Mahoutsukai. This week it makes the best of a bad narrative decision, introduces more tertiary characters and sprints through story arcs like nothing. Lets jump in!

Starting off, I am a bit disappointed in how quickly the auction/dragon bit was resolved. Its as if Mahoutsukai can’t let any given story or arc last longer then 2 episodes. At this point Mahoutsukai is less of a drama and more a “monster/problem of the week” type show. That might be an unfair criticism, as many drama such as Rakugo, Steins;Gate and Your Lie in April also lack the typical “arc” format. However in those the story always seems to make sense, it… it flows, for lack of a better word. One event always lead into the next. In Mahoutsukai just feels like its moving from one story beat to the next, trying to hit all the notes it can along the way, without considering how those beats link up. Regardless how good those stories are alone, they often don’t fit together well.

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Darling in the Franxx – 07[Shooting Star Moratorium]

Today on Darling in the Franxx…a beach episode. A beach episode. Really? I mean i suppose even one of my favorite shows, Gurren Lagann, had a beach episode but in that case the story wasn’t taking itself too seriously so it was fine. It even took shots at the concept by having the main fanservice girl go conservative and disappointing the crew. Here though, Darling in the Franxx can’t seem to find a level between being serious and not taking itself seriously. I mean we are in a mostly destroyed world where humanity lives in rolling plantations but there’s a small patch of land with foliage and a beach to have a beach episode. The group has swimsuits despite not having an ocean or a indoor pool at their birdcage. We have the boys getting all excited by swimsuits and asking about kissing, alongside confirmation of humanity abandoning cities to ruin and foreboding dark tidings. I feel conflicted on this show, truly. Based on what I have seen so far I can say it does have merit but alongside that merit is is the ridiculous and similarity.

I had to stop myself rolling my eyes at having the council of Papa Seele declare being surprised about Hiro being her partner(Despite evidence that was the case) and then declaring that Zero Two would bring him to the Grand Crevasse to start human instrumentality or whatever they are calling it in this one. These guys don’t really add anything, they just sit around, reference vague terms and twiddle their thumbs assuming that everything will work out exactly as planned with no effort on their part. Just like Seele. If they are to be here then let them have a presence or at least some meaning on the plots events. So far they are just there to justify the plot contrivance of not getting Hiro in the Franxx sooner.

Another issue potentially rears its head as I fear that this series may be on the verge of developing Kiznaiver syndrome. Wherein the plot is derailed by introducing various love triangles and troubles which proceed to dominate the show with frustrating love antics. In this episode i am already seeing a chart forming with various lines of who likes who. Kokoro appears to be forming feelings for Mitsuru while Futoshi clearly has a bit of a thing with her and Mitsuru seems to be forming some kind of trust between his old partner Ikuno. Zorome and Miku seem mutual though both wouldn’t admit it. Meanwhile Hiro digs Zero Two, Ichigo digs Hiro and Goro has pretty much confirmed that he likes Ichigo though seems unable to recognise his own heartbreak. We got a whole host of feelings and whatnot that could be easily escalated into teenage love troubles as people pine about senpai not noticing them while simutanously lacking the balls to take the indicative to confess. Made all the worse by these kids clear lacking sex education and you got a big boiling pot of teenage angst just ready to overflow. So I am hoping they take a more ambitious route instead of resorting to shipping wars. Like i don’t know? Start killing them off one by one? Ah even that might be a bit on the predictable side.

The most interesting aspect of this episode is the discovery of the town and the kids reaction to it. This could end up being these kids version of the data creature in From the new World, something which throws off their worldview. We do see Kokoro take a book that looks to be about raising babies so I am guessing that would lead to her getting some big questions. Zero Two appears to know the most about the situation and remarks about the city being abandoned. Note her choice of words isn’t evacuated but instead suggesting that humans willfully left the town to rot. Biggest theory I have now is of humans migrating to some sort of data like existence and abandoning physical living together. Hence what the kids protect are actually giant servers containing the virtual population. Thus these mecha pilot kids may be the only real true humans on the planet. These spects interest me about Darling in the Franxx and despite misgiving this could still go in a interesting direction provided the writer takes the opportunity. Though it’s still going to be hard to put forth a serious plotline when we got mecha controlled by female asses.