Castlevania Season 2 Review – 73/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly inspired by and modeled after Anime. Just like Avatar: The Last Airbender or the currently airing RWBY, let Castlevania stand as a testament that Anime can be produced beyond the borders of Japan. A damn good one at that.

Lets jump in, and beware of spoilers!

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Planetes – 3 & 4 [Return Trajectory / Part of the Job] – Throwback Thursday

Hello one and all and welcome to another week of Throwback Thursday, with Planetes! This week I am trying something a bit new, running 2 episodes instead of 1, to try and cover more ground. Let me know what you think, and lets jump in!

So far, my favorite aspect of Planetes is its singular focus each week. Instead of marginally moving forward some greater plot every episode, Planetes has a singular theme each episode. The themes for these two weeks were clearly Mortality/Death and Privilege, financial privilege at least. Naturally, I am gonna talk about these episodes in order so don’t worry, we will get to both. Planetes also continues it’s trend fantastic visual representation of space. This time we got liquids! Little balls of soda floating in the air, waiting to be picked. I love fluid dynamics, it’s always visually interesting, and space just makes it more so. For an example of how good looking water can affect a series, just go watch Garden of Words. I swear Makoto Shinkai has a fetish for it. That done, onto specifics!

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Thunderbolt Fantasy 2 – 04 [Close Foes]

I’m glad to say that Thunderbolt Fantasy slowly goes back to its own charms, namely the witty banters between all the cast where they bounce off each other to reach a sort of agreement. This episode has two such cases. First, the villain side decides to team up together since they have the same goals: destroy Shang Bu Huan. Second, the allied side decides to cooperate because they also have the same objectives: to save Shang Bu Huan’s ass. The injured Shang Bu Huan is in the middle of all this and lurking behind the scene is the monk Di Kong and whatever his goal is. My suspect last week is proved wrong as Di Kong and the Princess of Cruelty don’t know each other, but there are two other takeaways from their meeting. First, Di Kong is far superior in terms of combating than the female assassin. He just decides not to. Second, what the hell happen to the Seven Blasphemous Deaths? I mean, is it still there? What if Di Kong is in possession of it? It’d be cool to see a guy who is adept of channeling toxic handles the ultimate toxicity sword. The more I think about it the more I feel he’s the only person who can control that evil sword.

My biggest enjoyment from this episode comes from the interaction between Xiao Kuang Juan and Cruelty-Hime. It’s the moment where their true personality is clearly presented. And in this case you can see how corrupted and how much of a bastard Xiao Kuang Juan is. Basically, his idea is that he wants to Sword Index returns to his hometown so that he can enjoy the luxury life he has. So teaming up with Cruelty-hime, they could potentially kill Shang Bu Huan and have a full control of the Sword Index. Regarding this ally, I’d say thay the assassin girl gets the shorter straw here. This guy is wise and I’m sure the moment Xie Yingluo has her hand on the Index, he’d double cross her to have it all by himself.

The not-as-bad side (Note: there’s no such thing as good side in thunderbolt Fantasy), on the other hand, is formed through the ever-curious Gui Niao and the reluctant Lang Wu Yao. I pretty enjoy the bits where he test the toxic (such refreshing method, mind you) and the way he comes up with the solution feels as effortless for him as walking on water (I love his train of logic here). So in order to get the antidote back to Shang Bu Huan, they need to retrieve the horn of the dragon, whom they happen to cross in the Wasteland of Spirits. It’s also hilarious to learn that the said dragon’s wing was chopped by Shang Bu Huan in a manner of us catching a fly. Gui Niao, being surprisingly honest in his intent, says that the reason he’s in is because he’s curious about Shang Bu Huan. He also tries to test the Lang Wu Yao, which the latter in turns test him back. Such bombastic energy and the newly formed allyship that you aren’t quite sure if you can trust the others are what essentially make Thunderbolt Fantasy such a fantastic show to watch. Thunderbolt Fantasy is officially back, in full force!!

Thunderbolt Fantasy 2 – 03 [Princess of Cruelty]

Now that’s more like it. Until you see the puppets’ blood-squirting and head-rolling you know that Thunderbolt Fantasy is back in full force. On a narrative side, this season has been more straightforward than the first. The hero’s and villain’s sides are pretty clear-cut so far, and with this episode the last member of the promotion art claims his first appearance. This dude Di Kong is a saint. Well, nearly since he’s a travelling monk who help cure the toxic for no gain, even putting himself in danger. He makes one hell of an impression, but my gut tells me that he’s the guy not to be taken lightly. There’s still one missing piece in the grand scheme so far, and that is Cruelty-hime boss, Kasei Meikou. He’s the guy who is so fearsome that Shang Bu Huan had to cross the Wasteland of Spirits in order to protect the swords index (okay, official term Sorcerous Scoll Index) from him (guess crossing the Wasteland of Spirits becomes trendy lately, huh?). Really, I believe this yin yang monk fits all the bill as the final boss for this whole affair.

At first, I took it that Princess Cruelty (I might stick to that name to avoid confusion) and the sneaky Xiao Kuang Juan are on the same team. This episode makes it clear that they are on different agenda and don’t necessary see each other as an ally. Well, they do have a same goal for now (kill our poor Shang Bu Huan) but their super-ego prevents them from seeing eye to eye to the matter. Thunderbolt Fantasy also makes damn sure to let us know how cruel this General is. He blames all his killing to the innocent villagers to Shang Bu Huan, the cruel thing is how he sees his actions as “justified”. That action even ticks our “always cool” Gui Niao off. But so far, it’s interesting to see how much of a wild card Gui Niao is. Unlike the people in this side who already acquainted to the legendary Lin Xue Ya, these villains from Xi You know next to nothing about him and thus, the more arrogant they act the more they become Gui Niao’s plaything. One thing to remember, always keep this guy amused. Who knows what on earth we would do if he gets bored.

Thankfully, when it comes to Shang Bu Huan, Gui Niao’s definitely interested. As for our main hero, he barely makes it with the toxic from Princess Cruelty. The other running thread involves her and her temptation to use the sword Seven Blasphemous Deaths. It has such a strong aura that it tempts her to use it several time. Apart from “it has mind-control effect” and “it’s one of the most badass sword) we still know next to nothing about it. Which is good since now I am hyped. Now that our two leads Gui Niao and Shang Bu Huan finally meet (to the dismay of the latter), things would get more snappy soon. In truth, I kinda miss the characters bouncing-off each other that made the first season a gem to watch, but I hope that now that Thunderbolt Fantasy finishes setting up the new characters and the main conflict, it’ll delve more for characters’ interaction and killer one-liners.

Planetes – 2 [Like a Dream] – Throwback Thursday

Welcome to week 2 of Throwback Thursday, as we continue our dive into Planetes! This week we have a focused character story, some fun humor and lots of beautiful scenery. Lets jump in!

So starting off, Planetes continues to look fantastic. From the motion of the characters, to the colors and details in every scene. Even the lighting out in space is on point, with just their helmets to light the way. The sound design also adds to scenes. For example, the “Workin on a Railroad” whistle at the start of the episode. It’s a memorable tune, one that immediately sets how casual an event this is for them. Yet them being in space takes what is normal for us, just going to work, and makes it amazing. I think the blase attitude that Planetes character’s often take toward spell really help sell it. In other series it would be played up, “Ooo were in space”. But like Cowboy Bebop before it, to these characters it’s their day to day so why would it be amazing? Speaking of characters, a lot went on.

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Thunderbolt Fantasy 2 – 02 [The Stolen Sorcerous Blades]

Fun fact, I had just been to Taiwan and while in their local old bookstores and DVDs, I saw a section of puppetry animation dvds in the corner of the store (should’ve bought one now that I think about it). Apparently wuxia puppetry has a niche market in Taiwan, and so I’m glad that me, along with many anime fans all over the world, are aware about it. Thunderbolt Fantasy plays a huge role of bringing it to mainstream attention. The first season offered a refreshing aesthetic and playful characters that you won’t see anything like it in this medium. This show, I’d argue, help redefining the endless boundary of anime medium. To those of you who complain that Thunderbolt Fantasy isn’t animation, you’re technically right (read my old post how I break down about its technicality), but I’m on the side who consider that this wuxia fool is every inch an ANIME. It’s just not a style you’d see anywhere else.

The first thing I have to note on this second season is that you don’t really need a prior knowledge of the first season, so for anyone who want to go for a ride you can just jump right in. The first two episodes do a decent job of setting up the main conflicts, at the same time they suffer in term of pacing because of it. There’s just way too much exposition with very little awesome battle sequences, which make the story so far a little underwhelming. We pick up some time after the end of the first season, but with the issues we all know will come like a ticking bomb. Our Shang Bu Huan has an index of 36 insane legendary swords (think of flashy-sounding name and weird affect sword in Katanagatari x 36) and naturally it’s just too much of a burden for him to keep them with him. So our lead seeks assistance from the formidable Xian Zhen fortress, known as the most secure fortress in the side of the land. Things go awry very quickly because, as far as action show goes, the moments you leave the treasure to others’ hands, it’s a guaranteed that you’d spend the rest of the series cleaning up the mess. One thing that I didn’t expect is how quickly the tide turns against Shang Bu Huan.

For this installment we have a whole new set of supporting cast, all of them who come from Shang Bu Huan’s hometown and having crossed the Wastelands of Spirits. So far, it’s interesting that they fit in different roles in this ongoing conflict. On the one hand, we have red-haired Lang Wu Yao and his demonic talking pipa who is the blabbermouth that appear to be our lead’s ally. Well, for now they are but I can see the status quo change quickly once we  learn their true motive. As opposed to Shang Bu Huan we have the Princess of Cruelty Xie Yingluo, who tends to use tricks and poison to do the dirty job. On the other spectrum, we have the general Xiao Kuang Juan who (by coincidence) was escorted by our Gui Niao AKA the guy who could not be trusted. Gui Niao is curious as soon as he hears the name “Shang Bu Huan”, and so far this side of the battle is more high mind and conversational than his friend’s counterpart.

One other major development in these first two episodes is that Xie Yingluo manages to steal two legendary swords out from her half-piece sword index. Thunderbolt Fantasy makes it pretty clear that sword-skill wise she can’t compare to Shang Bu Huan. However, with the assistance of The Night of Mourning – a sword of mind-control, she turns all the helpless villagers against him and intoxics him. It’s the other sword (which we haven’t known the name or its affect yet), however, that proves to be more fearsome. I’d say that sooner or later that sword will fall into the wrong hand. Although the trademark over-designed and mannerism help making each of new character stand out, it’s sad to note that so far they’re more like chess pieces rather than full-fledged characters. The campy fun is still apparent, though.

Planet With Anime Review – 90/100

Planet With is an anime that likely leaves many unimpressed when they look at the cover and makes for a solid proof that you cannot judge a book by it’s cover or even by it’s first episode. Many have overlooked this show in it’s season but for those that did give it chance it went above and beyond expectations. It is the first original anime work of Satoshi Mizukami, who is most well known for Lucifer and the Biscuit Hammer and Spirit Circle which are both highly lauded manga and personal favorites of myself. The story is twelve episodes long and yet tells a tale that could very well have been two cours in it’s small span of time. Now in many cases that would be disastrous and result in a rushed mess of an anime but Planet With beats all odds and not only manages to make it work, but provide a masterclass in using a single cour to its fullest potential. It’s writing is top notch, this show never wastes your time and things are always escalating and subverting your expectations, making you never truly know just what is coming next.

The story involves a boy with amnesia who is dragged into a war between humans and aliens. Indeed the setup seems rather rote but by the first episodes end things start getting changed up. The boy isn’t fighting the Aliens but instead the humans and the agendas of each faction become a lot more than simple world domination. The characters can at first be trope heavy but end up with a depth to them that you wouldn’t expect. Eventually the stories scale grows grander that it resembles the escalation of Gurren Lagann. In fact as far as similarities go, Gurren Lagann and it’s old school mecha contemporaries make an apt comparison. The is a hot bloodedness to the action but also a playfulness to character interaction that lets things flow naturally. It’s a show that knows when to buckle down and get serious while spotting times it needs to take itself less seriously. So you never quite question yourself on why you are so invested in a show with a giant mascot cat fighting a dragon while an alien dog watches with his secretary. While there are aspects of animation, art and music which could be more polished, the writing is something I have a hard time criticizing. Any nits i could pick could be attributed to the shows one cour length but a lesser writer would have caused it all to fall apart.

There are negatives to this in that it takes a few episodes for this show to truly start, the mecha battles are done with awkward CGI which while watchable is still jarring and can’t match animation, the music can get a bit too cheesy as it goes for traditional hot blooded mecha style, the name of the show is hard to google and the ending could have used a bit more of a epilogue. But the more critical negative is that much like the rest of Satoshi’s work, this will likely remain a anime gem not getting the popularity it deserves. Still I implore those willing to listen to at least give it a chance as it deserves that much. With enough time perhaps people can look back on this and come to appreciate everything this show did.

Planetes – 1 [Outside the Atmosphere] – Throwback Thursday

Hello and welcome to the start of a new series I am calling Throwback Thursday. Basically, each season or so I will be selecting an older anime. One that might have passed under people’s radar, and blogging it as I would any normal seasonal series. The hope is to give some older anime the recognition they deserve. The flagship anime for this series is, as you can see, Planetes! Lets jump in!

So, not surprising at all really, I enjoyed this first episode of Planetes more than almost anything from the current season. Everything about it is… different. Being made in 2003, I can hardly call Planetes “old”. But there is a clear difference between it and modern anime. There are no huge moe eyes, the backgrounds are detailed and everything is properly proportioned. Planetes is exactly what Megalo Box was trying to emulate and bring back in the previous season. Being made by Sunrise, who are doing DOUBLE DECKER this season and worked on Cowboy Bebop: Knockin on Heavens Door right before this, it’s no surprise it looks so good. Really, there are a lot of things I like about Planete’s art and animation that I will get into specifics past the spoiler tag for. Suffice to say, I missed this kind of anime and am glad I started this segment.

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Planet With – 12[Behold, The Universe is Filled With Blessings]

The madman actually did it. Satoshi managed to take a massive story and crush it into 12 episodes without anything feeling too rushed. To be perfectly fair this episode did need a bit more of a epilogue and if we had a OVA episode to just go over what the character did after this then I feel like this show would be prefect. As far as Satoshi’s work goes it’s certainly my favorite anime from him but that’s mainly be virtue of being the only anime he’s ever made. In terms of his other work I would say that it ranks third below Biscuit hammer and Spirit Circle. Though I have yet to read Sengoku Youko which also seems to be fairly highly lauded. For his first outing in anime i would consider this a great success, Satoshi has shown himself to be a strong anime scriptwriter. In fact he may very well be better at anime script writing than manga as he know how to make use of the time he is given. Satoshi was given 12 episodes to write this story and he made full use of them.

Truly I cannot sing praises enough and it’s a damn shame that Planet With is a underwatched as it is. For the fact of the matter is that Satoshi has made a better Trigger anime than Studio Trigger ever has.(And trigger certainly did try and fail with Darling.) Well on to the episode itself, it acted as a great conclusion to the story. While I wish the battle was more action packed it still was an exhilarating fight with the heroes pushing the dragon into subspace. The dragons mental attack on Souya was certainly a surprise until I recall that Souya is the one of the only ones who never got a sealing device flashback. The dragons motive was certainly interesting, compelling Souya to hate him and act as device to carry on the dragons sense of justice. The contradiction is certainly interesting as the dragon looks to know that his actions are wrong but still feels that his line of thinking is right and wants someone to carry on his will.

This and the dragons final dream of his human family goes to show that his time as a human truly did change him but not enough to truly change his line of thinking. I will admit that the music in this episode could get a bit overbearing cheesy, in particular when the people of paradise pulled Souya out of the dream. Nonetheless there were some truly great moments like Ginko’s conflicted gratitude towards the dragon for inadvertently saving her home by attacking Sirius and breaking down over finally being able to express it after all this time. I loved the design of the dragons inner self and the final dream of his that finally allowed him to join his race being of his life as a human, showing that the silly old man we all love could very well have had a massive impact on this story. Lets not forgot Souya pushing the dragon into the subspace hole with a clog punch and everything returning to where it all started, at the dead planet of Sirius.

The last thing that the people of paradise say to Souya has a strange impact, namely that we can view this story from whatever view you like. What is right and wrong here is highly dependant on the one looking and if you look at it there is a far amount of moral ambiguity in what happened here. But all accounts the thinking of the sealing faction and the dragon isn’t necessarily wrong, though there actions are questionable. Well this has been a hell of a ride, it had a slow start but once it got going Planet With never let up. Again i think it could have used one more episode, though not to tie up loose ends as they most certainly did tie up everything with the last episode but rather just for viewer satisfaction. I at least would have liked confirmation on Nozo and Souya’s relationship through heavily hinted and I think some cooldown time was needed after the climax as it really did feel like it cut off too suddenly. But regardless this was a show that remained constantly unpredictable and fun throughout its run with it being my favorite of the season.

Planet With – 10/11[Karellen and Rashaverak/Azrabarakura]

Forgive me for not covering this last week but believe me when I say it wasn’t due to lack of interest. Planet With still remains a show that just tops itself with every episode. Though I don’t have much to say about episode ten other than it being another episode which could have acted as a finale to the entire series. It’s interesting that the names of Generalissimo and Sensei turned out to be Karellen and Rashaverak which are the names of the alien overlords in Author C Clarkes “Childhoods End”, a reference which truthfully I can’t quite discern the meaning of. I mean there is a certain similarity in themes of humanity evolving and aliens interfering with humanity in order to guide them towards a certain path but admittedly it could just as well be a small reference. The fight between the pacifist faction and the sealing faction was some good old mecha showdown action the likes I have not seen since Gurren Lagann. It could have very well have tied this series up with a satisfying bow but we have a time sip where we face off against the final boss of the series, the dragon on the dark side of the moon. Episode eleven really felt like a set up episode as it primarily focused on where everyone was after five years. Most ended up working for Nebula and even Nozomi is becoming a very powerful telepath. So now Ginko is a christmas cake, Takazou died choking on mochi,(Honestly thought it would be the steak to do him in) Benika, Hideo and Yousuke are working with Nebula with it not being established if any romance happened, Miu and Harumi spent college forcing Souya into the judo club so they could kick the crap out of him and bully him regularly(Might be a bit of spite involved there but there does seem to be a flirtatious vibe to it too.) and Nezuya has an alien girlfriend, because of course he does….man, I love this show.

It’s pretty heavily implied that Souya and Nozomi got together but I would like confirmation. normally shipping would annoy me but I like these characters too much and all hell will break loose if they don’t kiss at least once. I really must applaud just how well this show is concluding as this episode pretty much answers every lingering question one could have. What is the dragon? A member of the people of paradise who refused to give up his body and built psychokinetic armour around himself till he lost his human form. Why are the people of paradise helping? The person helping Souya is the older brother of the dragon and wishes to save him. Was Takashi related to the dragon? Yes, he was a part of his psychokinetic armour that fell from the moon and formed into a human being which the dragon ”dreamed” of.(Was it that a dragon dreamed of being a human or that a human dreamed of being a dragon?) How is humanity dealing with the weird incidents from five years ago? Still debated but most have moved on with their lives. Even as far as where everyone is currently at in their lives and how they developed has been answered and the only unfinished business is dealing with the dragon himself.

Standout of the episode was Ginko and Souya’s talk on the roof as it really does highlight how they have developed a brother sister relationship against all odds considering they are from two previously waring races. It’s nice to see Souya move past vengeance and seek out retribution for the things his race did highlighting that no one in this show is truly evil, but rather has their own perspectives which can clash badly. Even the Dragon seems confused and lost as he lost his place when his rare evolved past bodies, leaving him without anywhere to go back to. In fact the Dragon feels like he is in the same place that Souya was at the start of the series, having lost everything he ever cared about and lashing out. His actions in destroying Sirius were mainly motivated in his sense of justice and believing Siriuains were beyond hope. Now he himself is in the position of being beyond forgiveness, yet still being forgiven by the same race whom he deemed beyond hope. I admit that these things are rather cheesy, especially when talking about evolution of love but is feels like the right kind of cheesy for this kind of show. That is the thing, for a show featuring mass genocide, this show is remarkably positive throughout. Everyone is trying to go there own way in life even if that way leads them to make some awful decisions. But not everyone is beyond hope provided they are willing to reflect. Of course not everyone will reflect and that’s when you need to punch them in the face with a steel clog. That will put things in perspective…probably. Well on that last note I will say that if the final episode does not end in a clog punch that I will be greatly disappointed.