Crystal Blaze – 10


Now that’s an aftermath! I’ve lately noticed that a lot of aftermaths in anime after a big climax are relatively boring, where characters do nothing but angst and try to let the events of said climax sink in. It may be because I’ve seen things like these for too many times, but they’re often disappointing and break a bit of flow.

Crystal Blaze does things right, though. It may be an aftermath, but it wastes no time to not only let the characters catch a breath, but it also wraps up the involved parties and sets up the interesting stage for the next episodes. It was really fun to see all the different parties do their own thing throughout the episode, but that’s just a personal preference of mine.

And of course it was obvious that Manami and Ayaka would screw up and get captured. She still has her attitude of wanting to do something important, and in her worries for the wounded Akira, she forgot to pay attention to hide herself. There was nobody there to stop them, so it’s in any case much better than Shinkurou returning home in Kurenai. What surprised me was how sensei swapped sides so easily. Could this be a trick to fool the enemy, or is he genuinely interested in Kitoh’s research?

I’m curious, though. There are two episodes left, and with a plot this fast, there’s got to be more than “Ayaka and Manami are saved, Kitoh is dead”, especially with the pacing of this series. It would be a shame for the pacing to die down at this point.

Nijuu Mensou no Musume – 08


Boy, how well this series turned out. To think that even at episode eight, Chiko still hasn’t grown up to the version of her we keep seeing in the OP. Every part of this series suggests that the creators are continuously building up, and this building up is already starting to pay off.

The robot turns out to be a humanoid weapon, thereby introducing a supernatural element in this series rather forcefully. If I understood correctly, then the country Chiko lives in (I assume Japan) tried to develop humanoid weapons, though they were never able to be used in the war, because it ended before this technology could be perfected. The woman and robot we saw in the previous episode turn out to be the leftovers from this research: they’ve got superhuman powers but at the same time they seem to be suffering. I’m not sure what kind of torture their bodies go through.

But such a huge and lumpy robot was of course a perfect opponent for Chiko to handle on her own, since she herself was small and light. It forced her to take advantage of this. At one point, the animation style also changed completely, in a really messy kind. It’s interesting to consider how this isn’t the first anime to use this technique, and the fact that they’re used for major fight scenes (take for example the last episode of Macross Frontier, or the final episodes of Shion no Ou). But I do want to urge the creators to be consistent with this style, and not just have one such scene in the entire series. The reason why this worked so well in Shion no Ou was because the animation was building up for it.

Chiko’s future side-kick also surprised me. She’s further away from the spoiled brat than I imagined. As it turns out, she’s incredibly rich, and has to live with the future prospect of marrying at her eighteenth and living a boring life without having to do anything. As she’s really tomboyish, she seems to have convinced herself to live her life to the fullest while she still can, and so she came to overglorify anything that resembles cool adventures. Now I also understand why she’ll easily make friends with Chiko.

Amatsuki – 10


I remember noting somewhere how an average episode of Real Drive feels like it’s much shorter than it actually is. The opposite is the case with Amatsuki. Seriously, I can hardly believe that this episode was just twenty minutes long. I could have sworn that this episode was much longer. I think this has to do with the fact that Amatsuki never gives its audience a time to catch a breath. When it’s done with one scene, it immediately thunders onto the next one without any signs of taking a break. And I think that that’s one of the reasons why this series turned out so awesome.

I must be crazy to follow such a series that spends so much time on its dialogues raw, but this episode was so worth it. The banter between Toki and Kuchiha is getting more hilarious with every episode, and the characters keep being a delight to watch, even though most of the dialogues get lost on me.

So, what I picked up:
– The guy that was introduced in the previous episode turns out to be someone who an provide more information about the four gods in this world (or however Bonten, the princess, Teiten and the other one are called).
– In the end, this guy and Tsuruuno go to one place, while Toki and Kuchiha go to another place that could possibly be invested with Ayakashi. I’m assuming that they too are after the fox demon
– Bonten is meanwhile trying to figure out what happened to Tsuyukusa, as it seems that he’s got interest in the fox demon as well. The guy we saw him with in the last episode could know something about his whereabouts.
– In the end, Heihachi doesn’t turn out to be dead, just heavy beaten up. This series is very sneaky: for three episodes, it’s been suggesting this guy’s death: in this episode too, Bonten draws some kind of life-spirit out of him, and we can only guess what’s going to happen next.

Still, with this episode, I know for sure: my top-3 for this season consists out of Kaiba, Himitsu and Amatsuki. All three have a unique sense of storytelling and presentation that make them absolutely worth watching. But still, I need to remind myself to watch this episode subbed when it comes out.

Crystal Blaze – 09


Awesome episode! Only now I realize how similar this series is to Kurenai: we have Shinkurou taking care of Murasaki versus Shu, taking care of Sara. Manami and Ayaka are comparable to Shinkurou’s two neighbours, while Poririn and the tech-guy whose name I forgot are similar to Benika. In Kurenai, the bad guy is a family, obsessed over their own bloodline, while Crystal Blaze has a crazy scientist who’s obsessed over his own research. Both evil parties also have well-trained goons and spend the first 8 episodes, trying to track down the good party.

The big difference is that Crystal Blaze puts a lot of emphasis on storytelling, while the big focus of Kurenai is the dialogue. As a result, Crystal Blaze has a plot that continues to develop with lots of interesting twists and turns, and Kurenai is at its best when characters are just talking to each other. If I had to be honest, then I’d say that I like Crystal Blaze better, but that’s mostly because of how well it handled the beginning of its finale, when compared to Kurenai. I didn’t pay much attention to it when I watched the latest episode of Kurenai, but the fact remains that Kurenai’s wish to go back to his home one more time, even though they were discovered was stupid, while in the case of Crystal Blaze it was only a matter of time before they were found, plus Shu and the others couldn’t move anywhere because Sophia was turning into glass.

And I must say, that Sophia’s death was really built up well, and it turned out really touching. The second episode then wasted no time to give us a small gunfight, and I must say that it was quite an interesting idea to fool the enemy’s night-vision by turning up the heat to body-temperature. I’m not sure whether this actually works in real life as well, but it’s an interesting idea. On top of that, Akira’s gotten shot in his shoulder. With only three episodes left, I’m really curious to see where this one is planning to end.

Nijuu Mensou no Musume – 07


In case you were wondering: yes, there indeed was no Nijuu Mensou no Musume last week. The creators sure chose the most annoying time, after episode 6’s huge cliff-hanger. Still, I’m glad that this series is back now, because this episode was really worth it. It wastes no time in developing the storyline further.

As it turns out: her two future comrades are an annoying classmate and the maid of Chiko’s mother. As it turns out, Chiko goes back to her family in this episode after the loss of Nijuu Mensou. The creators also waste no time in placing hints that Nijuu Mensou might be alive somewhere, like many people already suspected.

The mood of this episode got rather ruined when Chiko started speaking English, however. Another item has been added to the list of “things Hirano Aya can’t do”: speak proper English. Even compared to the English skills of your average voice-actor, it was horrible. I think that’s why her voice fits Chiko so well: it’s soft and subtle. Hirano’s problem is that she wants to show off way too much. It may give her lots of awards, but quality is something else. What I’ve heard of her in Zettai Karen Children and Haruhi Suzumiya in particular was unimpressive and more annoying than it was enjoyable.

In any case, I really like how the new cast of characters isn’t as one-sided as the old one. It’s really varied, there are lots of different parties with their own intentions and backgrounds. This should prove to be very interesting for the future of this series.

…but what was up with that giant robot?

Amatsuki – 09


This post is going to be short, as I have a slight headache right now. I swear to god, Amatsuki isn’t the right series to watch with a headache. This episode in particular introduced a character who could give Holon from Real Drive a run for her money in terms of elaborate monologues.

This episode continues to build up the Fox-demon arc. Toki and Kuchiha get more information about the state of things from the above-mentioned guy (it seems that Bonten is after the princess’s life). The thing that stood out obviously was Amatsuki’s trademark style of storytelling: first it’s all bright and light-hearted, until the fox demon suddenly brutally kills Heihachi while Tsuyukusa just watches her do it and doesn’t even try to help the guy.

Crystal Blaze – 08


The past week, I’ve gotten a few interesting comments, along the lines of “this post says nothing about the actual episode, what an informative anime blog” (with the last part being obvious sarcasm), and they got me thinking. It’s not the first part that got me (heck, I’m all for constructive criticism), but rather the assumption that every anime blog should have a summary for each single post. I’ve personally never seen Star Crossed as an episode summary blog. It’s more that I write about whatever catches my interest after watching an episode. Depending on my mood, I randomly summarize a bit and add a few thoughts on the episode in question. But are there more people who feel that I should put more focus on summaries?

Having said that though, I do realize how my past posts on Crystal Blaze have been mostly thoughts and hardly any sentence on what happened. I’ve been carried away by the many surprising good points of this series. So, for variety’s sake, here is a summary of the episode. And boy, was it a great one. 🙂

The episode starts where the previous episode left off: the swat team, who was assigned to put a stop on Kitou’s research, is inside the closed space where Kitou and Kirie unleash a glass woman upon them. This woman quickly slaughters the entire squadron, as bullets seem to not work on her. Kitou explains that with the help of a special ring, the glass woman knows who she should attack and who she should leave alone.

When everyone in the chamber has died, the woman goes after the rest of the swat team, who she defeats easily. Very soon, more glass women come and help her. Meanwhile in the same underground facility, JJ and Sophia witness this bloodbath, as Sophia tapes it, and they’re astounded at the capabilities of the glass women. Because the security is busy with the swat-team, they can move around quite freely and they end up in what looks like the main database. There they find out that Kitou has been using live women for his research, and he’s turned them into experimental subjects.

JJ tries to call the chief of police, though there’s no connection. While he’s rambling on ethical issues, Sophia tries to copy the data she’s found for evidence. Meanwhile back at the glass women: they suddenly freeze and shatter. Kitou’s research has improved, though the HW-series is still imperfect. Kirie then suggests using the BW-series from now on (I’m wondering: what does the “B” stand for? Bio-weapon, or something?). Kitou, however, is still interested in the experiment, mainly because of what a success HW9 turned out to be, which is why he wants to retrieve her: in order to figure out why she’s special. (does he know that she’s about to die anyway?)

Kirie and the rest of security then go on and clean up the rest of the swat-team that wasn’t killed by the glass maidens, while JJ and Sophia are discovered by a random guard that passed by. They manage to make it towards the stairs that lead to the exit, and at that point I guess that JJ wants to hold off the guards so that Sophia escapes. Sophia runs up the stairs and a number of gunshots sound, but we have no freaking idea what happened back then.

Meanwhile, outisde the base, the three members of the swat-team that left behind fail to make any contact to their comrades. Akira meanwhile is still spying on them, and listening to their communications. It’s then that the few survivors manage to make it back outside and report. Akira then tells this to Shu, as the chief of police enters his room. Shu then tells him about what his little nephew and Sofia have been doing, and is surprised how the chief of police didn’t know that.

As Sophia reaches the door to the exit, she realizes that it’s shut and that she can’t get out. She then calls Shu for help. She tells him where she is, but before they can finish the call, one of the guards discovers her and destroys her phone. The chief of police then wants to come along with Shu because of JJ, but Shu tells him, as well as Manami and Ayaka to remain where they are. Meanwhile, Kitou and Kirie inject Sophia with the strange liquid that turns you into glass.

Ayaka meanwhile finds it strange that all sites about the glass women have gone down. Sara meanwhile continues to be troubled by her left arm changing to glass. When Shu arrives at the hidden base Akira waits for him and both of them rush to the entrance, where they find a naked Sophia with one glass arm, and they take her to Doc as quickly as possible. It’s a bit strange that Kitou would just “let” Sophia escape, and indeed: she also received a bracelet when she was injected, and in this bracelet there’s a transmitter.

The strange thing is that Shu is just fine touching Sophia, and doesn’t get burned. The others arrive and are shocked at the glass arm, especially Sara, and the episode ends.

Kitou’s getting pretty decent for a pure villain. Often, the villains that get fleshed out are somehow misunderstood. While this is nice to watch, it’s also good to see someone who really doesn’t have any ethical values and is more than just a stereotype that’s used to keep the story going. He himself is a mad scientist, obsessed by his creations. The guy is much better than most other villains, who only sit in a chair and do nothing but look evil.

Amatsuki – 08


Flashback time! If there weren’t already enough reasons for a second season, then this episode added another one. Episode eight usually is the point for 13-episode series to start building up for their climaxes. If there’s going to be a flashback, it’s most often used as a revelation of an important mystery. This episode instead chooses to give more depth to a set of three characters: Kuchiha, Shamon, and one of the monks that works at the temple of the princess.

Especially the latter is a clear indication that this series is aiming beyond thirteen episodes. Heck, I never could have guessed that that guy was so important to have his own background story. It took me a long while to figure out who the heck he was again, but it seems he was the one who guided Toki, Kon and Kuchiha around the temple when they arrived, and explained their customs a bit. To think that he actually was more than a handy way to give background on the temple. The director is no idiot, so he wouldn’t have given background to such an obscure character at this point if he knew that it would be a pointless waste of time.

This episode also shows how Shamon came to adopt Kuchiha. The village she lived in used to shun her because of the huge demon in her. That’s why she’s always so gloomy when this demon gets mentioned. It’s nothing new, but it’s good to see this with more detail. I also really like Shamon; he’s a strong character, and yet he’s down to earth and has a sense of humour.

Overall, this episode was very enjoyable. The cast is really showing that it can be great, even without a heavy atmosphere. Oh, and I like it when an anime doesn’t feature its main character at all for an entire episode as well.

Crystal Blaze – 07


Ah, the standard episode in which a character is angsting and his or her friends spend the episode trying to talk him or her out of it. I now realize how often such an episode can go wrong: it’s obviously predictable, and often it comes across rather lazy. I now realize that series as Suteki Tantei Labyrinth and Code Geass did a rather pathetic job on it: Mayuki and Lelouch did nothing but angst over what happened, then his friends come and say a few words, and they act like nothing ever happened.

Episodes like this one need lots of inspired dialogue. They need introspection, both from the character him/herself and from the ones around him. They mustn’t try to be standalone episodes, assuming that the next episode will continue on like nothing ever happened. And I must say that Crystal Blaze did a pretty good job at it. Manami was definitely depressed, but I like how the creators used a bit of comedy in order to lighten up the mood from all her angst. In this series, the characters actually try to understand both each other and themselves, and that’s what makes this so appealing.

Seriously, Crystal Blaze is one of these series where every major character has become likable, and especially the good guys are a joy to watch. I already sung praises to Shu and Manami, but Ayaka’s caring nature and Akira’s down-to-earth nature are also wonderful. And of course Poririn rocks as well. Th relatively large emphasis so far on the bad guys also really helps. These guys are definitely not your typical misunderstood villains, and they they’re turning out really nicely.

I’m really not sure what exactly it was that the creators did, but this is everything a 12-episode series should be. The reason why I prefer 26 or 39-episode series above series of such a short length is that they can easily go wrong if they’re not focused, and it takes something special to get some quality development out of the characters, something which is much easier for series with 26 episodes, because it usually takes me around 10 episodes to really connect with the cast of characters.

Amatsuki – 07


Wow. The past few episodes have al started, seeming like a regular intermezzo, and then the episode hits its halfway-point and closes the off with a really powerful second half. This really makes every episode deliver. Series with a continuous storyline often need to insert quiet episodes to give the characters a bit of time to be fleshed out, but Amatsuki really blurs the line between an eventful episode and an intermezzo. It’s a difficult trick to pull off right, but things like these can make a good anime even better.

The quiet parts in this episode continued to spend a bit more time on the love-relationship between Kuchiha and Toki, as well as introducing an important person from Toki’s past. As a child, he seemed to spend a lot of time with this person. Though if I had to mention one part I didn’t like about this series, then it’s the tsundere-ness of that female priest. She worked well in the episode she was introduced in, but she seriously needs some development to stay away from the usual “has no chance to be loved by male lead”-stereotype. I do like, however, how Kuchiha tried to approach Toki when he was about to have breakfast and failed. ^^;

In the second half:
– Toki and Kuchiha head off to do some job
– Kon interrogates Ginshuu, and finds out that the Koku-ten is the closest to Tei-ten (the being that created everything). This Koku-ten seems to be a guy called “Yakou”. I’m not sure who this guy is, but he seems to be some kind of enemy. He lives to drive not only Ayakashi, but also humans and the world crazy. Oh, and the curse Ginshuu is under doesn’t enable him to keep living; it prevents him from dying.
– The fox ayakashi prepares to strike and at the end of the episode she does something that looks suspiciously like killing Heihachi