Nijuu Mensou no Musume – 22



Short Synopsis: The aftermath of Nijuu Mensou no Musume, where Chiko has moved to London, and the detective girls finally have the chance to solve one mission.
Highlights: Chiko’s growth.
Overall Enjoyment Value: 8/10
Ah, thank goodness. The climax was disappointing to say the least, but at least the aftermath was excellent, as it showed what everyone’s been doing, two years after said climax. It’s interesting how Chiko chose her own way, and stopped getting herself involved with dangerous stuff, and instead just concentrated her time on studying. It’s also good to see that Ken got some proper development. He’s always been the odd character in this show, ever since the train incident, but at least he’s now able to move on, and not get held back by Chiko.

that masked murderer and ken really came from nowhere, but at least we got to see a nice fight to close off the series in this way. The lost boy also formed a nice way to conclude the series, pointing back to Chiko and Akechi’s lost nephew. Haruka also has grown up very nicely (and actually didn’t get married at her sixteenth ^^;), although her character-design felt a bit off. She had a bit of a “Kimikiss”-face, as in a face where the eyes are a bit too far apart from each other for their own good.

Overall, because I was able to blog more series than usual this series, I ended up blogging Nijuu Mensou no Musume on a whim, in an attempt to become a Bones-fanboy. Okay, so that attempt failed when both their contributions to the past spring-season ended up disappointing a bit. I still consider them a good production-company, which managed to nail a few very good series, but I still just can’t label it among my favourites. I had a lot of fun when this series was good and unpredictable, but the final parts were just too uninteresting for what it built up for.

Blade of the Immortal – 06



Short Synopsis: This episode fleshes out some of the members of the Ittou-Ryuu
Highlights: The ending.
Overall Enjoyment Value: 8/10
So, the Ittou-Ryuu has its own enemies too, and this episode shows them as they get rid of those who are in their way. The first seems to be some sort of ronin, the second one looks to be a merchant. I didn’t quite catch what exactly it was that made them anger the Ittou-Ryuu, but they served as nice material to flesh out Hyakurin and Giichi, even though interestingly enough, the two of them don’t seem to be this series’ main characters. In fact, we haven’t even met two of the more important characters of this series yet.

This episode also properly introduces the monk, or Shizuma Eikuu, as he tries to get rid of Manji in the second half of this episode. The guy’s an immortal too, and he’s been living for 200 years, and he actually tries to get rid of Manji by hitting him with a poisoned dagger. What striked me the most was at the end, when Manji is actually writhing in pain, because his worms don’t work, and especially Rin’s voice-acting was excellent. Her voice-acting was powerful, without being melodramatic. Her voice-actor did Kakunojou from Bakumatsu Kikansetsu Irohanihoheto before, which was another roe that sounded great and that was set in the Japanese history.

Nijuu Mensou no Musume – 21



Short Synopsis: This episode features the climax of Nijuu Mensou no Musume.
Highlights: Blegh. Just blegh.
Overall Enjoyment Value: 6.5/10
Wait? That’s it? We’ve had all this build-up, and the creators just end with such an ending? Talk about disappointing. There was this whole world open for this series, and yet it goes with the most predictable route. There were so many things that this series could have done, and yet it ends with such a dull finale. Such a bloody shame.

You know, I think it would have actually been better for this series to go with the “detective girls”-route. It would have fitted this series perfectly; it would have been unpredictable and allowed for many chances for the cast to develop further. Now that I really think about it, I believe I actually looked forward to that point when this series had just started.

The big problem with this series is that after the doll arc, the creators somehow found it a good idea to just get rid of the fast and unpredictable pacing of this show, and end the series with a solid continuous story. Unfortunately, the entire scientist-arc has just been one big rip-off of the doll-arc. There’s hardly anything original. And what’s worse: there was hardly any character-development at all. We’ve already established that Chiko can think for herself. All this arc did was confirm it.

Agh, what a bloody shame. My sole salvation is that there’s one episode left before this thing ends. Let’s hope that the creators manage to find something interesting to fill it with. Bones, you really disappoint me with this. I really hope that their next work is going to be more like Tenpou Ibun Ayakashi Ayashi, and less like… this. This is why it’s so important to have a solid conclusion. The series may have had an awesome middle-part, but in the end I am going to be left with a sour aftertaste. I noticed the same with Wellber no Monogatari: solid series + baaaad ending = memorable in a bad way.

Nijuu Mensou no Musume – 20



Short Synopsis: The scientist has a back-up plan, and tries to activate it in this episode.
Highlights: Interesting twist that fits with the series’ themes.
Overall Enjoyment Value: 8/10
Aah, there are two episodes left and I still have no idea what the name of the major villain is! It gets annoying to keep calling him “the scientist”, but oh well. This episode was enjoyable, but I’m still waiting for that “Oomph” that was present at the doll-arc. This episode was mostly about the scientist’s secret, and I do admit that it was a pretty interesting one: he turned himself into an android. And not just any android, but one shaped like Nijuu Mensou.

It fits perfectly with the paranoia that the people had after the war. With the human-shaped robots, made out of solid steel, that could imitate others perfectly and resist bullets like a bunch of flies. Now, he in a strange sense of irony, took on the form of Nijuu Mensou. Probably after hearing about his popularity.

The question now really remains: are the creators able to close this series off properly? The doll-arc was much shorter than the scientist-arc, but it did have a much bigger impact. These final two episodes really need to be amazing in order to be able to make up for it. One thing that I really hope is that the creators are going to switch to that experimental animation-style again. It worked really well when that doll tried to drown Chiko, but ever since Chiko’s little show on her broom, it disappeared entirely.

Ultraviolet: Code 044 Review – 85/100


Every season has its most underrated series for me. For the past summer season, this was without a doubt Ultraviolet: Code 044. It only got one episode subbed, and that episode received masses of bad reviews. Because of all this bad publicity, this series received no chance at all to show its goods, which is a pity, since it’s actually a pretty good series. If you know what you want to watch it for.

Let me get a few things straight before I continue. This series is part of a whole Ultraviolet franchise, which started out as a series of comic books. Previously, it had already been adapted into a movie, which sucked beyond belief. That’s yet another one of the reasons for this series’ lack of popularity. Let me assure you, though: Code 04 is nothing like its movie counterpart. The movie was a horrible mishmash of random action scenes, while the anime manages to avoid these pitfalls.

So, yes. Code 044 is an action-series, but it knows that you can’t make a good series with action, and so it has a very solid and simple plot to keep it going. Whenever the characters are not fighting, they’re being fleshed out or developed. Not a single scene is wasted. To those who might have feared that this series would fall into a bunch of random fillers: it doesn’t. This series has a very clear goal and purpose, and manages to balance the action, plot and characters very nicely.

Part of the reasons why everything worked out so nicely is that the series has a stellar director: Osamu Dezaki. Very few people have the same amount of experience as he does, and he not only manages to use this experience to avoid common pitfalls like characters that aren’t fleshed out enough, rushed endings or cheesy dialogue, but he also manages to turn the screen into a visual feast, even though the graphical budget is often limited. The action-scenes themselves are mostly consisting out of still frames, but the effects that Osamu throws at you give it a great sense of style. He really likes to overuse CG, those sketch-like frames and split screens, and it really works. If you’re into experimental visuals, of course.

In terms of flaws, this series doesn’t have any major ones, but it’s just not a series for everyone. There are some strange instances of fanservice in the first episode, but after that the fanservice disappears nearly entirely. The plotline is very simple and for most of the time straightforward. It never tries to be anything deep or thought-provoking. It’s just one of those examples of “anime as entertainment”, as in: don’t try to find anything special behind it, because there is none. It just wants to tell a story and entertain the viewer. And for me it pretty much accomplished that feat

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10

(*a small note: like I mentioned somewhere earlier, a high number at production-values doesn’t necessarily mean smooth or detailed animation, but rather whether the series “looks” good. Which was for me the case, although do note that the character-designs are very unconventional for anime)

Ultraviolet: Code 044 – 12



Short Synopsis: Luka tries to rescue King, and more things happen which I’m not going to spoil here.
Highlights: So different from what I expected!
Overall Enjoyment Value: 8.5/10
Whoa! That was actually a really good ending! This episode was among the best episodes of the entire series, and it exactly knew how to use the things it built up for, and carried them further. Here I just expected 044 to go after Luka in a sudden flash of guilt. Here I just expected Daxus II to easily finish off Luka, only for 044 to finish him. Oh, how wrong I was! I expected the final episode to focus on action. Instead, I got a final episode that focused on character-development.

As it turns out, 044 infiltrates indeed Daxus’ headquarters, but not because she wants to help Luka. Instead, Garcia managed to find out from who 044 was cloned (more on that below), and she wanted to meet that person, who just happened to be sealed inside Daxus’ headquarters. Instead, it’s none other than King who kills Daxus II. A very fitting combination, considering the things that Daxus had done to him.

I’ve seen quite a few solid series, where you’d expect a great ending from, disappoint in their finale. For example, Ghost Hound and Dennou Coil: both were very well written, and yet their endings were rushed, and in Ghost Hound’s case it was all over the place. Ultraviolet, though, manages to use exactly what it’s been building up for to provide some nice extra twists, like how Daxus II is actually a clone of his father, but refuses to admit it. Fear o fhis own identity fits his character exactly.

And of course, there was the twist that 044 is Ultraviolet’s clone. Now everything makes sense: she was the one who unconsciously spoke to 044, and this is also the explanation why 044 was such a badass fighter. This also laid an appreciated parallel to the movie, however bad it may have been.

Then there’s the aftermath: Daxus’ headquarters blows itself up. I didn’t quite catch why, but nevertheless it was a very fitting end to such an action series. I also loved how absolutely zero budget was spent on that explosion. It’s just about the opposite a normal action series would have done. I really appreciate the subtlety of it all.

And the three that survived in the end were Garcia, Matilda and Luka. I especially liked the way that Luka managed to survive: you never actually see the guy escape, he just lives. It’s up to the viewer’s imagination of how he managed to get out of that exploding building in time. I must say that it was a very nifty way of the creators to save some time, rather than to increase the pacing elsewhere and make the ending rushed. We don’t really need to know how Luka escapes. It’s irrelevant to the story. All we need to know is whether he survives or not.

And finally, Garcia. I really like how this series never put him into a love triangle with 044: he knew that she had feelings for Luka, and decided to help her as a friend, preventing this series from delving into a pointless love triangle. I think we can thank Matilda for that as well.

Ultraviolet: Code 044 – 11



Short Synopsis: 044 finally gets the chance to talk with Luka
Highlights: They were a bit sudden, but the love-scenes worked really well.
Overall Enjoyment Value: 8/10
Okay, one episode left! This show has the potential to make for a solid ending. This episode introduced enough subplots for this series to work with to fill one episode. I predict that the first half of the next episode will be Luka vs. Daxus, and the second half settles the score between 044 and Daxus, with both of them probably dying. In between, the cult leader and Garcia also probably have their minute in the spotlight, and this fits about perfectly in 20 minutes.

This episode was of course mostly about settling the score between 044 and Luka. Where he seemed like a raging gorilla in the previous episode, he came back to his senses in this episode, and seeing 044 trying to heal him worked really well. Although this episode was a bit rushed, it did get across the main point: Luka is a terrorist, nobody would care about him, and he lived his life probably without being loved, which is why he probably was able to just throw his life away for the cult. And then his big enemy comes and tells him that she genuinely cares about him. I can see love coming from that, especially since he already was in such a confused state.

Overall, the past season has been a really interesting one. For most of the seasons, I have too much series I want to blog for the amount of shows I pick up. For the past summer-season, this was the complete opposite: I had too little series that I really wanted to blog, so I could experiment with a few series. In cases like Mission-E this rather failed; looking back, I don’t really see what was so special about blogging it. However, I’m glad I decided to stick with this series. It’s been a really interesting short series. It’s never going to make any top-10 lists, but the intensity and direction-style has made this series worth watching.

One thing that I did notice in this episode: the lip-synching was really off… let’s hope the final episode will do this better.

Blade of the Immortal – 05



Short Synopsis: Next up: the swordsman who walks around with Rin’s parents’ sword.
Highlights: This series quite possibly has the fastest-paced start of any Bee-Train series so far.
Overall Enjoyment Value: 8,5/10
Ah, screw the manga that this series ruined. I might end up reading it as soon as the series is over, but for now I’m really enjoying this series, manga or no manga. You can really see that Bee-Train is trying out something new, and it working out really well so far. It’s amazing to think how much has already happened in this series, especially since in your average Bee-Train series, the first ten episodes are spent fleshing out the characters instead. The past five episodes, though, have kept pushing the storyline forward.

What I really liked about this episode is that everything just happens with minimal exposition and yet it works. This series knows what it is, and is built around its action-sequences. And okay, so the action-sequences themselves are rather dull, everything around them rocks.

The guy from this episode, Magatsu, is one who thinks he’s special because a samurai killed his sister in the past, up to the point where it almost sounds like he’s proud of it. He never really learned to let go of the horrible experience, to the result that it continues to haunt him even though it happened decades ago.

As it turns out, a major theme in this series is acting out of impulses. Rin was already guilty of this, but in this episode Manji also shows that he can be quite the impulsive bastard, and go running off without notifying anyone. This episode also shows that the Ittou-Ryuu have more enemies than just Asano Rin. This could become interesting.

And I’ve also been wondering: why do the eye-catch and the ED show the characters in a modern setting? Could the creators be planning to set the second half of this series in modern times? Did this happen in the manga as well?

Ultraviolet: Code 044 – 10



Short Synopsis: Luka (or what’s left of him) makes his re-entrance in this series.
Highlights: Mostly build-up, but an episode well-spent with lots of eye-candy.
Overall Enjoyment Value: 8/10
Well.. so this week I decided to not watch the low quality raws from horribleraws (since these also mess with the video-resolution, which just doesn’t do justice to this series’ sense of visuals). This wasn’t the best timing for that decision, because it seems like the raw providers went on strike this week, explaining why this entry is so horribly late. Ah well, at least it’s not like Porfy no Nagai Tabi: it’s been TWO bloody WEEKS and still no episode 34.

In any case, like predicted, this episode started the final arc of this series. It’s of course mostly building-up, but it was an episode well-used, with especially Luka gaining some more depth. The woman he ran into was cute: she lost her boyfriend, and therefore picked him up for emotional support. There were some things I didn’t like, though. In the end, Luka found 044 due to a coincidence (this woman turns out to be a maid at the hotel 044 is staying at), and he may have been a bit too similar to a gorilla in this episode. Especially the red glowy eyes were a bit too much.

This was probably the lightest episode of the entire series (I was really surprised to see these characters in broad daylight ^^;), but at the same time, this finally allowed 044 to relax a bit, resulting into a touching scene where she was finally able to cry her eyes out and let the stress of all that happened to her go.

Okay, there are two episodes left. I think that the creators just need to focus on creating a solid final episode, centred on the action and style of the previous episodes. There’s no need for any fancy plot twists, and I can see this series actually finishing off with a satisfying climax, if the creators just do what they’re good at, there shouldn’t be any problems.

Nijuu Mensou no Musume – 19



Short Synopsis: That scientist isn’t willing to give up that easily, and prepares for a second attempt to zap Tokyo, while keeping Chiko and the others out of his way.
Highlights: Excellent aftermath, apart from that climax perhaps.
Overall Enjoyment Value: 8/10
Really, this series has a strange idea of the concept of hiatus: it stops, right after the climax, only to show an aftermath instead of starting a new and fresh arc. I must say that a lot of spring-series share these themes of fooling the viewer: Kaiba first advertised itself as a tragic love-story, Real Drive first seemed a Ghost in the Shell-clone, while it was actually a strange combination with slice of life and science fiction, Himitsu ~ The Revelation at first seemed to be a series about its stories, while the characters turned out to be its main focus instead. But the king of these games obviously is Nijuu Mensou no Musume, where you can absolutely not predict what path it’ll be heading into for the next arc. And of course its very misleading ED also counts.

In any case, I’m glad to see that the previous arc merely served as build-up for the final arc of this series. In a way, this episode was more intriguing than all the four episodes of the previous arc combined. The creators seemed to have gone for the thriller-approach to end this series, and there’s a lot of potential. What I especially liked about this episode was how every member of the cast seems to have his or her own agenda and troubles. A lot was going on in this episode and it was a lot of fun to see how everyone reacted to that beam of light in the previous episode. The angry mob also was perhaps a bit clichéd, but it did portray the anxiety of the general public, right after the war, and their fears for more casualties perfectly.

But please. Did the creators really have to end the episode with that flying airship? It’s not the fact that it’s an airship that bugs me, but out of all the possible ways that the creators could have introduced it, they went with a Deus ex Machina, and a pretty blatant one at that: you know the scenario, the hero is cornered and at the last possible moment a saviour comes from out of nowhere. I mean, the creators could have at least shown Ken as he arrived at the airship, and as he took off, he suddenly saw Chiko jumping around on the roofs.