Birdy the Mighty Decode 2 Review – 95/100



The first season of Birdy the Mighty Decode was a pretty good series that unfortunately got held back by its own formula and never really hit any heights, and especially the male lead Senkawa caused quite some annoyances. Then the second season came, and surpassed it in just about every aspect. I’m not exaggerating here: the second season managed to take a good series and made it utterly incredible.

To begin with, those who were turned off by the annoying teenaged romance in the first season are going to be delighted, as Senkawa plays a much smaller part in the series and his romance is now something of the past. Instead, it’s time for the female lead (Birdy) to have her taste a bit of romance and it’s so much more memorable. What also surprised me was that the plot of the second season takes place on a much smaller scale: instead of trying to save the world from some sort of evil, the second season instead is about the past of the characters, and revenge for what happened in it. The amazing cast of characters turns this into an incredibly emotional story.

But through all the drama, what’s so special about this series is that it never forgets that this series is taking place inside a world that’s alive, instead of a bunch of places that serve just to tell the story. Even though this is a very dark series, it never forgets to insert some slice of life moments in order to bring this setting to life. Even though Senkawa’s classmates have absolutely nothing to do with the main story, they make countless reappearances as the creators show how they continue to lead their lives after chaos that was caused in the first season. Even in the final episodes, this doesn’t change (compare that to most other similar series, which at that point are too busy saving the world to care about such a thing), and yet the series closes off with an amazing ending.

And the production values! The action series in this series are absolutely stunning. The animation is very messy, but because of that there is lots and lots of movement and even more detail in them. The brutality of the hand to hand combat in this show continues to surprise, as the creators aren’t afraid to show the most graphics deaths and beatings on the screen without any cheap tricks to hide it whatsoever. Combine that with the single best soundtrack of the entire season, and you have a visual feast.

Series like this one really are the reason why I’m still a big fan of anime. This series is utterly incredible in just about everything it does, and it’s an incredible contrast with the first season, which simply looks mediocre in comparison and it’s been without a doubt my favourite show of the past Winter Season.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10

Birdy the Mighty Decode – 25



Short Synopsis: Birdy finally gets the chance to bring Natoru back to earth.
Episode Rating: 9/10 (fantastic)
What an utterly incredible episode. I’ve seen a lot of disappointing endings this season so far, but this one did EXACTLY what it promised, with some of the most amazing results. What a ride. And what a huge shame that this incredible series is already over.

And seriously, this episode had some of the best fights I have seen in a long, long while, showing that Kazuki Akane has in no way lost his touch since Noein. It’s been a very long time since I’ve seen animation that was this good; even Bonen no Xamdou’s final episodes feel inferior compared to it. Unlike Shikabane Hime, which promised a huge ending and instead got resolved within five minutes, this episode made optimal use of its time, and yet nearly everything got resolved, and the things that haven’t been resolved (Natoru’s past) are being saved for the OVA.

This show seriously has set such a high standard for the rest of the year, and it’s been an amazing ride from start to finish, and I loved how even at the final episodes, it never forgot that Senkawa’s classmates also are supposed to have a life (something that many other series seem to forget at this point). Some of the most touching scenes in this episodes included those parts about the presentation that the series has also been building up for.

This series has really confirmed how Kazuki Akane is my single favourite director. His works of Escaflowne, Noein and Birdy the Mighty have been utterly incredible, and a true work of genius. I am SO going to watch his next work when it airs in a few years’ time.

Shikabane Hime Kuro Review – 87,5/100



The first season of Shikabane Hime was a very solid build-up, it had great horror, and may have had some pacing issue in the beginning, but it was one of the stories that gets better and better as it goes on. Shikabane Hime Kuro (the continuation), however promised to decline into the standard shounen clichés again, where the two lead characters form a romantic couple and battle a bunch of bad guys in a very overdone way. And in some ways, it did, but with so much style.

Shikabane Hime Kuro is an expert in managing expectations. From the beginning to the end, it sets different expectations for the viewer, only to deliver either something completely different, or exactly what it promised only five times better and more impressive. This leads to bizarre situations, like a couple of very crappy first episodes, followed by a string of awesomeness, followed by a Gainax-ending.

The biggest strength of this series is the cast of characters, though. Because it already had an entire season worth of build-up put into the lead characters, it now really has the chance to play with them and even then the development of the cast doesn’t stop. There’s hardly any episode wasted and both the side characters as the antagonists receive more than adequate attention to flesh out their characters well.

There are lots of nice themes that this series explores. While there are many elements that fall into the shounen clichés in this series, it also provides lots of new and fresh content, with an interesting storyline and plenty of effective mystery. Ouri and Makina are also far away from your typical shounen couple, for once, and a lot of attention in this series if focused on the two of them, trying understand each other, rather than simply one of them serving as a glorified damsel in distress.

But in the end, what it all comes down to is the following: Shikabane Hime is a terrific action-series, that knows exactly what it is. While the first few episodes of Kuro will disappoint, it quickly picks up with a string of gripping action scenes, with some of Gainax’ trademark animation (though used in moderation this time) and a rocking soundtrack, combined with a strong cast and imaginative plot twists that are going to keep you busy throughout the entire rest of the series.

I’m not exactly a fan of shounen series, but I love it when they’re done well, and that’s exactly what Shikabane Hime is. It’s found a very nice combination between style and substance here, and Gainax and Feel did a really good job at bringing the manga alive. It’s also interesting how for a manga adaptation, the creators managed to fit the stories perfectly into 25 episodes: there are hardly any signs of rushed scenes, major plotholes or pacing issues. Exactly what a good manga-adaptation should be.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10

Shikabane Hime – 25



Short Synopsis: The finale of Shikabane Hime
Episode Rating: ?/10 (wut?)
Uhm… yeah. This is without a doubt one of the more original endings I have ever seen, but… what?

But yeah, this is what you get when you combine Gainax with the director of Gilgamesh: both infamous for their unconventional endings. Here I was, expecting a really action-packed ending… and most of the bad guys die within five minutes, all the major threads left hanging are solved, nearly everything is carefully wrapped up into a rather quiet but rather anticlimactic epilogue… and the series seriously ends in the middle of a big fight between Makina and Hokuto. Has that ever been done before?

Still, I like the approach that the creators took. It’s definitely going to make this series memorable to me; it’s something I totally didn’t see coming, it’s anticlimactic how easy things really were in this final episode, and yet it strangely worked. In a way, we really didn’t need to know whether Makina or Hokuto would win the fight. That’s just the same predictable shounen crap, but in the meantime the creators did have enough time to explore on the main themes of the show. It’s interesting how despite all of the warnings, Ouri still sees Makina as a human being, but he never really fell in love with her and I think that that separates himself from Akasha and Sougi, who both fell in love with their Shikabane Hime: he never could fall in love with Makina because of Keisei’s influence and instead they grew more to become good friends.

I’m a bit disappointed that the final two seven stars didn’t receive their background, but at least the two of them aren’t complete paper bags, and the bit of depth that they received in this episode was appreciated. The old guy basically was someone who wanted to live desperately (it would have been interesting, though: why would he return as a Shikabane when he died at such an old age? And without a grudge as well…), while the bug guy simply was obsessed with Hokuto, and the reason why he acted so cruel through the majority of the series was because he didn’t really care about anyone other than his beloved Hokuto.

Overall, though, it’s definitely been a fun and awesome series. I had some doubts when I started blogging this show, but I’m glad that I did in the end, because it’s been a lot of fun praising (and yelling at the constant fanservice in) this series. While Gainax isn’t one of my favourite production companies, they really hit the mark this time with a very effective shounen series.

Mobile Suit Gundam 00 – 49



Short Synopsis: The big climax of Gundam 00
Episode Rating: 7,5/10 (Good)
And so, most of the conflicts are solved in this episode. All because Setsuna couldn’t stand to see all of his friends dying, which unlocked some sort of hidden powers in his Gundam which made it shoot out tons of GN Particles and allowed everyone to settle their difference. I’m not exactly sure what drug it used in order to resolve nearly every single conflict apart from the ones around Ribbons, but I guess that the overall message is that conflicts shouldn’t be solved by brainlessly fighting each other without listening to the other party. Nice, I guess, but a bit unrealistic. Ah well, at least I’m glad that it wasn’t Marina’s song that ended up saving everyone.

In any case, for all of the different conflicts that were solved in this episode, some were good and some were bad: Saji vs Louise was as horrible as ever, though the conclusion between Ali al Sarshes and Lockon was very solid and a very good gunfight. Marie vs Smirnoff basically went nowhere, and Billy vs Sumaragi was cheesy but served its purpose I guess.

Ribbons was pretty pathetic, though. The entire series has established the guy as some sort of evil overlord without any flaws whatsoever. And in this episode he just lets some random guys take over Veda without even an attempt to stop it. He should have known that all innovators could link to Veda, and since he’s such a 1337-hax0rz, he could have easily taken measures to prevent others from accessing Veda. And yet he acts all surprised when Tieria turns out to be alive, using the same trick he used a few episodes back.

I think that the big problem with this episode was that the “ultimate power” was a bit too convenient and selective: it was exactly what this series needed in order to wrap up every hanging thread: everyone conveniently gets healed, it conveniently calls the ghosts of some dead characters who help taking over Veda, while other dead people don’t appear at all, it conveniently cancels out Ribbons’ brainwashing on Louise, it conveniently clears most useless hatred. It’s just too convenient!

Overall, with one episode left, I have to say that I liked the first series better. Sure, Setsuna was pretty annoying back then, but at least his impulsiveness had a certain charm to it, which isn’t something I can say for Saji and Louise. It had a solid build-up with a great climax, and took place in a world that actually felt alive with a complex political structure. The second season focused much more on action and the characters, which all were either a hit or a miss for me.

On a positive note, I do have to admit that I really liked the background music of this episode. Great soundtrack.

Birdy the Mighty Decode – 24



Short Synopsis: Senkawa’s classmates have fun at the school festival, while Nataru continues to pursiut the remaining aliens.
Episode Rating: 8/10 (Excellent)
Ah, like expected: the creators plan to finish this series with a huge bang, just like they did with Noein. It’s going to be there where we can see whether or not all the building up can come together in the end. This episode was mostly building up, although there were quite a few surprise twists included.

Most notably, Nakasugi is back, though with her memory erased. I still really like how Senkawa got over his loss of her, and he’s not angsting about her at all. Instead, he provides excellent support for the other main characters, and in a way you can’t call him the main character of this series anymore. The first season was his moment in the spotlights, and he learned well that the new storyline doesn’t centre around himself.

And in a way, that’s the advantage that episodic series have over series with a continuous plot: it’s much easier for them to show different people and flesh out the setting this way, making it come alive, whereas a series with a continuous plot usually just focuses on a fixed set of characters without much time for guest appearances, because it’d be difficult to weave them into this storyline. And that’s another reason why Birdy the Mighty is so amazing, because it combined the best of both: its storyline is definitely continuous, and yet it did succeed wonderfully in making this setting come alive and making it diverse.

One thing that caught my eye was that this series still is continuing to make its setting feel alive, even with only one episode left to go. It’s a bit unconventional, and will definitely leave a few threads hanging open, but on the bright side it really gives that extra spark to the setting: it makes it feel like there’s much more going on in the world than just the problems of our lead characters. The alien in sunglasses in the end never really had an important role, and we hardly know anything about him, but he does return every once in a while to influence parts of the storyline (for example, tricking the girl into killing her former comrade for protection). Nakasugi as well: there is no way that she’s going to have any influence in the story at this point, but it just shows that she too is continuing her life and that Birdy and Nataru may have their issues, but they’re not the centre of the universe. I mean, how many other series have a light hearted school festival at the end of their airtime? The only examples I can think of are the ones in which the school festival leads to some really dramatic climax, but here it’s used for the entire opposite: to brighten up the mood and flesh out the setting.

I really like this, especially since most other series don’t care about this at all, and you can really see the results: in the series, it looks like the entire world is revolving around the lead characters, with hardly anything else. Random by-passers also just feel like a bunch of mannequins, who aren’t important at all. In Birdy the Mighty Decode, though, they all feel so refreshingly alive due to the attention that it’s been paying to flesh out the setting at such a late point in the series. Seriously, I’m really surprised to see that they decided to do this in the second half of the series, which is usually the time when most series are done with the world building and focus on other things. This really is much more apparent than even Noein, and it shows that Kazuki Akane’s style is evolving, and he’s trying and become an even better director than he already was. This guy truly is my favourite director ever.

Shikabane Hime – 24



Short Synopsis: Akasha finally reveals why he’s doing the things he did.
Episode Rating: 8,5/10 (Awesome)
Seriously, is there no end to this series’ awesomeness? While the second season started out with a bunch of really bad and questionable episodes, it picked itself up so well after that, and delivered one hit after the other. I really must thank this series for giving me back my faith in shounen fighting series. Ever since the Law of Ueki, I’ve found myself disappointed by these series so many times, but this series really has been everything a good shounen series should be. This is exactly what I was hoping for when I found out that the director of Gilgamesh was behind it. Love it or hate it, but it had lots of interesting and imaginative stuff, and Shikabane Hime is the same: it knows exactly how to deal with its viewers’ expectations, and go completely beyond that.

And really, to think that this series is a manga adaptation. I really wouldn’t have suspected this: Ever since episode seven of the first season, there hasn’t been any filler, there are no wasted episodes, there are no pacing issues, and it looks like everything is going to be solved in the next episode. It may be that the story of the manga fits the 25 episode format exactly, but what’s more like is that the creators tweaked the storyline a bit so that it would fit into this time-frame. Seriously, a lot of series should try to follow this show’s example.

And this episode yet again continued this show’s string of awesomeness. We were promised Akasha’s background, but we got so much more. From the BEGINNING, he was planning on betraying the seven stars and use the strange cube to take control over Hokuto. The reason why he looked like such a weakling for the past number of episodes was because he simply let himself get pushed around, since at the time he couldn’t risk it to go against the bug guy. His duty was to protect Hokuto, and since the previous episode pretty much distracted him from this task, he grabbed his chance.

His background also rocked beyond belief. And while it was the kind of “I lost my loved one so I want revenge!”, there is so much more added. He actually was the victim of something that happens to every monk who makes his Shikabane kill 108 corpses. When that happens, they simply turn back into an ordinary Shikabane, just as if their contractor was killed. His Shikabane Hime also was his former girlfriend, fully tying this into the theme of “Shikabane Hime aren’t people, they’re a bunch of dead bodies” that has been explored by both Ouri and Sougi in detail, and continues to build further upon it.

So yeah, right now you can pretty much consider me a fan of the director, Masahiko Murata. Both Shikabane Hime and Gilgamesh were simply awesome, and I’m getting more and more interested in his other works and see what he can do. This guy really has talent, and is not afraid to use it.

In any case, only one episode left, and it really is promising to be yet another action-packed one. The big difference is that the first season really was building up to that big climax of its, while most of the build-up at this point has already been used. Let’s see whether the creators can give us one final surprise with this series.

Mobile Suit Gundam 00 – 48



Short Synopsis: It has arrived: the huge space fortress.
Episode Rating: 7,5/10 (Good)
I’m pretty surprised: while it hasn’t been anything amazing, the past few episodes have been pretty solid action. I was expecting the show to completely fall apart at this point… and it didn’t. Thumbs up for the creators. I’m never going to label this series among my favourites, but it’s still good to see that this ended up being such an enjoyable series.

So yeah, obviously Ribbons didn’t die. This really was the episode in which all hell breaks loose, and the body count was significantly increased: Regetta dies, Patrick dies for a second time, and Marie is also now potentially dead, though since we never actually saw her die, this means that she’s still going to appear in the next episodes. There’s still this matter of Allelujah vs. Hallelujah that needs to be taken care of, of course.

And yeah, of course I should have known that the big space fortress of this Gundam would be Veda: Ribbons’ headquarters. The army of clones was a bit too much, though. Especially since most of them seemed literally to have the intelligence of a bunch of flies more than anything. The biggest danger of these huge overwhelming numbers is of course the potential for power-level inconsistencies. Ribbons has been portrayed so much as the evil overlord that he seems nearly invincible at this point. But then again, he does have one weak point: when Veda’s gone, he’ll be screwed. It’s of course the perfect source of a grand climax: an exploding huge space fortress. Now all that’s left is to see how they’re going to do that. It’d be pretty anticlimactic if Setsuna would just barge in, hit the self-destruct button and flee outside again.

Birdy the Mighty Decode – 23



Short Synopsis: Birdy starts to search for Natoru.
Episode Rating: 8,5/10 (Awesome)
And so this series continues its string of utterly incredible episodes. Oh boy, it sure has set a incredibly high standard for the rest of 2009. It’s going to be interesting whether the rest of the year can produce another series that at least can come close to the level that this series has been at. This episode was mostly building up for the finale of this series (only two more episodes left!), but it did this so well.

I liked how this episode used the school festival in order to bring some more life into Senkawa’s school. It was only meant to flesh out the setting a bit more, and the rest of the episode was about something completely different. With most anime, such a school festival usually is the most important topic going on.

But yeah, while the death of this episode was probably the least brutal of the bunch, it yet again made a lot of impact. In this case, Nataru only lives for his revenge, and he doesn’t care whether he has to slaughter children who never were the masterminds in anything, he just kills using the powers he obtained. It’s promising to be an incredible finale in any case.

I also wonder what the purpose was of Capella’s arrest. Was it just to wrap up one of the loose storylines, or was it meant to give the old hag a bit of development? It was pretty hilarious that she turned in Capella after keeping her in hiding for so long.

In any case, one thing in which the past Winter Season has stood out for me was the huge amount of series with good villains: the villains here are victims themselves, who have all the reason to defend themselves because Nataru keeps killing them off, and it’s not just this series: Satoshi in Michiko e Hatchin has been one of the best villains I’ve seen in a long while, Casshern Sins, Jigoku Shoujo and Tytania love playing with the definition of ‘villain’, and shows as Hajime no Ippo and Shikabane Hime Kuro have superbly characterized villains. Nearly all of them have intentions other than “I want to destroy the world because I’m evil”. Before this season started, I really disliked them, and hardly any series had a good villain. The only series in 2008 with really good villains like the ones shown in this season were Mouryou no Hako, Kaiba, Shion no Ou and Gunslinger Girl. That’s four series over an entire year! That’s nothing!

Shikabane Hime – 23



Short Synopsis: Hokuto, Akasha and whatshisname (the bug guy) carry out their plan to destroy the Kougonshuu (that’s what it was called, right?)
Episode Rating: 8,5/10 (Awesome)
Great to see that even though the finale is near, this series has yet to show any signs of weakness. That’s what I like to see, and I really have to say that Shikabane Hime grew into one of the best shounen series out there. I’m still not sure who exactly was responsible for it: the director of Gilgamesh, Gainax or feel (although the latter seems unlikely, looking at its past record), or a combination of the three of them, but any fears I had over the second season were proven wrong, and it’s the definite proof that you can have a few overdone clichés here and there as long as the execution is right. Yes, you can put a bunch of teenagers in the middle of adult conflicts, but if you want to do that you really have to know what you’re doing. ^^;

What surprised me in this episode though was that there was no background on the final two members of the seven stars, and most of it was building up, meaning that their stories are saved for the final two episodes. I remember when Kekkaishi did this, it felt really out of place. It was like… “Muaha, the climax is about to begin… but first let me tell you about my past”. Still, Shikabane Hime might actually pull it off. Nearly all of the backgrounds of the seven stars have been huge revelations and juicy plot twists. I can see how they can be used to spice up these final two episodes, and I’m actually quite eager to find out about them.

I also liked how this finale has a deeper meaning than “all hell breaks loose so let’s just send a wave of zombies to make this even more apparent”. Because there now are so many shikabane out there, it was going to be pretty easy for all of the Shikabane Hime to gather their 108 kills needed in order to go to heaven. Since they think just like regular people, it adds an interesting dimension of staying versus saying goodbye while saving those around you and going to heaven in the process.

And I guess that even though the two remaining seven stars didn’t get their background, Akasha did. His final revelation is saved for the final two episodes (either that or I missed a very important part), but we now know that his Shikabane Hime managed to slay 108 Shikabane, and then something really bad happened. Is this the case for every single Shikabane Hime (in that case a lot of monks must have been screwed that way), or did something happen between the two of them involving the Kougonshuu?

And finally, Hokuto seemed more like a human than she ever did in this episode. Was this all because of her fight with Makina? Did she find her reason to continue to exist even though she lacks a grudge this way? I also like how the creators aren’t trying to make her into a sympathetic villain like most series out there. Sure, her past was fucked up, but she never tries to put herself into the victim’s seat.

And on a really final note: that background song rocked. Choirs FTW!