Durarara!!X2 – 02

If this episode had a focus then the stars would be Celty and the Orihara sisters. Though there were other events such as Anri and Mikado going to karaoke with Erika and Walker but it wasn’t really all the important and seemed to be there to foreshadow a new character and set up what looks to be future hijinks. Though we have the standard of Narita storytelling going on, namely jumping around in time to past and future events with little to no context.

Celty truly is a interesting character from an animation perspective.  Its easy to overlook but when you think about it she must be one of the trickiest characters to animate. Why you ask? Well how do you show a character is sad without words? The easiest is to turn her eyes to the ground and give them a frown. Add in a tear and a slight head droop if they are really sad. But in Celty’s case, how would you do that? The girl doesn’t have a head therefore removing the large emotional range a face can provide. Of course they could have easily made her a deadpan snarker but instead Celty is presented as a fairly emotional character. All of this through body language.  I am reminded of the Raimi Spiderman movies where Tobey needed to exaggerate his movements to act when Spiderman. Celty twirls when happy, fidgety when embarrassed and puts her hand to her chin when thinking. In a strange way it makes her seem the most human character in the show. Odd considering that she is by definition, not human. Its this that makes her so likeable. The voice actress does deserve credit but the animators really did a great job.

Though it was the Orihara sisters that stole the show. They certainly prove to be Izaya’s family, being completely strange and insane. If Izaya’s word can be trusted they chose their personalities on the roll of a dice. But ended up with a disjointed disconnect between personality and appearance.  So we have a girl with the look of a quiet library girl being talkative and proclaiming to be a outgoing bisexual. And a girl in a gym outfit whose sullen and quiet. Naturally the two stand out and I sighed as the stereotypical bullying starts. But luckily the bullies a taken care of quickly. Its good that these throwaway villains were just put in to point out that the Orihara sisters are just as dangerous as their older brother. I am willing to bet the two have become fan favorites by episodes end. Though I wonder what their role will be in this particular arc? From the looks of things they are getting involved as near the episodes end they find a dying man that Shizu bashed into the air. Well we have set up two dynamic characters so at least make use of them Narita. Don’t toss them to the sidelines.

Jojo’s Bizarre Adventure – Stardust Crusaders – 06 & 07

This is where this arc gets weird. We’re still in adventure modus, however in these two episodes Jotaro not only meets some of the most bizarre Stand users, it’s also done in the most camp way possible. You can see a clear difference with the first two seasons of Jojo: there it was all about the ridiculous poses that the characters made. This season is all about poker faces: the most ridiculous things happening and the characters don’t even flinch.

Or take for example the point where, just after defeating a stand and being left in a small boat, one of the characters decides to comb his hair to get it in perfect model again. Jotaro gets stabbed in the shoulder by a giant fan and doesn’t even seem to feel it, or just lights up a cigarette or whatever (censoring THAT? Really?), or coming up with the most ridiculously cool plans like it’s nothing.

And then we have this giant horny ape that controls an entire container ship. Jojo is always about contrasts: combining two huge opposites with each other. This time it’s Jotaro’s pokerface with some completely outrageous stand users.

It’s such a monster of the week, however so far it’s done things right: it’s not boring yet and these two episodes definitely brought in some much-needed variety. I like the adventure part of this series a lot (you hardly see that in modern series anymore: an actual journey). Episode 07 also had some weird horror elements. Overall I liked it a lot.

Jojo’s Bizarre Adventure – 03 – 05

Jojo really is not kind to its females. Every time a hint is even dropped to a girl kicking ass here, it comes with this weird plot-twist that undermines any fighting potential of them. In this arc, it’s the rule that says that your stand will kill you if youaren’t strong enough. And so, Joseph’s daughter has turned into a damsel in despair.

This show has a cute little habit that especially became apparent in this third arc: the way in which it points out the obvious. Like for example, a character does something that’s very simple and clear to understand, and then a bystander yells out in overwhelming astonishment literally what just happened for the audience. It gives this touch of cheese to the fights that in these three episodes were very enjoyable to watch.

So yes, enjoyable, but at the same time I also have to be critical: when it comes to the emotional punches delivered in the opening episodes, the third arc of Jojo’s Bizarre Adventure so far is the least impressive. It packs less emotional power. As for why… my guess is that this comes down to a few different reasons.

This third arc tells the stories less with its gut, and more with its brains. It reminds me of the overly logical shounen series with ridiculously complicated powers that don’t really amount to anything. It’s not as bad here though, but the first two arcs showed characters who were just thrown into a situation they didn’t understand and were forced to figure out what happened though sheer manliness. Here, characters are already in complete control of their powers and the battles therefore end up revolving around people throwing trump cards around until one of them runs out. That’s also interesting, but different. This doesn’t show the raw emotional power of the first two arcs’ openings, so it will have to deliver in some other way down the line.

Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart from the other show about bulky men by focusing on the details, like serving tea, attacking with ballpoint pens and involving plenty of people who don’t have special powers. This alternation between ridiculously strong and weak builds tension, and that’s something that Jojo already figured out in its first season, and most other shounen have quite a bit of trouble with.

Also, Jojo: 2 minutes of recap at the start of an episode is not cool. Right now this show is fine because the stuff it recaps is awesome, however it should take note that if this show were ever to go slightly downhill, that would become an extra nail in its coffin. I noticed it especially with Space Brothers.

But yeah, this episode was really excellent. I now remember again why I can’t watch another action series anymore. They all just pale in comparison to what this show has to offer. The action knows exactly how to elicit adrenaline. The build-up of tension is just perfect and they bring out energy perfectly. Action in other series just pales in comparison unless you get something really good like Shingeki no Kyojin, so I’m totally not considering good action a reason to watch a show anymore.

One strange thing that I did note about this episode was that the powers of the villain were a bit vague: first he was like “I have painting powers!”, but after that he switched over to body control, and then he had giant plasma beams. That’s not necessarily bad though. The big problem that a lot of shounen series make is that they give a lot of villains one gimmick and nothing else, while making the main character the most well-rounded of the bunch (heck, even Kill la Kill did that at times…). This guy just too has a bunch of different talents that he uses.

And speaking of the devil, I’m just going to say it: I’m enjoying these first two episodes much more than what I did with Kill la Kill…

Shingeki no Kyojin – 22 – 25

With this I see why people complained that Shingeki no Kyojin went off-track a bit, because the whole cellar has been pushed more and more to the side of things. But in the show’s favor: the characters did have a really good reason to get sidetracked like that, because both the political games and that female Titan put up quite a big wall in front of that cellar. That first needs to be broken down before they can get to it.

But did Shingeki no Kyojin drag on? To answer that question, we need to wonder what makes it worth watching. The fantastic action, excellent acting, really well thought-out scenarios and the setting which really managed to convinced that humanity is on its last edge… The pacing is slow, but I would not say that this was rushed. It always had enough to offer, and the final four episodes were no different. They presented the identity of the female titan so well. It really took me a while before it hit me what was actually going on.

It was a trade-off that the creators made here. The pacing of the manga is ridiculously fast. At a certain point I just flew through each chapter. Instead they opted to pad things, and use the length for extra atmosphere building. And that worked for nearly the entire run. Perhaps only some episodes somewhere in the middle of the series lacked a bit momentum because people were just preparing.

Now, as for the ending: it seems that the producers haven’t greenlighted a second season yet, but really: this is one of those cases where it’s just a matter of time. With the sales of both the manga and the anime, there are plenty of reasons to come out with a sequel. My biggest guess as to why it hasn’t been greenlighted yet probably has to do with financing. I don’t have solid facts, but I would be very surprised if Shingeki no Kyojin wasn’t the most expensive series of the year. With all that stellar animation and with all those action scenes, it requires a much bigger budget than usual, and getting the funding for that takes time.

These final four episodes were amazing as usual, but there was also something very freaky going on that the creators very subtly tried to sneak past: the nature of the walls. Especially the last episodes were full of hints that something was really really wrong with them. First there obviously was that huge wall of text at the eyecatch. It may seem weird, but to me, it also seems really important, and there was no way for the creators to otherwise put that tidbit in. Also, how did Annie just jump back and forth between the forest and the walls in the city? The chance of her getting caught while trying to climb the walls would have been pretty high. And then there were the final words of the episode, hinting that it’s the walls that keep humanity trapped. And what the hell was that titan doing in that wall!?

So yeah, I don’t mind to wait for the creators to get the sequel just right. Just don’t pull a Durarara, okay? (Did they ever explain why THAT series didn’t get a second season).
Rating: 6,5/8 (Amazing)

Gatchaman Crowds – 09 – 12

Oh, what a wonderfully glorious mess this was! Kenji Nakamura once again proves that he really knows how to create an ending with impact. And don’t get me wrong: things in these four episodes… did not make any sense when you start thinking logically about them. But as a thought experiment they were amazing. And ridiculously fun as well.

I mean who cares if in the real world you’d never get a prime minister yelling to all of the negative twitter reactions that he gets while making a speech: Gatchaman celebrates the internet unlike any other series has done so before, while also acknowledging the incredible mess that it can turn out to be. It uses these “Crowds” as a took to ask the question of how society would look like if everyone had the power to become a hero. The urge that we all probably have once in a while.

Kenji Nakamura: for god’s sake have your next series be a 2-cour one. Your series are always incredibly original, but with Gatchaman Crowds I feel like you could have done so much more .And with such a length there would have been much more time to explore such a great setting and allow for even more episodes dedicated to interesting ideas, or with creative set-ups.

Heck, episode eleven was half a recap, and yet it worked incredibly well because of how it was set up. At the start of this series I noted that the success of this series entirely depended on the female lead: regardless of the quality of the rest of the series, her annoyance would contribute greatly to whether or not this would become an enjoyable watch. And they actually did it, and that recap examplified it. At the start you’d indeed wonder if the creators didn’t go too far with glorifying her, but that was the entire point of the series: they wanted to turn society completely upside down with these last four episodes. In the end, the Gatchaman just came blatantly out of hiding, and a huge power was given to every single person.

What I also really liked: do you know what lately has been one of the most commonly used motivations for villains beyond just “being evil”? It’s the villain who wants to evolve the world (and in the process doesn’t really care about making a few sacrifices in the process). It’s common because it’s not entirely evil, but it has started to become a bit lazy, and usually I find that these guys are often unfairly demonized or that the sacrifices that they make are just used as plot devices to make them the bad guys. Gatchaman Crowds has turned that trope completely upside down: this time everyone is just evolving society, with Rui and Hajime at the frontline. The bad guy’s aim is just to have fun and create chaos. Perhaps not the most complex of all, but he’s the perfect embodiment of the internet troll, and I think that that served as the inspiration for this guy.

Overall: messy series, but a great watch. Looking forward to Kenji Nakamura’s next work.
Rating: 6/8 (Awesome)

Shingeki no Kyojin – 19 – 21

I’ve said before that the Spring season of 2013 was one single worst spring season in more than a decade. I still stand by that. But holy crap: the epic action series that it brought forth is rivalled by only very few series! I kept hearing that in the manga, this was the point where it got stale and all. If that’s true, then the creators of the anime are doing a mighty fine job at hiding it!

Holy crap these three episodes were just amazing! Production IG really put in effort in order to make the action as riveting as possible. The animation, music and story worked together wonderfully here, and it just kept on going. And it wasn’t just dumb action: everyone here used their heads, even the stupid titans were trying to learn (even if it’s just a small thing as trying to climb trees).

Here it really was established that the traitor could turn into the big female titan at will. And I love how she’s strong, yet not overpowered: she actually got caught in a lot of traps, and she really had to be creative in order to escape those. I really like that. She too ended up tired, although it was shown very subtly.

Also, after watching 21 episodes, I have to say: Shingeki no Kyojin for me is a very strong contender for the best soundtrack of the year.
Rating: 6,5/8 (Amazing)

Gatchaman Crowds – 06 – 08

So far, Gatchaman Crowds has been… interesting. Things are getting action-packed now and to me, they’ve delivered. I quite enjoyed these three episodes.

Episode 06: here Hajime really showed that she’s different from the usual ditzy female, in that she does everything consciously, with a clear purpose behind it. At the start of the series, I worried that she might get too annoying, but for me she didn’t, and this was one of the biggest reasons for that. She’s also doing another very interesting thing here: she completely disregards any sort of bias. If someone sounds like it could be fishy, she doesn’t care. She just does it, and somehow this show manages to stay away from the usual themes about naivety. She’s basically telling the rest of the cast to lighten up.

Rui has a very good point that the focus lies way too much with single heroes, and I can get behind trying to want to create a world in which everyone is a hero. But if there are people with special powers, then why not make use of that by cooperating? The villain wanting to update the world is a common trope that is used often, and therefore really needs to put in something special to stand out. This one isn’t quite there yet, but she’s on her way. There are definitely some fresh parts about her.

In episode 07 she starts acting like this big hypocrite when she deletes those three members who made jokes about dropping out, which goes completely against what she’s trying to do… Lots of hints for character-development on her side. That indeed gets used really well in the subsequent awesome action scene. Holy crap that is well directed! I still don’t get Pai Pai and JJ in this series though. What is their role? What’s their point? Why is the former so fidgety, and why is the latter not doing anything? Though Paipai’s transformation was great.

Episode 08 had the characters reveal themselves in front of kindergarteners in the midst of dubstep. I have to hand it to the creators that that was creative. The same goes for how they used that one former member of GALAX who rightfully believes that Rui screwed up. However, I do feel like his character is overreacting. Overall that is one of the big flaws of this series: characters have this tendency to overreact (yes, REact, I don’t mind the over the top acting, but characters end up drawing conclusions a little too biasedly).
Rating: 5/8 (Great)

Shingeki no Kyojin – 16 – 18

This string of episodes was just amazing. Really, I’ve heard that for an epic series, Shingeki no Kyojin has a simplistic story, and that is indeed true. However, this series is a master at emotions. Its aim is not to deliver the most complex storyline, but instead it’s here to deliver epic action scenes, and that’s something that was elevated to an artform here.

This just was complete despair. Episode 16 was all about everyone accepting the fact that they were all going to lay their lives in front of Eren. The two episodes featured this massive slaughter that had just about everyone run for their lives, with only some people escaping through some sort of miracle. That’s something that I have very rarely seen done better.

Oh, and tactics. Military bloody tactics. When was the last time that these were done so well? When was the last time at which you actually had an entire grasp of how big the army in question was? What the positions looked like? How the formations change depending on the situations? How well this was translated over to the animation screen? I mean, that was just brilliant. I remember how the small armies in Sengoku Basara, Guin Saga, and even Bakumatsu Kikansetsu Irohanihoheto were just lumped together as “one army”. Here, every squadron counts. Every position has meaning and affects what happens throughout these two episodes.

Also I still love the kinds of series that downplay their main characters. Eren again had nothing to do in this episode and thus we get to see much of the side-characters who could show their characters off. And really: the main cast remains the main cast: there are people with huge talents in this series, but they are all downplayed: Eren has huge powers, but they’re incredibly random. Armin is really smart, but he’s really weak. Mikasa is very nimble, but she often isn’t at the right time at the right place, and that commander guy is also very nimble, but a total asshole who left his subordinates in total darkness about his plans, nearly killing them. It’s amazing how well this all balanced out.
Rating: 6,5/8 (Amazing)

Gatchaman Crowds – 03 – 05

The thing with the writing of this series is that it’s sloppy: it simplifies some things for the sake of telling its story, and it makes most of its characters simple-minded for that purpose as well. Overall it makes sense, but it needs some idiocy to make everything fit, not to mention that it hops from one scene to the other really fast.

With these three episodes though, I’m starting to see what this show is trying to do.Old superhero series were characterized by the fact that the main character usually is the one who does all the work. He’s aided by his side characters, who sometimes get to stand in the spotlights, but when you look at the random passers-by: all they do is run away. They’re just cardboard cut-outs in the backgrounds, not doing anything at all and having no other significance than showing that the city that’s getting destroyed is not a ghost town. Gatchaman plays with this really well.

Whenever there’s an accident, people react to it. They cooperate in order to solve their problems and become a bit of a hero. Gatchaman is a decidedly modern series that really touches upon relatively modern themes, and shows like it are really rare. The last show that did it as well was Eden of the East, I believe.

Social media is a really big theme in this series: it’s how we’re all connected, and how we’re all trying to be the center of the world, and all trying to be heroes. We want to feel part of this whole important network that connects millions, and play as the hero. And yet, this series does not forget the “social” part of social media: everyone is cooperating. Everyone with similar purposes is connected so much more easily.

The strange thing is that the most interesting part of the show only has to do with the main characters because of the main female lead. The other members there hardly use social media. I mean the lead female was built up to be the new girl and all, but in a sense, the other Gatchamen are also new here.
Rating: 5.5/8 (Excellent)