Dororo – 22 [The Story of Nui]

Another week, another episode of Dororo. This time we follow up with Nui, the mother, Hyakki falls off the deep-end and Tahomaru gets one up on his brother. Lets dive in!

Starting off, recently I have been skipping the production portion of these posts. 22 episodes in, you know what your getting at this point. However, recognition where its due, Dororo looked good this week. Outside the battles everything was a standard, acceptable quality. Nothing worth really getting hung up on. However I found Hyakkimaru’s scenes to be a treat. The fire and depiction of the flaming horse looked great. Everything was stylized and in general I found it a joy to look at. Someone clearly had a lot of fun with the almost liquid fire effects we saw, the wind, and the motion of Hyakki atop the horse. It makes it clear that, when MAPPA wants to, Dororo can standout and look good. It’s just not often that Dororo does so, nor is it particularly consistent. Now though, onto the story.

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Kimetsu no Yaiba – 10 [Together Forever]

Welcome to another week of Kimetsu no Yaiba, where we finish up another little arc. This time we get a lot of monologues and some brutal deaths closed out by some wholesome Nezuko. Let’s dive in!

Like always, Yaiba looked nice this week. Some may complain about CGI and such, but I think Yaiba is pulling it off quite well. It’s still obvious but Ufotable is leaning into it. In particular I enjoy the smoke effects and such, they work without being to campy. However Yaiba’s big problem this week in my opinion were the monologues. They really hurt the pacing, cutting between moments of action. Combined with last week, it feels to me like they could have combined most of the two into one. Cutting out a lot of the spurious dialogue for the same net result. Because what surrounds it is good fun mostly, I can look past it for the most part. However it does show that Yaiba isn’t free of all the usual Shounen tropes. That said, onto the contentious meat of the episode.

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Dororo – 21 [The story of breaking the cycle of suffering]

Welcome all to what is the beginning of the end for Dororo. Tahomaru and Hyakki meet once more, war begins and things start to get complicated. Let’s dive in!

Starting off, production felt very lazy for the most part this week. The last 5-6 minutes or so was great. The fight was a lot of fun to look at. So much so that it almost seems to me that Tahomaru is the sign for good animation. Other than that though Dororo was just… boring. There were a lot of still pans and cutaways. Reused footage from previous episodes and odd framing. Similar to OPM Season 2 really, where faces would be cut off by the top of the screen. The only movement being the occasional hand gesture on a still screen. Had the last 5-6 minutes not happened, this episode would be a wash. As is, the only part really worth watching is that section. As everything else is setup that, really, we were already were aware of. Enough ribbing though, let’s get into the meat.

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Kimetsu no Yaiba – 9 [Temari Demon and Arrow Demon]

Welcome one and all to what I would describe as the first concerning episode of Kimetsu no Yaiba! This time we have a lot of reused footage, a beautiful muscle bound woman and a fun fight. Lets dive in!

Starting off, repeating sequences aside, Production is the one area Yaiba had no issues in. It looks fantastic. Yeah, sure, the CGI was noticeable. You could tell when Tanjiro’s face became a static 3D model and such. But the actual movement in those sequences looked fantastic. Using the full environment, holding the shot as Tanjiro jumps off the wall and twists around the screen. It all looked very fluid, however noticeable the change in medium was. The water effects also continue to impress. The stark blue, and thick black lines really make it stand out beautifully on screen. All in all I loved it. Before jumping into spoilers this week though, I want to thank commenter Revokkin, for correcting me on Yaiba’s composer. As it turns out Go Shiina is also responsible for the music with Yuki Kaijura. So we have to thank them both for this great OST.

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One Punch Man S2 – 8 [The Strong Ones Fight Back]

Welcome one and all to another week of mediocrity, as OPM continues to flounder. This week OPM speeds up dialogue, almost blinds me with flash-fades and in general just disappoints me. So, that said, lets get into it! And fair warning, this is going to be a short one.

Now, I could rail against a lot of things this week. From the continued use of flash-fades, to the terrible impact or just covered up animation. However, I feel like a better way to spend our time, is to dial in on a specific issue each week. This week, I choose to rail OPM’s pacing, in both animation and dialogue. You see, OPM’s big issue in this department is it never gives anything room to breathe. It burns through dialogue and fights at light speed. It knows exactly where it wants to end, but to get there, it has decided to just hit the 2x speed button. An exaggeration on my part, slightly, but the point is made. Take this week for instance, ending on a dramatic cliff-hanger instead of the humorous one the manga did. As if they don’t know what kind of show OPM is.

Take for instance Snek and Max this episode, along with the monster conversion of the fighters. In the first, because OPM is speeding through dialogue, it removed a meaningful pause in their appearance with Suiryu. Where in the manga this appears as a “That’s a stupid question”, sort of reaction, here it’s an immediate “We are good guys”, sort of thing. Minor to some, perhaps, but it was a much more interesting scene in black and white. Meanwhile with the fighters, OPM really skipped over some of their dialogue, along with Suiryu’s musings. As if it was to eager to jump into the next fight. Season 1 used fights to fit between the comedy, with the comedy and absurdism as the punchline. OPM Season 2 though seems to be going for the other way around. Focusing on fights it doesn’t have the chops to pull off.

So basically, to finish off my complaint this week, OPM has no calm. Its either doing nothing, or trying to do everything. Early episodes had little happen. Sitting in one place with pointless conversations happening. Recent ones though are now burning through content at a rapid pace. I understand some of that is the sheer amount of fights going on this season. It’s a lot. But I could forgive cutting some of the less important ones short (though they are already pretty short) for the benefit of these more important scenes. All that said though, those aren’t the only issues. Join me next week, as I rage against sound design, and how CS:GO gun sound effects made their way in as bird monsters punching. See you then!

Dororo – 20 [The story of the Nue]

Welcome one and all to the beginning of the end for Dororo. It’s a contentious week for me, as a weak villain goes from terrible to interesting, Hyakki gets angry and the Dororo gets plot armor. Let’s dive in!

Starting off, let’s talk production, as I actually felt good about Dororo this week. Animation wasn’t anything to special, but that has rarely been Dororo’s strong point. Instead it was the Direction that really stood out to me this week. Whether it be how Hyakkimaru was framed at the end of the episode, backlit by the sun, or the overlap between Hyakki and Saburota. The episodes message got across very well and lead to some pretty nice scenes, as you can see. Its a real step up from the mostly disappointing 2nd Cour. Like MAPPA is really stepping up and trying to finish strong. Story wise though, thats where I get conflicted about Dororo this week. As no matter how strong the visuals might be, if there isn’t any content behind it, it will just feel hollow. So that said, spoilers below.

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Kimetsu no Yaiba – 8 [The Smell of Enchanting Blood]

Welcome, one and all, to another fantastic week of Kimetsu no Yaiba! This time Muzan’s voice gets sexier, Yaiba gets trippy and Nezuko becomes the cutest little thing ever. Lets dive in!

Recently I have been skipping the visual aspect of Yaiba, because I gushed about it often. This week Yaiba managed to stand out beyond the norm though. It was simultaneously beautiful and horrifying, comedic and somber. The flower sequence at the start was beautiful, flowing across the screen like water. I would love to know how much of that was computer generated digital effects vs hand-drawn. Meanwhile, Muzan’s sequence in the alley with the woman was terrifying. Ufotable left nothing to the imagination with that, and as horrifying as it was, I couldn’t look away. I was enthralled with how they depicted a person literally melting. The only downside to the whole episode were 2, 3-4 sec sequences at most. Involving CGI walks that really exist only to save them time on the most minor of shots. It’s a nitpick, and one I will gladly ignore for everything else.

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One Punch Man S2 – 7 [Class S Heroes]

Congratulations OPM, you found a new way to disappoint me. This time, OPM actually straight up cut content from the manga to try and fit it all conveniently into a single episode. All the while, gloriously screwing it up. Lets jump in, I promise this will be fast.

Starting off I would like to say, thank you Kenichiro Aoki for making this watchable. This man is responsible for every reasonable looking cut in the season. From Tank Top Master vs Garou to part of this week’s Seiryu vs Saitama. I don’t know how much work they have given him, nor is it the best I have ever seen. But by god is it the best animated parts of OPM S2. Everything else is just littered with issues. From ridiculous, almost sped up seeming pacing to weightless combat and flash fades, god the flash fades. I don’t know how much more I can say about OPM S2’s production before I start repeating myself. Assuming I am not already repeating myself, which I suspect I am. Suffice to say, if I do repeat myself I apologize. These posts have mostly become venting about the death of a series for me.

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Dororo – 19 [The Story of the Amanojaku]

Hello all and welcome to a week of essentially filler for Dororo! We repeat plot points, Hyakki gets engaged and Dororo gets some funny faces. Let’s dive in!

Starting off, I normally do production here, but with the contents of this episode that seems ridiculous. Instead, I wanna ask why this episode exists, because this week is effectively filler. And not even good filler. Just filler that retreads what was already covered last week. I understand it was all a metaphor, that Hyakki’s reforged swords were all an allegory for Hyakki himself. Him and Dororo were realizing their true feelings, because they can only speak lies. Blah blah, whatever. My question is, did we need any of this? Did Dororo not establish the familial relationship between our two leads last episode? Was that not the whole head-rubbing thing and such? It just all feels pointless to me, like Dororo is treading water, when there is an actual plot sitting right in front of it. It’s disappointing.

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Kimetsu no Yaiba – 7 [Muzan Kibutsuji]

Hello all, and welcome to a big week for Kimetsu no Yaiba. This is the week where I move it up from a “Competent” Shounen to a “Good/Great” Shounen. You see, Yaiba finishes up another arc, Nezuko kicks some butt and Tanjiro meets the big bad 8 episodes in. So let’s jump into it!

Starting off, production. Yaiba was as consistent as it always is on this front, beautiful with the occasional odd CGI walk. However it also had one of my favorite cuts this week. That being the flashback to the mountain, with Tanjiro running through the forest. I thought the camera movements/tracking and CGI was fantastic. Yeah, it wasn’t perfect but boy did I love that scene. On top of that, once again I want to bring up Yuki Kaijura. She really nailed the unease and tension of the 2nd half of the episode. Really elevating the emotions of a scene. There are some small gripes, for instance I think Yaiba wasted some potential in the underwater scene. And it was also overly dingy and dark. But it does its job, and with how good everything else is around it, that’s good enough. The story however, does far more than that.

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