Mayoiga – 02

 

Hello there; I am Mario and this is my first ever post here in this blog. I hope you guys gonna enjoy my posts. As my name might indicates, I’m a male so Aidan; don’t refer me as “them” anymore; will ya?

For this season I will be covering Mayoiga; Flying Witch and Bungou Stray Dogs; but for those of you who still confuse of which writers write a post; Aidan and me decided to put our signatures/trademarks/whatever… at the end of each post. Mine will be ~SuperMario~ (haha)

Back to Mayoiga though, now in the second episode; we have much better idea what they will go for and the premise shows a compelling hook. We have a lost village where previous occupants seem to be vanished; and two people from the tour have been disappeared. People begin to spirited away really feel like a natural progress of the story; but providing that Masaki was one of a few characters that we spent time the most so far; I have doubt that this is the last time we heard of her.

The episode also take time to explore the communication of a group with so many different personalities and different goals to begin with; especially when it comes to trusting each other and making a decision altogether. Their confrontation with the bus driver highlights those issues; where those people have very conflicting attitudes toward the way to treat the bus driver.  I expect in the next episodes the clash between those characters would get more intense and would become the main focus of this series.

With that said, I still can’t figure out the role of the bus driver in the story. Every moments connected to him feel forced. He is the only one who hadn’t properly introduced (we even don’t know his name); yet  he getting way too much screen time. He always seems like an exclusion of the group; yet the series keeps including him. He better has a more significant role in next episodes; but at least he did see something that made him change his mind; so it’s interesting to see how things play out. I just hope that he won’t reappear just so that he would be the first one to be killed off. Time will tell on that.

~SuperMario~

 

 

Shouwa Genroku Rakugo Shinjuu – 12

Well Sukeroku was just five days away from retirement, not afraid of anything anymore, gonna tell Miyokichi he loves her after the battle, followed by a around the world trip on a boat called the live forever, put on a red shirt and kiss Yoko Littner goodbye. Yes, the Grim Reaper was clearly sharpening his scythe this episode as Sokeroku expressed how this was the turning point for him in his life. Thoroughly expressed by him telling a sentimental story about a man who cleans up his act after his wife tells him a white lie regarding a wallet found on the beach. This story truly exemplifies Sokeroku to the core as this too was a turnround for him. A chance for him to make his daughter happy and win back his wife. This story was like a promise to Konatsu that he planned to make things better from now on. All sorely ruined by Miyokichi.

I find that this episode has thrown a wrench into my previous assumptions about this little love triangle. Miyokichi is obviously still in love with Yakumo but against my previous impressions Yakumo somewhat accepts her. I say somewhat as I am not certain as to his exact intentions. I think that seeing her current state awoke guilt in Yakumo and he felt that if he accepted her feelings then perhaps he might be able to bring her back together with Sokeroku and Konatsu. Sadly Miyokichi looks to have lived up to her curse promised before and attempts to drag Yakumo into a lovers suicide. So stopped by Sokeroku who bursts in promising to give up Rakugo and focus on her and Konatsu. Considering Sokeroku just returned to what he truly loved this felt like a betrayal to me and I would like to think his words were simply to keep her from the edge of the balcony. I think he knew that Miyokichi truly didn’t want to die as he noticed her shaking when he caught her in his arms. What also surprised me was that this actually looked like it worked as Miyokichi started to get shook up by his words. I still believe their relationship came about out of necessity but it is possible that in the years spent together some love could bloom. After all, Sokeroku actually knew her first name when Yakumo did not and is that a sign that maybe they held a special connection that Yakumo didn’t have with her? Perhaps if Sukeroku put work into finding a job and supporting them things wouldn’t come to this. Fate however, is a cruel mistress and if you tempt her then she will ruin you gladly. That or maybe one shouldn’t install tiny balconies made of cheap flimsy wood because it breaks to drop Miyokichi to her doom. Sadly Sokeroku managed to catch her but with Yakumo being the only one holding him up it just ended up being a lovers suicide just as Miyokichi intended. Just with the wrong lover.

So did Sokeroku truly mean what he said to Miyokichi? Could he shape up and get a job? Truthfully I think not. Sokeruka was a man made for Rakugo and even if he tried his hardest I fear he will fall into old habits in time. To take Rakugo from him is like taking his heart and without it he is but a lazy neet. But I certainly seen he had no intention of returning with Yakumo to inheret his masters title. He knew better than Yakumo that nobody would allow him to have the name. We finally know how he died and the reason Konatsu caused him of killing her father. I would say that Miyokichi is the main culprit in this mess as she was the one to cause this whole situation. From this it looks like we will be returning to the future and with this story we finally know just what Yakumo intends with Yotarou. He wants him to take up Sukeroku’s mantle and provide the Rakugo he cannot. To be the guide to help Rakugo survive to the modern age.

Shouwa Genroku Rakugo Shinjuu – 11

Even without the aforementioned grudge it looks like Yakumo and Konatsu get along like oil and water. She changes her tune fast once she finds out he is a Rakugo performers but their relationship remains stiff and awkward. Something which based on the first episode doesn’t look like it’s going to change. One particular aspect I find interesting is how Konatsu views her mother with disgust. From Konatsu’s perspective it’s certainly understandable. After all Miyokichi sleeps around with other men and actively discourages Sukeroku from performing Rakugo again which Konatsu truly loves. Though having seen what we have seen this is perfectly logical. Her Parents relationship, sad though it may be, was born out of necessity. Miyokichi needed a man to depend on and Sukeroku needed a goal. However Miyokichi didn’t expect that Sukeroku without Rakugo is a worthless bum who can’t gain the drive to look for real work. So she returns back to the only way she knows how to make a living. As for her stopping him from performing Rakugo it’s obvious that it’s because it reminds her of Yakumo and she’s not over him yet. So the situation is that Yakumo has to convince Sukeroku to perform Rakugo again which is rather interesting when this situation was reversed before.

Sukeroku makes his problem clear. He can no longer see the audience and this was the problem Yakumo faced once before in the past. Before he polished his Rakugo but neglected to view the audience when performing which made his performances lacking. It was Sukeroku who taught Yakumo to see the audience and learn to pull them along with his flow. Now Yakumo must teach this again to Sukeroku though the solution isn’t as simple as it was with him. With Yakumo he was simply ignorant of his problem but Sukeroku is aware. Is it strange that I was reminded of the tale of Amaterasu when Yakumo managed to lure Sukeroku out by performing Rakugo in front of Konatsu? Perhaps I am looking too much into that but this did illustrate the difference between Yakumo and Sukeroku’s styles. When Yakumo tells the tale he starts scaring Konatsu by placing emphasis on the darker parts of the story. When Sukeroku jumps in and lightens it up with his style and we have our first duel performance by Sukeroku and Yakumo. Truly the dynamic between them is marvelous and rather than performing solo perhaps it would be better to combine their talents. At the end of their performance Yakumo begs Sukeroku to take up the name which personally I see no way that can possibly turn out well. Though it seems for now that Sukeroku’s problem is cured. For even if he can’t see the audience, perhaps he can look past them and perform for his daughter.

Schwarzesmarken – 11

Everything looks to be gearing up for the finale but with the death of Lise goes a heavy amount of emotional commitment. I fear a key problem with this show has returned and that is that it’s difficult to get invested in the events on screen when we have no attachment to the characters. Lise is dead, Irisdina is captured and Katia has been relegated to an off screen position. That leaves us with Theodor and Gretel to carry the show. Neither of the two have been all that engaging though Gretel does have moments. Theodor has reached the end of his arc at this point; as other characters just have pointed out. What remains here is the endgame of defeating the Stasi and the question of just what they are going to do about the BETA horde at their doorstep. I am at least glad that Beatrix has taken up the lead role as main villain after discovering that her superior was a KGB operative who was planning to make east Germany a bulwark for Russia. I like that she didn’t make the stupid move of uncovering his motives without a backup plan. Guess Schmidt should have checked who his officers were getting orders from and he ends up with a bullet to the head from the officers he calls in to take down Beatrix. Now she’s in full command of the Stasi and that’s just the way I like it. Schmidt was never an interesting villain; he’s far too impersonal to the members of the Schwarzesmarken team. Beatrix makes for a much better threat coupled with the fact that she’s a great TSF poliet. We also get some insight into her motivations with her conversation with Irisdina. It’s looks like both Beatrix and Irisdina are trying to fulfil Irisdina’s brothers wishes in two different manners. Both seem to be trying to save Germany in their own way though Beatrix’s methods are more ruthless and unforgiving. It’s possible Beatrix might have been romantically involved with the brother as well which would explain the level of hate she has for Irisdina who had to kill her brother to save herself.

I really dislike the character who walks into Theodor mourning his sister and congratulates him on killing her. No matter how much of a horrible person someone is; you don’t walk into their funeral and congratulate their lover on becoming single. It’s just not something people do. I can’t say Theodor has been an interesting character as his arc has been one big sister complex. Now he’s that Mecha protagonist who’s really good at piloting and has a constant case of low self confidence. Meanwhile Gretel has been taken to the Stasi files Archive where Axemann reveals his agenda to come under Beatrix’s command and offers Gretel a chance to join the Stasi. However Axemann isn’t a pilot and didn’t take into account the communications transmitter Gretel has in her suit. The rebels rush in and Gretel gets shot and is now presumably dead; leaving the series in the hand of Theodor. This could have been a great scene had it not been for the fact that I truly don’t know Gretel well enough to emit an emotional response. I have more or less ground this point to dust but this really is the biggest problem with this show. The focus has been mainly on presenting the events of the story fast and foremost that no time has been spent on letting us get to know the characters. Which makes character moments within the story just feel empty. Lise worked because of the main stories big focus on her but when it comes to other characters it’s either out of nowhere or just not effective. One thing I haven’t commented on with this series is the music and it really is quite good. I felt it often gets overshadowed by the heavy amount of Mecha clashes and bullets but I like the German feel they went for. Mecha battles are quite excellent as well with some great CGI work. So all that’s left is the final battle and I find my thoughts on this series to be mixed. Though in all things considered this could have gone a lot worse.

Boku dake ga Inai Machi – 11

When Satoru was almost killed I expected him to survive and I thought that it was likely going to result in him getting pulled out or time travel. What I didn’t expect was a time skip. Satoru was indeed pulled out of the car; however because of the incident he was put into a coma for fifteen years. All the while Sachiko was once again proving she’s likely the best mother in anime; what with her not only taking care of him all those years but even going out of her way to exercise his limbs so that that his muscles aren’t dead from underuse. This isn’t in the episode but there was a point where doctors attempted to convince her to pull the plug on Satoru and her answer was a short and resolute “Fuck you”. Well we are back in a new future and with it we have a massive change in characters and the narrative. A large part of this episode was dedicated to Satoru attempting to regain his now scrambled memory. A nice touch to the episode is that his inner monologue is now narrated by his child self rather than being narrated by his older self. Another nice touch was removing Satoru from the opening. Showing that he hasn’t quite regained his standing. What is likely to scorch many a viewer was the revelation about Kayo who is now happily married and with a child. I admit that even myself am not entirely unscathed by the revelation; especially when the series hinted heavily at them becoming an item. Though personally it makes sense that Kayo wouldn’t wait for a guy she knew only for a short period during childhood and while I don’t look at it this way, it removes the thought that Satoru “won” Kayo. I am sure there are those who could look at this as a Genji Monogatari situation if Kayo ended up becoming Satoru’s wife so at least that notion can be tossed aside and we can see that Satoru truly is just happy to see her living a full life.

Due to hearing that this episode diverged quite a bit from the manga, I made it a point to read up on how the manga dealt with the events in this episode and I can confirm that the anime has more or less gone anime original. Is that a bad thing you wonder? Well truthfully I am uncertain. The manga does expand upon questions of what went on while Satoru was in a coma and the process of him reclaiming his memory is a much more gradual process than the almost instant revelation at the end of this episode. One particular thing I wish was kept was Yashiro’s backstory which a small part was given during this episode’s opening but their is much more to his past. If you are interested then you can read chapter chapter 32 of the manga as it is dedicated to detailing his past. Another thing I wish they hadn’t changed was the change of having Yashiro prevent the photographers from deframing Satoru instead of Airi. Airi encountering Satoru was a big part of helping him regain his memory though I believe the reason it was left out was because it also caused him to slip into a coma again for another year. That and Airi hasn’t had much of a presence in the anime series. But as I said before, this doesn’t mean I think the manga did it better. It is true you get more detail and a more gradual recovery from Satoru but it’s very uneventful. When watching this episode I was already getting impatient with Satoru as it really was just a waiting game of him realizing what the audience already knows. The manga is ten thirty page chapters which are mainly about Satoru recovering his memory. It is long, drawn out and I found myself getting bored as I read. This is good moments in this but if animated I could certainly see people getting frustrated with the almost agonizingly slow pace. I can only imagine how manga readers felt as each monthly chapter moved the plot along at a snail’s pace. The anime pretty much trimmed the fat and gave us the cliffs notes on what happened though the final confrontation is different.

We missed a small cat and mouse game between Yashiro and Satoru as they prevent him from taking another victim and skip right to a head on conflict which is a little bit of a shame. But we do have tension as Yashiro gets closer to Satoru as a friend to likely keep an eye on him. I find it engaging as it tempts the situation of Yashiro saying something to trigger Satoru’s memories or the potential possibility of him deciding to silence Satoru for good. The anime’s pacing is faster and more to the point, perhaps too fast. So you may understand my indecisiveness in deciding which handled the story better. On one side you have a fast to the point version of events which leaves out the finer details and on the other you have a far too slow version which gets boring at points but has far more of a build up. I guess the deciding factor on which approached it the best will be the next episode of the anime as I certainly have no idea what Satoru has planned considering he revealed that he has his memory back to the killer when he’s in no position to fight back. That isn’t the only thing the next episode decides as I have said once before on the finale of Madoka. This last episode is what decides Erased/Boku Machi’s status for the future. Either a must watch classic every anime fan needs to see or it being that show that was really good up until the ending. An ending can change your entire outlook on an anime and I certainly hope that this one doesn’t disappoint.

Shouwa Genroku Rakugo Shinjuu – 10

His master reveals that he knew Sokuroku’s mentor and that by using his blood ties to his father he managed to steal the title of Yakumo from Sokuroku’s which caused him to leave the art in disgust. This does put his uncertainties with his right to the name into perspective as he never truly earned it. Teaching Sokuroku may have been his method of atonement but ultimately his pride could let him give him the name. He even reveals that he doesn’t want Yakumo to take the title either which does make his desires rather petty. His contradiction in manner is interesting in how he feels he is unworthy of his title yet has too much pride to hand it over to another. When a young upstart began begging for Yakumo to take him on as an apprentice in front of his master, his master snided at how the child chose Yakumo over him. As a performer I respect that he hid his poor condition until his act was done. Though it became apparent near the end that he was struggling to finish.

Yakumo’s reaction to his master’s confession was rather surprising in that he admitted that he had seen his faults but still respected him for taking them in. I wonder if Yakumo held any grudge against him for kicking out Sokuroku as his reaction to his death was rather cold. Yakumo has hardly been one with an emotional demeanor but one would think he would be affected somewhat during his master’s funeral. Perhaps his words about being grateful to him were but sophistry as he neared death’s door. His master was a flawed individual, blinded by his own prejudices; however he did treat and refer to Yakumo and Sokuroku as his sons. So is a man forgiven for his failings if he himself recognises them in the end?

So the master dies and everyone is pushing for Yakumo to inherit his name; though there are certainly those who sneer at his success behind his back. His performance after the funeral was quite telling as he thought before he began about how people would thinking he was going to tell a sentimental Rakugo story. Instead Yakumo tells a story which is about a man meeting death, making a deal with him and then dying as he attempts to prolong his life. To me it felt like Yakumo was saying a lot with this piece; perhaps highlighting Rakugo itself and the hesitation to let it grow with the times. Or perhaps to show that his passion was dying out without Sukeroku to be his rival. He does still enjoy Rakugo but he has a clear disdain for the backroom policies of the art form. So much so that he dissuaded a potential pupil from dirtying his hands with it Or perhaps it was an ode to his now deceased master who made his own dirty deals and now has met with death. At the end of the episode we see a return of a character not seen since episode 1, though now in a younger form. This looks to be the beginning of the time which caused Konatsu to refer to Yakumo as her father’s killer. So I wonder, did she mean that metaphorically or literally?

Schwarzesmarken – 10

The BETA are still coming and with the Stasi in full control we now have rebels working to overthrow the Stasi. All the while West Germany watches from the sidelines as it tries to figure out which side to support. To make up their mind they send Kirke to East Germany to survey the situation because of her relationship with the Schwarzesmarken team. You remember her? The girl who first treated the team with utter contempt but somehow off screen became BFFs with them? Another character who was negatively affected by the time constraints. Anyway I found the little bit of humor they threw in about her “Wiping her own ass”. Crude humor tends to work me sometimes. With her coming the rebels decide to use Theodors plan to make use of her as bait to lure the Stasi into an ambush. Which works like a charm thanks to the Stasi squadron commander being a complete imbecile. Lise tried to warn you guys but you brush her off with a “Your brother is with the rebels so your opinion is worthless” I suppose without Beatrix there to whip some sense into them and Lise is too preoccupied with her brother to give a damn what happens to the rest of her squad. I love the way she jumped out of the way of a bullet, letting it hit her comrade behind her, it shows that she truly has no love for her Stasi comrades. One particularly grisly detail about this battle is that the rebels didn’t evacuate the town before fighting in it. Which meant that quite a number of civilians got caught in the crossfire. That’s sort of a glazed over part of mecha anime though chances are a Gundam explored it. When you have giant robots fighting all about the place then collateral damage is a guarantee and while Kirke wasn’t in favor of it, at least the team saw it as necessary. After all they couldn’t orchestrate mass evacuation without alerting the Stasi of their ambush.

So Lise is dead. I don’t even need to know if Theodors gunshot hit her to confirm that. With the amount of shrapnel lodged in her body you can already tell that she was done for. This acts as a nice parallels to the start of the series, where Irisdina shot one of their comrades after she was horribly wounded in a BETA attack after sacrificing herself to save another. Even the delicious irony that Theodor originally hated Irisdina because she apparently shot and killed her brother. Yet here he is, putting a bullet in his sister. She had it coming and I am glad that Theodor actually had the guts to do it instead of a third party jumping in to save him the trouble. Lise was too far gone, too broken to salvage. All that was left was to give her the death sentence but at least she got it from her brother. I still state that Lise is far from forgivable in what she has done but it is disheartening to see her reach such a tragic end. Her will and love was beaten and defiled till it was twisted to help her best serve the Stasi. Even on her last words she was speaking of how stupid it was to oppose them, for she knew all too well what they are capable of. After all the torture; having her mind,body and soul twisted beyond repair to save the one person she cares about; her final reward is a bullet to the head. This may be the only character moment Schwarzesmarken got right though it did get a tad overly melodramatic. Still we know the history between the two, a complicated relationship of family and lovers, and it certainly must have been excruciating for Theodor to pull that trigger.The final shot was reminiscent of a certain scene from Madoka Magica and I liked how you had to really listen to hear the gunshot. With Lise out of the picture or heads turn to our new main threat, that being Beatrix and her werewolf battalion. We don’t have much left to the series so she won’t have much time to shine. Still I would like her to have a nice climactic fight with Irisdina at least, considering that they seem to have history.

Boku dake ga Inai Machi – 10

Satoru and friends have saved Kayo and now with very little effort; have saved the other two targets as well. I am a little disappointed at how quickly and easily this was resolved when you consider how long it took to save Kayo. I originally considered this a victim of the anime adaption trimming the manga down to fit the runtime but after having read the manga up to this episode I found that is not the case. The problem was fixed just as fast there and the only major difference is more focus on Kayo which I am glad they cut out. A lot of it was really unnecessary and was more just an additional unneeded epilogue. So one target is saved when she gets a crush on one of Satoru’s friends and starts hanging out with them. The other is saved simply by them hanging out with him more. In regards to this the other two victims feel like an afterthought. Though Satoru is well aware that taking away the murderers targets isn’t going to stop him and one of his friends brings up that thanks to his previous actions; a new girl is now a new perfect target for the killer. So he decides that he will save her as well.

Then we have the wham moment; the point we have all been waiting for. The murderer is revealed to be…Yashiro, Satoru’s teacher. I would shout in glee that I called it if it wasn’t so obvious that many others would be doing the same. If you have been watching close enough it would have been clear that the murderer couldn’t be anyone other than Yashiro and so the obvious suspect from the start turns out to be the murderer. Now, I don’t like beating a dead horse but I must bring up another anime which did this exact same thing in order to get my feelings across; Subete ga F ni Naru. That too had a mystery that ended up with a murderer that was completely obvious. It spent a majority of its time dangling a carrot in front of the viewer when any average person’s logical deduction could figure out just what the carrot was. So why is it that when Subete revealed its obvious murderer I was immensely disappointed; yet when Boku Machi does essentially the same thing why am I am not angry? Well I believe it’s a matter of substance. With Subete, everything depended on the mystery. Truly it had nothing else and if I was willing to rewatch it I would be bored as with the mystery revealed all that remained would be pretentious dialogue and a romance with no payoff or investment. With Boku Machi that isn’t the case. There are plenty of great characters and moments I would love to see again; the reveal doesn’t devalue the events before it. Sure, it’s predictable but boring? No. Ultimately this wasn’t a show that was primarily about the mystery aspect but rather more about the people surrounding it. If anything I am glad they decided to pick someone who makes sense as opposed to making it some background character with little screentime solely for shock value. There is also value in that despite being so sure it was him; this show actually made me unsure momentarily about it at times. As others have said, he was so obvious that many had concluded that he couldn’t be the killer and was just a red herring. Like Satoru we had the facts staring us in the face but the teacher was such a likable guy that we didn’t really want to believe it.

From the moment Satoru entered the car it felt ominous. Really with the nervous tapping of Yashiro on the steering wheel and his increasingly worrisome statements getting a bit extreme you could tell the reveal was coming. It was only a matter of when Yashiro would say the words and when he did, it hit Satoru like a truck. On the reveal I feel the manga’s version of Yashiros face as he unveils it trumps his anime counterpart. The anime made his triumphant smile a bit too much like a scumbag; his smile in the manga was more constrained and with that a lot more disturbing. Admittedly what follows is essentially a villainous monologue about how he couldn’t believe that Satoru was anticipating all his moves and that he may just know that Satoru came from the future. Saying that he respects Satoru for beating him and thanks to his efforts the town is now safe from Yashiro. Though now Satoru pays for that victory with his life which gives some context to the title “A town only without me”. The cliffhanger this week isn’t much of one as it suggests Satoru might die drowning in Yashiros car. We have two episodes left, Satoru has time travel powers that could kick in at any moment and he shouted a line at Yashiro which would certainly have him considering pulling him out to hear what he has to say. I am hoping they elaborate on just why Yashiro is doing all this; they gave hints with him speaking about using illegal methods to fill up the hole in his life but I would like more concrete reasoning. But with the limited time left and a lot of manga to cover that could be a tall order.

Shouwa Genroku Rakugo Shinjuu – 09

It would be a lie to say that we didn’t see this coming but Sokeroku has begun his downfall. A split between Yakumo and Sokeroku was promised from the very start of this show and now we finally see just what causes it. This was Sokeroku at his most vulnerable; with his confidence shattered and drive for Rakugo disappeared. The passage of time for this episode was quick and much like Sokeroku’s descent, sudden. He was always walking a dangerous line with his general disrespect for his superiors and attitude. But the trigger was all within a talk with his master; where he touched on a dangerous  topic. Sukeroku’s fears for the future of Rakugo are true and he’s one of the few to realize it. Sadly though as with any traditional art; calls for change is greeted with pure venom. It’s a simple truth that things must change with the times to remain relevant and modernisation does not equal quality. I won’t call the master a fool for outright dismissing Sukeroku’s conclusions as their is a danger of an art losing its true form. There have been plenty of examples of TV shows becoming hollow shells of former glory in order to appeal to a new generation. Sukeroku also wasn’t putting forward a method for Rakugo to change either; instead merely proposing that it should. But the breaking point was when his lack of tact finally hit on a nerve his master couldn’t take. The master already showed us that he doubted that he lived up to the standards of his predecessors and Sukeroku started to criticize his rakugo as Old and boring. It wasn’t a surprise to see his master snap and quite frankly Sukeroku may have already being taking too much of an advantage of his good graces already. The master revealed his decision for Yakumo to carry on the name and said he would never have given it to a stray like him which causes Sukeroku to strike in anger. With that the master expelled him from the art and Sukeroku had lost everything.

Yakumo and Miyokichi have finally broken up and that scene was truly marvelous. As wind kicked up and the cherry blossoms floated in as she swore vengeance upon Yakumo was almost supernatural. The framing of the scene held a certain ambience that made it beautiful despite it being a declaration of her fury. Sukeroku and Miyokichi’s relationship is an interesting circumstance. Miyokichi is a woman of the past; bound by a way of living that is no longer feasible in the new age. Sukeroku is a man of the future; striving to survive for a change he sees coming. Yet both have been abandoned by the present and seek comfort in each other. In a way their relationship is purely mechanical and serves only for survival. Miyokichi needs Sukeroku to live and Sukeroku needs Miyokichi to give his life purpose now that he is without Rakugo. There is no love in this arrangement; merely convenience. Miyokichi is pregnant now and a big question here is; is Miyokichi’s child truly Sukeroku’s?

Yakumo looks to be the one to take Sukeroku’s expulsion the worst as he looks to have lost interest in everything outside of Rakugo. To him it was as if a bright light had been snuffed out; one which he was always chasing. In a sad way he got his wish from last episode. “If I was alone everything would be so much easier” When Sukeroku comes to tell him that he was leaving; you could see it was killing Yakumo to see his spirit so dead. In the heat of the argument when Yakumo’s was ready to hit him; Sukeroku admits that he was jealous of Yakumo. Which is a mirror of Yakumo’s own feelings. He had always felt an inadequacy towards himself when compared to Sukeroku and here we see that Sukeroku felt much the same. Though Sukeroku’s jealousy was more to due with Yakumo’s pedigree and lineage. Perhaps that’s why he was so determined with his Rakugo; because he was desperate to prove he wasn’t some hopeless street urchin.

Schwarzesmarken – 09

For the past few episodes we were able to get past the lack of character development by focusing on the situation at hand. However with an episode like this which depends on emotional investment in the characters; Schwarzesmarken really shows this animes weaknesses. Lises situation is unfortunate though she still remains nonredeemable. Pham’s death didn’t invoke any emotion from me as her screen time in the anime has be rather limited. I guess they tried to make it more meaningful by having her comfort Theodor and Theodor admiring that he always thought of her as an older sister. But this scene felt contrived and forced due to the interaction between these two being absolutely minimal throughout the series. I would even bet this is the first time we seen them talking to each other alone. It’s clear that a lot of content is missing here and likely cut due to the anime’s time limitations. This is adapting seven volumes worth of light novels after all. In that line of thinking this may be best an anime seen after reading the visual novel or light novels; as then you would have the context needed to be affected by the struggles of these characters. If anything this show displays the importance of downtime in a story. You need to lay back; let your characters talk and interact. Allow the audience to know the person behind the giant Mecha. Then when the time comes to have them face challenges it won’t fall flat like this.

Axemann entering the fray again wasn’t exactly a surprise as he’s a bit too good of a villain to be killed off screen like that. His presence does present a dilemma in that to defeat the Stasi they are forced to work with Stasi. Especially someone like Axemann whom is hardly trustworthy. While allying with him it increases the chances of overthrowing the Stasi; it also presents the possibility of repeating history all over again.Axemann wants a seat of power in the new government and if they give him that well…it’s only a matter of time before he begins to take over again. Though I doubt he’s going to survive this series as he just has far too many enemies about. Even background characters are out for his blood.

So when a hefty amount of character interaction is chopped out this makes Pham’s sacrifice very unnecessary and illogical. What does she hold such faith in Lise and why is she going to such lengths to go outside with a rocket launcher and attempt to disable her TSF? It makes you question whether Pham was just an idiot seeing as she seemed to be banking on Lise not firing back at her after she hit her with a rocket launcher. Personally she might as well have just jumped into a TSF and used that to disable Lise. You could say she was too weak for that but she did just carry a rocket launcher through snow for a considerable distance. Pretty sure she could manage a TSF. Taking this into account I can only look at Pham’s sacrifice as pointless which lessens the tragedy of it. A tragedy I find much more compelling is that Lise’s current stance. This episode Lise revealed just to what lengths she went to in order to protect her brother. Sold out her friends, sold her body, killed dozens and even sacrificed her humanity by becoming Axemanns “pet”. She did the absolutely unthinkable and all for the day when she could be with Theodor again. And now she stands baring everything she is to him and he can’t possibly forgive what she’s become. Her efforts ultimately ensured that Theodor would never be with her and the sad fact is that she is far beyond redemption. The only thing Theodor can do for her now is put a bullet in her head which he sadly cannot bring himself to do. Considering just how broken Lise is; I think he’s going to really regret that. After all Lise has already shown the depths she will resort to if it means she can be with her dear “Onii-chan”