Category: Currently Watching:

Drifters – 12[Staring at Shinsengumi ~The Song of the Fervid Kyushu Man~]

by AidanAK47, posted in Currently Watching:, Drifters

I know I am late with this and I am sure I disappointed those of you still reading though I doubt my Drifters reviews have been all that interesting. It is nice that Drifters managed to get a climatic battle in before the finale though what really saved it was the announcement of a second season. This series is far from an end goal and perhaps a second season can give it the time it needs to bring an endgame. This episode did manage to make the Drifters sweat a bit which was a good thing as we really need these guys to work for a victory for once. But Hannibal made that small moment of tension disappear by once again giving Oda an idea through his eccentric mannerisms.

I think Hannibal is really just putting on this senile act as the man seems to always intervene when he is needed. The battle between Toyohisa and Toshizou was clearly the highlight of the episode but was somewhat undercut by my not really knowing the history of these two. Drifters doesn’t really make an effort to explain the background of the characters which is fine for those whom have a decent mainstream recognition. But for the more obscure characters I could really use a blurb giving a brief rundown and save me looking up a wikipedia article. Even the Fate series makes the effort to acquaint the audience with the history of the characters.

Overall Drifters set out to capture the same ridiculous nature and badassery of Hellsing Ultimate  and I think it succeeded at that sometimes. The series never did stop getting hampered by Kouta’s rather jarring sense of comedic timing but it had it’s fair share of good moments. I do wish the animation could have been as impressive as the opening episodes as later down the line I noticed that the camera ratherly moved back to let you soak in the action. Often pulling out a large amount of close ups and still frames to save on the budget. On a show like this you really need to go all out on the action as it is the main selling point.

Having the character all be famous historical figures was novel but there is a problem that a lot of this are far too similar personality wise. The majority of the series so far has been a one sided match between the Drifters and the Orte so with little to make the Drifters sweat it’s been a consequence free slaughter fest. Now the Drifters have a standing with a worthy opponent to face. One of the most important things the next season can do is up the stakes, make the Drifters work for victory and get enough of a budget to make those action scenes really shine.

Flip Flappers – 13 [Pure Audio]

by SuperMario, posted in Currently Watching:, Flip Flappers

I’ve said right in the beginning that Flip Flappers is a show about adolescent and the fear of growing up, but never in my wildest dream I dare to think the show would go even farther and touch the issues of womanhood and the fear of being a motherhood too. Mimi’s descend from a responsible mother to a totally control freak is a solid development and the more heartbreaking when the intention came from a genuinely good place: “to take a good care of Cocona”. But her overbearing control is plagued with dark and extreme actions that Mimi herself deforms into a beast, a cold-blooded creature. Mimi’s dark version was born during the time of Cocona’s pregnancy, and for me that extreme thoughts of keeping the child all for herself and protect the baby at all cost are the very thoughts that any woman during pregnancy had to undergo. A woman becomes a mother when she gets pregnant, a man becomes a father when he sees his baby. She’s getting frustrated that everyone she cared for: Cocona, Papika and then Salt opposing her for what she sees as the good cause. The last moment where she is defeated, sitting on the shallowness lake and embracing herself perfectly concluded her villainous act. Her role as an antagonist might come as a bit too sudden but it still packs a huge emotional punch and still pretty relevant to the theme of identity the show keeps addressing so far.

With only this episode left, it is the time that the main focus sways back to Cocona and Papika. In fact, they share many great moments together: from the surreal encounter when Papika reversed back to a child and lose her memory (from Papika’s perspective); to their completely honesty to each other about their eternal love (from both girls’ perspective. Another confession? What’s up with all the shows I’m covering this season??), to the teasing Pure Illusion world at the end (from Cocona’s perspective). Their chemistry has always been the show’s main emotional focus, so it is nice to see after many episodes of distrust and falling apart, they’re again together for new adventures. Speaking of the possibility of new season, while I’m normally against milking on the success of the first season on a story that already completed (think Yuri!!! on Ice), the adventures segments of Flip Flappers are so inventive and awe-inspiring that I personally think it’s a waste not to spend more time into those Pure Illusion worlds.

While this Mimi act and the show as a whole does end on a satisfying note, there is not without its problems, too. I still can’t figure out the reason Dr. Salt using ELPIS. He’s planning to put another layer to that world, appears in front of dark Mimi declaring he’ll oppose her, and waiting to get killed? Then the good Mimi descends from the sky to save the day, is it what he planned as well? Hell no, this is a weak writing for me, such a shame because Flip Flappers’ still unsure how to use his character to its full potential. On that same note, the twins and the third Amorphous girl Nyunyu don’t have much roles in this climax. Nyunyu (and Bu-chan, for that matter) is a shining example of character without any real purpose, so their main role is just hanging around, having fun and doing crazy stuffs, at the same time serve as a perverted lensed for the show. They are the worst kind of characters to be completely honest.

But judging Flip Flappers in term of how well it plays the rule is a wrong approach, me think, because simply the very existence of Flip Flappers is to break free with all the common sense throw out of a window. At the end of the day year, no other show makes me feel optimistic about the future of anime (or animation as a whole) like this one. The full review will come out next week but be prepared for a highly positive one.

Sound! Euphonium 2 – 13 [Early-Spring Epilogue]

by SuperMario, posted in Currently Watching:, Sound! Euphonium 2

This original episode achieves something so simple: a reminder that the true ending is the new beginning. Now I understand why KyoAni decided to skip the National performance last episode, because we’re having the last performance this week, with all the memories from the past flooding in as the underclassmen play the piece as a farewell to the senpais, and I honestly couldn’t wish for anything more. Now that the third year students had retired, the second year is going to take over the club and the music band basically has to start again from scratch. Not really from scratch to be exact because the remainders of the music band are already National-qualified players. Yuuko, for her great development this season, totally is deserved to be the band president next year. For Natsuki though, it’s a bit weird to nominate a member who was cutout from the audition to be a vice-president, but Yuuko and Natsuki make a perfect pair so I’m done complaining.

Sound Eupho keeps defining the very notion of romance, huh? I never would have thought we ain’t done with confession. I originally brush Kumiko’s confession off as just “friendship’s affection” but no matter how you look at it, it’s a romantic confession. Which of course crush Shuichi’s love down the toilet’s sink, and eventually give an answer to an always-teasing-and-baiting relationship of Kumiko and Reina as just friends. Best friends. Over my dead body! At the same time though, I can see where Kumiko’s affection for Asuka come from: Asuka’s the one that Kumiko expresses the most, she pours her heart out to confront Asuka so it’s very understandable that when that someone is gone, she feels empty inside and realizes that she misses her. Now I kind of understand as well why the show pushed Reina’s crush to Taki to such extend. I am honestly not sure what to think about this new development. Asuka’s leaving now meaning that if there ever be a third season, Kumiko and Reina’s relationship still take a central stage and we’d never through with this baiting, ever. But judging that Ayano Takeda hasn’t written the sequence, instead focus on Kumiko’s childhood friend Azusa in Rikka High School in her next spin-off novel, I think the show is ended for good. At least Kumiko has a chance to talk out what really matters to her. She has grown quite tremendously since the beginning of this season. I am glad.

The band playing farewell song- a song we’re now all familiar with- is a nice wrap up to many past moments the band (and us) have spent together. I love the moment when Reina started playing solo, we have a next quick shot of Kaori’s smile. There had been much drama about deciding who played the solo part, and Kaori’s reaction here is as best as she could: facing it with a smile. Those other moments keep reminding us what a ride all this had been and the band grow and act like members of a big family. Speaking of family now Kumiko and Mamiko exchanging mails to each other (how cool that is! Even they all have mobile phones).

Sound Eupho has been a very solid drive and this episode perfectly closed everything up nicely. I left the series with a satisfied feeling of the warm sound of Sound! Euphonium piece. Judging this season alone, personally I think it’s not as strong as the first, just a slightly down because it focuses too much on band member’s drama, while at the same time kind of neglecting our mains, but it sure is a very welcoming follow-up to the first. Judging the show as a whole, it will be up there as one of KyoAni’s best works, both demonstrating their detailed superhuman production values that the studio is famous for, and at the same time this show feels like the studio’s most natural brainchild: a slice of life series that set on their very hometown, Kyoto. Full review will come probably next week, before the next season begins, so stay tuned until then. Overall I have a great time covering it, and frankly a bit sad to see it gone. But life moves on, so should we and here’s a toast for a job well done, Kyoto Animation.

Occultic:Nine – 12[We’re Gonna Have a Real Good Time Together]

by AidanAK47, posted in Currently Watching:, Occultic:Nine

Well, it’s over. It’s finally over. You know, when I finish an anime series it can make me feel a variety of things. Sometimes I feel a gaping hole in my heart after tuning in and looking forward to a episode every week only to know that won’t happen anymore. Sometimes I feel satisfied with how it tied everything up and I want to start from the beginning to experience it all again. Sometimes I feel ambivalent as I thought a series was serviceable and at least wasn’t a waste of time. Sometimes I lament what a anime could have been had they just made different choices. Occultic;Nine made me feel none of these things as the credits rolled one last time. No, as Ryo-tas confirmed with her last words that I had indeed wasted four or five hours on this series I only had one word on my mind. Why?

Why was this anime made? To advertise a game, but even if you give this a full HBO series you couldn’t salvage this trainwreck of a plot. Why did underpaid animators have to work on this? Why is it that someone looked at this script and thought it acceptable? Why does this get an anime adaption when much greater works like Utsuro no hako to Zero no Maria, Lucifer and biscuit hammer, Sharin no Kuni, Rakuin no Monshou and the remainder of the Spice and Wolf novels remain unanimated? Why did the director want to make people throw up with his presentation and think that fast forwarding exposition was appropriate? Why was someone paid to write this? Why does Ryo-Tas have basketballs for a chest? Why? Why? Just why? I guess the only emotion I could call this is despair. Despair that I had indeed finished watching the worst anime I have ever seen.

I would not be surprised if you dismiss that above statement as hyperbolic but I assure you that it is not. There are certainly anime which are objectively worse than Occultic;Nine. Worse animated, presentation, acted and even written. But even something bad can be enjoyed and made fun of. This show can’t, it’s primarily exposition and while the plot is absurd it leaves little room to get any real enjoyment out of it. For me, I genuinely dreaded watching this excuse that dared call itself anime. Any time I finished it I felt drained or annoyed or sick or hateful or all of the above. You name any bad anime you can think of and I would gladly watch that over watching Occultic;Nine again. There are 387.44 million miles of printed circuits in wafer thin layers that fill my complex. If the word ‘hate’ was engraved on each nanoangstrom of those hundreds of miles it would not equal one one-billionth of the hate I feel for this show at this micro-instant. For it. Hate. Hate.

So what happened this episode? Well we had five Deus ex machina’s, that’s what. Maybe even six. Besides the mountain of sped up exposition we have a moment where Aveline says she’s going to sacrifice herself to make the key by God knows how and everyone’s getting all choked up about it because they knew her for like a day. But this is made into a complete waste of time as Gamotans just goddamn teleports the bloody key into his hand straight out of nowhere. Oh and the evil organisation detected the key teleportation because when you build a giant lightning pole designed for ghosts you make sure it can detect teleportation as well. Just right on the standard procedure specifications just right below the Santa Claus tracker. Then we have everyone saying another heartfelt goodbye as Gamotan is the one to sacrifice himself now. Oh how they claim that Gamotan changed their life when I say, what did he even do? All this stuff is just handed to him because he’s the “chosen one”. He has literally done nothing. In fact what did any of you do? Both glasses characters character arcs are a straight goddamn line. You have no arc to conclude! All you guys did was figure out the mystery that Aveline was going to tell you anyway! Glasses here even figured out that they can travel back in time but again the detective kid was coming to tell them that anyway. And yes, they actually went with it, they negated the deaths of most of the cast. Still left the other 251 people to die though. Our heroes everyone.

We soon find out that doujin girl sees the future by out of body experiences and she suddenly disappears proving that Occultic;Nine has yet another completely pointless character. Wow, nine main cast members and only two are actually goddamn relevant. Isn’t that swell. Oh I don’t care, not as if the show cares, so why should I care…Why should..You know what. Sure. Oh evil organisation only sends their leader to go deal with a problem? Sure, why not. Oh Gamotan got revived after a fatal blow because Ryo-Tas kissed him? Sure, why not. Oh he grows angel wings out of goddamn nowhere? Sure, why not. Oh Gamotans dead dad comes back to fix Gamotan arriving too late? Sure, why not. Guess he didn’t give a crap about his mother. And now Gamotan is a ghost blogger and everyone cheers that he blew up Odd Eye by screaming at it. Oh what a happy ending this must be for our heroes right before I assume the evil organisation comes to slaughter them all for ruining their plans. So do they actually still think people are going to buy the blu-rays of this?

Magical Girl Raising Project – 12[File Not Found]

by AidanAK47, posted in Currently Watching:, Magical Girl Raising Project

The day is saved thanks to Ripple and, well just Ripple. Snow White did help near the end by bringing the rabbit’s foot but other than that she pretty much won the battle royale by doing absolutely nothing. The final battle was somewhat anticlimactic and I do think that maybe with a higher animation budget and better fight animation this could have been a real great battle. However as is the battle is serviceable but I do admire Swim Swim’s ingenuity in choosing a battlefield suited to her abilities. She planned well all things considered and was only caught off guard by a sudden thunderstorm and Ripples flash grenades taken from Calamity Mary. Fav wasn’t foolish for thinking that Swim Swim would win, by all accounts she really should have.

Despite the main fan consensus of her being hated because of her tendency of killing off the more likeable characters, I at least will miss Swim Swim. I do think that she was a great villain that sadly didn’t get the development or opportunity to really shine. I have heard that the author makes a character like her later in the story whom might prove to fulfill the potential Swim Swim had. Sadly the show skimmed over what would be the big shock moment where Ripple would find out she killed a little girl by having her vision be obscured during the act and her reaction just briefly flashed on. I really thought that would be a much bigger deal that it turned out being and quite frankly the author missed a good opportunity there to make the final part of the fight a real punch to the gut.

It was somewhat satisfying to see Fav undone by the very things he gave the magical girls in the first place but his ending is rather anticlimactic. I don’t really get his reasoning for bringing Snow White to his side as revealing that the battle royale was essentially his and Cranberry’s idea only serves to get her all the more reason to not be his master. For the most part I think Fav didn’t actually think Cranberry would die and his efforts after were just his attempts at weaseling himself out of a bad situation. Like how he was doing when he realized that Ripple got hold of a weapon that could actually destroy him. Fav like more or less every other character in this series, only really started to get interesting just right before he’s going to get killed off. Seeing Fav panic really showed that he’s not quite as cool and in control as he pretends to be and Snow White could see right through him. In fact Snow and Ripple also only really started to get interesting just right before the show ended. Still there are talks of a Magical Girl Raise Project sequel and while this series isn’t perfect i do think there is potential for the writer to turn it into something great. Even the idea of continuing Snow White’s transformation from stereotypical magical girl to magical girl superhero could make for an interesting second season.

Zaregoto Series OVA – 02 [Day 3 (2) Assembly and Arithmetic]

by SuperMario, posted in Currently Watching:, OVAs and Movies:, Zaregoto Series

The bomb has finally dropped as the murder everyone waiting for eventually come, but we still aren’t clear who the victim is. If there is one cliché about murders involving beheading, it’s that you can never be sure about the identity of the headless victim. The one you think is dead will return to the story near the end somehow, not only with his head intact, but with his evil grin as well. It appears for now that the body is Kanami’s, a genius painter, since the body is in her room and worn the exact outfit; in addition, based on the info I read somewhere her name is a wordplay that if you read her name in reverse it means: no head now. But it could be one of the maids. As of this moment we don’t get to know any of the maid so the main focus is still squarely on those geniuses.

One of the most important clue that we gained right now is how the table set up like a clock, with the host is at 12.00 o’clock and Tomoe is right opposite her at 6.00. We simply don’t have any clue to work with at this moment but I figure that in the future development this clue is going to be relevant. Another strange occurrent that happen on the night of the murder is the earthquake which resulted in the messy room we see at the end, or was it not? How the earthquake relevant to the murder is unclear, but for now I suspect that because the earthquake happened so randomly that the true culprit didn’t plan on this and thus left some evidences behind. Lastly, there were a mystery on this island that occurred before that caught Tomoe’s curiosity but for now we know nothing about it.

We got introduced to the last genius in this island: Yayoi the genius chief. Although she claimed that she has no natural talent, she can actually smell and sense a huge lot different tastes. Apart from having that absolute taste and absolute pitch, she appears to be the most normal out of all geniuses. Just really wonder why there is no one who commend about the foods that they eat, after all it’s Yayoi who cook all of them, right? Oh we also get to see the host Akagami, but apart from being a fulltime event manager and bragging about the new character to come, she’s just plain like a rice cake.

Not much actually happen beside all the chitchatting of course, but this episode sheds a new angle about Il chan relationship towards Tomoe. Maki (A genius fortune teller who know the past, the future, people and the world) really likes to scrub Il-chan the wrong way, but she seems to see through this guy. And because she understands his character she despites the way he’s doing things. She also digs a little too deep about his and Tomoe’s strange “friendship”. She’s something that he wishes he could’ve been and seeing her- despite all that- unhappy make him feel good. Those scenes in which he’s inside a TV-like box that Maki can see through him perfectly elevate the sense of discomfort of Il-chan towards Maki’s words. There’s still much more oil that needed to pump from their relationship of course, like what she thinks about MC and why she needs him to come to this isolated island in the first place.

Even with this once-a-month format Shaft still manages to stays behind schedule and and pushes back the next episode until January next year. As of now, things are moving so slowly and there is simply not much material to work with, but starting the next episode the plot might get a little more entertaining with the investigation now that the murder kicked in. In the mean time I might try to eat by using two pairs of chopsticks Tomoe-style, by the time the next episode begins I might have mastered that skill already.

3-gatsu no Lion – 11 [The Old Year – The New Year]

by SuperMario, posted in 3-gatsu no Lion, Currently Watching:

Christmas and New Year are on its way so it is very appropriate that we have a warm, sweet episode from 3-gatsu no Lion. After missing in action for the last few weeks, the Kawamoto sisters are back and they truly are a breath of fresh air from the heaviness of last week. While last week was about negative feelings Rei had to embrace and let it all out, this week was about positive feelings that Rei has to realize and share with those he loved. Being bed-ridden for few days without any food, medicine and cut off from the outside world, Rei absorbs on his own sickness that he doesn’t realize that there are still people around who care about his wellbeing. Akari brushes him off on “living on my own” feel so true that it makes him understand about his own thoughtlessness. As much as he always sees the line that separate him and his adoptive father, the father treats him like his own child and genuinely cares about him. The same goes with the Kawamoto sisters and that last scene of the new year eve is so heartfelt and emotional that I can’t help but feel truly sad for those characters. Trying to cope with your pain and loneliness takes a lifetime, so sharing those happy little moments together with the ones you care for is a step forward that both the sisters and Rei ultimately need to embrace. There’s sadness linger in every corner of this show.

This is the first time that the Kawamoto’s father is mentioned, albeit very briefly. Exactly what happened to him is rather vague right now, but judging from the way the sisters avoided to talk about him, I’d assume he runaways from home. Elope with another woman maybe. Also in this episode Rei has 2 dreams which are actually relevant to his mind state right now. The first dream of him going up in long escalator without a way back signifies the shogi path, and in larger extend, the life he’s taking right now. As of now he’s considering shogi as his life (the only life he has actually), and as the dream further reveals, it’s a long, lonely way up top and when he gets to the top, there is no turning back. The second dream is about his memory way back from his youth, as his sister and him got scolded by their Mom for putting up stickers on her table. As he soon realizes, he feels this Kawamoto sister’s house like his home, even though he just knew them for a short period of time. Finding the place where you belong is never easy, finding a place where you could call home is much harder. It’s still a progression from Rei as he recognizes the warm feeling he has and bit by bit he can consider the sisters as his family.

This episode also addresses quite sensitively about Akira’s own life. What is better  for her? Taking care of the house, doing house works all day; day by day the same process until she’s worn out? Is this occasionally dressing up to work on a bar to assist her aunt’s pub good for herself? As the fella who really care about woman’s life and issues, this surely piqued my interest. Akira has always been a responsible type so it’s no question that she will commit herself to fulfill mother’s role, at least at this stage. Personally I’d argue that this is not the best for her life, sometimes you should be a little selfish and do what you want to do, but leaving those kids and an old man behind is ruthless as well. She’s in a situation where she has no other choice but to commit to it, but the way she gives it her full without even have time to consider her own feeling or her own dream made me want to hug her so bad. This is again a very subtle character’s writing from Umino Chica. This work feels like a heart and soul of her. Halfway marks and I would say two of the show’s best strengths are the sharp and sensitive in its character’s writing, and the creative, thoughtful visual that really dig deep inside Rei’s depression by Shaft that we witnessed last week. That’s a great combination if you ask me and I personally don’t mind to follow Rei’s depressing mindscape for another season. Merry Christmas everyone!

Flip Flappers – 12 [Pure Howling]

by SuperMario, posted in Currently Watching:, Flip Flappers

We have a recap episode of sort this week as our new pair Papika and Yayaka had to travel pass the previous Pure Illusion worlds we seen throughout the season. It sucks for the Cocona-rescue team of course since the closer they get to Cocona, the more Mama Mimi made them detour around those worlds and of course fight more monsters. That means the awesome seductress villain from episode 3 is back, the giant mecha robot reappears, and those snow creatures return. Well, all the usual suspects. But Yayaka is even more kick ass than Cocona will ever be, so instead of spending the whole episode to destroy those monsters, the new team just takes mere minutes. Her fight between the seductress is pretty amazing as well, easily the highlight of this episode. But even someone as badass as this one still suffers from the usual’s villain pitfall: Talking way tooo much; so that Yayaka has a chance to blow her up… and then Yayaka transforms. With Cocona being Pure Blade (Red), Papika being Pure Barrier (Blue), of course Yayaka is becoming Pure Kick, and green is the color of the day (another basic color). I never would have expected to see another new transformation this late in the game, but wayyyy to go Flip Flappers because this transformation is a nice conclusion to Yayaka’s character growth throughout the series, and she freaking earned it.

But the crazy parts don’t stop there. Mama Mimi’s getting more and more extreme by the minutes to the point of manipulating her only friend into submission. But the evil Mimi couldn’t control herself (to be more exact: her good self) to appear in front of Cocona, then Papika when it counts most. This turn of events isn’t unlike Deux Ex Machina in execution (good Mama Mimi: “hah! I just wait until all the fuss is over and then jump in and save the day!”), but anything that force Cocona out of that stone face is good on my book. You want something crazier? How about MUSCLE? Out of nowhere, Hidaka presses the button (he must carry it all the time since this is a new lab, right?), and Bu-chan got a whole new ridiculously muscled body, attached by- what I assumed- brains, just so the very next moment got swept away by the snow caterpillars. This moment was so Flip Flappers-y that I can’t help but cheers along the way. Just let the sequence writes itself and logic out of the window. Finally, what’s that in the end after their hands touch each other? Another new transformation, Cinderella-style with wings? OH MY GOODNESS. I would totally understand Mimi’s frustration here: Why so lame??? Why not something cool like a dress on fire? I come to believe that the main theme of this episode is about transformation; as our main characters are all “level-up” based on what they grow emotionally, by being able to address their own feelings.

The plot at this point pretty much reach its full potential that not much left really for us to say, but there’s still some interesting plot points going on. Namely, what Salt is up to with the ELPIS? In order to show Mimi something? (Also, that totally random bike is cool). For the first time though the show mentioned about Cocona’s father, so let see in the next episode whether or not Salt is her actual father. The twins also for the first time show some sort of personal feelings, which is always welcome and that third girl is still having a lot of fun screwing around at the moment. But her role is not purely a red herring though. Given the fact that they are the Amorphous child, it’s mean that they are somehow a part of Mimi so those Amorphous children are the key in order to destroy the Mama-knows-best Mimi for good. Only one episode left so whatever going to happen in that last 20 minutes, I know there’s going to be good times.

Sound! Euphonium 2 – 12 [The Last Competition]

by SuperMario, posted in Currently Watching:, Sound! Euphonium 2

This could very well be Sound Eupho confessional episode. We get all the confessions of sort, for better or for worse. This is an episode that gives satisfied conclusions to many ongoing plots. While it also means that the show pushes forward Reina’s feeling for Taki-sensei for literally everyone to hear- which as of now we can pretty much take it or leave it. I will leave it at that- other pay-offs, particular Kumiko’s and Asuka’s, are intimate and heartfelt. Kumiko’s longing for her sister on the performance day is easily one of my favorite Sound Eupho moments. Sometimes you just need to say what hold you back out loud to the one you love. The fact that her sister played music, and to this extend, came all the way to see her play matters to her. The whole sequence was animated quite brilliantly as well, followed Kumiko as she rushing to catch up with her sister. I haven’t really sold on Kumiko’s sudden development for the last few episodes, but this moment comes just so natural and ties very well with her growth that it rings so true to me; not because it reminds me of my own story but because this is what I truly know Kumiko would behave. This is the kind of character moments that I’ve been looking for in the show.

The national performance is decidedly low-key. Very low-key indeed. We have been spoiled too much on Sound Eupho that we would expect another full-blown performance from the band, but this anti-climax approach is actually very fitting with the second half of this season: as the show progressed, they shift the focus on the musical performance to character’s arcs drama, that of course brings a fair share of both good and bad points. On the positive notes, this approach makes the show feel fresh with their attention is squarely on other issues. Do we really need to watch another 10-minutes performance again? Why don’t the show, instead of repeating the same approach, focus to something else entirely? And that’s precisely what happened: instead of that big performance that everyone been waiting for, their very next cuts show the members of the band sitting and interacting with each other after the performance (I love Reina’s just sitting quietly and reflecting here- “Sometimes I sit and think. Sometimes I just sit”-type of situation). I know I’m in minority but I actually enjoy all those small moments here, every member that we all know and care for all have their moments to shine through (but, where are Yuuko and Natsuki??).

This choice, on the other hand, makes the stake of national competition surprisingly low, even much lower than the local competition. I’d rather prefer of instead of that Reina episode last week, they could focus more on the third years feeling towards their very last performance. As the result; even though the band only achieved bronze, we don’t really feel they’ve earned it. Furthermore, that Reina confession sure feels awkward, as she repeatedly banging her head against thick wall. Taki-sensei actually did his best to deal with her confession. He could just easily laugh it off, or right out scold her; but he acknowledges that he appreciates the thoughts but he won’t advance the matter anymore. Now if only that love story is the central theme of the show’s next season.

Shuichi finally has a real moment with Kumiko we’ve been waiting for. This poor guy was shut down from Kumiko just because she didn’t care too much about him. Forget about him being a romantic interest to Kumiko, Shuichi is actually one of those few people who really understands Kumiko, especially about her and her sister’s relationship. Many readers think of him as one of the most underdeveloped character out of the show, especially when it comes to his fruitless childhood crush towards Kumiko. While I partly agree with this, just keep in mind that in actuality many of our characters just hang in there because they don’t have enough material to grow. Reina had been in Kumiko’s shadow for a good number of episodes before reaching her arc, and most notably Sapphire and Hazuki appear so far and few between for main characters. Actually, I don’t even know why they’re still labeled as mains in the ED. I just read through one Ayano Takeda’s interview, the writer of the books that this show adapted (a really informative interview I would add), and in there she said that the main purpose of Sapphire was to elevate the material until Taki-sensei arrived, because otherwise people just lose their interest prior to the band deciding to practice for National competition. That explains a lot on how their roles are minimal this season.

In the end, this episode actually addresses many character arcs quite nicely, but at the same time I wouldn’t blame people who think this episode is a disappointment. I would just say that your feeling towards this episode entirely depends on how you feel about the second half of this season. Seems like we ending the third book by this episode and the next one will be the anime-original episode so who knows what will going to happen, but it’s the more reason that the final episode is a must-watch for every fan.

And let the final piece begin…

Drifters -11[The Adventure of the Pistol Daimyo ~Bullet Counting Song~]

by AidanAK47, posted in Currently Watching:, Drifters

I really must have given the Orte far more credit than they were due as their end truly is more pathetic than I could have imagined. I at least thought they would put up somewhat of a fight and make it that the Drifters would have to earn their domain. But what quite literally happened here was that they just walked in and declared Orte finished. In my last post I complained at how the  Orte never truly posed much of a threat against the the Drifters and I suppose it is rather appropriate that they get pushed to the sidelines quickly to let the real antagonists jump in. So with this the stage is set for the last battle of the series and admittedly it is a much more interesting one than the Orte could have been. However I fear that the Ends may be falling into the same trap the Ortc fell into, namely that they simply aren’t all that much of a threat to the Drifters. Gils did give the Drifters trouble but it looks like their forces and even Rasputin are being undermined.

I think a good conflict such have both sides on even footing and not show one side as too overpowered for too long. I did get a kick out of how Rasputin was doing the usual criminal mastermind play before having Toyohisa destroy his plan and outright ignore him. But I don’t really get what the original plan was. Clearly the Orte would never surrender to the Black King because the Black King has made it clear that he intends to kill all humanity. So how exactly would Rasputin convince them to surrender, even if he had troops within the city? Well knowing the Orte they might have been dumb enough to actually take his spiel about begging the Black King for mercy and letting them be his vanguard. I do enjoy seeing Rasputin get a good kick to his pride but the problem with this show is that the Drifters don’t have good enough opposition. If the Ends are just going to take the place of the Orte as the Drifters personal punching bags then that just defeats the purpose of getting rid of the Orte in the first place.

I admit I don’t have much to comment about this week. I think nearing the shows end I find that having things to say about a show that is essentially style over substance is getting a bit sparse. I don’t think Drifters can escape the curse that befalls most anime adaptions in that they wait for a sequel to conclude what they start in one season. A sequel often never to come.Though in Drifters case I am not really sure I would be all that sad if it never got a sequel. As an anime it was a serviceable show and enjoyable, but lacked something to make it really great. Perhaps the problem is in that it tried to emulate Hellsing on a grander scale but style can only carry the show so far. The comedy is certainly it’s weakest element and the characters have interesting points but really it’s their historical backgrounds that give them character. Otherwise they come off as the same type of character, that being the stone cold badass. And if everyone is the badass, no one is. So for last minute impressions  before the finale, Drifters was a good watch but I doubt I will ever want to check it out again. Well maybe to watch it dubbed but that’s more to see if it has a different feel in English. After all Hellisng Ultimate dubbed is just marvelous.