Category: Anime Reviews

The great thing about Read or Die (one of the great things at least) is that you can pretty much watch the OVA and TV-series in any order you’d like. They have one similar character and take place in the same universe, but they’re completely different stories about completely different characters with completely different styles of storytelling.

The TV-series was mostly slow-paced. The OVA’s pacing is fast. It doesn’t care about being solid, and instead its biggest goal is entertainment. It does this with a tight and fast-paced plot and gorgeously animated action scenes. It’s really meant to be an adventure OVA, and does a lot of things right, considering that it’s only an hour and a half long. It’s got a great cast of characters, and especially Yomiko Readman is adorable to watch even if you haven’t watched the Read or Die TV-series.

Like the TV-series though, this is stuffed with neat ideas. The concept of people using paper to fight evil is of course very creative, but again this is just the tip of the iceberg. The different powers and plots of the bad guys in particular are just a delight to watch because of how creative they can get to accomplish their not-so-creative goals (granted, they are bad guys who are evil for the sake of being evil; it’s the ways that they use to destroy the world that are the really interesting part). The plot itself is simple, but effective, neither being too big nor too small for an hour and a half of airtime.

Now, the fast pacing does have the disadvantage is that the only positive thing that I can say about a lot of the side-characters is that they look cool, because we hardly get to know anything about them, the bad guys in particular being a problem with this. Still, for an OVA of this size it definitely could have been done better, and the characters that it does focus on are well explored.

Suggestions:
– Read or Die TV
– Yozakura Quartet OVA
– Hyper Future Vision: Gunnm

There have been many slice of life movies about a young boy or girl growing up and the problems they face. Junkers Come Here is Sato Junichi’s attempt at this genre, created ten years before he would come with Aria. And really: it is among the best ones of the genre.

The thing with Junkers Come Here is that even compared to the other slice of life movies, it’s realistic (if you ignore the fact that it has a talking dog and all, but you know what I mean). This comes courtesy of an excellent characterization and a consistently detailed animation that causes the characters to nearly just walk off the screen. Hiromi (The lead girl) here just feels like a real teenaged girl and her problems are wonderfully down to earth.

On top of that, it’s also much more tightly paced compared to most slice of life series. Most of them follow the formula of first half random slice of life, second half serious story. With Junkers Come Here it’s only the first half hour that will be a bit uneventful. The movie has found a perfect balance between slice of life and character building: the events of Hiromi’s childhood that it focuses on all have a major impact on her and create a wonderful picture of her, coming together in an absolutely amazing climax.

It’s a movie with many truly heartfelt moments, even though at first sight it may be nothing more than a story about a girl and her talking dog. Everything here is very calculated, though, and it’s not just wasting time for the sake of wasting time. That’s the kind of slice of life that I personally really like.

Suggestions:
– Anne no Nikki – The Diary of Anne Frank
– Aria the Animation
– Kiki’s Delivery Service

Bobby’s in Deep… definitely took me by surprise. I mean, at first sight it’s just a story about a teenager. With the vast majority of anime being about teenagers, I expected this to be some average romance movie. Nevertheless, after watching this I can say that this movie felt unlike any other anime I’ve seen. The animation, characters, direction and plot: they’re all totally unique.

The movie is a portrait of a 17-year-old guy who likes motorbikes. The thing is, that the way in which he is portrayed is what stands out here. The pacing is really slow, but this allows the creators to show who he is. His problems are wonderfully realistic and miles away from just about any cliche, all really helped by an excellent scriptwriter for the dialogue and narration. This movie knows exactly what to way, when to say it, and when to just shut up and let the animation speak for itself. Together with a very pleasant 80s soundtrack this creates a wonderful atmosphere and character whose realistic portrayal should have been an example for the future, which it unfortunately didn’t become.

And as for the animation: expect a lot of different animation styles here. The director for this one is excellent in the way that he blends all of them together. A lot of shots of this movie don’t contain any faces or close-ups at all, along with a few montages and quite a number of still frames. In contrast however, the animation in some of the other scenes is amazingly smooth. To come with a bit of an indication here: some of the Key Animators for this movie were Koji Morimoto and Takashi Nakamura. Believe me, this shows.

This is the kind of slice of life movie that I really like: instead of random events, every part of this movie is carefully planned out to try and give a complete view of the lead character and portray him for who he is, and do justice to some of the major events in his life. It’s all wonderfully compiled together with an amazing ending in which just about everything comes together with both a great subtlety and a power. This might be the first time where Madhouse really showed how unique they can be when they want to.

Suggestions:
– Gosenzosama Banbanza
– Hitsuji no Uta
– Nasu – Suitcase no Wataridori

The first season of Digimon has a lot of sentimental value for me. I discovered it back in high school, when I was about 13 years old, and after Pokemon, it was the series that made me aware of what anime was, and how different it was from all the other cartoons that aired on television. And on top of that it had a great and very enjoyable cast of characters.

The second season, though… was a different story. Looking back, I have very little positive to say about it. It’s not really the ending that bugged me, aside from the epilogue, the final episodes were actually some of the few parts that did catch my attention, but overall it just covered boring and repetitive stories, while completely abandoning the few interesting subplots it introduced completely. The characters were nowhere as interesting as the ones from the first season, who were demoted into side-characters for very shallow reasons. It was overall just one big letdown, so originally I wasn’t planning on watching any more of the movies beyond the first two. Until I found out that Shigeyasu Yamauchi (the director of Casshern Sins and Yumekui Merry) directed the third movie.

And I’m glad I did. I mean, seriously: this movie is absolutely not what you’d expect from a movie targeted at kids. The direction of this movie is just unique for such a movie: it’s both adventurous, has gorgeous action and yet has many quiet and down to earth parts that make the characters wonderfully believable. This movie is without a doubt the best part of the second season.

The bad guy in this movie actually isn’t someone who is just out to destroy the world, or wreak havoc for the sake of wreaking havoc. His personality is simple, but he has a great backstory. The second part that makes this completely unlike most other adventure movies is the build-up in the first half. It’s nearly entirely dedicated to just showing the characters slowly travel from place A to place B, taking its time to bring them to life. There is none of the cheesy dialogue that you usually see in adventure movies, but instead the characters talk with each other believably, both verbally and non-verbally.

Now, the budget of this movie isn’t stellar, but still very impressive. The result is smooth animation during the quiet parts that really brings the cast to life. And as for the action scenes: they’re completely gorgeous. Shigeyasu Yamauchi knows like no other how to direct compelling action sequences, and this movie is another excellent example of this.

The flaws in this movie are in the details. Te most glaring is the one that has the characters hitchhike from New York to Denver. Now, I’m no American or anything, but is that even possible? Not to mention that the movie takes place in America, yet everyone talks Engrish. The cutting overall is a bit erratic. Sometimes this works great, but at others it feels like entire scenes are cut off. You especially need to watch the second half twice in order to really get what’s going on.

Despite these flaws though, I praise this movie for trying to be different from the original, its solid storytelling, its imagination and the way that it doesn’t try to spoon-feed itself to its audience. This movie has the mindset that I really wish more franchise-based movies would do nowadays, instead of just making movies for the sake of making movies. Yes, Toei, I’m looking at you.

Suggestions:
– Digimon Movie 1
– Yumekui Merry
– Casshern Sins

Fantasy stories that focus on a war between two kingdoms, a light and a dark one, are a dime a dozen. When you make one, you really need to set yourself apart. Windaria did this through its development. If for the first half of the movie, you feel that the story is perhaps a bit too generic, then don’t worry: it’s meant to be that way.

Windaria takes your general fantasy set-up, and does a lot of things right with it. The animation is pretty good for 1986 standards, with a lot of fluid movements. The story at the beginning may be generic, but it’s well told: ample time is given to each of the major characters to flesh them out, the artists do a wonderful job to draw and animate the people from the two different countries, and the biggest flaw is probably the very stereotypical evil king.

Obviously since the development is the strongest part of this movie, I’m not going to say much about what happens next due to the spoilers and all. Let me just say that this movie knows how to use its build-up. Its ending especially is wonderful. The second half of this movie did some really neat things to the cast of characters and made sitting though the first half entirely worth it.

This one is definitely recommended if you like old fantasy movies. It’s underrated, exactly because of how much the first half looks like your average fantasy that DOESN’T develop its characters well, but this is one wonderful exception to this rule. Well acted, well developed and averting quite a few cliches, Windaria was a very interesting movie.

Suggestions:
– Escaflowne – A Girl in Gaea
– Tales of Vesperia
– The Cockpit

Break Blade has what I like to call the “bad main character syndrome”. His story, back-story and development: they’re all completely uninteresting and generic, and he takes away a lot of screen-time from the more interesting parts of this movie. He has nothing to do with the politics, so that too gets pushed completely aside whenever he is on the screen, in favour of bland romance, a bland rival story and bland morals about killing. Four movies in and this still hasn’t gotten any better.

The fourth movie pretty much was the same as the previous ones: whenever the lead character was on the screen it was boring, whenever it focused on the other characters, it was quite interesting. The rivalry was completely absent from this movie, but instead we got a lot of boring romance build-up. On the other hand, the side characters are getting better, and this had the best battles of the movies so far. I’d say that the ratio of Rygart vs. the rest in this movie was about 35:65.

I’ve whined enough about Rygart for now, but let me at least comment a bit on the battles here. The battles here were again in a larger scale than before, up to the point that two small armies actually faced each other. The resulting battle was a great combination between large-scale tactics to small scale ones, from regular mechas to overpowered ones: it was a surprisingly well balanced one. That was exactly what this series needed: it already had the down to earth battles, and this movie took that formula, added some extra spice to it and made it even better.

Suggestions:
– Sengoku Basara
– Seirei no Moribito
– Densetsu no Yuusha no Densetsu

Here is something that dawned to me while watching A Wind Named Amnesia, about modern anime movies: they aren’t rushed. Sure some of them are bad and all, but I don’t think I can name any movie that premiered during the past years whose story did not sort-of fit in the time that was allocated to it. Some may be fast-paced, but no movie really lacked entire arcs that should have been animated as well. It’s an interesting observation, considering how this is a problem that many TV-series and OVAs suffer from.

Some of the old movies also suffer from this, to take A Wind Named Amnesia just as an example. I haven’t read the manga (coming from the same original author as Vampire Hunter D), but at times, especially near the end, it feels like the creators skipped entire volumes out of time constraints, just to get to a very strange and confusing ending that doesn’t fit in the story in the slightest as a result. If you plan to watch this series, be aware of a very incomplete story.

The story that’s there impressed me, though. It is centred around a basic, but very interesting question, and the vast majority of this movie is dedicated to studying human behavior. It asks questions behind human culture and civilization, and what would happen if all of that would disappear: what would drive them and how do they survive when suddenly their entire lives are turned upside down? The movie is only 80 minutes long, which is way too little to really get in depth on the theme, but the stories that did make it into the movie are wonderfully told, and very interesting to boot.

It’s a very lonely movie. There’s this melancholy throughout the entire airtime that only gets strengthened thanks to some well chosen and performed background music. The protagonist here is excellent in the way that he is easy to relate to in the chaotic world that this movie portrays, while learning a lot throughout the movie and his backstory.

The animation isn’t the most consistent for a movie: some parts are really well animated, others a bit less, but it still is a visually impressive movie with strong character designs. But yeah, the ending jumps around way too much without any build-up. Ideally, this should have been a TV-series, not a movie.

Suggestions:
– Please Save my Earth (done by the same director, and again ridiculously rushed despite having an awesome premise)
– Strange Dawn
– Saishuu Heiki Kanojo

Ah, a story about a wolf and a goat becoming friends. Going into this movie, I expected a lot of cheese with this recipe to get it even remotely off the ground, but The whole set-up of the premise was surprisigly well told here. Sure, the goat is a bit of a masochist, but the writing of the parts where they meet each other and become friends is top notch.

Instead of the usual cheesy lines here, the characters can actually speak to each other in a normal way, and they’re aware of the issues that come with their friendship. It’s both interesting for kids and adults to watch. It takes a deeper look at the usual “wolves and goats don’t go together”, and especially the nonchalant way of the lead characters, instead of the usual angst you see with these kinds of stories, stands out as interesting. Beyond that there are also enough comical moments for the kids to enjoy.

As the movie goes on however, it turns more and more into a “been there done that” star crossed friends type of story. It starts to more and more follow the generic formula for these kids of stories, but the characters make it nice to watch. The creators lose it near the ending, though. The movie ends with a bunch of really weird deus ex machina that have no purpose whatsoever, especially considering the messages that it wanted to convey. It’s the type of ending that actually makes the rest of the movie also less good, because of all of the build-up it just nullifies thanks to the completely stupid twists it pulls.

So yeah, for the Wolf versus Sheep/Goad storyk, I’d recommend Chirin no Suzu over Arashi no Yoru ni, but at least it has a lot of eye candy here. This movie looks unlike any other movie I’ve seen. The camera work is also pretty interesting here. It’s a nice watch in any case, though don’t expect anything special.

Suggestions:
– Chirin no Suzu
– Yobi – The Five-Tailed Fox

Here’s another one completely done in CG. Mr Stain has thirteen episodes of seven minutes long, plus one that clocks in at half an hour. It pretty much tells fourteen standalone stories about Mr Stain, and some of the things that he finds around his Junk Alley (why yes, this one has a very descriptive title).

The character models are much more cartoonish than usual with CG anime, which solves the Botox faces problem quite nicely. In fact, the entire series has no words in it whatsoever, and it entirely reliant on the nonverbal communication between the different characters, and that is something that this series is really good at. The facial expressions, the way that the characters move, their gestures. It’s all simplifies, but very sincere and genuine. Also be sure not to miss the EDs for this series, which are based around a wonderful idea.

The stories themselves are a bit of a mixed bag. There are about five or six episodes, like the one with the fish or the one with the fridge that are rather uninspired, and don’t do much interesting. On the other side of the coin though, some of the episodes are shocking, some are touching, some are hilarious and others are just completely bizarre. Some of the things that Mr Stain finds but especially the things that the creators do with them are very imaginative. I especially loved the episode with the Flower and the one with the Baby, due to the bafflingly unexpected twists that the stories in these episodes take.

Beyond that, there isn’t much to this series: episodes don’t build up for each other and the characters just reset themselves after episode after the final one, so there’s not much depth to this thing. It’s a great quick watch though, if you’re in for something strange, yet uncomplicated. What really sets this one apart is some of the bizarre and sometimes even macabre ideas it goes with. It’s completely unpredictable, and yet it’s not just random for the sake of being random.

Suggestions:
– Hoshi no Umi no Amuri
– Genius Party – Deathtic 4
– Fireball