If you’d asked me a month ago for my top picks of the season, Ballroom e Youkoso would have been one of them. If you’d asked me two weeks ago to rank the new summer series, this show would have been right beneath Made in Abyss at the top of the heap. If you’d asked me seven days ago whether Ballroom was going to bounce back from its first subpar episode, I’d have wagered it would… but it didn’t. We’re only four weeks into a planned 24-episode run, so this level of pessimism must seem premature to many of you. Part of me knows that it is. The other, much larger part of me is too disappointed to care, so I’m going full nitpick mode for the next 500 words, with the promise that I’ll resume standard coverage next time.
Let’s start with how annoying Sengoku was in this episode, and more broadly, the depths of stupidity to which anime character writing can descend. Hyodo, Sengoku’s star pupil, has been concealing a knee injury that his teacher fears will worsen without rest. His solution is to take advantage of Hyodo’s absence and use Tatara as a substitute, which will disqualify Hyodo, thus preventing him from dancing and compounding his injury. (Let us overlook the fact that he could have simply convinced Shizuku to withdraw, as a later manga chapter will point out.) He then proceeds to blame Tatara, who he roped into this ridiculous plan, for lighting a fire under Hyodo’s ass, claiming that it will be his fault if his rival should bust his leg on the floor. The show hangs a lampshade on how dumb this is by having the background characters accuse Sengoku of being unreasonable, but the show forgets their objections as quickly as it raised them. The kicker is that Mr. Coach of the Year thinks to himself, “I guess it was worth butting in,” when he sees Hyodo dance the tango like a man possessed, and later laughs about the length of his ban from competitive DanceSport.
You might claim that Sengoku is just a dick, but think about the fact that the author delayed the disqualification just long enough for Hyodo to land himself in the hospital, or that Tatara continues to blame himself for Hyodo’s injury and DQ, even though it’s obvious to anyone with an ounce of brain power that neither of those things are his fault. This series is pushing square-shaped story beats through circular holes, and whenever the peanut gallery shows up to remind you that what’s happening doesn’t make a lot of sense, they get swept under the rug. Some of the same problems are present in the manga, but seeing them presented at a static pace and with no adjustments is a real disadvantage for viewers of the TV version.
Where the anime ought to excel is in the dancing scenes, but they’re just not cutting it for me. Ballroom is pulling the classic trick of cutting from panning stills to amazed reaction shots, and hoping that its real-life audience will feel the same sense of wonder as the faces on screen. I’m starting to see a lot of painted backgrounds that are meant to imply movement, as well – they’re not as cheap as speed lines, but they serve the same purpose. The standing ovation that Hyodo’s tango received near the middle of the episode felt utterly phony, given that more than half of it looked like posing rather than dancing, and that sucked the life from everything that happened afterward. Iwakuma’s brief appearance came off as immaterial, and what could have been a real heart-to-heart between Tatara and Hyodo ultimately felt like a convenient way to move the former boy one step closer to his goal. It now falls to the Akagi siblings (the two characters introduced just before the ED) to breathe new life into this once-charming show, or else the next five months of blogging are going to be tinged with regret.
NOTE: This week, I started referring to the show’s protagonist (Fujita Tatara) by his given name, which should become a regular practice going forward.
Yeaaah… I’m underwhelmed as well.
The adaptation is very… unispired.
Every time the dancing animation was getting somewhat decent we immediately cut to a very long static shot.
And then they had the audacity to show us the few animated shots AGAIN later in the same episode.
I’ve mentioned Yuri on Ice before. That show’s writing was not that great, but it put emphasis on the skating and that was all in all very well animated and directed. It had almost no static shots at all (and if it did, it was very short to emphasize something). And yeah, they reused animations, but all in all, when watching it it flowed and felt very good, you felt like you were seeing a performance.
Ballroom e Youkosou doesn’t feel like I’m seeing someone dance. I’m seeing a couple of people do weird poses and music happens to play in the background. I might as well read the manga while I have tango/waltz music playing the background.
Yuri on Ice’s faithfulness to its sport is what’s missing from the visuals here, for sure. I guess Ballroom is just a different beast, even though it’s got a big name studio behind it.
Episode 5 is already out, so hopefully it provides cause for optimism. And if it doesn’t, the show is taking a break next week. I’m gonna view this as a win-win for now.
I just watched ep 5. It was much better. Even the tiny bits of dancing were much better (although I would have liked more).
BTW the dance animation is not the only flaw, but I think it drags everything down.
If we could *see* Hyoudo dancing really amazingly, maybe Sengoku’s line “I guess it was worth butting in”, would fall less flat?