Winter 2021 Anime Season Preview

Wooper: 2020 may be on its last legs, but the tradition of milking anime franchises to death is still going strong. That’s right ladies and gents, it’s Sequel Time. We’re getting second, third and fourth helpings of some of the most popular series in recent years – so many that we couldn’t cover them all in this preview. Attack on Titan’s ongoing conclusion and Re:Zero S2’s continuation are massive events, of course, but at least one other isekai sequel went unmentioned here, along with a handful of shounen offerings. In their place we’re covering a few original projects, of which there are a surprising number this winter (half of them involve idols, though, so we opted for the other half). As always, we haven’t commented on every new show, but all of them should be listed in the poll below, so let us know what you’re most excited for this winter. Enjoy the rest of your December, and we’ll see you on the other side!

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What will you be watching this winter?

Middling Expectations

Tenkuu Shinpan

Studio: Zero-G
Director: Masahiro Takata
Series composition: Touko Machida
Source: Manga

Mario: As the first output from Netflix’s batch of original anime in 2021, Tenkuu Shinpan looks middling at best. It’s the kind of title that has an intriguing hook but once it wears off there isn’t much beyond it. It’s based on a manga by Tsuina Miura, the creator of Ajin. While I like some aspects of Ajin, here’s the interesting part: Miura actually left the project after the first volume and some fans sarcastically say that his departure is the reason why the manga stays good. The PV looks unintentionally hilarious from what I saw, with a shirtless masked murderer with an axe chasing a girl in broad daylight. Director is a newbie, and the gal handling Series Composition was behind some oddly-paced shows such as 7 Seeds, Runway de Waratte, and Caligula. I won’t hold my breath over this.

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Akudama Drive – 10-11 [Babel/War Games]

These two episodes were absolutely stuffed with plot developments, character deaths, and big reveals. There’s no way I can comment on everything they had to offer in a regular-sized post, and I’m not so enamored with Akudama Drive that I’d give it a Great Pretender-length review. So I’m going to do what every pop culture journalist in 2020 does when they’ve fallen behind schedule: churn out a low-effort list article. Here are the major events of “Babel” and “War Games” ranked from worst to best (with their associated episode in parentheses). If you’re keen on playing with the newest and the best hacks and cheat codes, you can check out  new world hack here and find out for yourself.

#7: Wonderful Christmastime (10)
I’m already cheating with the structure of this post, and right off the bat I’m cheating a bit more. This wasn’t a major event, but rather a small scene that played right before the midpoint of the episode; still, it was saccharine enough to earn the last place slot with ease. Not long after the mass murder of hundreds of civilians by the Execution Department, Akudama Drive thought it would be a nice idea to play an uplifting musical sting as Sister experienced her first snowfall. The main issue here was that the scene functioned as a montage, so the wintery orchestral piece also accompanied images of cops suppressing crowds with beam swords and, most jarringly, Doctor lounging next to the corpse of a recent victim. Tone-deaf doesn’t begin to describe it.

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Fall 2020 Summary – Week 11

Wooper: Just two more weeks until 2020 can finally be put to rest. Here at Star Crossed, the Winter Preview is a key step in bidding farewell to each calendar year, so we’re hard at work on that project as you read this. But that busyness couldn’t stop us from offering our thoughts on these penultimate seasonal episodes – we had to lay the foundation for our final verdicts, after all, which ought to arrive next week-ish. See you then!

Golden Kamuy S3 – 11

Lenlo: Jesus, Golden Kamuy, that was easily the tensest episode of the season and possibly of the year. I really don’t know how to describe this without spoilers, so let’s just say everything came to a head this week. Sugimoto and Asirpa finally meet again, which means so does Ogata and Sugimoto, and Tanigaki and Kiroranke, and basically every character combination you can think of. Combine that with a treasure hunt that only one person knows the answer to and a whole bunch of guns and you have something going on. All in all, I loved this episode and I don’t know how to talk about it without spoiling everyone.

Maou-jou de Oyasumi – 11

Wooper: After cameos in episodes 8 and 9, Cubey finally revealed herself as a succubus who admires Princess Syalis for her popularity, not her evil counterpart from a parallel universe. I suppose it’s better that the show kept it simple, since it allowed the quest formula to be maintained after a few leaps in logic. Syalis’ ruthless training of her new body double ironically ended in her own death, which wasn’t tough to predict, but it’s the way she died that really sold the segment: drifting off to sleep while plummeting toward a fiery lake, satisfied with a job well done. Of course, the castle’s cleric revived her in time for the next chapter, where the other characters got a peek into her dreams. This was the spot where her relationship to the Hero was revealed to all parties involved, giving him a bit more to do than usual. As a matter of fact, the Demon Lord confronted the Hero face to face in this episode, though it was just a small gag about the man’s willingness to trust an obvious enemy. I haven’t mentioned the Hero in these miniature blurbs much, which is due to a lack of column space and his distance from the main characters, but also because I don’t find him especially funny. I’ll be interested to see whether his character “works” in next week’s finale.

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Fall 2020 Summary – Week 10

Wooper: In case you’ve been living under a boulder, you ought to know that Attack on Titan returned to the airwaves three days ago, and Armitage has thoughts about the new episode. So do Lenlo and Amun, I assume, but you’ll find them talking about different series after the jump, plus a few contributions from yours truly. It’s our biggest recap post in quite some time – hopefully we can keep this momentum going as the blog’s busiest season looms ever larger!

Attack on Titan S4 – 01

Armitage: I can safely say that I have not waited for an anime with this much anticipation. Ever. I wasn’t nervous this much-awaited return would be underwhelming, I was downright afraid. In entertainment media, Attack on Titan is one of the few shows that’s bigger than the medium they inhabit. One that most people who are even remotely interested in ‘Japanese cartoons’ have at least heard about. So, you can imagine how skeptical its fans were with the studio change announcements and a new director and staff at the helm. MAPPA had pulled the shortest of sticks by volunteering to follow the massively successful Studio Wit in producing the final season of Attack on Titan. So how did they do in their first at bat? Well, to my and almost every other viewer’s pleasant surprise, they knocked it well and truly out of the park.

This was easily the best season premiere this series has given us since its very first episode more than 7 years ago. Instead of wasting precious minutes with exposition and recaps, we are thrown headfirst into the action, a whole new cast of characters is introduced within seconds and the show expects us to be well-caught up on previous events to follow character motivations. While none of our original main cast shows up we do get to see Reiner and Zeke kicking some ass. And what glorious ass-kicking at that. We had actual good CG, fluid character movement carrying through the weight of every Titan’s attacks and set-pieces as bombastic as they have ever been, all accompanied by a thunderous background score. The barrage from the sky even reminded me of the Chimera Ant arc from Hunter x Hunter 2011. My only fear at this point is that in the process of hitting an opening Home Run, MAPPA may have broken their bat altogether. But as an anime-only who has somehow managed to avoid all spoilers about what’s to come, I am honestly more excited and way more optimistic than I ever was.

Continue reading “Fall 2020 Summary – Week 10” →

Akudama Drive – 09 [The Shining]

For all the sex and murder featured in this episode, it left me a little cold. Last week’s focus on Swindler didn’t just make her more sympathetic, it painted a way forward for both her character and the story: the rescue of Brother from Kansai’s clutches. “The Shining” didn’t seem to care much about that, opting to split its focus between a sudden civilian uprising and an homage to its namesake film. With just four (and now three) episodes left in its run, narrative momentum is of the utmost importance, but Taguchi and his team went in a different direction with this one. To be fair, that decision resulted in a lot of stylish images – assuming your X-ray vision penetrated the black fog censoring all the bloodiest bits.

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Fall 2020 Summary – Week 9

Wooper: Dragon Quest? More like Dropped Quick. We’ve got an oddball series in its place for this recap post, plus some thoughts on a handful of seasonal anime. Has Haikyuu season 4.5 finally turned the corner onto Sakuga Street? Will China’s latest sleeper series maintain its momentum? Should I have put a third question after the first two? You’ll have to read on to find out!

Gal and Dino 8-9

Wooper: If you’re one of the 12 people who were watching Gal and Dino before COVID kicked it half a year into the future, here’s your alert that the show is back – and better than ever, honestly. It’s found a sweet spot between Pop Team Epic’s absurdism, Galko-chan’s friendliness, and Tonkatsu DJ Agetaro’s chill vibes. Episode 8 put emphasis on the show’s warmth, as the gang celebrated Dino’s birthday with trick candles and gifts of cup ramen (to his unceasing delight), before transitioning into a bonkers live action scene that parodied Detective Conan, Mission Impossible, and Haruhi. Episode 9 moved in the opposite direction, going from PTE levels of mixed media (including simulated chalk animation and a marker-illustrated dream sequence) to a lovely confirmation of Dino’s happiness at Kaede’s apartment. Most people didn’t care about this show when it dropped back in April and won’t care about it now, but it’s got more heart than they’ll ever know. I love little things like Kaede carefully stepping over Dino’s tail (after injuring him several weeks ago), or Nanami working up the courage to ask a new friend over for dinner. Gal and Dino is both strange and sweet – a winning combination in a year that’s otherwise been uniformly bitter.

Haikyu To the Top Part 2 – 09

Lenlo: Look, there’s only one word I can use to describe this episode, and you all already know what it is: HYYYYYYYYYYYYYYPE. I’ve been really critical of Haikyu this season up until now, rightfully so I say. The tension has been lacking and the production has been inconsistent to say the least. So you cannot imagine how relieved and thankful I am that they managed to nail this episode. Inarizaki’s motto has always stayed with me more than the other schools. Just like Atsumu, I didn’t really get it at first, but it was this scene in the manga that always made it work. “We don’t need the memories”, forever pushing forward, the depiction of the team, the discussion about hunger and how it feels to watch someone enjoy a good meal. It’s one of the best in the series for me. And the receive, oh god the receive. This is what the ballboy arc was building towards, this singular moment, and it was beautiful. The voice over, the momentum of the ball and Hinata’s flip, I love it. It’s competing for my favorite episode of the season off of those two scenes alone. So yeah, it was a bloody good episode of Haikyu. But you already knew that.

Armitage: Yup. Easily S4’s best episode yet. The shot of Hinata’s trembling hands after completing that receive is up there with the very best climactic moments Haikyuu has given us. Please let the rest of the season be this well-animated, anime gods.

Continue reading “Fall 2020 Summary – Week 9” →

Taiso Samurai – 7-8 [Training Camp Samurai/Intensive Samurai Training]

This is the end of the road for my full Taiso Samurai writeups. Cobbling together this post was like trying to build a bird house with a hammer but no wood, and I’m not interested in repeating the experience. With just three episodes left, I’m very likely to finish the show, and there’s a decent chance it’ll be mentioned in our weekly recap columns, but its meandering story isn’t something I’m willing to spend too much brain space on next month. December already has a winter preview to write, a Best of 2020 post to plan, and a real life holiday season to prepare for (among other things). Meanwhile, Taiso Samurai’s narrative feels less diverse and more distracted the closer we get to the end. Accordingly, this will be a bit of a “Why I Dropped It” post, but my thoughts on both episodes can be found after the jump, too.

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Akudama Drive – 7-8 [The City of Lost Children/Black Rain]

It’s difficult to follow an all-star episode like “Brothers,” as this doubleheader can attest. My disappointment with “The City of Lost Children” was so great, in fact, that it delayed this post by a week. After the spectacle and weight of episode 6, we got a decidedly less impressive-looking showing that nevertheless boasted a cool setting in Expo Park – which was absent for 33% of the time, due to a lengthy flashback. Even the central object in the underground park, a rocket that Brother wanted to ride to the moon, was just an excuse to get that flashback off the ground. Its eventual launch was an anticlimax that spilled into episode 8’s beginning, making me fearful for the show’s chances this week, but thankfully it was more my speed. More than appealing to my personal sensibilities, though, it was specifically interested in Swindler, who seems a hundred times more authentic now than she ever has before. All it took to give her some nuance was to pair her with a cute kid instead of a sociopathic gang. Who knew that writing was so easy?

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Fall 2020 Summary – Weeks 7-8

Wooper: After making way for our quarterly State of the Season post last week, the recap post has returned with a value-sized installment. I might fall down on the job where my episodic reviews are concerned, but the weekly summary arrives on time, come hell or high water. There’s a new show under Lenlo’s microscope before the jump, plus double episode impressions for the usual suspects afterwards. Have at ’em!

Heaven’s Official Blessing – 4/5

Lenlo: A new addition to the lineup, by popular request! This was a slow but important two weeks for HOB. Where the first arc sought to establish the world and the setting, this one dedicates itself entirely to character relationships. Specifically between our lead and Xie Lian and our Antagonist (?)/Love Interest (?) Hua Cheng. And across both of these episodes I can say… it did a pretty good job of it. I’m not a big fan of BL, mostly because romance isn’t my genre. But the interplay between Lian and Cheng was rather interesting. Lian, a heavenly official trying to suss out who Cheng really is, and Cheng who could be simply playing with Lian or legitimately interested. This early into the series it’s too early to truly tell one way or the other. But for what I expected to be two boring episodes, HOB did a great job playing them off each other and establishing this relationship and I am looking forward to more.

Oh and one last thing of note that I almost forgot, there was some great visual alliteration in these two episodes. I especially liked the story of how Hua cheng earned his name with the white flower, both speaking to his own history as well as to when we first met him a few episodes ago. How he helped Lian, leading him through the forest under his umbrella. It was well done!

Kamisama Ni Natta Hi 06/07

Armitage: To paraphrase one of Shakespeare’s most well-known sonnets, “Thou art a Lolicon, yes?” In all seriousness though, this show is best when it’s not being serious at all. While we finally got back to the shady boy-hacker from Episode 3 and were presented with a head-scratching reveal at the end to tide us over till next week, I don’t know exactly how I feel about it. I mean, I guess this isn’t a fantasy show anymore. Well, it was always just winking at that possibility but now, it’s pretty much embraced the sci-fi genre altogether. Which I mean… yeah, sure. Feels a little shoehorned but the red herrings were there too. There’s also a love triangle being set up at the heart of our narrative though unlike other love triangles (read: Harems) in anime, I actually don’t mind multiple girls falling head over heels for our protagonist, as Sota is a very likeable one. Though, honestly if you were to ask me to choose between this show trying its hand at new ways to incorporate drama into its story or the viewers being treated to 12 episodes of Sota and co. shooting a movie, I’d choose the latter all day, every day.

Continue reading “Fall 2020 Summary – Weeks 7-8” →

Taiso Samurai – 06 [Samurai Father and Daughter]

I’ve been opening these posts with some variation of, “I can’t believe Jotaro wasn’t the focus of this episode!” for three weeks now, so it’s about time I stop being surprised whenever it happens. His training camp’s overlap with Rei’s birthday is the origin of the conflict here, so he’s at least involved in the plot, but it’s his daughter’s feelings that Taiso Samurai is interested in exploring. Quite simply, she’s overburdened. Going to school, doing the shopping and cooking for the family, putting on a smile for her dad even when he puts himself first… It’s too much for a nine year old girl to bear. Though this week’s resolution sees her cling tearfully to her father, I couldn’t help but feel like he got off easy. No parent enjoys seeing their child cry, but such a straightforward and cathartic expression of sadness made their subsequent reconciliation a piece of cake. We probably won’t get a story about fatherhood to follow up this depiction of a difficult childhood, and that’s a damn shame, because it’s precisely what Rei deserves.

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