Author: SuperWooper

Wooper: In case you’ve been living under a boulder, you ought to know that Attack on Titan returned to the airwaves three days ago, and Armitage has thoughts about the new episode. So do Lenlo and Amun, I assume, but you’ll find them talking about different series after the jump, plus a few contributions from yours truly. It’s our biggest recap post in quite some time – hopefully we can keep this momentum going as the blog’s busiest season looms ever larger!

Attack on Titan S4 – 01

Armitage: I can safely say that I have not waited for an anime with this much anticipation. Ever. I wasn’t nervous this much-awaited return would be underwhelming, I was downright afraid. In entertainment media, Attack on Titan is one of the few shows that’s bigger than the medium they inhabit. One that most people who are even remotely interested in ‘Japanese cartoons’ have at least heard about. So, you can imagine how skeptical its fans were with the studio change announcements and a new director and staff at the helm. MAPPA had pulled the shortest of sticks by volunteering to follow the massively successful Studio Wit in producing the final season of Attack on Titan. So how did they do in their first at bat? Well, to my and almost every other viewer’s pleasant surprise, they knocked it well and truly out of the park.

This was easily the best season premiere this series has given us since its very first episode more than 7 years ago. Instead of wasting precious minutes with exposition and recaps, we are thrown headfirst into the action, a whole new cast of characters is introduced within seconds and the show expects us to be well-caught up on previous events to follow character motivations. While none of our original main cast shows up we do get to see Reiner and Zeke kicking some ass. And what glorious ass-kicking at that. We had actual good CG, fluid character movement carrying through the weight of every Titan’s attacks and set-pieces as bombastic as they have ever been, all accompanied by a thunderous background score. The barrage from the sky even reminded me of the Chimera Ant arc from Hunter x Hunter 2011. My only fear at this point is that in the process of hitting an opening Home Run, MAPPA may have broken their bat altogether. But as an anime-only who has somehow managed to avoid all spoilers about what’s to come, I am honestly more excited and way more optimistic than I ever was.

Continue reading “Fall 2020 Summary – Week 10” →

Wooper: Dragon Quest? More like Dropped Quick. We’ve got an oddball series in its place for this recap post, plus some thoughts on a handful of seasonal anime. Has Haikyuu season 4.5 finally turned the corner onto Sakuga Street? Will China’s latest sleeper series maintain its momentum? Should I have put a third question after the first two? You’ll have to read on to find out!

Gal and Dino 8-9

Wooper: If you’re one of the 12 people who were watching Gal and Dino before COVID kicked it half a year into the future, here’s your alert that the show is back – and better than ever, honestly. It’s found a sweet spot between Pop Team Epic’s absurdism, Galko-chan’s friendliness, and Tonkatsu DJ Agetaro’s chill vibes. Episode 8 put emphasis on the show’s warmth, as the gang celebrated Dino’s birthday with trick candles and gifts of cup ramen (to his unceasing delight), before transitioning into a bonkers live action scene that parodied Detective Conan, Mission Impossible, and Haruhi. Episode 9 moved in the opposite direction, going from PTE levels of mixed media (including simulated chalk animation and a marker-illustrated dream sequence) to a lovely confirmation of Dino’s happiness at Kaede’s apartment. Most people didn’t care about this show when it dropped back in April and won’t care about it now, but it’s got more heart than they’ll ever know. I love little things like Kaede carefully stepping over Dino’s tail (after injuring him several weeks ago), or Nanami working up the courage to ask a new friend over for dinner. Gal and Dino is both strange and sweet – a winning combination in a year that’s otherwise been uniformly bitter.

Haikyu To the Top Part 2 – 09

Lenlo: Look, there’s only one word I can use to describe this episode, and you all already know what it is: HYYYYYYYYYYYYYYPE. I’ve been really critical of Haikyu this season up until now, rightfully so I say. The tension has been lacking and the production has been inconsistent to say the least. So you cannot imagine how relieved and thankful I am that they managed to nail this episode. Inarizaki’s motto has always stayed with me more than the other schools. Just like Atsumu, I didn’t really get it at first, but it was this scene in the manga that always made it work. “We don’t need the memories”, forever pushing forward, the depiction of the team, the discussion about hunger and how it feels to watch someone enjoy a good meal. It’s one of the best in the series for me. And the receive, oh god the receive. This is what the ballboy arc was building towards, this singular moment, and it was beautiful. The voice over, the momentum of the ball and Hinata’s flip, I love it. It’s competing for my favorite episode of the season off of those two scenes alone. So yeah, it was a bloody good episode of Haikyu. But you already knew that.

Armitage: Yup. Easily S4’s best episode yet. The shot of Hinata’s trembling hands after completing that receive is up there with the very best climactic moments Haikyuu has given us. Please let the rest of the season be this well-animated, anime gods.

Continue reading “Fall 2020 Summary – Week 9” →

Wooper: After making way for our quarterly State of the Season post last week, the recap post has returned with a value-sized installment. I might fall down on the job where my episodic reviews are concerned, but the weekly summary arrives on time, come hell or high water. There’s a new show under Lenlo’s microscope before the jump, plus double episode impressions for the usual suspects afterwards. Have at ’em!

Heaven’s Official Blessing – 4/5

Lenlo: A new addition to the lineup, by popular request! This was a slow but important two weeks for HOB. Where the first arc sought to establish the world and the setting, this one dedicates itself entirely to character relationships. Specifically between our lead and Xie Lian and our Antagonist (?)/Love Interest (?) Hua Cheng. And across both of these episodes I can say… it did a pretty good job of it. I’m not a big fan of BL, mostly because romance isn’t my genre. But the interplay between Lian and Cheng was rather interesting. Lian, a heavenly official trying to suss out who Cheng really is, and Cheng who could be simply playing with Lian or legitimately interested. This early into the series it’s too early to truly tell one way or the other. But for what I expected to be two boring episodes, HOB did a great job playing them off each other and establishing this relationship and I am looking forward to more.

Oh and one last thing of note that I almost forgot, there was some great visual alliteration in these two episodes. I especially liked the story of how Hua cheng earned his name with the white flower, both speaking to his own history as well as to when we first met him a few episodes ago. How he helped Lian, leading him through the forest under his umbrella. It was well done!

Kamisama Ni Natta Hi 06/07

Armitage: To paraphrase one of Shakespeare’s most well-known sonnets, “Thou art a Lolicon, yes?” In all seriousness though, this show is best when it’s not being serious at all. While we finally got back to the shady boy-hacker from Episode 3 and were presented with a head-scratching reveal at the end to tide us over till next week, I don’t know exactly how I feel about it. I mean, I guess this isn’t a fantasy show anymore. Well, it was always just winking at that possibility but now, it’s pretty much embraced the sci-fi genre altogether. Which I mean… yeah, sure. Feels a little shoehorned but the red herrings were there too. There’s also a love triangle being set up at the heart of our narrative though unlike other love triangles (read: Harems) in anime, I actually don’t mind multiple girls falling head over heels for our protagonist, as Sota is a very likeable one. Though, honestly if you were to ask me to choose between this show trying its hand at new ways to incorporate drama into its story or the viewers being treated to 12 episodes of Sota and co. shooting a movie, I’d choose the latter all day, every day.

Continue reading “Fall 2020 Summary – Weeks 7-8” →

Wooper: Last week I said that we might be skipping our weekly recap for a seasonal check-in, but then Amun came through with some impressions to give us three whole writers in one post, and I couldn’t pass that up. We’re approaching levels of blog contribution that shouldn’t be possible! Next week will be our Fall 2020 State of the Season shindig, but for now, we’re here to gab about the newest wave of weekly anime. Enjoy!

Tonikaku Kawaii – 06

Amun: Not in my normal strike zone of shows, but I find myself watching Tonikaku Kawaii first on the weekend anime binge. With a simple premise and a tiny cast, Tonikaku Kawaii should fall under the category of show that gives you cavities and I avoid like the plague. Tonikaku Kawaii banks on, and makes light of, some common early onset romantic issues – but it’s done in such a light hearted way that you can’t help but cheer on our silly, spacy couple as they bumble through the beginnings of married life. I’m sure you could find some criticisms of the perverted bath owner or the meddling little sister, but for now, it’s cute and that’s all you really need to know.

Golden Kamuy S3 – 06

Lenlo: I never know what to expect with Golden Kamuy. Some weeks it’s light hearted gallows humor with a sprinkle of drama, other weeks like this one that recipe is flipped on its head. Sadly it’s in weeks like this that I really start to see the cracks in the series. Drama is not Golden Kamuy’s strong suit, to say the least. Don’t get me wrong, I enjoyed it, the sniper battle was fun. I really liked the double misdirect in regards to Ogata’s position, and how his strategy actually laid him flat for the rest of the episode. Pair that with Shiraishi’s introspection and you have some decent drama. But I didn’t care much for Ogata’s flashback, all things considered. It didn’t tell us anything we didn’t already know about him as a character, and while it introduced a bit of guilt, it’s not something I really see it acting on. All in all it felt like it existed to pad runtime. Not in the worst way, it fit the show and reminded us just how much of a cold bastard he is. But it definitely wasn’t the most interesting thing in the episode.

Continue reading “Fall 2020 Summary – Week 6” →