I’ve got my relationship with Fumetsu no Anata e ironed out at this point. All the time it spends detailing new locations and characters? I sleep. The showstoppers it delivers once all the pieces are in place? Real shit. Right now we’re in the first of those two modes, but since our newest character Gugu is already grappling with existential issues, the other shoe can’t be far off.
Continue reading “Fumetsu no Anata e – 6-7 [Our Goals/The Boy Who Wants to Change]”
Lenlo: Alright I have a lot to cover and only a paragraph to do it in so lets make this fast! Right off the bat I really liked the horror-style directing of episode 5. It took what was essentially a bottle episode, relationship filler, and did something interesting with its presentation. Of course we will only see if this episode was worth it or not later down the line when these relationships get put to the test. Charging forward we come to episode 6! More than anything else this episode was a show of what Bakuten’s CGI can do and it wasn’t bad. It looked the worst during the performance oddly enough, with the harsh lighting really making them stand out. But the interesting and dynamic camera angles along with the full body movements kept it visually engaging enough that I think I’m going to call that a passing grade for now. Overall though the CGI is definitely wavering. Finally episode 7, backstory! This was nice, it was satisfying to see all the dominoes come together and finally get a complete picture. I can’t say I care for the teacher that much but he’s at least a character now, so points for that. All in all I think these 3 episodes weren’t half bad! Bakuten is silent but solid this season. Not making any great waves but steadily holding course, consistent with its quality. That’s refreshing!
Also the manager is still cute. Shoulda submitted her for the State of the Season, damn.
Wooper: I have nothing nice to say about these episodes or Back Arrow in general. It’s thicker than ever with pseudoscientific dialogue, asphyxiating plotting, and screechy voice acting. Even Zetsu and Rudolph, the show’s two reliably fun characters, have gone from unpredictable forces of chaos to mere mouthpieces for writer Kazuki Nakashima’s half-formed thoughts on God. I won’t be mentioning this show ever again (though I’ll marathon the last four episodes when I’m in a self-flagellating mood).
I guess Dynazenon is still airing, huh? Not only that, it’s connected itself to SSSS.Gridman in explicit fashion, with two of that show’s half-kaiju characters appearing as older versions of themselves. Anti and Anosillus II brought new life to the show, I felt, breaking up the Team Dynazenon vs Kaiju Eugenicists stalemate that had formed over the course of several weeks. This series is still operating at a high level, visually speaking, but the story has been in need of new blood, and now it’s got two fresh sources. They even wore spiffy black suits, a la the Neon Genesis Junior High Students from Gridman, indicating that they’ve pledged themselves to the cause of interdimensional justice. I don’t plan to go over all of Anti and Anosillus’s dialogue with a fine-tooth comb and extrapolate Dynazenon’s conclusion (I’d need knowledge of the toku series for that), but there was enough written between the lines to assume that the Hyper Agent himself will appear at some point. I’m already looking forward to it, as the human drama has started to wear on me in spots.
Amun: Of all the authors here, I think I’m watching the most shows this spring (20), so it’s fitting that I lead us off on the State of the Season post. Despite having only one tent-pole (MHA), this season features excellent mid-level sequels (Iruma-kun, Zombieland, Fruits Basket, and SSSS.Dynazenon) plus some surprising originals (Odd Taxi, Vivy). There are a few duds – Mars Red, Jouran, Shaman King – but overall this is a pleasant, quiet season following up the monster of last winter. Just don’t look too far ahead to the barren summer lineup and let’s enjoy some nice taxi rides and robot uprisings.
Amun: Honestly, I’m enjoying most of the shows I’m watching – I feel this season is solid. Vivy and SSSS.Dynazenon stand out particularly.
Lenlo: That I’m not reviewing? Odd Taxi has to be the pick for me. Aside from Megalo Box it’s one of maybe… 3 shows I’m excited to watch every week. Oh, I also binged the final season of Castlevania and while the story suffers from sequelitis god damn does it look good. So freakin good.
Helghast: Rammed through Invincible which is an original animation from Amazon and it was pretty good for an adult cartoon. I felt it dragged through its teenage drama for far too long but I can’t complain about having more subversive and violent superhero content.
Armitage: Megalo Box has been the clear standout. It’s even better than S1 and that was my favorite anime of 2018! Other than that, Vivy has been fantastic beyond my expectations and Odd Taxi has been the critical darling of the season. I do wish that Burning Kabaddi got more viewers as it’s a really solid sports anime. But yeah, that’s what I am enjoying the most for now. And let’s see, how many of these shows am I not reviewing this season? looks through notes Oh. 
Wooper: It’s not this spring’s best show, but it might be my favorite: Mini Dragon, the series of weekly shorts leading up to next season’s Kobayashi-san S2. It makes me happy to see TV work from Kyoto Animation again, even if it’s just for two minutes at a time.
Mario: Since I blogged none this season, my “non-blogged” favorites are also my overall favorites, and I have two. I will talk about the other show in the section below, so I want to raise attention to SSSS.Dynazenon. I still feel the shifts between its restrained character focus and its extravagant tokusatsu battles are a bit jarring, as well as its shifts from hand-drawn to 3D models – but I feel for the characters’ struggles, and its dream-like weirdness still holds my attention.
After an episode like this one, I hardly need to say a thing.
Continue reading “Fumetsu no Anata e – 05 [Those Who Follow]”
Helghast: After the mayhem of the Metal Float, this week honestly felt like a Carole and Tuesday episode with Vivy getting a hard reset back into Diva and getting back to the musical side of things with a special insert OP. I do like her personality change as it’s overall less stiff than her previous version. She feels a lot more human with her confidence and expressions of a veteren songstress looking to make it big beyond the main stage of Nialand. It even extends to her willingness to throw herself off the building in order to get more information when the AI cube of Matsumoto makes his return in an almost reluctant way. While the first half of Vivy had setpieces keep getting bigger and bigger with falling skyscrapers, falling space stations and an AI island gone crazy, the twist of Ophelia’s future sucide doesn’t seem to have that WOW factor but I’m sure the author has several surprises for the viewers to lose their minds over. I can think of why an AI might end their existence due to the fact that they have failed their mission. While this may or may not be the case with Ophelia, Diva has proven that such a thing is possible at the conclusion of the Metal Float mission. Having her come to terms with it when she regains her memories and seeing how that will play into preventing her AI younger sister’s sucide will be moving at say the least.
I don’t know the process by which episode counts are decided for TV anime, but Fumetsu’s 20 seems like a strange number given the industry’s general adherence to multiples of 12 and 13. Some may perceive the glass to be half full – seven extra episodes, oh boy! – but after watching “A Large Vessel,” I can only view it as half empty. Fushi’s attempted escape from prison and resulting torture were stuffed into a twelve second montage, undercutting the horror of his experience and muddling his subsequent search for an exit. Parona’s encounter with a would-be rapist was neutered by its placement late in the episode (though her previous wall-scaling scene was suitably tense). Characters are being robbed of the ability to process their experiences, and in a series like this one, which is about the experience of life across cultures and species, that’s a serious issue. “Just add more episodes” is a hated catch-all phrase of mine, but fuck it, I’ll join the chorus in this case: Fumetsu deserved 26.
Lenlo: God Mars Red is just so… aggressively mediocre. About once per episode it will have a good, focused moment of vampiric humanity. Of immortals interacting and living in a mortal society. And then the rest of the episode is just mediocre political subplots, vampires we don’t know or care about subplots and downright terrible action sequences. There’s only ever one scene of any value in these episodes. You could watch that one scene on youtube, skip the rest and lose absolutely nothing. And that’s a damn shame.
Wooper: Last week our heroes declared the Granedger to be its own sovereign nation, but that claim feels silly now that the show is handing out massive warships like Oprah. “You get a dreadnought, you get a dreadnought, everybody gets a dreadnought!” Not only are they being given to antagonists left and right, those antagonists are being defeated just moments after receiving them, making this whole arc feel even hastier than usual (a real feat for a series like Back Arrow). We’re just making all of this up as we go along, it seems, but at least that improvised feel leaves room for plenty of fights – the Rekkan Emperor kicked so much ass this week that he must have broken both ankles. Am I crazy, or did he manifest as both an arrow and the bow that fired it during his battle with Tae’s dreadnought? I had to rewind that scene a couple times to double check what I’d just watched, and I still don’t really understand it. Looked pretty cool, though! All the cult/prophecy nonsense about Arrow destroying the world is just background noise, as far as I’m concerned – give me more fights and less story, please.
Though SSSS.Dynazenon has lifted a number of elements from Gridman thus far, it wasn’t content to recreate that show’s fifth episode this week. Where its parent series put a spin on the stalwart ‘beach episode’ with a river rafting field trip, Dynazenon sent its characters to Tokyo Beach Land, a water park with an underground hot spring. With the power of both pool and onsen tropes at its disposal, you’d think this episode would be a massive hit, but it was my least favorite of the month. Let’s see if I can put into words why that was, exactly.
Continue reading “SSSS.Dynazenon – 05 [What’s Lover-Like Mean?]”
I’m still withholding my assessment of Fumetsu no Anata e’s forest makeover, as it feels like this chapter won’t reach its climax for a while yet. There was plenty of action this week, capped with the rescue of a young girl bound for death, but it all segued so smoothly into the next plot point that my emotional receptors never woke up. There’s no time for catharsis when everyone is immediately recaptured and carted off to Hayase’s village. (There’s also no need for it when March proves herself to be the mildest human sacrifice in the practice’s history.) Even the payoff to the previous episode’s “Arigatou” scene landed kind of sideways, since Fushi saved March due to instinct rather than gratitude. He’s an extraordinary character in what is quickly becoming an ordinary adventure series, and I feel a bit of a disconnect there. That said, it’s probably in my best interest to let go of the reins and just be a passenger in Fumetsu’s wagon, at least until its protagonist grows enough to start shaping the story (rather than be shaped by it).
Continue reading “Fumetsu no Anata e – 03 [A Small Evolution]”