Author: psgels

The Third – 04 – Awesomeness

by psgels, posted in The Third



Yes, The Third is great. Most likely one of the best series of the season. I’ve said it before, and I’ll say it again: Honoka is an amazing character. The anime really delves in her mind. It shows exactly what kind of person she is, all of her different sides, how she reacts at the things thrown at her and how these affect her. I have yet to see an anime who featured a character at whom the creators spent so much time and details. It’s just brilliant.

The episode begins with another example of the strictness of The Third. If you live a good life, you’re fine. Though when you break the law, they sometimes send their ultimate weapon to take care of them, which mostly means that you won’t be able to live much longer. It’s never mentioned, but I’m quite certain that this “ultimate weapon” is the Blue Breaker, who was mentioned at the previous episode.

Honoka’s right hand, meanwhile, still hasn’t fully healed. She really notices this when she practices swordfighting a bit. She and Ikus are in the desert again, heading for Oyaji in order to collect the PSP she ordered. We also see a little flasback of the one who taught her her fighting-skills. At least, the silhouette of the one who taught her her fighting skills. It appears to be a tall, long-haired person. It would’t surprise me if this guy is with The Third now. Then Ikus arrives, and the two of them talk a bit about each other’s special powers. Ikus holds a little speech, about things Honoka never really thought about. She begins to feel a bit lonely at that time (thanks to the narrator, again).

The next day, they arrive at Oyaji, and we get to meet another one of Honoka’s personalities: her immensely enthusiastic one. At the sight of her PSP, which seems to be an armoured suit, she immediately gets all giddly, wanting to check it out. However, she’s not exactly happy with the suit she has to wear in order to be able to use this PSP, though it appears that she needs to wear it anyway. She spends the rest of the day trying out all of the different functions, and playing a bit with Millie.

That evening, Bogie and Oyaji talk a bit about Joey, and his maintenance-work. It seems that he needs a lot of work, though he has potential. Millie and Honoka also talk a bit, and Honoka reveals that Oyaji’s the one responsible for fixing her Sand Tank, after she bought it, and she really owes him for all the work he’s done for her.

I like Bogie. Even though he’s just artificial intelligence with a voice, I just love his sarcastical comments. This personality seems to fit him perfectly. It’s so much better than just the same recorded tape which gets played over and over again. Anyway, during the night, the two parties break up again. After a couple of minutes have passed, Honoka suddenly realizes that the Blue Breaker’s heading towards Oyaji’s vehicle, in invisible-mode. She speeds up in order to be able to save them, but she arrives too late, and Oyaji’s vehicle catches fire. She then attempts to use the PSP, and thank goodness, she can’t operate it to its full extend yet. That only adds up to the awesomeness of these scenes. Eventually, she manages to hit the Blue Breaker, and manages to send it crashing to some place about a mile away.

It then seems that Millie managed to survive the attack, though Oyaji’s nowhere to be found. And to think that the best of the episode had yet to be shown. Honoka dashes out of her PSP, in order to meet up with Millie, who seems to bewildered to notice what actually happened. Then, it seems that Blue Breaker managed to survive the crash, and attempts to attack them again. Still invisible. During these attempts, Honoka’s headband falls off, and reveals some kind of third eye on her forehead. With this, she disables Blue Breaker’s invisibility mode, who flees afterwards, only laughing at her. On a side-note: Honoka looked really beautiful at these moments. This really was an amazing fight.

The goodness only continues when Millie sees the thing on Honoka’s forehead. For some reason, she gets incredibly paranoid, and faints. Ikus manages to catch up to them, and the episode ends. I’m really curious about what will happen in the rest of the series. It’s getting so amazing now.

Tsubasa Chronicle – 31 – So Many Wasted Opportunities

by psgels, posted in Tsubasa Chronicle



Tsubasa Chronicle seems to be reluctant to introduce new characters or something. During the entire season, all we’ve seen is either the same characters as in the first season, or copies of those characters, wearing the same soul but existing in a different world. Especially now, that it has been carried over the top, it’s beginning to bother me more and more. It’s a great concept, though the creators really need to look at series like Noein and Higurashi.

Why? Because they seem to have the strange idea that a person remains the same person, and that certain occurrences in his life don’t have any effect on this person, and he or she will just continue living on like he or she was destined to. They made a good attempt at fixing this with the magician, who appeared as a friendly captain on a ship, but he really has been the only copied character who experienced such a change. All other characters just share the same personalities, while they all have experienced different things, which turned them into the characters they are. When you see people like the king and his advisor in the desert world walking right next to each other in another world, then you could blame this on the fact that these were destined together, but what if the two grew up in an entirely different neighborhood? Then they never met each other in the first place. How would they act when a thing like that happens? And I haven’t even started about the physical appearances of the characters. Why does everyone have the same haircut, in all of his or hers different bodies with the same souls? And how about some scars that some characters might have encountered, while their counterparts have not?

This episode also showed me another flaw in this concept. Apparently, characters in different worlds with the same soul can differ from age. What we have here, is a genious concept. But why the heck is Syaoran’s father the only one whose age is different? The creators’d better have a very good reason for this, because at the moment, I’m blaming it on laziness. Another thing is: why haven’t we seen any copies of Syaoran? Or Sakura? Kurogane? Fye? The bad guys? The guys associated with Fye? Clow Reed? The creators can blame this on luck for a single season, though it’s beginning to bother me that they haven’t shown up yet.

Tsubasa Chronicle remains an entertaining anime, despite this. This is mostly because of the individual stories to be told, the great looking art (whenever it’s not suffering from low budgets) and some great characters and character interaction. Still, the fact remains that there’s extremely little time spent on the main storyline, which seems to be the most worthwile story of all. It’s great to see different worlds like that, I’m enjoying the creativity put in it, but I’d also love to see some more time being put into the main story. And I’m also hoping that this show will actually end at with the third season. Obviously, it’s been building up, though I wonder if you can build up too much.

Anyway, rants aside, the episode was an intermezzo again, in which Syaoran meets up with a child-version of his father. Despite their predictable reactions, the rest of the episode was enjoyable to watch. Especially Kurogane played a great part again. No bad guys this time, though. It seems they took a coffee break. The only thing is that the creators wasted yet another potentially good scene. The fact that Syaoran’s father isn’t really Syaoran’s father never gets questioned. I would’ve loved some interesting debates about this. After all, Syaoran is getting all hopeful on just an illusion. His father remains dead, though during the episode, he seems to have forgotten this. Is it really true that you can just replace an important person with someone from another world, who just happens to share the same soul? Then what value does this important person have? Interesting questions, which never seem to surface.

Saiunkoku Monogatari – 08 – Shiurei’s Back in the Castle

by psgels, posted in Saiunkoku Monogatari

As predicted, Shiurei doesn’t stay away from the palace for long. It begins with Ryuuki sending her all sorts of ridiculous gifts, like three chunks of ice, a pile of flowers, a pile of boiled eggs, and one straw doll. Shiurei is of course totally freaked out by this. Ryuuki also keeps having dreams of Shiurei, running away with Seiran, which aren’t too good for his sleep, as Ran and Kouyuu find out later. ^^

We also have the introduction of a new character. He seems to have come to the castle for some reason, but permission to enter is refused. Then, Shiurei runs into him, offering a bit of food and a place to rest. It then appears that this guy, who’s apparently named Ensei, is an aquaintance of Seiran. Though the latter isn’t too fond of the former, which leads to interesting discussions. Ensei used to have a big function, though I couldn’t understand what kind of function, unfortunately.

That evening, Kouyuu and Ran pay Shiurei’s family a small visit, in the name of the emperor in order to ask her to come back. I couldn’t catch the reason behind this, though I wonder what excuse the emperor tried to use. Shiurei eventually gives in, while Seiran sends Ensei along with her, probably in order to protect her.

Ensei isn’t the only new character to be introduced, as we also get to meet with a masked guy, at the end of the episode. We see some quick flashes of him during the entire episode, though we really get to see him introduced by the end of it, near the cliffhanger. I’ve no idea what this guy is, but apparently, he has an important function.

Kourin also moved away from the royal castle, as Shiusui tells Shiurei’s father. She seems to be doing well, wherever she is, and the two of them hope that she’ll become okay again. Shou Taijin (apparently, that’s the name of the advisor-old guy) also behaves weird in this episode, but that’s probably because he carries a little pot, which contains the ashes of the other old guy who perished in the last episode.

Overall, this episode was fun to watch, especially the emperor doing silly things again. But still, the show remains a bit boring. But that can also be because I couldn’t understand half of the things which happened.

.Hack//Roots – 08 – Some Thing’s About to Happen…

by psgels, posted in .Hack//Roots



.Hack//Roots really is the king of the anti-climaxes. At the climax of the last episode, Haseo, Tabby and Sakisaka are about to be teleported towards some unknown areas when the cliffhanger set in. What do you think happened at the beginning of this episode? Yes, they ended up in the lost grounds which Shino and Ovan seem to have labeled as their favourite place. Still, this doesn’t make this episode bad. In fact, apart from episode three, this was the best .Hack//Roots episode yet.

So many different thing happened, so many unexpected events played. So many questions introduced and so many questions answered. This episode really was a roller-coaster ride. And then to think that this was just an intermezzo, an introduction to the ninth episode! I can’t wait to find out what might happen then.

Haseo was great once more. It really seems now that he wants to please Shino in some way, and he wants to be with Ovan. That’s why he got the idea of what the function of the pillars might be, and that’s why he listened to Shino when she asked him to continue searching for the Virus Cores. I guess he doesn’t like Tabby and Sakisaka too much, which only makes him more adorible. He really doesn’t know how to deal with people, that’s clear now.

Ender also has the worst timing in the world, that also became clear after this episode, though I’m loving her evil character more and more. Especially now that she’s beginning to show more and more weaknesses. I just loved the fact that she just appeared after Sakisaka vanished, and then kept wondering where they went. This means that even she doesn’t know about these bugs. For the rest of the episode, she got assigned to watch Haseo, as Shino decided that the three of them were better to be moving alone, after she heard that Ender showed up again at the church. She then really gets surprised when Haseo suddenly disappears in front of a marking again, and you can see that on her face for the rest of the episode.

Goad also is planning something. He wants to prove Ovan that he’s better than him, and gets one of the virus cores which was in the posession of another PK-guild, named Kestrel. Phyllo calls him with a little brat because of this, with some good reasons. Still, I like Goad. He’ll definately play some great roles in the next episodes. I also loved the fight he had this time. It was short, and some strategy was included in it. And why does he think he can beat Ovan when he can’t even beat a guy like Phyllo? ^^

Tabby was adorible this time, especially in combination with the rapid succession of the different scenes. She really is determined to find out about the Virus Cores, so she decides to check out the church a bit, in order to find another one of those teleporting markings. When Haseo and Sakisaka are talking a bit, she’s busy checking the wall in order to find some secret entrances. Instead, she finds a doorway into a bug which doesn’t let her move at all. It takes her a while in order to find out she’s dealing with a bug and teleport away. (Yes, I absolutely loved the scene in the church. Roller-coaster rides at its best!)

Sakisaka remains in his sceptic and sarcastical self. When Tabby suggests them to take a look at the church, he finds that they’d better look for the virus cores instead of the markings, though he gets taken along against his will. Inside the church, he has no idea where to look for, and makes a couple of sarcastical comments about this. Though, when Tabby has her accident, he reacts to this, faster than Haseo. Only to wind up getting blocked as well. He, however, gets out faster than Tabby does, he meets up with Shino faster and fulfills goes to take care of one of her requests before the other two arrive.

Tawaraya had a bit of a sad role in this episode. He has a Virus Core, and for some reason, he’s supposed to give it to the members of the Twillight Brigade. His earlier attempts failed, and he can’t seem to think of another way to do it. But why does TaN want to give some of the Virus Cores to the Twillight Brigade? I mean, can’t they just take them from Haseo, Ovan and Shino and use them themselves? I mean, they seem smart enough to do it.

Naobi has another cryptic discussion with Ender. Apparently, their plan is about to enter a certain “Phase One”, and they need Haseo for it for some strange reason. Tawaraya doesn’t need to know anything again, despite him having one of the Virus Cores. Apparently, the thing he wants is Ovan’s character data. Once Ovan is caught, their mission will be lots easier. Their plan to do this seems to be all set up, though Ender is not sure whether it will work. Naobi’s silouette also appears when Ovan starts talking about the fact that the Key of the Twillight might already be near them. Does that mean that Naobi has got something to do with the Key of the Twillight itself?

Shino also seems very keen on being the one to break the good news to Ovan. She has another cryptic discussion with him as well. It seems that Ovan might disappear for a while once the Key of the Twillight is found. She also reveals that she knows Ovan in real life somehow, though she makes it seem that there’s more than just that. Though, why is she reluctant to let Haseo show his own findings to Ovan?

Ovan seems to be getting energetic at the end of the episode, up to the point at which he even priorizes the Key of the Twillight above his own job. It really seems to be his plan to go and get the Key of the Twillight in the next episode. But still. Haseo has two Virus Cores. One he got from Shino and the other one he got in the strange space he visited during this episode. Shino also has one, and he has the fourth one of the Twillight Brigade. Then there is one in the hands of Goad, and Tawaraya posesses the last one. But how was he planning to go there without having the last two of the Virus Cores? Or could it be that Haseo just managed to discover the seventh Virus Core? After all, it was found in an unknown area. In any case, his little pep-talk at the end of the episode really managed to make Haseo enthusiastic.

Sakisaka also states a nice point: everything seems to happen a bit too convenient. And it’s true. The Key of the Twillight is about to be found, and we’re only at episode eight. This must mean that there’s something about to happen which will turn over the entire plot of the anime, like a giant pancake. It probably has got something to do with Haseo’s strange ability. It would be too great if all the different parties manage to break up afterwards, making the Twillight Brigade and TaN to be disbanded.

The brilliance of .Hack//Roots? The fact that there are so many different characters, with each and every one of them acting independantly. Because of this, there are so many different opportunities for different kinds of conversations, which makes each character different. And not just once, but during the entire airtime of the anime. Each of the different characters has his or her own meetings with other ones of the different characters, and it’s executed perfectly.

xxxHolic – 08 – Getting Better and Better

by psgels, posted in xxxHolic



It’s just as I hoped: xxxHolic continues to get better and better. I guess I’m really into shows which tell a different story for each episode, as I just totally loved Mushishi and Jigoku Shoujo as well. Okay, there are no such things as cliffhangers, the endings of the episode don’t make you feel curious about what is going to happen afterwards. But still, I find myself wondering about the next story to be told at each of these anime I mentioned. This works just as strong as cliffhangers, maybe even stronger. Especially if you consider that a cliffhanger’s power mostly lies in the moment it happens. The minute the story continues takes its power away again, in most cases. When you have shows like xxxHolic, Mushishi and Jigoku Shoujo, this power doesn’t get taken away at all.

This episode probably was the best xxxHolic episode yet. It already starts with great references, both to Tsubasa Chronicle and the xxxHolic movie. Watanuki is bringing all of Yuuko’s stuff outside, in order to thoroughly clean them, just like in the movie. He encounters Mokona again, this time not in a box, but disguised as a stranded pillow. Maru and Moro are meanwhile hitting a rug, stitched with a couple of butterflies. Maru uses a bat (if I do recall it correctly, it’s the same bad as the one Yuuko bought in the sixth episode, after which she labeled it as a sword), while Moro uses Fye’s staff. To make things even better, The butterflies on the rug seem to be avoiding the bat and the staff. This truly was one greatly excecuted scene. So many things happen at once and Watanuki’s reaction was just perfect.

Then, the real story of the episode begins. It’s about a woman who’s collecting all kinds of rare and ancient stuff. She then notices a closed, cillindric, ceramic box-like thingy, and she asks Yuuko if she can have it. Yuuko warns her not to open it at all costs, and she gets pretty serious when she does this. The woman eventually gets to have the box, though I wonder what she had to give Yuuko in order to get it. I think that Yuuko’s advice was enough of a price, as the rest of the episode shows.

The woman appears to be a new teacher on Watanuki’s school. This means that Domeki and Himawari also are a bit involved in the case. The woman immediately recognizes Watanuki when she sees him, along with Domeki and Himawari. Then, Himawari accidentally opens the box, and a sealed monkey-pawn shows up. The woman tests this out by asking for a day of rain. She hears a loud “knack”, and the rain starts. The next morning, it appears that in order to make it rain, the monkey pawn took all of the water from the school pool.

What follows is a beautiful story about the woman who begins to lose herself more and more. She first wishes for a mirror she wanted to have for a long time. This mirror is probably the most valuable mirror in whole Japan, so once she wishes for it, the monkey pawn goes to steal it for her and brings it to her. She then notices that every time she makes a wish, one finger of the pawn breaks. She makes her next wish when she’s in a writer’s block, and wishes for a great paper for her to turn in. Of course, the pawn steals this from another brilliant student. In the meantime, she happily tells Watanuki, Domeki and Himawari about what she did, and doesn’t even realize she’s going into the wrong direction. Watanuki gets more concerned by the minute, as well as Domeki, although he shows less signs of it. Himawari doesn’t notice anything, while Yuuko remains as serious as she was when she handed the pawn to the woman.

Then, she misses her train, and just like all ordinary people, she wishes for an accident to happen. She really breaks when she sees a person getting ran over by a train, right in front of her eyes. To top this, she gets to pay the price of plagiarizing, and this makes her think that she’ll also be accused of the person being ran over, and she begs the pawn to undo all the things she did. Then, it strangles her, leaving no trace of her, it returns everything like it was before, and so it comes back to Yuuko. I so loved this story. Especially when she saw the person being ran over. Even though it was just a colorless figure, it did make an impact.

I’m also beginning to love the art more and more. Okay, so what if the long limbs aren’t natural. You never hear anyone talk like that about chibi-characters, do you? The facts that the art is messy and illogical are really starting to grow on me, and I’m really beginning to like the character designs more and more. Even normally dull-looking characters like Watanuki and Domeki look more interesting by the minute, and Himawari looks less annoying after every episode passes. And yes indeed, the “extras” aren’t even bothered to being colored, or given a face in the first place. Still, it’s better than method that most anime attempt: every “extra” has the blandest clothing, the most common face ever, and an extremely dull haircut, while the main characters suddenly have hair in the wildest colors, in huge amounts, and each have something unique. Though they still try to simulate some realism while trying to be as natural as possible while spending as little budget on it as possible. xxxHolic at least recognizes that the anime isn’t about these unimportant extras, and just gives them a quick outline and places a number of these on the scenery, in order to fill the screen a bit. In fact, this works so much better than those cheap attempts at realism.

Higurashi no Naku Koro ni – 08 – Great Concept, But Flawed

by psgels, posted in Higurashi no Naku Koro ni



The final episode of the Watanagashi-arc answered so many questions. But then again, for every question it answered, it somehow managed to introduce two new questions. So, we’re back where we started. Overall, this arc wasn’t as worthwile as the first one. The only part I really enjoyed was when Keiichi met Shion and Rena overall.

Ah well, it seems like my theories from last time were totally wrong. We start with Rena giving Keiichi a list of people missing, which includes Rika and Satoko, along with a certain Kimiyoshi Kiichiro, who must be the village-chief. Keiichi finally accepts that because he sneaked in the storage house, he’s the one at fault, and Rena slaps him for this, as she feels that he has yet to be punished for this. Rena heard from Mion what he’d done, and she was indeed very angry about this. The two are talking like they’re very close at this moment. It still feels strange after the first arc.

Then, Keiichi finds some notes about Rika’s talk on the phone, and she indeed spoke with Mion. Ah well, there goes my theory about Rika faking her own disappearance. It seems like everything indeed went as Rena thought it would. They plan to visit Mion, in order for Keiichi to apologize. They then get disturbed by Oishi once more. Rena proves her detective skills once more when she finds out that Oishi plans to use them as bait, in order to get permission to search Mion’s house. The two of them leave Oishi, while Rena gets really angry. Though not in a demon-way.

They walk to Mion’s residence. Apparently, they’ve got a huge back-yard. Once inside the house, Keiichi confesses, and sincerely apologizes for his actions. Mion acts like she doesn’t care, and Rena scolds her for this. Keiichi and Rena then tell Mion that they know that Rika and Satoko have been at her place, and she freaks out once she realizes that the two know that Satoko wasn’t supposed to come along. She begins laughing in a demon-like way, and then turns serious again. She then puts up the Shion-voice and explains that the Hinamizawa Village’s original name was Onigafuchi village, or Demon’s Abyss. Like explained two episodes ago, the people of Onigafuchi carried the bloodline of demons. As people began to oppose them, they worked together in order to defeat them, as demonstrated in episode five. Still, if Mion knows about the demons, then she must have been there at that time, which means that she was the one working at that restaurant at that time.

She also explains that, as the heir of the Sonozaki family, there’s been a demon carved into and onto her. She wants to show Keiichi and Rena the scars the demon left on her body, though Rena tells her that that’s not needed. We can get the general idea when we look at the OP, though. She also reveals that she was indeed involved in some of the Watanagashi-murders. In some of them, she was directly involved. In some of them, indirectly. She was also the center of every one of them. Then she indeed reveals that she did kill Rika and Satoko. This brings up an interesting issue: the sequence shown in the first scene of an arc doesn’t have to be its climax. While speculating about what were to happen next, I always kept in my mind that Rika was to die at the end of the arc, not during the middle of it, and so I came up with the theory of her faking her own disappearance. But instead, she wanted to protect Keiichi from Mion, so she went to confront Mion, and somehow ended up stabbing herself. At least, that’s what I like to believe. The fact remains that Rika knew that Mion was after her. Then why would Mion have to lure her to her house, and why did Rika want to involve Satoko in it as well? In fact, if Satoko wasn’t supposed to come, what did Mion make to kill her as well? Suspicions?

Rena then mentions one person which Mion didn’t want to kill, and managed to save by her own will. Mion then turns this one person into a “them”. This could be Oishi and some police-officers. But then again, why would Mion want to save them, over persons like Rika and Satoko? Mion then asks Rena to leave her and Keiichi alone for a while.

When they walk outside a bit, Mion confesses that she liked him, just as Shion liked him. She also reveals that Shion’s still alive. Keiichi then proves that he has a strong heart. A very strong heard, as he promises to believe in Mion, and that she remains his best friend no matter what happens. An interesting thing to promise to a mass murderer, but let’s put that aside, shall we? Because Mion then makes a very interesting statement. She can understand why Mion liked Keiichi. This means that Mion isn’t the one speaking at that time, which gives options for two possibilities. 1. Shion’s been the one talking to Keiichi for all this time. 2. The demon has completely taken over Mion. I was first inclined for the first option, though the scenes that followed changed my mind.

They’re in a secret basement at the moment, full of torture devices like the one in the storehouse. Mion firstly reveals that the torture devices were meant to inforce the Onigafuchi laws. Anyone who was to break them, was to be slowly tortured by these in public. The Sonozaki family built these torture devices in order to continue the tradition of the Watanagashi. She then reveals that the basement was the place at which she performed Watanagashi on everyone. When Keiichi asks about Shion, she takes him to the prison. What follows a really great scene. Shion lies there, broken down, only triggered by Keiichi’s voice. She gets incredibly happy when she sees him, though she really freaks out when she sees Mion. Mion then breaks the fun by grabbing a large boulder and dropping it on Keiichi’s head.

When he wakes up, he’s put into some torture device. Shion still screams in the background, while Mion explains what she’s going to do to him. She has fifteen nails, which she’s going to run through his hand. Before she does it, she gives another fact. The demon in her has dwelled inside her for a long time, though it was Keiichi who awakened it, because he didn’t give Mion the doll he won in the first episode.

And suddenly, everything makes sense! Okay, not everything, but still, the basic concept of Higurashi suddenly is clear. Why was Rena so humane in the second arc, while she was horribly scary in the first one? Of course, because she has a demon inside of her as well. In the first arc, Keiichi awakened her by stopping to help her get that doll from under the garbage. As this didn’t happen at all, Keiichi also didn’t make Rena sad in any possible way, so that’s why she acted so friendly towards him. Mion’s demon was also awakened in the first arc as well, though I can’t remember why that happened, unfortunately.

Anyway, this development gives for two possibilities. 1: Every citizen of Hinamizawa Village has a demon inside of him/her. 2: There are only a few people with a demon inside of him/her. The people beating the punks in the fifth episode point to the first option, though the OP, which shows Mion with a scar, and Shion without one points to the second one. Still, I think that Rika’s demon, while she was about to be murdered by Mion, awakened at that time, and stabbed its host in its confusion. I’m also guessing that demons go to sleep in their hosts when there’s no action for a while. It’s never explained in the anime, but it’s the only explanation I can find for the other Watanagashi-murders.

Anyway, Mion tries to put the first nail in, but the Mion manages to stop the demon from doing so. Keiichi asks the demon to let Mion and Shion go. Mion wonders why he can’t even think about himself at a time like this, so as a third wish, he asks her not to kill him. Mion can’t give into the first two requests. Shion will be killed by the demon no matter what, and the demon also won’t be able to give Mion’s body back. She doesn’t give any reasons at all for this, strangely enough. However, she does listen to his third wish, in order to let him live. She’s forced to do this, as she hears some policemen trying to open the doors of the basement. Rena must’ve warned them. She also warns Keiichi to stay away from her, as from that moment on, she’ll be posessing Mion’s dead body. But then, if demons can posess dead bodies as well, why didn’t Rena and Mion come back to life in the first arc after Keiichi killed them?

Mion uses an electrifying-thingy in order to bring Keiichi unconcious, while she gets away and the police barges in. Rena looks worried about him, and Shion’s saved as well. The bodies of the other victims, however, have yet to be found. And this is where the amount of questions multiplies faster than a herd of hyperactive guinea-pigs. Keiichi’s moving away from the village again, for some reason. Rena’s sad, because she’ll be the only one in the village left. That evening, Mion drops by. The two talk normal for a bit, but then Mion starts resisting, and the demon takes over again, stabbing Keiichi. She then freaks out even more when she starts yelling that she killed everyone with her own hands. But what about Rena, Shion and Oishi? And what does she define by “everyone”? Rena seems to have been disappeared into oblivion for the rest of the episode. Whether she’s killed or not remains a mystery. Shion is found after having jumped from her hospital room, from about eight stories high, though I think that Mion paid her a visit before that happened. Oishi doesn’t have anything to do with Mion this time, and Keiichi managed to survive.

While Keiichi talks to Oishi from his hospital bed, the number of plot twists and questions introduced really gets up high. It appears that Mion HAS been found, along with all of the other bodies she disposed off. Keiichi told the police about some kind of well, which would contain all of the victim’s bodies. Where did he get that information from? Anyway, the well indeed contained the bodies, along with Mion’s. To make things even better, it seems that Mion dies on the day that the police barged in. So, if it indeed was the demon posessing Mion’s dead body, then how come Mion still was acting like Mion at first, before the demon took over again? And if it all was the demon playing an act, why did it leave Mion’s body in the first place, and why did it go through the trouble of walking all the way to the well, only to leave Mion’s dead body behind?

Oishi only makes things better when it seems that Takano died before the night of the Watanagashi. This means that she also had a demon inside of her, which was controlling her dead body at that time. This explains why she knew a lot about the rituals of the Watanagashi, and that she might’ve been the one who killed Tomitake (after all, he and Takano weren’t found in the well, so someone aside from Mion might’ve killed them). But then again, she was BURNED, which throws this theory in the trash can as well, as she looked perfectly fine at the night of the Watanagashi. No burning marks at all. And how about the first arc. Was she burned at that time as well, though she was never found? Then, a blood-covered Mion shows up, pinning the nail through Keiichi’s finger after all. The only explanation I can find for this is that when a demon takes control over a dead body, then it leaves the physical dead body behind, only to create a new body, identical to the one it posessed. Or something in that direction, as that theory is flawed as well, as it still doesn’t explain the little part of Mion which got shown right before she stabbed him.

It was an interesting arc. Each of the characters will indeed end up reacting very differently during each different arc. The paranoid Keiichi stayed mostly calm, with a small number of breakdowns on the second arc. The crazy, demon-posessed Rena turned caring, sharp and serious. The demon managed to control Mion much more than during the first arc (there’s got to be a reason for that. Either the thing that Keiichi did to her in order to awaken the demon, or Rena’s prescense. It seems that Mion really listens to Rena). Satoko turned from sadystical to casual. Rika turned from silent to cute and caring. Oishi turned from friendly to more business-like (another interesting detail I managed to notice: whenever he’s about to deliver harsh news, he starts smoking cigarettes). Tomitake’s become much more obedient. Takano’s the only one who didn’t recieve any change in personality.

More changes with the previous arc:
– No syringe in the second arc.
– The strange men who arrived at the end of the first arc also don’t appear in the second arc.
– Keiichi doesn’t get paranoid in the second arc, so he doesn’t write the note about the things he knows.
– The first arc ended with the deaths of Mion, Rena, Keiichi and Tomitake, while Takano disappeared. The second arc ended with the deaths of Rika, Satoko, Shion, Tomitake, Takano and Mion, with Keiichi and Rena unknown.
– Keiichi moves again at the end of the second arc. Something that hasn’t been mentioned in the first arc.
– Mion and Oishi have no relationship in the second arc. At least, she doesn’t mention him at all. In the first arc, she immediately suspected him.
– Keiichi was never attempted to be tortured in the first arc.

Before I’ll quit (damn… my entries for Higurashi are getting longer and longer… this one managed to get to 2500 words), I have to say that Rena’s an awesome character. I liked her more when she was in scary-mode, though. The fact that this arc ended with so many questions also took its toll a bit. It just feels a bit incomplete. A bit too incomplete. I believe that the problem with Higurashi is that it has a great concept, but at certain points, it certainly could have been better. Keiichi’s reactions also have been extremely unnatural. I know he was calm at that time, but his behavior during this episode was just a bit too calm. After all, he knows that Mion’s about to kill him. Why doesn’t he freak out like in the first arc? Ah well, let’s hope that the next arc will be full of paranoia again.

Bleach – 81 – The Absolute Horror!

by psgels, posted in Bleach



After last week, the series focuses on the main story of the fillers again. Jin reveals why he did everything. The mosquitos can suck up a living human’s soul, purify it and somehow make the same amount of spirit power ten times more powerful. Now that I’m typing this, I’m realizing something. Human souls are naturally impure? Then what do the mosquitos do in order to purify it? Well, because they’re damn handy plot devices and give Jin a nice and easy way to be evil so that the creators wouldn’t have to use their brains in order to find a good motive for him.

Then, something seemingly worthwile happens, though Bleach managed to screw it over in such a way that it becomes horrible again: one of the Bounto is having his doubts, and stands up to Jin. He mentions the case of the old man, who became so old because he used to absorb a lot of human souls in the past. (Actually, why isn’t this guy stronger than Jin?) Of course, Jin quickly changes this guy’s mind by feeding him the liquid from the mosquitos, turning him hungry for power again. Not only did the creators waste a valuable chance for a good plot, they also signed their own funeral. I mean, every ape can tell now that Jin will become more and more obsessed with power, until he takes too much and explodes, or something like that. I can’t bear the thought of having to witness these scenes for another ten episodes.

Still, two worthwile things happened at this episode. The first, and most important one, is the conversation between Nova and Sado. Pure brilliance. The second thing is Ishida, the only one who managed to turn the filler-plot up a bit. He’s love-sick, of course, and he, again, goes out. This should at least provide some worthwile scenes, should it?

The Third – 03 – Deep character development

by psgels, posted in The Third



When you ask people about the women who can really think for themselves, featured in anime which came out this season, you most often hear Firiel and Shiurei. Honoka, however, is mostly left out of this, while she has all the right in the world to belong in this category. She’s another one of these female main characters that really is unique in her own way, can think on her own way, and has her problems her own way. Shiurei has an amazingly strong personality and great morals. Firiel has her incredible curiosity and self-confidence. Honoka has an extremely cheerful personality and some very sharp observation skills. I don’t think I’ll be able to determine the best among the three of them.

It does seem, however, that this anime will manage do delve better in the mind of Honoka. The narrator was a very good idea, as he is able to inform the viewer about the unspoken and unwritten events that happened.

The episode immediately starts with the footsoldiers of The Third forcefully separating a man from his wife and kid. Lots of drama, though surprisingly nowhere it gets over the top, turning this into a good scene. We then switch to Joey, suspiciously watching Honoka and Ikus talking while he actually should be performing maintenance on Bogie. Honoka says goodbye to Ikus in a bit of a slow discussion. She feels a bit sad when he leaves.

We then get a bit of info about the town which Honoka frequents. It’s called Emporium Town, it’s a rather large-scale settlement in the Rokugou Desert. It’s also good that the cities actually have an explanation for their source of foods, in contrast to a certain Trigun. It appears that The Third loans bio-plants to these settlements, while they can build up their own, self-sustained system. This makes me wonder about The Third. They provide food for settlements, but they also just kidnap people and take them to somewhere remote. Are they good, or are they evil? Anyway, Emperium’s a bit different from other settlements, because of the huge number of mechanics (or Technos) and great mechanical skills posessed by these people. Thanks to the narrator for informing me on this.

Honoka’s meanwhile on her way to a doctor, just in case her wound appears to be something dangerous. On her way, she meets up with a lot of mechanical shops, and she really needs Bogie to remind herself that she can’t spend any more. She also runs into some guy named Kevin. The two of them apparently know each other. He pokes a bit of fun at her, but then he tells her that a certain “Blue Breaker” has started moving.

I also noticed that a fair number of people keep reminding Haruka that she doesn’t look too feminine in her outfit. Still, I have to say that I like it. It’s so much better than the generic maid-costumes. Anyway, Honoka arrives at the doctor’s office, but then it appears that the guy’s a huge pervert. I was fearing the worst, but Honoka’s reaction to this was actually pretty funny, rather than annoying like in most anime. The doctor also mentioned the “Man’s Romance”, which totally reminded me of PopoloCrois.

The doctor examines her arm a bit, and gets a big smirk on his face when he realizes that Hokona might have someone she loves. They also talk a bit about how she fought with the 4th model, and how he adviced her not to get involved with Jouganki anymore. He also mentions that the foot-soldiers from The Third are more active than usual, and that they seem to be looking for someone. Ikus directly comes to Honoka’s mind.

After she left the hospital, Honoka contacts Bogie for a bit, explaining that she’ll be working for a bit while he warns her about the Blue Breakers again. Whoever they might be. Honoka spends the rest of the afternoon taking on small jobs in order to earn enough money for the things she bought last time. Joel, meanwhile, still wonders who Ikus might’ve been. Honoka also hears about the event which happened at the beginning of the episode. It then appears that the guy got kidnapped because he was using too many technologies, as The Third only allows a limited technology. Lawbreakers will be regulated strictly. This is called the Technos Taboo (thanks to the narrator for this information again).

That evening, she suddenly sees Ikus, acting like nothing’s going on, while he’s the one being searched for. She takes him to a bar, which Kevin also seems to be frequenting, and tries to talk some sense into him. Ikus, however, has no idea what she means, so she gets a bit startled by this. Honoka also explains that Kevin works as a mercenary soldier. Ikus then admits that he’s had fun while staying with her, startling Honoka once again. We then get a very small taste of the plotline in future episodes in the scenes which follow.

To begin with, Ikus mentions that Honoka’s more special than any life since he’s been there. The fact that he uses “life”, instead of “humans”, or “people” must mean that there are other sentient beings wandering on the planet besides humans. Then, the series really gets entertaining when the foot-soldiers enter the bar, and approach Ikus. They demand him to come with them and go to the place named Hyperius. He refuses, and Honoka tries to do something. She forms some kind of strange energy in her hand, though before she gets to use it, Kevin smacks the foot-soldiers standing in front of her, pretending to be drunk. What follows is the other people in the bar suddenly getting the motivation to smash some foot-soldiers as well, giving Honoka and Ikus the chance to escape. Still, these scenes to suggest that there’s something special to humans in this world. Honoka is special in some kind of way. It’ll be interesting to find out which kind.

Joel really gets annoyed when he finds out that Ikus asks Honoka to allow him to travel with her. He offers a large sum of cash for this. Honoka accepts after a bit of thinking, but deep in her heart, she’s happy that he comes along with her (thanks to the narrator for this info, once more. He really needs to have some kind of name if this continues). He has his own reasons for joining her, though he doesn’t want to tell her yet.

Honoka definately is one of the most dimensional characters ever. I don’t think I’ve ever seen a character with so many different sides as she has, no character acts as natural as she does. In most anime, I’m able to tell how a character feels. Character A feels happy at this moment, character B is embarrased, while character C is thinking. In The Third, I need the narrator in half of the cases, as I just can’t describe how Honoka feels with just one or two simple words. The best examples of this is probably when she meets Kevin for the first time, and when she says goodbye to Ikus.

Tsubasa Chronicle – 30 – The Bad Guy

by psgels, posted in Tsubasa Chronicle



Before I begin with the review, I’d like to bring the great news that this is my exact 250th post! Yay!!!! In a bit more than half a year, I managed to produce quite a number of material. Now, up to the 500!

This episode was a very interesting one. Remember the last episode of the first season? Well, it seems that the spirit world last episode talked about was actually this world, there seems to be another feather at this place, and we have another arc which only takes up one single episode. It brings up some nice discussions, though I believe that this was mostly meant in order to flesh out the main bad guy a bit.

The thing I loved about this episode is the fact that we didn’t get to see a happy ending. The characters who died and got revived back last time, are at the verge of disappearing again. They hope that a second feather, located in the horn on the nose of a dragon will be able to please the statue from last time, so that it’ll be able to stop the people from disappearing.

The feather is obtained, thanks to a smart plan from Kurogane, though then it appears that the statue won’t be saving those people. The wish Sakura made last time appeared to have been a temporary wish. The power of the feather wasn’t enough to accomplish it. What follows is a sad scene of people who have died vanishing once more, saying goodbye to their loved ones for a final time. Even though this didn’t mean a lot in terms of the plot, I found myself enjoying this. It really reminded me of Mushishi in some way.

But then we have the bad guy. He’s first seen when the statue refuses to grant Sakura’s wish, at which he seems in very deep thoughts when he sees this. We get to see him again at the end of the episode, after which the persons have vanished into thin air, or green sparks, in this case. While holding a wine glass, he says the same thing that Sakura’s father (or Clow Reed) said to her when she was young: you can’t bring people back once they have lost their lives. We switch to Syaoran and Sakura for a bit, and when we return to him, the woman arrives. They both agree that everything went as they expected. The wine-glass, however, has fallen and the bad guy looks very annoyed. This suggests that our bad guy has once lost someone he dearly loved. This someone probably has something to do with his reasons for acting. I wonder who it could be, and if we already had this person introduced.

On a side-note: it’s great to see that the quality of the graphics has turned up again. Last episode was just a bit too horrible.
On a side-note-2: Yuuko looks more like xxxHolic-Yuuko than ever.
On a side-note-3: Why the heck doesn’t xxxHolic have Tsubasa-Chronicle references? Or will these just appear in the later episodes?

Noein – 22 – OMG!!!

by psgels, posted in Noein



Noein suddenly accomplished the impossible: it surpassed itself. This episode was utterly, utterly incredible. It focuses around Isami, Ai and Miho as they grow up, and also gives some hints towards what made them change towards Fukurou, Kosagi and Amamuki. As always, it’ll be very difficult to give a good summary of Noein, as there are tons of things happening at tons of different places at tons of different times and tons of different timespaces with tons of different characters.

Before I continue, I have to make a very embarrassing confession. I actually cried during this episode. I almost never cry. Up till today, only Full Moon wa Sagashite managed this, and now Noein comes and just accomplishes this like it’s nothing!

Anyway, Noein, in order to attempt to win her for him, shows Haruka one of the possible futures for her friends. Believe me, it isn’t going to be pretty. Everything starts with Isami’s grandmother who died. As his parents died before, they have nobody to take care of them, so a distant relative came up and offered his help. This means that Isami and Ai had to be separated. Ai also grew away from Miho. Back in Shangri’La, Atori refuses to go out, while Miho makes him do it. He was just so adorible when he listened to her. Just compare this to the Atori of the beginning of the series.

Miho, Isami and Ai meanwhile are already attending highschool. Miho’s combination of having weird ideas and being rich doesn’t fare her too well, as she gets bullied in a horrible way. She doesn’t have any friends at all, and people are openly making fun of her. It was just too sad to see her, locked up in a toilet, and seeing the once so cheerful Miho suddenly victim of one of the pranks of her fellow classmates again. This is probably what turned her into the cold-hearted Kosagi.

Isami doesn’t have any better luck. He grows up to be a true delinquent, hitting people for fun, stealing money, the usual. He’s totally forgotten about his love for Ai. When she meets him, she tries to talk to him, but he then begins shouting at her. This is probably what turned him into the kind-hearted, though determined Fukurou. These were also great scenes to make the strange use of graphics stand out to their best. The messy art really added up to the scenes at which Isami kept kicking another one of his victims.

Back in the current timespace, things aren’t going too well either. Firstly, Haruka’s mother comes back, and suddenly sees that her entire house is gone. Of course, she freaks out and goes to Yuu’s mother, who manages to calm her a bit. An amazing scene again, the reactions also totally fitted.

The great big jerk is at the verge of putting his experiments to the test, at the major displeasure of Haruka’s father. Kosagi, Uchida, Kooriyama and Tobi are on a mission to try and stop them. This will probably be their final goal for the scenes, as the great big jerk has absolutely nothing to do with Haruka, directly.

Yuu and Karasu aren’t doing a lot during this episode. They mostly spend their airtime getting to Haruka. As Shangri’La is a timespace full of incoherences, the two of them must have an iron will to save Haruka, instead of iron feet. At the end of the episode, it becomes clear that Yuu’ll be the one to protect her, as he gets to be the one teleported. I wonder what the final role of Karasu might be. He still needs to do something over the last two episodes.

Back to Miho. Things get even worse, when she eventually locks herself up in her room, for two whole weeks. When her mother finally manages to get her to open her door, it appears that all of the psychological strain caused her amnesia. I’ve said it somewhere before on this blog, but I’m an incredible sucker for stories featuring memory loss. This made me absolutely love this moment.

But wait, there’s more. Isami and his gang get into a fight with another gang. The other gang is no match for them, but then one of them comes with a knife. He’s frozen with fear, but when Isami gets too close in order to stop one of his gangmates from doing something stupid, the guy with the knife charges, and manages to cut out one of Isami’s eyes. This explains Fukurou’s scar. More importantly, this is when Isami begins to realize what a jerk he has been, and he begins to hate himself. His gang-members run away, and he’s left all alone. Can it truly get any better?

Certainly! Ai still practices football. Then, she hears about Isami and tries to rush towards his house. Then, her knee begins to act weird, and she falls down with pain. When she gets to the hospital, the doctors give her the news that if she doesn’t amputate her leg, she’ll die within three months. Three friggin’ months! Besides this scene explaining why Amamuki doesn’t take part of any action, it was one of the best ever!

Things get even better when Miho attempts to take in an overdose of pills, Ai attempts to jump off a building, and Isami attempts to kill the one who took out his eye. Haruka, as she’s been watching this for all this time, can’t bear any more of it. Her thoughts reach Yuu, and he jumps to Isami, stopping him, and telling him to meet Ai. Miho is saved by Atori, who managed to show up, and the teenage Isami is the one who makes up with Ai. Best. Scenes. Ever.

Noein only strenthens this effect by showing his face for the very first time. He keeps trying to get into Haruka’s mind, by reminding her that Yuu was the one who didn’t manage to recover from his miseries, unlike Ai, Isami and Miho. It seems that Haruka’s death was just too much for him, and it turned him into Noein. So, what was the difference between Noein and Karasu? Why did Noein change, while Karasu didn’t?

Overall, this episode was just totally incredible. The best episode of Noein yet. I’d gotten a bit demotivated from the inconsistent releases, though this episode really reminded me why Noein is one of the best anime ever. Period.