Saiunkoku Monogatari – 10 – Shiurei can take her exam :)



This episode marks the end of the Ensei arc. He reveals why he came, and takes off at the end of the episode. Unfortunately, my crappy Japanese skills weren’t enough to find out why he came in the first place, but apparently, his task was to deliver something. Ryuuki also managed to produce a law that approves women to take the national exam, which brings Shiurei another step closer to her dreams.

We start with Ryuuki finally finishing the complicated law. After all, such a law, which permits women to enter the palace requires a huge change in culture, so it has to be prepared very carefully. When Ryuuki finally manages to finish it, he gets a big smile on his face. After all, he’ll be able to see Shiurei again. ^^;

We then turn to Shiurei and Ensei, visiting the grave of Shiurei’s mother. It appeared that she was an amazing person in Shiurei’s eyes. It also seems that the day afterwards will be either her birthday, or her death’s anniversary. Shiurei asks for Ensei’s family, though then it appears that they’re all dead. Shiurei also still hasn’t recovered from her death, as she turns emotional for a moment.

We then turn to the next day, to a very interesting conversation between Ryuuki, Kouyuu and Ran. Ryuuki, with his happiest and most childish voice, presents his plan. He let Shouka proofread the plans, just in case. Apparently, it has one major flaw,as Ryuuki screams when he finds out Shouka’s comments. Unfortunately, I didn’t catch what that one might’ve been. Back to Kijin, Kei, Shiurei and Ensei: they get bothered by a couple of lawbreakers who apparently took a wrong turn and ended up in Kijin’s office. Ensei then shows everyone his powers in battle by smashing one of these guys with a chair.

Afterwards, Kijin and Ensei have a small talk, and somehow they say something that ends the both of them up having tea at Shiurei’s. Afterwards, even more unexplainable things happen, as Ryuuki, Kouyuu, Seiran and Ran sneak into the gardens of Shiurei’s house. There, they meet up with Ensei, who had been waiting for them. Then, a bunch of outlaws appears out of nowhere and the five of them then have to knock these guys out. Still, it was very amusing to see them doing this while just continueing their talk. As if these guys didn’t exist at all. ^^

Then, Kijin and Kouyuu have a strange conversation, and Shiurei sees what happened in her back yard. Ryuuki is extremely glad that she’s back. They wonder where Ensei went, though apparently, he took the opportunity to shave himself (I read somewhere that he hated to shave, which only makes this scene more funny). When he gets back, Shiurei needs a bit of time to recognize who he is. Ensei then bows to Ryuuki, and explains who he is. Apparently, he’s some kind of important warrior. He then gives Ryuuki a few items. They don’t say me anything, but they must have some kind of value. In any case, everyone talks a bit (which is not too good when trying to follow a raw) and Shiurei ends up cooking dinner for everyone. Ryuuki then takes this opportunity to ask Shiurei what happened to the ice, flowers, eggs and straw doll that he gave her, and it seems that she managed to find good use for them. ^^

Ryuuki then gives Shiurei a branch of a tree, which makes her remember the first episode. She even cries on this, after which the ignorant Ryuuki feels confident to kiss her again. Do I still have to mention that Shiurei’s not too happy with this? (So funny ^^) Anyway, the next morning, Ryuuki, Kouyuu and Ran say goodbye again, but not before Ryuuki tells her that he managed to introduce a law that allows women to take the national exam (don’t ask me how). Ensei also says goodbye, as it seems that delivering the package to Ryuuki was his only task. He takes off again, to somewhere unknown.

Then Shou Taishi (the old advisor guy) closes the episode, with even more unexplainable stuff. I managed to read somewhere that he is indeed one of the eight sages, which does explain his transformation in the sixth episode. He now does something to a bottle of insence, in order to make its smoke turn into another guy. I’m not surprised if that were to be another of the eight sages. Apparently, he was needed for something.

Ah well, the series has passed its 25%-mark. And so far, I’m very happy with it. Especially the quirky characters turn this into an awesome anime. There’s also so much more to the plot than that what we’ve seen up till now. After all, Shiurei can now take her exam and become a goverment official. What will happen afterwards? We’ve still got twenty-nine episodes to fill.

Some of questions for this episode:
– Why did Ensei have to deliver the package in the first place, why did he stay with Shiurei for so long, and why didn’t he just go straight to Ryuuki when he had the chance?
– What happened to the eight sages after they disappeared? Apparently, some of them died and some of them stayed alive. But is there any reason for that? And why did Shou Taishi need the other sage-dude to come back?
– How exactly did Shiurei’s mother die?
– Why were those outlaws near Shiurei’s house, why did Ryuuki know about it, and why didn’t they send a squad of soldiers to take care of them?
– How did Ensei meet up with Seiran?
– Will Shiurei be able to immediately take the exams, or are there special dates for people to take it?

xxxHolic – 10 – Mokona’s super suction power!



Watanuki’s face when he found out that Yuuko was planning to do something to make him and Himawari get closer together was just priceless. The episode itself also was just great. Ghost stories, who doesn’t love them? Basically, Yuuko had a 100 Tales of Horror in mind. Or at least a shortened version. It’s basically a ritual, which the japanese used in order to tell ghost stories.

To Watanuki’s displeasure, Domeki’s invited as well. The four of them prepare a bit, and then each of them tells a story. Himawari begins, and her story is the best in my opinion. Domeki makes use of a standard story with a fast climax. Watanuki tells about something that actually happened to him, while Yuuko invites some actual spirits to tell their own story.

Himawari’s may have been the best, Watanuki’s strory was also pretty interesting. As it was something that really happened to him, there is no climax. As a kid, he walked to some place, and at a crossing, he saw a very weird guy cross the streets, wearing an expensive suit, a top hat and an umbrella. At the next crossing, the guy appeared again, and once more at the third crossing. Yuuko then mentions the fact that if Watanuki continued one more time, things would’ve become nasty, as the number four equals the number six or thirteen in western culture. This is of course, logical as four is spoken as Shi, which means the same thing as death. This does make you wonder, however. What were the guys who invented the japanese thinking when they gave these the same meaning?

Interesting note: Mokona eating a watermelon was just too cute. Another interesting note: same with its suction power. Yet another interesting note: Himawari and Domeki were able to see the spirits this time. One more interesting side-note: Himawari does get worried about Watanuki at one point (*wink, wink*). One final interesting note: remember the movie? That also happened during the summer holidays, so at one point, somewhere before this episode, the movie took place.

It’s also typical that Watanuki really does not have the guts to be with Himawari alone, and that he always ends up being together with Domeki for some reason. I like this about him: his dependance on others. Yuuko’s evil personality also is just wonderful. You really know that she’ll show up with plans that Watanuki absolutely does not look forward to. Overall, I really liked this episode. But then again, how can someone who’s a big fan of stories like that not like it? ^^

Noein – 23 – One more to go!



Okay, I could almost scream at the end of this episode. That was such an incredible cliffhanger. In fact, the entire episode was incredible. Noein finally shows his real body, and that was just absolutely freaky. It’s the same Karasu, but incredibly pale and skinny. His acting turned this into something totally magnificent.

He also reveals what turned him into Noein. Apparently, his old teacher, Haruka, Isami, Ai and himself got in a car crash, and he was the only one to survive, and see his friends dying in front of his eyes. They were seventeen at that point, which means that it was a very fragile age for Yuu. He couldn’t bear the fact that he’s lost his friends, so he started travelling through dimensions. The only things that he noticed just consisted of sorrow and pain. He was just oblivious for the peace and happiness that went on. That made him decide to turn all of the timespaces into one Shangri’La. He gathered some power, and started preparing his plans. (interesting note: Miho was not inside the car. Did she have any influence on what happened afterwards?)

I remember that a while ago, I stated that the creators probably wouldn’t focus around Atori’s past. Boy, was I wrong. At the beginning of the episode, the creators just found enough time to show a bit of it, and it’s incredible. In a certain way, Atori is just like Noein. He saw his sister dying, right in front of his eyes. The fact that he ends up with only one arm of her left only makes this better and better. A thing like that really breaks you, and that was indeed the thing that turned Atori in his evil self from the first couple of episodes. However, after he met up with Miho, he began to change again. He just needed somebody who cared for him, which is the same thing with Noein. I’m wondering how it’ll end up. Will Noein be destroyed in the end, or will he cease his attempts to create Shangri’La? Or both?

In any case, Atori is just an amazing character. Miho really made him to stop care about himself, but yet, he didn’t lose his entire personality. He’s still gloomy and cold, but when he sees Miho, he really wants to change himself. So awesome. In any case, he hasn’t shown up at the latter half of the episode, so he’ll probably come with a big finish in the end. Isami, Ai and Miho are meanwhile sent back to their own dimension. And I loved Haruka’s mother at that point. It’s, of course, incredibly hard to predict how someone will react when their entire house has disappeared, along with your daughter, though the creators managed to execute this perfectly.

Karasu had a bit of an expected part. Yuu gets to be the one who’ll save Haruka, of course, so they need something to distract him in order to give Yuu the opportunity to go to Haruka alone. So, the creators send a couple of monsters in order to kill them. Still, the fight that Karasu had afterwards was totally awesome. If not for the extremely messy animation.

Back in the normal world, meanwhile, the great big jerk carries out his plans, and we get to see the results in the next episode. What happened before was Haruka’s father opening up a few security holes for Kosagi, Uchida, Kooriyama and Tobi in order for them to be able to infiltrate the great big jerk’s ship. Kosagi and Tobi, meanwhile, begin to lose their existance, and so, they’re being left behind. When they arrive at the main control room, the great big jerk only gets worse, when he actually shoots Kooriyama, and threatens all of the other crew on board. Even Haruka’s father can’t do anything against it. Still, I absolutely love the fact that the children are fighting their fight, while the grown-ups are also fighting their on fight. You can notice so many subtle differences. (Interesting note: what happened to Tobi and Kosagi? You surely can not tell me that they’ve finished playing their parts in this anime).

Haruka and Yuu were totally adorable. They make such a good couple. Noein also gets scarier and scarier by the minute. Though what really got to me is the fact that Haruka actually showed sympathy for Noein. Not only in the awesome cliffhanger, but Noein also holds some kind of monologue about how he was abandoned. I could be wrong, but when he told about his history and his suffering, I think he was looking for attention. And indeed, Noein is a lonely being. An extremely lonely being. He really longs to be able to socialize a bit. Though this longing really did something with his mind, and instead, he’s not planning to create a humanless society, making himself only lonelier than he already is. If that was even possible.

Still, we’re at the last episode, and as far as I know, there are two questions remaining: who the heck is the old guy who seems to be in every single dimension that Haruka visits. And what was the meaning of the phone? La’Cryma seems to be destroyed now, as we see the council collapse during this episodes. This makes you wonder what happened to Amamuki and Kosagi’s daughter. Overall, this has been an amazing episode. It wasn’t as great as episode 22, but it sure does come close!

Higurashi no Naku Koro ni – 09 – Rena Gets Paranoid Again



This episode looked more like the first episode than the fifth episode. This is very good, as I really loved the first one. Rena’s paranoid actions really were just restrained enough to not be over the top, and Shion was magnificent. It looks like Keiichi will get some help from other main characters, which will be more in the direction of the second arc, though, in contradiction to the first arc, in which he stood alone.

In any case, we don’t get to see people beating each other, or themselves to death this time. No. This time, we get to see Rena’s dismantled corpse, including her guts torn out and her fingers enduring the stings of fifteen nails, and not to mention the fact that her body was put into a large plastic bag, and thrown into a river. So, what did you eat today?

After the OP, who still sounds amazing, by the way, we see that Keiichi’s mother’s about to leave. This happens earlier than every other arc we’ve seen. I also might be wrong, but this is the first time that we actually see our main character’s mother. The reason she gives is an interesting one: his teacher collapesed, which gave him a real couple of extra troubles. His mother then goes to help him, which means that she’ll be gone for a couple of days. Keiichi mentions this during their next day’s club meeting, and really wonders how he’ll be able to get some food (Keiichi was half asleep at the time his mother asked him if he needed any help on the cooking, so he wasn’t able to answer properly, leaving him without any hope for dinner).

Anyway, the club just met, an this time, no foul play at all, and they also don’t go to the toy store at all. I wonder what the reason for that might have been. Satoko suggests that he’d try and cook for his own. Well, let’s just say that the result burned a bit. Luckily, at Satoko and Rika were in the neighbourhood at the time, so they managed to prevent the disaster of Keiichi burning his own house down. Keiichi questions how the two of them managed to end up in his house, though they quickly change the subject. Still, the issue remains: what were the two of them doing at Keiichi’s house at that point? It’s a good thing that they were, but it isn’t such a thing you’d normally do.

Anyway, while the first arc focused on Rena, the second arc focused on Mion (or Shion, your choice), the third arc will probably be focused on Satoko. This means that Satoshi’ll be important again, just like in the first arc, and unlike the second arc. And indeed, Satoko offers to cook for him. It really seems that both Rika as Satoko are excellent cooks. Anyway, Rika mentions Satoko. (On a side-note: during this dinner, the two of them were just SO incredibly cute). In any case, Satoko begins to get embarrased at Keiichi’s compliments on the food, and the death of Satoko’s parents comes to the table. And then we get to hear something interesting. Both of Satoko’s parents died at the day of Watanagashi, instead of the usual one dies-one goes missing. Still, this happened in the past. Does this mean that the past of each arc can be different as well? Or was one of the parties lying when they told the tale about Satoko’s parents? And was Rika lying when she told it duringt the third arc, or were Oishi and Shion lying when they told about it in the first and second arc?

I find it typical. Truly typical. Technically, this is a harem series (probably the best harem-series ever, if you don’t include harems full of bishies), and it seems that every important female seems to fall in love with Keiichi, except for Rena, the main female cast. Anyway, after the dinner, the two parties say goodbye. The two of them can get home without any trouble, as they’ve got each other. Rika stays behind for a bit, in order to tell Keiichi to take good care of Satoko.

It seems that the problem with Keiichi’s father wasn’t that big at all, as the Keiichi’s mother arrives back at the next morning. This also has been the shortest time that Keiichi’s parents were both away. Then the telephone goes, and it’s for Keiichi. Keiichi, still half-asleep yet again, answers the phone and hears about some kind of battle at the school playgrounds. He gets to embarras himself when he comes rushing in with a golf club, while there’s actually a baseball-game going on. ^^;

It’s very typical to see that Keiichi’s horrible at baseball, while Satoko’s amazing. I’m really feeling pity for Keiichi. He’s being surrounded by a girl who’s not afraid to weild an axe, and actually use it, a girl who’s extremely strong, a girl who likes to perform Watanagashi on other people, and a great athlete around him. You do NOT want to end up at their bad side. Anyway, there’s a barbecue at the end of the game, and Keiichi then manages to meet “The Director”, although he doesn’t know it. The guy pretends to be the manager of the friendly baseball team, and he’s a weird guy. For one, he’s a paedophile. He openly expresses his love for Satoko. He also really wants to be called “The Director”, for some reason. We’ve still got no idea who he is, though I think he’ll play a large role in this episode. He also mentions Satoshi for a minute. He believes that the guy transferred to another school.

Then Shion shows up. It appears to be that she is the manager of the enemy baseball team. She didn’t show up during the game for some reason. I have no idea whether this’ll be important for the rest of the anime, though let’s keep it in mind, shall we? In any case, that evening, Keiichi is cleaning some of the barbecue equipment, while Shion decides to talk to him for a bit. This time, she’s not in love with him at all. This means, of course, that we’re dealing with the real Shion here. After all, Shion’s never fallen in love with Keiichi. The two only became good friends in the previous episode. Anyway, she mentions Satoshi yet again. This time, however, she gets near-paranoid when Keiichi mentions the fact that he transferred away. Though she barely manages to control her demon or disease. She then begs him that if he doesn’t know what happened, he shouldn’t assume that he transferred.

Later that evening, Keiichi brings the issue of Satoshi up to Mion and Rena as they walk home. They first claim that he transferred, though Keiichi keeps asking, claiming that he knows that that Satoshi didn’t transfer away. Mion then explains that Satoshi just one day disappeared. Not only that, but he’s also been saving up money. At the day he disappeared, the money vanished. This brings up a totally different perspective on the victims of Oyashiro-Sama. What we previously thought of just a simple case of people getting missing, just turned into something much more. After all, if this was Oyashiro-Sama’s doing, then what the heck would Oyashiro be doing with those kinds of money? This really suggests that some kind of organization is behind this. Probably the director-guy has some large influence.

In any case, Rena gets into demon/disease-mode again. She then tells the same thing she told Keiichi in the first arc: Satoshi told her he was being watched. As she tells this, she begins to get more paranoid by the second. A very interesting scene was when she was really talking like crazy, with the small irises and furiously moving head, though the music, the background sounds and the voice did not give any clue to this. We just saw a very scary scenery, along with some lines who’s content also begain to get scarier by the minute. I loved this part. Mion then gets angry (note: she hasn’t been affected by the demon/disease AT ALL) and slaps Rena. Rena leaves, still gloomy. And then Mion explains a couple of things. It seems that Satoshi and Satoko’s parents were the ones who invited the constructors to go and build the dam. As they died, the paperwork probably got into trouble, and the plans were probably cancelled.

Then, Mion reveals that they made it some kind of unwritten rule to not talk about Satoshi and his disappearance. When they get asked about it, they lie and tell that he transferred. (Apparently, Shion has different views on this). She also asks Keiichi not to talk to Satoko AND Rena about this. She also reveals that Rena’s once been struck by Oyashiro’s curse, and we end with the first cliffhanger of Higurashi in which there was no scariness at all.

I don’t think I have Rena’s history all clear. If I remember it correctly, she first lived at Hinamizawa-village, at which she met the others, and saw Satoshi disappear. Then she moved away, and smashed all of the windows down at her new school, and doing other horrible things. I think that Mion referred to this when she claimed that Rena’s been struck with Oyashiro’s curse. Then, she moved back to Hinamizawa again, about a year before Higurashi takes place.

And Mion and Shion. The second arc featured Mion getting paranoid, though I think that she’ll be the one to support Keiichi this time. Still, why did she get paranoid last time, while she managed to stop Rena from getting paranoid at this episode? Though what about the fact that the two of them have changed places during this episode? That means that the one who yelled at Keiichi just after the barbecue was actually Mion, dressed up as Shion, while Shion, dressed up as Mion managed to stop Rena, and explain things to Keiichi. After all, Shion only showed signs of the disease/curse after being tortured by Mion.

Let’s view this issue under both theories, now, shall we? The demon-theory tells that each person or some persons have demons in them, though these demons have to be awakened somehow. The only thing that Keiichi has done to hurt both Shion and Rena was telling them that Satoshi transferred away. Apparently, they both react sensitive to the subject, and indeed. during the second arc, Satoshi was never mentioned, so Keiichi couldn’t have upset Rena and Shion with this, and during the first Arc, Rena really became too sad when she was trying to defend Satoshi. Still, there are a lot of things which are still to happen, as Rena will be ending up with the Watanagashi performed on her. I wonder if Mion was the only one who could perform it, or are there other people who are able to do it? The disease-theory tells of a disease which happens to go around. The disease must have some kind of source, and it has been going around for long, otherwise Rena couldn’t have gone berserk in her old school, or Mion couldn’t have killed those people. Keiichi has yet to be affected by the disease, as Rena’s ramblings really happened. Mion, after all, sees this and reacts to this.

Differences with previous arcs:
– Keiichi’s mother is at home, instead of his father. She also leaves much earlier than the father did in the previous two arcs. (Wild theory: the availability of Keiichi’s parents actually decides what is going to happen, and who’ll end up killing who. It does make sense, though. They affect what Keiichi’ll be doing, in a certain degree).
– The first arc focused around Rena and Mion. The second arc focused around Mion and Shion. The third arc will probably focus around Rena and Satoko.
– Satoko is much more caring than she was in the first episode.
– In fact, Keiichi and the others really were mean, in a friendly way, to each other during the club-meetings. This time, Keiichi’s just nice.
– Rika gets even cuter.
– Mion is NOT affected by the demon/disease. Something that she was at the previous two arcs.
– Rena gets affected by the demon/disease again, in contrast to the second arc.
– When Keiichi spends the night alone in the previous two arcs, there lies no focus at the cooking. The third arc does put focus at the cooking.
– The first arc put large emphasis on Satoshi, the second arc only named him once, but the third arc turned him into a central character.
– Mion treats Keiichi as a very good friend. Not somebody she loves.
– Rena’s much more distanced to Keiichi, but then again, the second episode had this as well. Still, when you compare their interaction with the first arc, you do see the difference.
– Keiichi’s mother only stays away for one day.
– There’s a baseball game, and the club has been invited to fill in for some missing players. This didn’t happen at the first two arcs.
– In the first arc, the director only gets mentioned for one second. In the second arc, he remains oblivious. In the third arc, he actually introduces himself, and he’ll probably play a huge role. (Interesting note: he’s also head of the local hospital. The same place Takano works at. Would the two have something in common?)
– No Tomitake, Takano or Oishi at all.
– In the second arc, Shion tells all about what happened during the Watanagashi-murders, though this time, she remains quiet.
– In fact, we’ve yet to see the link between all the Watanagashi-murders.
– Mion actually did something to stop Rena, instead of the two working together in the first arc.
– Rena turns paranoid way earlier than any previous arc.
– Mion actually tells about Rena being posessed.

Ergo Proxy – 11 – Yay for Phylosophy :)



Ergo Proxy = Love. Seriously, my last post about .Hack//Roots really made me think about clever anime, what they are, and what they look like. This episode was so utterly incredible that it gave me such a new insight on this matter. Most people will probably dislike this episode, as it just features Vincent talking to himself for twenty whole minutes. But I totally loved it. So many references were made, so many metaphors were used, and the dialogue was just totally incredible. This episode truly can not be summarized, and I won’t even attempt to do that. So many small things mattered.

First of all, what does define a clever anime? I’d like to think of an anime which really makes me think. And not just a bit, as in a small note which comes to my mind, but an anime who manages to send all kinds of thoughts rambling through my head, like there’s nothing to stop them, something like a fierce mountain river which lasts for kilometres and kilometres. .Hack//Sign was the first example of this. Right now, the only anime I’m watching who accomplishes the same tasks is Ergo Proxy, with Higurashi no Naku Koro no and Mushishi getting very close as a second and third. Higurashi features very carefully written plot and mystery, while Ergo Proxy’s dialogue manages to hit me time and time again and Mushishi’s themes also make you think about the issues they introduce. Apart from these four mentioned, the only other near-clever anime I managed to run into were Fantastic Children, Utena and Fruits Basket, with xxxHolic having very small potential of becoming one. Fantastic Children had its great theme of reincarnation, Utena had its great use of symbols, while Fruits Basket delved deep into the minds of each of the characters.

Each of these anime are extremely well written, and each of them is written in its own way. It’s not just the themes, it’s how the creators make use of it. I’ve also noticed that most of them make good use of phylosophy. Especially Ergo Proxy and .Hack//Sign, and I must admit, I am a sucker for anything phylosophy-related. But still, the fact that phylosophy is used, means that there isn’t just one right answer, and one wrong answer. So many different opinions are possible, and each of them bears some hidden truth.

Anyway, back to the episode, I just loved it. Remember the sentence Raoul said in the previous episode? (I think, therefore I …, leaving the last word open on purpose). This sentence comes back, though slightly altered. It’s not “I think therefore I am”, it’s “I think, therefore YOU are”. Basically, humans are able to create their own world. They do exist, and they make others exist, inside their world. It’s also interesting that Vincent ends up in a bookstore. In there, he finds all kinds of books, and all of them have his name written on their cover. When he looks at the pages, they’re empty. At the beginning of the episode, the books keep increasing. Then Vincent comes at a point at which he begins to recite his own memories, of the things he knows. This makes some of the books disappear. At the end of the episode, Pino ends up at the Usagi again, and even there lies one of these books. Though this time, the books don’t vanish, they only lose their inscription of Vincent on their cover. This probably means that Vincent finally found himself, and accepted the fact that he IS a Proxy. (Interesting note: along with Vincent’s name, this book also featured a butterfly on its cover. This butterfly also vanished along with the name. Would that mean anything?).

Another interesting fact is that there’s the same discussion being held, twice. Once at the beginning of the episode, and once at the ending of the episode. Each of them have different outcomes, showing Vincent what he learned. Vincent lost his way at the beginning of the episode, and decided to go to the bookstore in order to ask for directions. Meanwhile, a fog started coming up, and he lost Pino. He wanted to know all these things at once. At the end of the episode, he finally realizes this. And the bookstore. For some reason, Vincent’s head turned this into a gigantic maze, but for some other reason, the maze formed a perfect circle, with Vincent in the middle. This points at the struggles that Vincent is currently in. Brilliantly found.

This episode certianly played with the minds of the viewers, as we don’t exactly know what happened in Vincent’s head, and what didn’t. For starters: was the bookstore even real, or was this a figment of Vincent’s imagination as well? Everything looked realistic and all, except for the fact that there’s a bookstore in the middle of nowhere. When Pino was walking in the Usagi, you could see one of the books bearing Vincent’s name. Was that because of Vincent’s power as a Proxy? And still, in the end, Vincent did end up getting directions. Is that really something that can form inside your head? What about the fact that at one point, Ergo and the old man were arguing with each other? Can things like these really happen, even inside your head? And if the old man did exist in reality, what part of him was real, and what part wasn’t? After all, he was the only one who didn’t end up with an Ergo Proxy mask. Ergo Proxy uses this opportunity to talk to Vincent, but the two of them indeed seemed to not have the same opinion. In fact, Ergo was just trying to make clear to Vincent that he was is a Proxy, and that the two of them are the same. But does the fact that they share the same body, mean that the two of them are also the same? I mean, Vincent is Vincent, and when Vincent loses control, Vincent blacks out and Ergo appears.

It’s also interesting that Vincent takes a trip along his memories of the past, with each person appearing with an Ergo Proxy-mask (this was, by the way, a scary sight on Pino and other little children). Ergo comes with a nice statement. At the moment, he’s only observing the world, while not being any part of it. Is that what Proxy are able to do? Messengers sent from a higher level? It’s also interesting that near the end of the episode, Real gets to be the one who loses her mask. She disappears afterwards, of course, but then, Ergo sets the mask on fire, while asking Vincent which Proxy he is. I guess he wanted to see how Vincent reacted when the Ergo-mask was to be destroyed. It’s interesting to see Vincent clinging to that mask at such a cornered moment. Afterwards, Vincent becomes surrounded by mirrors, in Ergo-mode, only strenthening this effect.

Okay, I hope that that was understandable… Anyway, overall, this episode was just totally incredible. It SO messes with the viewer’s mind. At least, it did with mine. The Ergo inside Vincent is planning something, but before he does that, he needs Vincent to realize that the two of them are the same. The episode ends with Real catching up with Vincent. You’d wonder how she managed to find him. After all, Vincent was lost. How do you find someone who’s lost? I guess she’s special after all. But in what way?

On a side-note: What is the memory guardian? Could it be the thing that prevents Vincent from remembering what he does as Ergo? And why was the old man against unlocking it?
On a side-note2: I’ve recently managed to get my hands on the Ergo Proxy OST, and it’s amazing. I really recommend it.

.Hack//Roots – 10 – Rant on Roots vs Sign


Okay, we’ve reached episode 10, and still no big thing. As everything stands now, the anime can just end at the thirteenth episode without too much problems. TaN has executed its plans, Ovan is kidnapped, and our protagonists will probably need three whole episodes to sort everything out. My predictions are that the first thirteen episodes will be focusing at the natural, while the last thirteen episodes will be focusing at the supernatural. After all, the virus cores are explained, though the strange thing who appeared at the previous episode, or the strange A-like markings have yet to be explained. Still, TaN probably has got something to do with the latter, as one of the virus cores found itself inside one of the spaces that the A-like markings teleported Haseo to.

Still, some major things happened during this episode, and I didn’t like it. Ovan just went and got himself kidnapped, even though he knew it. In that case, why has he been collecting the virus cores so furiously? His smile from the previous episode’d better have some kind of meaning, as I’m beginning to dislike Ovan more and more. At least his disappearance made sure of one thing: Shino. For the first time since the third episode, she played a great part again. The creators made use of a nice technique, by not showing her eyes when she talks. This way, the viewers have no idea about her expression, and have to guess a bit, giving a very nice overall effect.

Another thing I really liked about this episode is the fight that the members of the Twillight Brigade have at the beginning of the episode, against Ender and her goons. Okay, the latter were just horrible, just like the previous episode. But the former really showed their best sides at that moment. Especially the sarcastical Sakisaka and the overenthusiastic Goad. Lots of things happened at the same time, you just have to give the choreographers credit for this.

Still, now that we’ve reached the tenth episode, I know. .Hack//Roots will never reach the perfection of .Hack//Sign. The biggest reason is the following: .Hack//Sign was smart. Very smart. It covered themes that really made you think. Why do you play the game? Just do the things that you want to do. These ones really are nowhere to be found in .Hack//Roots. The first example does return a bit, though most of the characters just throw this away because it’s too much efford to think about it, and only Phyllo manages to give a satisfying answer. The second one, however, just remains oblivious.

The fact is that this remains an MMORPG. Okay, there are guilds, I can accept that. What I can’t accept is the fact that TaN seems to be covering hundreds of members, actually WORKING for the big guy, Naobi. I mean the game remains for recreational purposes. What the heck does Naobi think ordering everyone around? It isn’t a company or some sort of thing. The fact remains that .Hack//Sign really gave the feeling of an MMORPG. In .Hack//Roots, Phyllo is the only one who manages this. .Hack//Sign made very subtle use of the real world. They showed little snippets of scenes in the real world, though very cryptic and subtle. Especially Tsukasa’s flashbacks were great. What does .Hack//Roots do? Nothing. The only sign that we ever get from our main characters is that Ovan and Shino seem to know each other.

.Hack//Dusk went way too extreme in it, but it had the right ideas about the following subject: quests. .Hack//Sign made perfect use of it, though. .Hack//Roots? Quests? What’s that? .Hack//Roots indeed seems to be forgetting one of the most important aspects of an MMORPG. Okay, they may seem a bit weak, but they’re actually quite fun to do. Roots just doesn’t see this. It also seems that NPC’s also don’t exist in the world anymore. .Hack//Sign was also brilliant in keeping its distance from the administrators. You have to realize that they’re the only party who gets paid to do their job. They don’t have anything to do with the player. I was hoping for .Hack//Roots to follow the same example as .Hack//Sign did, instead of following the horrible example that .Hack//Dusk set. But unfortunately, I was wrong. TaN seems to have something to do with the administrators after all.

The point remains that everyone inside an MMORPG remains equal. Nobody has special powers. Everyone can just level up to lvl 99 as same as everyone else. What they do have, however, is some people who are incredibly active, and set some examples to the rest. Think of Subaru in .Hack//Sign. She attempted to start some kind of independant police force, which would be able to control malicious players. Soon, more and more people started to hear about her, she got support, and before you knew it, she was the most famous player in The World, with everyone recognizing her. What the heck did Naobi do to get such a status? Well, he’s just friends with the admins. Woo. It’s the same for the Twillight Brigade. We never get to see what made them so known around The World. I hope this gets answered in the later episodes, though I seriously doubt that they’ll be able to beat Subaru in this.

Another thing is: why the heck is Naobi so obsessed about getting Ovan’s player data. Dude: it’s a friggin’ GAME. What the heck do you hope to gain with this. Ovan also reveals that the strange voice from .Hack//Sign and the Twillight Bracelet from .Hack//Dusk were actually the Key of the Twillight. Not only takes this away all the mystery in one giant blow, it also gives us some large hints that the guy who appeared in the previous episode will have to be playing for the Key of the Twillight-part. I also don’t like the fact that Naobi, of all guys, was the one who told Ovan about the Key of the Twillight. Remember Sora? He was the one who introduced the term in .Hack//Sign. Still, he was just a PK-er, a fouteen year-old guy who liked to play the game. That has to say something, doesn’t it?

Okay, that concludes my little rants. .Hack//Roots still remains entertaining, though that mostly comes from the first 8 episodes. You really had no idea what was going on, and that was the good part of it. Just showing a couple of guys executing their plans wasn’t just too worthwile to see. It’s the preparation that counts, along with all of the unforeseen circumstances. Though Ovan getting kidnapped was just everything away from unforeseen. Still, I’m still waiting for the big thing to show up and give us some material for the last thirteen episodes.

On a side-note: I just loved Tabby’s fangirling at Goad. ^^;

Poll: Should I Rate Individual Episodes?

I suddenly realized something when I took another look at the front page. I haven’t changed the poll at all ever since the end of march. I guess I’m getting lazy. Ah well, now we at least know that Mushishi features awesome music.

Anyway, I decided to replace the poll with something that’ll actually be useful to the site: should I rate individual episodes or not? I’m seeing some sites who actually do this, and I often find myself looking for the rating they gave the episode. I’m wondering if more people experience this.

Bleach – 83 – Well, this is a surprise



You can say a lot of horrible things about this anime (with which I totally agree, by the way), but you have to admit: this episode really was unique for Bleach standards. The creators decided to let one episode focus around the history of Claude (the big guy who plays with large marbles), and they managed to choose a great setting: a poor, 18th-century farming village. And for once, they just take their time in telling the story. Almost no action at all. Just two bounto living together, and having their own problems. Okay, the animation looked horrible, but this is such a huge improvement. I also just loved the generic design of the young man who was introduced this episode. He was nothing special, he just looked like the son of a farmer who has just reached adulthood.

But then, of course, the ending of the episode completely ruins the good mood when the flashback ends, Ichigo’s about to die and the vice-chief of the 3rd squad arrives just in time to save the day while making the same mistake Naruto did while in his utmost beginner-days. (Ambushes? Who needs ambushes? Ambushes are for sissies!) Not only that, the creators also throw away every chance they could possibly have at a strategic battle, as it’ll be certain that the bounto-woman will drive Inoue and Rukia in a corner, only to be taken out by one of the other three shinigami who were sent to the human world as well. Next week will feature another 1-hour special, and it’s just a hunch, but at the end of that episode I’ll probably be gouching my own eyes out with a spoon. I’m going to pray for the bishie-shinigami (forgot his name) to save the day. And my eyes.

Bleach – 82 – The Garbage Continues



The episode starts out with a very funny scene, in which Ururu and Jinta bring the newly improved Bounto-sensor. As it was made in a lot of haste, it works far from perfectly, looks totally ridiculous and has the cheesiest password ever. I loved it when Ichigo found out about this, and was forced to say the line. I loved Rukia’s reaction to this even better. Afterwards, we see Jinta in a very embarassing situation when Ururu finds out that he cares about Renji.

In any case, this episode really needed this small moment of comedy, as the rest of the episode was utter garbage again. It mostly focuses on Ichigo’s fight vs the marble-guy. Yawn. The creators put one of Ichigo’s friends from school, who’s dying and will probably not be able to be rescued, as a little twist in order to try and create some emotion. You’d think this will be a good move, until you realize that Bleach is too scared to kill of its characters, and Ichigo has the cheesiest reaction to this. Imagine the following: you see your friend lying in front of you, with the bad guy approaching. What would you do? Right, flee from the bad guy, trying to bring your friend to safety. What does Ichigo do? Right, he fights the bad guy. Not only that, but when he finds out that this doesn’t work, and to make things even better, after a couple of attempts, his mind finally realizes that his friend is dying, and only then he tries to bring this friend to safety (of course, too much beaten up in order to be saved). The creators also use two of the cheesiest Deus ex Machina ever, combined with each other: Ichigo’s about to lose, but his love for hir friend gives him huge power. Later, Ichigo’s about to lose yet again, but his hollow-side takes over and defeats the enemy. For fifteen seconds. I was ready to gouche my eyes out at that moment. Still, I’m surprised the creators even dared to use the hollow at this point. I have to say, that Ichigo looked pretty scary. But the fact that the creators had the guts to use him as such an evil plot device was just utterly abysmal.

I’m curious about Inoue and Rukia. The both of them and the modified soul don’t have any superpowers at all, and they’re up agianst the Bounto-woman. If they don’t get any outside help (like a certain red-haired guy suddenly waking up and playing for hero again), this could be a very interesting fight, which will involve some strategy. At least, I hope so. The enemy isn’t exactly what you’d call totally exciting when she wields a talking sword. -_-

The Third – 06 – Disappointing Fight, Unfortunately



Hmm, not as good as the previous episode, but that can be because the fight that took up most of the episode featured Honoka going berserk. This isn’t always a good idea, as it abandons all kinds of strategy. Still, the aftermath resolved this in a really good way. Millie was awesome again, and we learn a few more things about Bogie, Ikus and Joganki.

The great thing about the fight was that we saw yet another side of Honoka. She really was too angry to concentrate, which didn’t work too well along with her injured wrist. I loved the way she totally wasted the opportunities she had with the PSP. Still, the fight remained boring, unfortunately. It just contained Honoka trying to hit the Blue Breaker for a bit too long of a period. Luckily, Millie managed to resolve this into a good ending in the end. Honoka also really has learned from this experience, so with a bit of luck, she’ll use her head even more, get even stronger, and provide more awesomeness in future episodes.

Ikus also provided a nice twist. It seems that he’s the first recorded species of a sentient alien. So that means, that aside from humans and The Third, there’s a third party somewhere out there. It doesn’t seem to be hostile yet, but it can really take the story at a lot of possible directions. There’s also got to be a reason why he sought Honoka, and why he was sent to Earth in the first place. These aliens also must be quite smart, if the likes of them are able to stay out of The Third’s sight. I’m quite interesting to learn more of them.

Bogie indeed remains a machine, but he does remain an awesome one. His AI is extremely high developed, so that he can even begin to feel emotions. He also reveals that he considers himself as Honoka’s guardian. This might be because she bought him, and they kindof grew to each other, but there also might be another reason for this. It’s, by the way, very nice that the creators made such a good use of a poem. It fits perfectly, and it blends extremely well into the story.

Joganki seems a strange case. In the last episode, Honoka revealed that he wanted her for her power, but this episode it becomes clear that there’s another reason that he wants her. Could the two of them be related somehow? I can really see this guy becoming Honoka’s father. In any case, he does hold her dear in some way, otherwise he wouldn’t worry about her like that, act so friendly around her, and he would use a bit more desperate measures in order to catch her. It also seems that he and the woman share the same rank. This means that they both make important decisions, but they both have to work right next to each other. This also means that they aren’t the leaders of The Third. We have yet to see the guy who is. I can see him becoming a major bad guy in the future.

Overall, a nice episode, but I know that The Third can do much better. It did provide some nice material for future episodes, though.