Author: psgels

Finally, we have a normal episode of Ergo Proxy again. It’s mostly focused around Raul, while Real, Vincent and Pino meanwhile run into a very interesting city.

First Raul. As Director-General of the Citizen Security Bureau, he has a lot of privileges. And he’s one of the few who can get access to information not meant for normal citizens. Because of this, he’s able to tell the difference between truth and lies. Real was another example of this. Now he as well, has given up on Romdeau.

We also see him having a little discussion with Daedalus. Daedalus seems to blame Raul for Vincent escaping. After all, if Vincent hadn’t been chased out, he would just be leading a normal life. Raul gets angry about this, with a good reason. After all, it was Monad who caused this. Not Raul. Daedalus also isn’t getting worried about whether or not Real betrayed him. He reckons that as long as Real is alive, she won’t betray him, and he can be himself.

Right after Raul put down his trust in the city council, he’s labelled as traitor and his once faithful assistant Krysteva gets put in charge to hunt him down. Krysteva thinks that he’s planning to escape, so the heads for the same place we saw in episode 2, where Vincent landed. In the meantime, she orders to erase all of Raul’s data from the city-databank. This takes about ten minutes. Before that time, Raul can still use his privileges. When she arrives, however, he appears to be in a total different place: his house. In the end, his goal was to get his data erased (on a side-note: does anyone find it ironic that his ID ends with the numbers 666?).

Daedalus, meanwhile, calls himself calm. One of his autoraves also refers to him as the prince of Romdeau. We also see Daedalus talking to a picture of Real, pretending it’s the real thing. And what happened to Monad? Raul, meanwhile is in his apartment, playing piano. The ending of the episode was quite confusing, and I didn’t manage to really understand this at all. For some reason, a hug rocket gets fired. Raul, meanwhile, has visions of Vincent. He reckons that Vincent was the cause for everything (it was quite shocking to see Pino in normal clothes. I nearly forgot that she used to belong to a rich family). Vincent, Real and Pino, meanwhile have almost arrived at Moscow, when they see the same rocket head for their destination. I suppose that that thing is going to blow up the city, though I’m not sure.

Next, Real, Vincent and Pino. They’ve made another pitstop, and they’re making quite some progress. One day, they managed to travel 140 miles, which makes a journey of 2000 miles take about two weeks. Shorter than I expected. In any case, when Vincent and Real decide to leave again, it seems that Pino is gone. She seems to have wandered off somewhere. Vincent also tells Real that if he ever stopped being himself, that he wants her to kill him with her own hands.

Searching for Pino takes a while, in the end, the two of them find a cave, and head in. It consists of some long tunnels. At one point, they find a number of dead bodies, belonging to misshapen humans. When they walk deeper in the cave, they hear sounds coming from a piano. Pino seems to be playing it. She’s accompanied by a live version of these creatures found earlier. It’s quite shy, and doesn’t look healthy.

After a bit of investigation, the main nest of these creatures is found. All they do is walk around, and sitting miserably. Real then discovers that there’s a small amount of poisonous gas inside the caves, so she decides to head out, before the problem becomes worse. Pino is also taken along, against her will. Apparently, the road is very long, as she becomes bored fast, and Vincent has to carry her. She’s very much like a little girl at this point.

Then, they pass the dead bodies of these creatures again. It then seems that the creature Pino was with has followed them, and now collapsed. Then Real realizes what’s going on. When the environment of the Earth changed, they were just normal humans, who dug the tunnels in order to protect themselves. The tunnels, however, then began filling with poisonous gas. This turned their bodies to their disfigured current state. In the meantime, however, it also made them dependant of the poison, up to the point that they won’t be able to live in a normal atmosphere.

Real meanwhile discovers some primitive wall drawings, and a rather cute scene occurs. The creature who collapsed stands up again, and gets carried away by his mother. Pino says goodbye to him. The wall drawings show a family with a pregnant mother, father and child, and Real realizes something again. We never know what it was, though.

Overall, I’m not sure what will happen to Raul afterwards. Will he be caught, or does he manage to escape? And I really need to rewatch the first two episodes at one time. Is it me, or did Pino use to be Raul’s autorave? In any case, the music was great again. It was a very nice episode. Nothing special, but I really enjoyed watching it. Every single time, Real, Vincent and Pino run into something unique in their journey to Moscow.

I wonder what I’ve been watching just now…

There seems to be no wind, so the Usagi can’t fly. This means that Real, Vincent and Pino have to wait until the wind comes back. And well… that takes the entire episode… Meanwhile, we get to learn about the life on the Usagi, through Real’s perspective. It was an amusing episode. Okay, it was most definitely strange, but amusing as well.

Real makes good use of her diary in this episode, as half of the episode is told through the things she writes in her diary. She wakes up, while Vincent is still asleep. She brushes her teeth. Later, in the afternoon, Real goes outside with Pino in order to check out the surrounding area. She doesn’t find anything, though. It only confirms that they’ve landed in nowhere.

She also checks up the remaining supplies. Pino, meanwhile, is having fun doing absolutely nothing. In the meantime, Vincent has woken up by Pino, who has been playing with Real’s make-up. ^^; It’s 2000 more miles towards Moscow, which immediately explains why this journey of theirs is taking so long. Real realizes that they’re just wasting time. She has yet to understand any of the mysteries of the Proxies, and especially Vincent. Then the title of the episode appears, and it couldn’t have been more fitting: “busy doing nothing”.

Vincent wakes up, and bangs his head against the ceiling in his enthusiasm. Real is getting quite annoyed by this, as she writes, in big letters, “unacceptable” in her diary. Pino, meanwhile, is copying her, writing it. Still with make-up. Real spends most of her days, observing the actions of Vincent. This involves her, randomly pushing him off the Usagi. ^^; She’s also noticed that he’s left-handed. Later, we see her doing exercises, and get quite pissed when Vincent forgets to close the toilet-seat (since when was that a problem?).

Pino’s playing on her toy-flute, while Real scolds him about this. Later, we see Real play catch with Pino, in order to observe her actions. Pino is having quite some fun ding this. Later, Real attempts to cook. She makes a few sarcastic remarks, and lets the pan of hot water boil over, dropping the noodles she was supposed to cook on the ground and not being happy with the result. Later, she discovers a blemish on her cheek.

While Real prepares dinner, she notices another thing: Pino’s left handed. She confirms this by letting Pino perform certain tasks, and Pino always uses her left hands on this. Quite interesting, if you consider that autoraves originally are ambidextrous. When Pino ends up having to use both of her hands, though, the difference is very hard to spot. ^^;

We then turn to Real, who seems to be looking for something. Vincent helps her. In the end, it appears to be her pen which got lost. While she tries to reach it, she notices a very large and prominent hole in Vincent’s sock, and mentions it. Exercises again. Later, Real’s taking too long in washing her hair, wasting needless water. Vincent tries to say something about it, in vain. Pino, meanwhile, continues reading her book.

Next up. Dinner. Beans. Real then notices quite an annoying hair, Vincent forgot to shave off. This really annoys Real in some way. We then see Pino, playing a popular child’s game: two empty cans, put some strings through to them, step on top of the cans, hold the strings and walk! Later, it seems that Pino and Vincent have been sitting next to each other, staring into oblivion, saying nothing for three whole hours, looking quite happily. Real really doesn’t understand this.

Another dinner. This time, however, there aren’t a lot of beans present. Vincent tries to make it better to add salad dressing, of all things. In a sense, I do not want to know how such a thing tastes. Real, meanwhile admits that Vincents annoys her an awful lot. He’s just too carefree, and the situation they’re in doesn’t really make it better. Next up, exercises again, while Pino reads her book again, on top of Real.

That afternoon, Vincent still sits, staring into oblivion, for no reason at all. Real then notices Vincent’s drawer, and decides to take a small look. Suddenly, she discovers nine pair of brand new socks, stuffed away, and never used. ^^; Later, Real doesn’t like the fact that Vincent forgot to close the seat yet again. A firm kick in a nasty place is the punishment for this.

Later, the blemish doesn’t seem to go away. Real then discovers Vincent’s shaver. Later, Real sees both Pino and Vincent playing the child’s game mentioned earlier. She really doesn’t get it. ^^; Later, Vincent’s cleaning, and he discovers one of the noodles Real dropped earlier when she failed at cooking. Pino, meanwhile, still continues to play with Real’s make-up, and she also lets Vincent have a dose. Real then notices this, Vincent gets scared, bangs his head against the ceiling and messes up some of Real’s make-up tools. Real then leaves. Vincent heads out to apologize to Real, though Real hid herself in a fairly obvious place. Vincent, however, doesn’t see this, and runs into the wasteland, thinking Real went there. Still with make-up on.

The next dinner, Real confronts Vincent with the situation. Vincent really is carefree with the situation. He doesn’t seem to care whether there is wind or not. Real, however, has a good chance to dump her frustrations on him. She tries to force him to speak up when he has something to say, and stop getting indecisive. Though she fails.

Later, Real watches Pino putting on make-up again. Though this time, in mime-style, without the make-up. She’s quite talented in this. Especially when she starts performing some impressively accurate impressions of Real. ^^; Real however, begins to look more pitiful by the minute. The blemish still hasn’t disappeared either. Vincent, meanwhile, is cleaning. Real’s watching him.

The next day, Real awakens again. Then it seems that snow has fallen. She immediately goes back to bed, as she doesn’t want to wake up with such temperatures. Vincent and Pino, meanwhile, are having fun with the snow. Pino tries to get Real to play too, though Real gets stubborn. Then Vincent calls Pino, in order to show her the Aurora, a first see for Pino.

Later, Real wakes up again. She heads outside, and then sees Vincent, yelling at the top of his lungs, throwing various curses at the wind, in the hope of making it return. Real still doesn’t know what he’s doing. Later, Vincent continues with pathetic attempts to make the Usagi move. They’ll never work, of course, but he definitely has fun in the process.

To save energy, the crew switches to candles. We later see Vincent shaving. In the mirror, he sees Real speaking the words “come on”, over and over. Vincent doesn’t know what she’s talking about, but in fact, she’s getting extremely frustrated about that hair that he keeps missing to shave off. That’s just one of the few things annoying the hell out of Real. She’s really at the point of breaking.

We then turn to the next day. (Wait a minute… doesn’t the wind sound when they show a shot outside?) Real lies in her bed again. Pino sits, doing nothing, and staring in front of herself. This time, without an expression at all, surprisingly. Real sees this, and falls in a deep sleep. Real wakes up when Vincent and Pino are cooking some food. She keeps looking more pitiful by the minute.

That evening, Real grabs her chance, by pulling out that annoying hair when Vincent attempts to change candles near her. Quite a suggestive scene, wasn’t it? Later, Real sees the aurora for herself. This actually is what brings her some motivation, to stop seeing things so serious. Vincent, meanwhile, trips while going off the Usagi, and Real almost does the same.

Vincent, meanwhile gets hit by one of Pino’s dangerous snowballs. Real keeps staring to the aurora, and suddenly starts actually screaming at the top of her lungs, throwing the same curses Vincent did. It’s indeed something to at such a moment. It feels good. Pino, meanwhile, keeps throwing snowballs at Vincent, and Vincent gives her the same treatment. When Vincent keeps staring at Real, Pino has had it, and hits him with an extra large snowball. ^^; While chasing Pino, Vincent trips and Real actually laughs! Indeed a healthy thing to do in such a situation.

Then the wind starts blowing, and they can move out. For some reason, Real hadn’t closed her diary, so when the wind comes, all of the pages blow away along with it. The episode ends with the Usagi taking off, and a shot of the cans, used for the child’s game. Apparently, they were left behind.

I can imagine that the creators really had a fun time creating this episode. It really takes quite some creativity to make all of these every-day events happen. They most probably had a lot of fun, thinking of the things for Pino to do, for Vincent to mess up, and for Real to get annoyed at. The result is this quite peculiar episode.

Real’s realistic attitude really isn’t meant for situations like this. When you’re in such a hopeless situation, and you’re used to luxury, and like to see everything objective, you’re going to notice all of the small details which go wrong. At one moment, these details become way too many, and you get more frustrated. Real’s diary indeed was a good. symbol for this. Real wrote all the details she could find in it. Eventually, it became just a way of her to write down her frustrations. You could really see that in that unshaven hair of Vincent. At one time, she drew “BEARD” in huge letters into it. The pages, flying away at the end of the episode are a symbol of Real, letting go of these frustrations. I’m not sure what the symbol of the cans, left behind at the end of the episode are supposed to be, though.

Overall, I don’t think I’ll ever be able to figure out my opinion about this episode. At one side, it’s pointless. At another side, Real opened up. At yet another side, it may have been too much. At yet another side, it did feel complete. Still, one thing I do know about this episode: it was quite funny. Not just Pino, but both Real and Vincent were funny as well in their daily antics.