Night Head Genesis – 17 – Sayonara

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Quite a fast pacing. In one episode, the creators ended the parents-arc, eliminated Sonezaki from the main storyline and introduced two new arcs: The Ark-arc and the Futama Yoshiki-arc.

The episode starts like it’s turning back to episode 12 and 13, and it seems like the series returned towards mediocrity again. Sonezaki plays mind games with Naoto, Naoto gets angry, and Sonezaki basically has Naoto in the palm of his hand, the usual stuff. Luckily, Naoya changes this, when he accidentally calls his father “father”, which makes him suspect that he really is her son. Sonezaki then gets interesting when he uses his powers to do something again, but is engulfed by them before he can actually use them. Inside his mind, he gets confronted by a number of people important to him: his mother, his father and even Kariya. In the end, he sees Shouko, before he turns mad.

Still, the damage is done. Naoto and Naoya’s parents have seen Naoto use his powers, and had the same look in their eyes as when they were young. I think that this will be the last we’ll see of them. What follows is a small note from Shouko, passed on through Naoya’s dream. “Men hate conflict, men love conflict. But if you don’t experience either one of them, you won’t be able to overcome the warlike instinct.” An interesting message, though what symbolizes it? What is Ark trying to do?

Then we finally see mastermind behind Ark. It’s an old woman in a wheelchair. She seems to be incredibly powerful. And just when you think that we’ve found our main villain, she claims that a certain “they” will make their move tonight. Does she refer to Naoto and Naoya, or another, third party? The events which followed suggested that the latter, as Naoto and Naoya don’t really have plans for that night.

Night Head Genesis – 16 – Plot Twist Galore

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I started watching episode 17, only to realize that I had yet to see episode 16. Must’ve missed it. In any case, I’m glad I did check out this episode, as it’s a really excellent one. 🙂

The cross-references this time now take a focus to three very interesting cases: Shoko, Sonezaki and Naoto and Naoya’s parents. The first half of the episode is dedicated to Naoya, who is starting to become like Shouko. When the series started, I remember noting that Naoya’s powers were very similar to Shouko’s, but I never imagined that they’d be this similar. It showed us a good contrast between Naoto and Naoya. Naoya is actually evolving: he’s getting stronger with each experience. Naoto, however, doesn’t have this. Because he’s always protected his little brother, he’s extremely worried about him when something happens to him. Now that Naoya is growing more and more, he’ll face this problem more and more. Interesting. 🙂

Naoto also tells a bit about the background story of the world. It seems that Atlantis, Mu and Lemuria actually existed, and during those times (102.000 years ago) psychic powers were absolutely normal. Then, these civilizations destroyed themselves, and the world actually got flooded, suggesting that Noah’s Ark really existed. This also can’t be a coincidence: Ark has got to do something with Noah’s Ark. When the Upheaval comes, are they actually planning to do the same thing Noah did when the world flooded?

Part two of the episode takes another strange turn: Naoya reveals that he knows the location of their parents. The first part already was good, though this is even better. Seeing children reunite with their parents almost always works good, though Night Head Genesis goes even further: reality has been altered, which caused Naoto and Naoya to die fifteen years ago, saving a little girl.

Though the best moment of the episode arrived when Sonezaki appeared. The element of surprise is tricky to achieve in anime, especially in the mystery-genre, as you’re already suspecting that there’ll be some twist, though when Sonezaki suddenly walked into the clock store of Naoto and Naoya’s parents, I really was surprised. It seems he’s plotting something again, but what? 🙂

The past three episodes have really been excellent. Let’s hope that Night Head Genesis can keep this pace up. 🙂

Serial Experiments Lain Review – 85/100

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This is one for the computer geeks among us. It’s a psychological drama, focusing on the barrier between the real world, and the internet (the Wired). It features a girl, Lain, who gets obsessed with it, and eventually this goes out of control. As this anime was made in the year 1998, you could call it science-fiction, to some degree.

I’ve been wanting to check out this anime for a while now. I wonder why it took so long for me to try it out. In any case, I’m glad that I did. Not necessarily because this anime is incredibly good, but because it made me realize one thing about modern anime: the desire for production values. Serial Experiments Lain definitely is an anime that has a different style from all of the newer shows that have been coming out in the 21st century. This is mostly due to the background sounds. There’s almost no background music, and the few tracks that are present are very basic. The creators filled most of the screen time with various sound effects, ranging from electricity wires to a large crowd and the sounds of a train. You’d never hear things like that in today’s anime, where everything revolves around production values.

After watching this anime, I have to say that the creators spent a lot of time on the story. There’s almost no filler, and every episode has a meaning and develops Lain a bit further. Also, if there ever was a non-episodic anime, it’d be Lain. It’s nearly impossible to really define the themes of the different episodes, as they all flow surprisingly well. I also noticed that other 13-episodes anime start off with a quiet pacing, and then at one point, the tension suddenly skyrockets at one climax. This isn’t the case with Lain. The tension really has been very consistent, and it’s been building up perfectly to the final two episodes.

One thing that also becomes clear after only the first episode is that this anime is trying to play mind games with its viewer. We see a lot of psychedelic shots and pans, and sometimes, people don’t even talk for half an episode. Overall, I had a good time watching this anime, though it really seems to be missing something. It really misses an element to make it awesome. What we have here is a solid title, a lot of time was spent on it, though it misses a certain X-factor to make it really stand out.

Ghost Hunt – 03 – And the Case is Solved?

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Ah, it seems that Ghost Hunt will be another one of those anime which only get released twice a month, or so. Not that that’s a problem, or anything. After all, two of the best shows which aired during the Spring Season, Tsubasa Chronicle and The Third, also got subbed slowly. The current arc has been a strange one. Most shows which deal with ghosts can be divided into two parts:
– Ghosts exist
– Ghosts don’t exist.

Ghost Hunt adds a third category: ghosts exist, though this time they’re not really involved. The episode starts with a strange twist, as Mai wakes up, and suddenly, the priest, the monk and the exorcist suddenly start laughing alongside of her. Overall, the tone of the episode also has been very different from the previous one. The conflicts from the previous episode were almost totally gone, and the current episode actually focused on Mai, Naru-chan and Kuroda. The Monk, the Priest and the others were actually placed in the background.

I actually liked this episode. It all seemed to be Kuroda’s fault. Her desires that something might happen caused a poltergeist to blow up various parts of the abandoned school building. The ending of the episode was a very nice one. Naru-chan tries to please all the cute girls again, so he agrees to tell nothing to the principal about Kuroda-san’s involvement with the ghosts. Still, at the end of the episode, the building still collapses. The peculiar thing is that we never get to see Kuroda’s reaction. We never see how she reacts to the fact that she still kept believing that she was right.

I’m really interested about what’s going on inside of Naru-chan’s head. Sure, Mai had a good reason to accept his offer to work for him. He’s a bishounen, and a huge player as well. But I’m wondering about his reason to actually employ Mai. Is it because she’s a woman, or is there another reason for this? Another thing I’m wondering about: will the Monk, the Priest, the Exorcist and the Psychic return after this episode? It seems that everyone has gone home after the case was solved, which means that we won’t see them together anymore, seeing as they all work separately. But will Naru-chan have to work with another one of them at another case?

Soukou no Strain – 05 – The Meaning of Teamwork

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With the eventfulness of the previous episode, the current episode had to be some kind of intermezzo. And indeed, it takes a step back in order to focus on Sara’s relationship with the new team she’s been assigned to. The episode begins with a battle simulation, and there it becomes clear Sara really doesn’t know the meaning of “teamwork”.

Still, even though this episode took a step back, it still featured a very powerful climax, as Sara finally finds out that Isabella died. Remember the girls who assaulted Sara on the previous episode, well, it seems that they’ve convinced themselves that Sara was the reason that Isabella had to die. Sara really has to endure her heaviest beating thus far when they call her to some kind of abandoned section in the space-ship. Especially their leader, Marietta, goes mental on her. At least, until a deus ex machina makes sure that Lotti stops her. Still, I’m believing that Lotti’s meddling isn’t doing much good. Okay, she managed to stop Marietta for the moment, but it didn’t remove her grudge against Sara, and without a doubt she’ll be thinking of something even worse to do to her, until Sara herself does something about it.

Emily turned into a nice surprise. You would suspect that she’d animate and come to life after she’s been activated, but things just turned out the opposite direction. Even though she’s a major character, she is and remains a lifeless doll, somehow related to the Emily Ralph abducted in episode one. Ah well, it does make her the perfect friend for the ever-silent Sara.

One thing I didn’t like about this episode? Carrisford. I mean, he’s so incredibly bland, he meets all of the stereotypes, and now he’s also trying to become our main character’s love interest? At least Cedric had a bit of depth, but Carrisford is just the epitome of clichés. I hope he dies soon, that way, he’ll be at least a bit useful to the story.

Hi no Tori Review – 93/100

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When I found out that this was a case-based anime (as in a collection of individual, unrelated stories, sharing a common theme. Think Mushishi, Jigoku Shoujo and Bartender) I just had to check it out, as it’s one of my favourite genres. Now that I’ve watched it, I can really say that I’m SO glad that I gave this anime a chance. It’s brilliant!

It’s annoying, though. I’ve got so much to say about this wonderful anime, but I’ll refrain from doing so for the sake of spoilers. One of the great things about this collection of stories is its element of surprise. Every episode delivers themes you don’t just think of in one or two moments. The stories are just full of creativity, and they left me hungry for more after each single episode. It’s really best if you just watch this show without having seen or heard anything about it.

Hi no Tori, or in English, Phoenix, consists out of five unique stories, ranging from 1 to 4 episodes. Its main theme is life, but there’s so much more than that. It’s similar to Ningyo no Mori, though it’s way less restricted by the rules it set for itself and made perfect use of this. It’s true that the Phoenix’ blood does bring eternal life, but this anime carries this a bit further than just that. You’ll understand when you watch it. The long stories tell tales of heroes and battles between huge armies, surrounded by events you really can’t see coming, combined with a healthy chunk of atmosphere. The short stories grab one very creative idea, and start toying with it. The results really moved me like no other anime has ever accomplished. (Note: not necessarily that they brought up heavy emotions, more like a huge satisfaction, or utter surprise).

Still, when you start to watch this anime, there’s one thing that will immediately catch your eye: the art. If you only judge on the first episode, you wouldn’t suspect that this anime is from 2004, as it looks really old. Well, let’s just say that you don’t have to worry. I’m not sure why the creators decided this, but the art turns better with every story. And I really mean that significantly. When the fourth arc arrived, I was so surprised at the huge difference from the art-quality, when compared with the first story. The same goes for the music. As the anime progresses, it just starts sounding better and better.

Overall, this is another one of those unknown beauties. If you like thought-provoking stories, I’m definitely recommending you to check this out. My personal favourite episodes were 7 and 13. Episode 7 contained one brilliant concept, while episode 13 really goes further than any other anime has ever gone before. Much further. If you don’t believe me, just watch it, and you’ll understand.

Saiunkoku Monogatari – 21 – Another Intermezzo

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Finally, the subs seem to have caught up with me. It was a nice experiment to start experimenting raw-watching with Saiunkoku Monogatari, but this show just isn’t fit for that. Luckily, I’ve found enough series over the past few months who are, which means that I’ll continue watching this series, based on Shadow’s subs.

This episode had a surprising main character: Ran Ryuuren. This episode again was more of an intermezzo between two arcs, just like the previous episode. Still, there were a lot of differences in theme and tone with the previous episode. Basically, after having disappeared for a while, Ryuuren returns to his Soul Mate #1 and Soul Mate #2: Shuurei and Eigetsu. He also discovers the existence of Soul Mate #2.5, aka Yougetsu. ^^

It’s a comical episode at first sight, though when Ryuuki appears, the serious side of Ran Ryuuren gets into the spotlight. He’s unique in the Ran family, as, even though he’s a genius, he doesn’t concern himself with power and politics. Because of his behaviour, he’s also impossible to blackmail or control, making him very reliable, in a way. Ryuuki realizes this, and uses him as a messenger.

– Kourin also made her appearance during this episode. Kouyuu informs Shuurei of the things she’s done. Afterwards, Kourin visits her, though she’s too scared to say anything about the poisoning. Still, she’ll get her moment some time, as she’ll be accompanying Shuurei to the Sa province.
– The location of the ring of the Sa-clan gets revealed. I should have known. Sho Taishi had it all along. He used it as a vessel for Sa Taiho’s soul, who makes a small appearance in front of Shuurei during the episode.
– Kurou also gets to see Shuurei. With this, Shuurei knows that she’s got the full support of the main house of the Kou clan.

I’m also wondering about the supernatural aspects of this show. They’re well hidden, but they’re there nonetheless. Especially the eight enlightened ones. It’s clear that Sho Taishi is one of them, but what about the other seven? First, I thought that the strange ghost Sho Taishi summoned in the previous episodes was also one of them, but it just appeared to be the young soul of Sa Taiho, who obviously wasn’t one of them.

Star Crossed One Year Aniversary, New Lay-out and more

Wow… I finally managed to last a full year. It seemed an appropriate time to change my lay-out. Star Crossed v3, in a way. I’m really liking it so far. It’s basically a huge edit of the Georgia 2004 template. Unlike my previous two lay-outs, it’s really been built to match my style of postings, instead of the lay-out I had on blogspot, which was just the basic lay-out with a few things changed, or my previous lay-out, which was an attempt to move the same-lay-out to blogsome, because I liked it so much.

This also seems a good time to introduce a new feature: the review index. I’ve written quite a few anime reviews in the year I’ve been active (61, to be exact), and I must imagine that things are getting a bit unorganized. That’s why I’ve made two posts, one which sorts them alphabetically and one which sorts them, based on ratings. Along with a small genre-definition for each of these anime.

Popolocrois 2003 – 21 – Punpun and Kogoto Goodness

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With this episode, the Croconesia-arc has ended, the finale is probably about to begin, and I’ve finally caught up with the subs. Here’s hoping that the final episodes get released quickly, as something tells me that I haven’t seen the best of this anime yet. The episode itself was very good again. Not as good as the previous three episodes, but I still made for a great watch. 🙂

While you would expect that the current episode would focus entirely on Momba, it actually tells two stories right through each other: Momba’s story, of course, and Punpun and Kogoto’s story. Unexpected, but surprisingly touching. I also loved how Pinon, Marco and Luna were just pushed into the background in order to feature the threesome to have their own airtime.

As expected, Momba fails the ordeal. The previous episode may have given him courage, it didn’t remove the chicken inside of him. Afterwards, Pinon attempts to give him a bit of courage through the placebo-effect, though Kogoto rather blows that point. Still, when Momba learns that Pinon and him actually have some similar points, he agrees to try again.

There’s just the problem that Punpun got a strange idea again, and dressed herself up as a female Croconesian (I loved how Luna tried to imagine what that would be like ^^). If I’m not mistaken, it’s actually the first time in the anime that she separates herself from Kogoto. The latter gets incredibly worried about her, and the fun starts.

Of course, Punpun’s plan never works, but she does have to battle a rather scary-looking dragon-zombie. Kogoto and Momba manage to find her in time, and another battle follows, in which Momba finds out that he can actually do something useful. That exactly was enough to give him a bit of courage. Kogoto, meanwhile, does the impossible of building a instant-catapult on the battlefield, in order to hit down the Dragon Zombike. Pinon, Luna and Marco arrive just in time to see him hit down that huge creature. ^^

Also… I’ve been wondering… what about Papu? Does he still have a role? He’s really starting to turn into the usual cute, useless pet. Still, the fact that the law which forbids forest sprites to enter the sea, and water sprites to enter the land is called “The Law of the Moon”, and he happens to be the Seirei of the Moon, there could be some point at which his presence can be useful.

Popolocrois 2003 – 20 – Adventure in Croconesia

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I am SO glad that I decided to continue watching this anime. The past few episodes really have been awesome, with the current episode as no exception to this. There really are too little people who know about this great episode. Same with its 1998 counterpart. It’s a real recommendation for any fantasy-fan.

Pinon, Punpun and Luna SO reminded me of Souta, Shirayuki and Ringo. Now that they’re travelling together, it becomes even more apparent that Punpun keeps clinging to Pinon. Let’s just say that Luna doesn’t like that. (^^) Also, this episode revealed another interesting future-couple. Donovan just acted way too nervous when Elena suddenly appeared in a beautiful dress. (^^)

Still, as the episode takes place in Croconesia, the main focus of the episode has to be Momba. And indeed, in order to get to Zephys, a special boat is needed. In order to get this boat, one must overcome an ordeal. That just leaves the problem that only a Croconesian can captain that ship, and thus take the ordeal. Poor Momba. The next episode will be a living hell for him, as he’s just been acting like a big coward throughout the anime. But that’s what makes him such a great character. ^^

Still, against all clichés, Momba doesn’t get to be the hero of the episode. Elena gets the glory for that, as she quite bravely defeats one of Zephys’ minions. Momba just learns a couple of things. I’m suspecting that his moment of glory will come with the next episode. ^_^

I think that one of the major elements which has made the past few episodes so great is the great bland of action and comedy. Due to the first half of the anime, the characters have already been fleshed out. Right now, the creators are making perfect use for this, which makes each of the scenes funny yet dramatic at the same time. There aren’t many anime which can achieve the same, not to mention at the high level of the past couple of episodes. The chase at the end of the episode was a brilliant example of this. It also was something you couldn’t predict AT ALL.

Overall, if you’re wondering whether or not to check out this anime: DO IT!!! It may have a slow first half, but the second half really is awesome. 🙂