Ristorante Paradiso – 04



Well, like its predecessor Michiko e Hatchin, Ristorante Paradiso sure has been put into a very strange time-slot: it’s gotten two hiatuses already and its first episode aired as a set of two. I really wonder what’s going on at the time-slot when this show isn’t broadcast, and where people get the time to broadcast two episodes at once?

But really, this series continues to be good stuff. Shows in which the lead characters run a restaurant always have their own kind of unique charms. Antique Bakery also had this unique chemistry between its characters, and there is an understanding that is much, much different when compared to your average high school show, even with shows as Natsu no Arashi, which actually has teenagers involved.

This episode was a bit confusing as it suddenly introduced flashbacks from out of nowhere, but it was a great chance to see how the restaurant first was formed, how Luciano and the others were recruited, and it’s interesting to see how there once were three staff-members who have since quit. The youngest one I guess felt out of place, but for the others I don’t think their reasons were mentioned in this episode.

When this show started, I also believed that Nicoletta’s mother forcefully made everyone wear glasses, but in the end it was actually something that just evolved on its own. When Olga first got to see the restaurant, she simply became so happy that she could cry, and that kept the tradition of keeping on glasses going. At first, we’re really lead to believe how she’s the selfish mother from hell, but she’s gradually turning into someone who may have made a mistake in her life, but yet has plenty of good and genuine sides.

I also liked that bit with the little girl who had to wait endlessly for the owner to show up. That’s really typical for them, having to wait for hours really is going to bore any child.

Rating: * (Good)
Nice flashback to when everything began, although it was at times hard to point out what happened when

07-Ghost – 05


This episode seriously was one big question mark. Seriously, what the hell is going on!?

Things start fair enough: as Teito wanders around the church, he slowly regains his memory, and he turns out to be the prince of some country. A bit cliché, but that does of course explain why Ayanami’s bosses are so intent on getting the bugger back. It has potential.

But then, suddenly from out of nowhere, Mikage shows up. MIKAGE. Wasn’t the guy supposed to have his family killed off at the previous episode? Wasn’t he so determined to not betray Teito? What the heck is he doing free, and what’s more, how the heck did he find Teito? What’s more, we also see that Ayanami has finally found Teito’s location and because he can’t enter the church he’s resorted to stealth tactics, and yet based on his reactions, he was the one who sent the Ghoul in this episode, not Mikage (even Frau comments on how the Ghouls are targeting Teito), and yet at the same time Mikage knows that he’s not going to stay with Teito for much longer, so he definitely got to leave on a special condition, but what are his true intentions?

Agh! There are really so many questions that popped up in this episode and I’m really frustrated that none of them really was answered and yet I’m very curious to what the next episode has to offer, since it’s definitely going to shake things up a lot. And yeah, this episode really showed that the characters are gay (or at least bi), but in the end: who cares? There hardly has been any cheese so far, which is the biggest thing I’m concerned about.

Rating: * (Good)
Very intriguing episode that really makes you want to watch the next one; animation was rather buggy, though.

Macross Review – 82,5/100


Those who followed my blog about a year ago probably know that I wasn’t exactly… ‘pleased’ with the way Macross Frontier turned out. Even taking the upcoming movie into account, it never really seemed to know where it wanted to go and while it definitely had some good points, it also just kept getting stuck at an endless love triangle with a bunch of unimpressive lead characters and villains.

Still, it did inspire me to go after the early Macross-series, in order to find out why the franchise got its fan-base in the first place. And I must say, I’m glad that I did. While not perfect, the original Macross does a lot of things right at which Macross Frontier screwed up. As probably one of the first series to combine serious love with mecha action and doing a really good job while at it, I can see why this series had such a big influence on the later anime to come.

The thing that struck me the most about this series is how interesting the villains actually are. At first, when I learned that this show would be about a mysterious alien race called the Zentradi attacking Earth, I was fearing lots of “Humans rock!”-themes, combined with an ending at which the aliens suddenly turn good like how Macross Frontier pulled it, but it was actually much more clever than that. A large part of this series is actually focused on analyzing why these Zentradi fight, how their society is created and how Earth’s society impacts them (which provided some of the most entertaining scenes of the series). It also shows what would happen if a race would be suddenly forced to a totally different life style, and how hard it is to adapt to these new life conditions.

The three lead character are also much more capable of carrying this show. There again is a love triangle, but it’s pretty well built up and this series uses its episode length of 36 very nicely in order to let everything gradually play out and the show evolve. This really gives the love triangle between them the chance to sufficiently develop and close off with a pretty satisfying conclusion, although near the finale the romance can get a bit cheesy at times. I also really appreciated that it didn’t try to stuff all of the meat of the series in the final four episodes or so, though going into detail why would perhaps be a bit too much of a spoiler.

Unfortunately, at other points the show does have some pacing issues. Some episodes really give events the time to flow naturally, but a few episodes really move way too fast, with the most notable being ‘the wedding’. It just comes way too bloody fast and before you know it the involved characters have completely shifted their personalities. The ending also felt like it could have used half an episode extra.

And obviously, the production values aren’t as good when compared to Macross Frontier, but that’s not going to surprise anything. Compared to the other shows of its time though, the animation looks very capable. Most of the time it’s very rough around the edges and the hand-painted cell animation definitely feels jerky, but the whole look matured just as well as for example Matsumoto Leiji’s character-designs did. The music however, is beyond rescue. Lin Minmay(one of the lead characters, an idol)’s songs mostly consist out of very cheesy J-pop from the seventies, and even though the rest of the soundtrack serves its purpose, every time she started singing the sound got more and more on my nerves.

Overall, if people are wondering which Macross TV-series to check out first, it basically boils down to this: with Macross Frontier you get a shallow story with a godly budget, and with the original Macross you get a series with dated production-values through a fascinating setting. Just take your pick. Personally I definitely prefer the original.

Storytelling: 8/10
Characters: 8/10
Production-Values: 8/10
Setting: 9/10

Konnichiwa Anne – 05



While at first sight yet another cheesy episode about a cheesy love story surrounding Elisa, it soon turned into a very insightful episode that really showed some different sides of the characters. It forced especially Elisa to really think about the situation she’s in. Thus far, she’s been a bit too similar of a Mary Sue, but this episode removed just about every aspect of that nasty brat in her and turned her into a really flawed character, and a typical teenager.

The episode starts as we see how Bert has finally landed himself a job helping out at a local farm. Anne has been counting the days since it happened (10) and is really happy to see that he stopped drinking and hitting his wife. Elisa meanwhile has been invited to a local party given by the Emerson family, and her classmates fangirl over Roger, and how Elisa is so poor and all. Roger however, looks to be really serious with her, and actually ends up proposing to her for marriage.

It turns out that Roger has to go to London for a job the next year, and he wants to have Elisa next to him, which is why he’s proposing to her so early. At the party, Roger hopes to hear Elisa’s final answer. When she arrives at home, she tells all about it to Anne, who obviously gets all happy about her, though Elisa still is really embarrassed.

It soon becomes clear that Elisa too is in love with Roger, and Anne really encourages her to go along with Roger to London… and that’s the point where Anne gets sad when she realizes that that means that she’ll be separating from Elisa, though Elisa quickly tells her that she can go with the two of them: Roger is a nice guy, so she thinks that he’ll definitely understand the situation and take Anne along… yeah.

That night, the two of them are still fantasizing about how good they’re going to have it in London. Elise never really liked being in her household, and she grew up as someone who just did the right things because it means that she was doing the right things. It turns out that Elisa once had a best friend (Katie Morris), but got separated from her somehow (couldn’t exactly pick up why), and that’s why she’s so burnt on not being separated from Anne.

Things however don’t go as planned when Elisa tells the news to her parents. Surprisingly, Isabella has no problems with letting her daughter go, but she’s not willing to let Anne leave in the hands of two inexperienced teenagers, not to mention that it’s going to really increase her workload. Especially when her new baby comes, nobody is going to be able to take care of her if Anne’s gone. She outright refuses this to Elisa.

The next week, Elisa’s dress arrives and she gets ready to go to the party. Anne still doesn’t know that she can’t go to London, and Elisa is still in lots of doubts over the marriage. Roger in the meantime has his own problems with his parents, because his father doesn’t have much faith in one of Bert’s children. Roger however has made his decision, and has to promise to his father to make the job he’s assigned to do in London succeed no matter what.

When Elisa arrives at the party, a lot of people whisper behind her back, not expecting such a poor girl to show up in a full dress. She dances with Roger for a while, and a while later when they’re alone, Roger asks for Elisa’s answer. Elisa says yes, though then she tells him about how she wanted to take Anne with her, but her mother wouldn’t let her. Roger suddenly gets very surprised when he finds this out, and when Elisa asks him whether he’ll take her with them, he declines: he likes Anne, but she isn’t Elisa’s child. It’s not going to be easy to live in London, so taking a child with them is not going to work. Elisa gets upset and runs away.

When Elisa gets back home, she knocks on Bert’s door (god, I nearly forgot that that guy was supposed to be a father) and wants to talk about what happened. Anne happens to see this, and overhears how Elise tells him that Anne can’t go with them, and the episode ends with Bert, saying the wisest thing that he’s ever said in this series: that she should go to London and leave Anne behind.

So yeah, this series doesn’t have the epic storyline of Les Miserables, the refreshing storytelling of Porfy, the realism of Anne of Green Gables or the atmosphere of Kaze no Shoujo Emily, when compared to these masterpieces it doesn’t have anything that really stands out, but it does have one thing: a great cast of characters. I really wanted to push Elisa in the face when she begged Roger to take Anne with her. Don’t get me wrong: I really like Anne myself, but that unrealistic thinking of her really got me: here she is, she has the chance for a great future, despite being poor she has the chance for a great future and a very nice husband… only to ruin it because she can’t leave her five-year-old friend.

And the thing is that with this type of series, I actually have no idea whether it’s the type of series that likes to keep its lead characters together, or whether it’s going to allow Elisa to move away. It’s definitely going to be interesting to see Elisa gone now, because that’s basically going to remove Anne’s only friend, and that means that she’s only going to retreat into that fantasy world of her even more, and the series is probably going to take a turn for the dark.

Rating: ** (Excellent)

Shangri-La – 05



Whoa.

I must say, I totally didn’t see this coming. This was without a doubt the best episode of Shangri-La yet. The thing with Gonzo is that they’ve got so much flaws, that I at times forget that these guys make damn good anime. No other animation studio has surprised me more times than they did. Blassreiter looked like a simple action-show, but what terrific action it became. Gad Guard from the outside looked like yet another boy meets robot show, and yet it developed into a very likable series. The same goes for the likes as Solty Rei, Welcome to the NHK, Seto no Hanayome, they’re all shows that turned out to be excellent even though you wouldn’t suspect it at first glance.

After the previous episodes’ disaster in the animation department, I was seriously surprised to see the animation quality this much improved. The inconsistencies are totally gone. Characters aren’t conveniently placed in the background to save money on drawing close-ups, and especially the virtual reality animation rocked beyond belief. Now, if only the rest of this series can keep this same quality.

But also in the storyline department this show got some new dimensions. Like above, the virtual reality turns out to play a much more important role than suspected, as even some of the guys at Akihabara make use of the same technology that our little genius uses to manipulate companies. At the same time, the military has also been working on an invisibility device, and Kuniko makes use of one of the naive guys of the military and finally gets a bit of an idea of what’s going on inside Atlas. I personally loved that scene between them, because you could really tell that the two of them were living in totally different worlds and tried to justify their own actions.

Oh, and I had to laugh at the subtle otaku-jokes. Usually in anime these sorts of jokes are dumbed down a bit too much, but I loved how Kuniko’s grandmother used to be a popular idol when she was young. I definitely understand why she’s trying to hide that. ^^;

In any case, overall this episode made this series even more intriguing than it already was. I really had some doubts whether this series would turn out okay or not in the end, but this episode surely removed a lot of them.

Rating: ** (Excellent)

Guin Saga – 05



I’m noticing a worrying decrease in animation quality with every progressive episode of this series, which seriously isn’t a good sign. I really hope hat Satelight are saving their budget for the later episodes, because amidst the beautiful shots the bad shots really stick out like a sore thumb. The graphics of this show unfortunately are of the kind that need a big budget, because otherwise they’re just going to look bad.

In any case, this episode didn’t have me as much impressed as I hoped to. The novelty of this series has worn off just about now and this episode lacked a bit of atmosphere. Guin, Remus and Linda get captured by the Mongol army, only to get rescued again by Istvan. It’s mostly just used as a building up episode, and not really that of an exciting one, although we do learn some new stuff.

As it turns out, these lands are very unfamiliar to the Mongol forces and they too have a lot of trouble trying to fend off all the huge fishes and giant sandworms, which seems to suggest that they don’t have these giant beasts in their home country (otherwise they’d know how to deal with them more efficiently by now). Another small clue was given about Guin and Istvan’s pasts: somehow the name of Landock is important to Guin, which Istvan once saw written on a very fast ship ten years ago when he was being a pirate.

Rating: (Enjoyable)

Full Metal Alchemist – Brotherhood – 05



Finally! This is the point I’ve been waiting for, and finally it’s time for me to praise this show a bit. It’s good to see that this time, the annoying part only took up four episodes, rather than FOURTEEN, and not only that but this episode was also significantly better than its original counterpart.

Even though episode 3 didn’t introduce Envy, this episode was sufficient enough for an introduction of the guy. Scar’s appearance also made much more sense this time: he didn’t try to attack an entire army of state alchemists this time, but instead just went after Ed, and made the mistake of thinking that Ed would be easily taken out just like his other victims. The only reason why his face was shown this time was because he didn’t take into account that Ed and Al had metal body-parts, which allowed them to buy enough time for the military to show up (who were also in the neighbourhood).

And in this way, Scar was a much better way of showing Ed how cruel some people can be, compared to that strange butcher who just “happened” to kidnap Winry of all people. Overall, this episode really reminded me why this show has potential. It again was rushed, but things fell much more in their place, aside from the history of Ishbal perhaps, which was a bit too fast. It was nice to see a map of the world though. It gives a much better view of what goes on where. For example, I never knew that Ishbal and Resembool were that close together. And yet in a way this does make sense, as it makes the holiday of Winry’s parents much more plausible.

But what surprised me the most of this episode were the couple of experimental scenes. Especially for BONES, this is really rare: they’re really a studio that focuses on the solidness of their productions (which is quite ironic if you think about how a lot of series of them end up rushed in the end), and I can’t recall any of their series to be experimental, and especially not in the animation and storytelling department. That’s why I loved the sudden appearance of Scar: Ed was in the middle of something completely different, and you really don’t expect the guy to show up at such a moment. The few animations in the beginning also looked really nice.

And as for the bits of comedy amidst the fighting: I like them. The thing is, that the original series was just too emo at times. And with such a series, it’s hard to avoid. That’s why it’s good to see these moments brightening up the mood at times.

The biggest potential pitfall I see for this series is the typical weakness of a Bones’ series: its inability to properly fit its series into the proper time-frame. Out of all of their series I’ve seen (which are quite a few by now), the only show of them whose story fit exactly into its number of episodes was Angelic Layer. Aside from that one, all of the other Bones shows I’ve watched have either rushed endings or in Eureka7’s case 13 consecutive episodes in which nothing really happens, and I really hope that this show is going to be able to avoid it.

Rating: ** (Excellent)

Cross Game – 05



The thing that really sets Adachi’s stories apart from all other high school anime is the huge amount of time that he devotes to the history of the lead characters in the beginning, when the characters are still just in middle school and the first few episodes simply set all of the stages for the rest of the series. This is obviously such a good way to flesh out the characters in the beginning. Out of all the shows that started airing this season, I feel like I got to know the cast of Cross Game the best within the time-span of only five episodes. Even the characters of Eden of the East are nowhere as likable as these guys.

This episode was even more slice of life than usual for this series, but what a wonderful episode it was. Basically, both Aoba’s father and big sister and Kou’s parents were out of town while Momiji wasn’t feeling well. Kou was asked to keep a bit of an eye on Momiji alongside Aoba. So after Kou’s usual secret training sessions, he visits the local supermarket and brings back food for the three of him, Aoba and Momiji.

Since Aoba never really learned how to cook with sisters as Wakaba and Ichijou, Kou offers to cook dinner, even though Aoba is obviously heavily against it. Also here it shows how Wakaba is still on these youngsters’ minds: the moment Aoba goes too far in her insults the whole mood completely changes even though the reason for it is never explicitly mentioned.

What’s more, this episode also was about a cooking book that Wakaba used to use. Aoba originally intended to use it, but she accidentally lets Kou find it. The result is a bowl of rice that tastes exactly the same as Wakaba used to make it, which is especially tough on Aoba.

Then there’s Momiji’s fever in this episode, which is also used in order to show the downsides of Aoba’s tomboyish character: when she starts feeling unwell, it’s mostly Kou who keeps everything in straight lines and makes sure Momiji’s fever goes down fast. Aoba just thinks too much of Aoba, who really was the type of caring sister (especially since she thinks back on how Wakaba used to take care of her when she herself was ill). It’s the same trick that Touch used, though slightly different: Kazuya was simply better than Tatsuya in every aspect, while Aoba still had sports in which she could stand above her sister.

And on a side-note: I really like Momiji’s character, and how well she and Kou get along with each other. Momiji feels really genuine as a character, and there’s something wonderfully innocent about how she and Kou interact. Of course, the chemistry between a lot of different characters in this series is really good, but the two of them really take the cake in my opinion.

Rating: ** (Excellent)

Valkyria Chronicles – 05



This series is strange. On one hand it’s about two warring countries, but on the other hand it has pigs with wings. Seriously, as much as I appreciate that Alicia is very alert for possible spies, this needs to end somewhere. While seeing Welkim as some spy was at least a bit believable… but that pig? I mean, come on.

But still, I’m starting to see where the creators are trying to go with this series. They’re really trying to go with the contrast between the light and innocent Alicia when she’s not fighting and the ambitious woman that she turns into when the fighting actually starts. As innocent as she may look, as annoying as she may be at times with all her complaining against Welkim and Faldio, she did go through military training and it shows that she knows how to handle herself in a combat situation. She just lacks experience. And that’s why the character-development in this series is going to be so important.

Because this particular formula of having young girls fight in war has been abused plenty of times throughout anime. Just think of the countless shounen series that have teenagers fighting against hordes of formidable and trained bad guys. For this series, it’s all going to depend on the execution if the creators want to avoid this pitfall, and I must say that the start so far has been pretty solid. The realism definitely helps: when Alicia got shot in this episode, I definitely cared about her and I’m really suspecting that this is going to be a series in which people die when they’re killed.

Alicia is definitely a character that you need to warm up to. I hope that that happens fast, though. This episode was pretty good, but some of her banter with Faldio was just annoying.

Now, let me hijack the rest of this post for something completely different: I was quite surprised to see that many people who found the episode ratings helpful. I decided to remove them mainly because it was getting really tedious to write a short episode synopsis every time, so that one isn’t going to come back.

This is also a good opportunity to change the episode rating system a bit. The numbers out of ten were nice and all, but they had a few bad points: they were in the same format that I used for the monthly summaries, and yet meant something completely different, and I just kept rating about 90% of all episodes as 7,5/10 or 8/10. What I also didn’t like was how they were always at the top of every post, possibly taking away some attention from the more important parts, which is why I think that from now on, the ratings are going to move to the bottom of the post.

I think I’m also going to swap the x/10-format with simple stars (or some other symbol). Though instead of simply mapping the out of ten-ratings to five stars like 6/10 = 3 stars, 8/10 = 4 stars, et cetera, I’m going for something a bit different. Compare it to the star-rating for hotels and restaurants: an episode has to earn its stars. So, the rating scale would be something like this:
(no stars) – probably going to be denoted by a simple ‘-‘. Basically an episode that left me unimpressed.
* (one star) – The equivalent of my current 7,5/10 rating: a pretty good episode
** (two stars) – The equivalent of my current 8/10 rating: excellent episode
*** (three stars) – The equivalent of my current 8,5/10 rating: an awesome episode.
**** – (four stars) – The equivalent of my current 9/10 rating: a fantastic episode which really shows the episode at its utter best
***** – (five stars) – The equivalent of my current 9,5/10 rating: an incredible episode, the best of the best, and probably an episode that only appears once or twice a year or so.
In theory, there also can be six stars, but in all the three and a half years I’ve been blogging I only encountered one episode that deserved such a rating (Simounr 16, to be exact).

In any case, for this episode, the rating would be something like this:

Episode Rating: *

Phantom – 05


Oh, this series is sure shaping up to be an awesome one. I had a few doubts as this episode started that it wouldn’t live up to the other episodes of this show so far, but as the ending credits rolled I really had to this back: this episode knew exactly what it was doing.

I really like the approach when it comes to the random stories of this series: at first, it shows the people from the Mafia from a sympathetic sight. It shows that even though these guys are thugs and don’t hesitate to kill if they want, they are also human beings with a family… only for them to get killed off mercilessly by Phantom in the end. El Cazador in comparison was much more of a travel series, in which the lead characters move around and meet different people, while the early episodes of Noir were more about why the targets were ordered to be killed in the first place, since the two lead characters were freelance assassins, rather than being employed by one particular mafia-gang like the lead characters of Phantom are. I can’t comment on how Madlax did it since I haven’t seen it yet.

Throughout the largest part of the episode, it felt like the parts were swapped, and the mafia boss instead was the lead character of this episode. Eins and Zwei really were portrayed as the bad guys this time, and that‘s something you don’t see very often. And at the same time we also get a pretty good idea of how powerful Inferno actually is: even without Phantom, they have excellent security, and prevent any information about them from being leaked out in order to stay into obscurity.

It’s also interesting how Ein and Zwei are basically mirroring each other at some points. Ein has that strange scientist while Zwei has McCunnen, and with both we see at least some hints that whenever one of them is with them, the other one is waiting for them. Just how they exactly feel about each other still is a mystery, though.