Eden of the East – 07



Whoa, WTF…

Here I thought I had this series figured out, and then it comes with this episode. Looking back, there were indeed a lot of signs foreshadowing that the Selecao system had something supernatural about it, but for someone to be sprouting wings and defy the laws of gravity… I didn’t see that coming. Especially so soon, even though the dog with wings was pretty much an obvious hint for this. This episode seriously added tons of intrigue to the series, and really: I am SO looking forward to that upcoming movie.

That Mr Outisde… I really don’t know what this guy was thinking. It’s of course one thing to pick out individuals that didn’t turn out to be fit for the task of saving the world, but making a mass murderer a Selecao? What the hell was he smoking?! As it turns out, she cuts off the Johnnies of the hopeless men in society because she has some deep-seeded grudge against males for some sort of reason.

And really, the Saki Running scene really has to be the best animated scene of the season so far. Her movement is really life-like, and for once no corners are cut in a running-scene at all. And I must say that the creators have really succeeded making Saki a part of the storyline, and making her important for Akira even though she has nothing to do with the Selecao. The kidnapped guy didn’t even turn out to be Oosugi, it was just one misunderstanding. Though that does beg the question how the guy got Oosugi’s bag and where the real Oosugi ended up. My guess is that his bag got stolen and he had no way to get back home.

It’s also interesting that Number 11 is really planning to defy the system. What seemed like an absolute truth at first may turn out to be rather vague; either that or she really believes Akira to be the supporter and that made her confident enough to just ditch her cell phone. But really: she knows Number one. If she does, then why didn’t she know that he was the supporter? I mean, if she calls him on a regular basis, she must have expected something, no?

I also wonder, the number 20000 just keeps returning, doesn’t it? With your given budget, you can kill 20000 people, Akira chose 20000 NEETs to send to Dubai, Number 11 has cut off 20000 Johnnies by now. I wonder if it’s another sort of foreshadowing, or whether it’s simply a nice coincidence that the creators wanted to insert.

Rating: *** (Awesome)
Some of the best animation this season, and really an episode where things start coming together.

Ristorante Paradiso – 06



I really love how mature this series’ outlook on relationships is. Because the characters are nearly all so relatively old in this series, it can really show a different side of romance, other than the “falling in love” part that has been explored to death by now by all of the teenagers. Someone finding his love may be interesting if well executed, but maintaining this relationship also definitely has its charms.

While at first sight this episode promised to be an episode about Vito, the main focus instead was on a newly introduced married couple, between which a few problems lied: the husband kept fooling around with younger women and this got on the wife’s nerves. Vito merely served as an example, of how for every relationship different negotiations have to be made.

While Vito’s wife didn’t mind at all to see Vito surrounded by younger women, because she knew that his heard lied with her. The woman in this episode was different though, and didn’t like it at all. The two of them developed really nicely throughout this episode, until the end, in which they finally sat down to talk about their differences. Overall, this entire series has been really refreshing in terms of relationships: some of them really are doomed to fail, but in this time the couple talked in time with each other before they ended up growing apart.

I also loved how subtly the creators managed to show a bit of what Olga does for her job, and with this, I can understand a bit why she ended up falling in love with her job, up to the point where she left home and overworked herself. In Olga’s case, it was her job that she found more important than her husband at the time. And somehow this changed when she met Lorenzo.

Now that this series has passed its halfway mark, I do have to say that Noitamina finally has gotten competition in terms of awesome time-slots with the Noise time-slot. It’s really good to see more time-slots like this that value originality and freshness over the same old formula done over again, and series that consider a different target audience than most other series.

Rating: ** (Excellent)
A Vito episode, with a mature outlook on relationships. Nice.

Tsubasa Shunraiki – 02



Okay, so I don’t know why I’m still blogging this show, even though I’m SO not the target audience. I really am a terrible manga reader: as an example, I’ve tried for a year now to get through the Bokura no, and even though it’s one very big heap of awesomeness, I’m still stuck around chapter 30. I’m not sure why it is, but I completely lack the dicipline for that.

In any case, this episode sure showed why the Tsubasa Manga has been rumoured to be so ridiculously complicated: the sakura we’ve seen thus far wasn’t the real Sakura, but simply a clone. A second Sakura (another clone) for some strange reason turns out to be inside the Japan country, but before she can do anything she gets kidnapped by the guy from the Piffle and Jade world.

At the moment, I really don’t take the Tsubasa series seriously anymore, mostly because I just have seen way too little of the real Syaoran to make up for all of the angst he seems to be going through. And on top of that, this only seems to be the beginning of the string of far-fetched plot twists that’s about to come. Though I do have to give this show credit where it’s due: this episode really looked awesome in terms of visuals, but most importantly, I really appreciate the GUTS of this show to kill off one of its main characters. Even though Sakura was instantly replaced by yet another clone, the two of them remain different characters. These experimental bits are things that I can appreciate in a way, but PLEASE: in the next OVA, make Sakura actually DO something. I had a bit of hope in the third episode of Tokyo Revelations, but it’s starting to get really dull to see her still in the role of damsel in distress. Especially with how ridiculously powerful fake Syaoran has become, I really hope that she’s going to something different other than sitting around waiting to be rescued or god-moding herself out of trouble.

My biggest fear right now is that xxxHolic is going to take over these ridiculously complicated plot twists from Tsubasa Chronicle, and this episode… well… came with a really weird revelation: Watanuki gave away his memory in return from the information of Fei Wong’s location. Oh god, I knew that it was strange that we’ve never heard of Watanuki’s parents, but to think that he was that involved with the story still baffles me a bit. I know that the xxxHolic anime stripped away all of the Tsubasa references (which was a good thing, IMO), but did he in the manga ever wonder why he couldn’t remember his parents’ names, or tell how he spent his childhood? And really, another thing I’m wondering: how the heck does a child like that know how to think so far ahead, predicting that years into the future there would be a point in which his alter ego would need to know the location of some evil overlord? Couldn’t he have done so at any point in time? Especially considering how the real Syaoran only managed to break free because of a whimsical action of one of Fei Wong’s servants, there would have been a pretty big chance for the guy to just waste away his memories that way. And another thing… wasn’t Syaoran locked inside of Fei Wong’s dimension? If he was conscious the entire time, then why didn’t he also know where he was?

I can only hope that the second episode of xxxHolic will be about xxxHolic, rather than it becoming a back-up manga for Tsubasa. I loved xxxHolic because of its unique take on modern folklore and the interesting topics it addressed, not for some kid who is going to help save the world from the evil Fei Wong.

Rating: (Enjoyable)
Lots of far-fetched plot twists with lots of pretty graphics. I have a lot to whine about this series, but somehow it remains compelling.

07-Ghost – 07



O yeah, this show is building up so much right now. While it indeed is true that the past few episodes have simply featured Ayanami sending a bunch of Ghouls at Teito, there was no way that the creators could have omitted them, because there would have been no way to flesh out the characters and the setting that way. It’s indeed been one of the least eventful shows this season so far, but you can really see that it’s nowhere near the meat of the series so far.

And besides, it’s not like the ‘fillers’ are bad either. There indeed is the formula of Ayanami sending badly disguised Ghoul at Teito, but there’s lots of stuff going on besides it. The ghouls sent always have something that Teito and Mikage can relate to in some way and to be honest, the battles do kick ass at times, and they’re meant to be predictable: we now know that Teito has hidden powers and Frau is going to easily take care of any Ghoul out there, and Ayanami knows that like no other. It’s really being established that the past fights weren’t pure luck, but based on Frau’s skills none of those Ghouls had a chance whatsoever, so Ayanami is really going to have to come with something more hard-hitting than that.

My one complaint about this episode was that random group of punks that appeared from out of nowhere, tried to look cool and got blasted to bits. I mean, I understand that this show is also trying to establish how l33t Ayanami’s Goons are, but the creators could have spent a bit more time fleshing these guys out, even though they’re probably never going to appear again.

Rating: * (Good)
Call it a ‘filler’, but at least it was a fun filler that served its purpose.

Shangri-La – 07



Ah, screw what the popular opinion on this series is. This show rocks.

With this episode, I was reminded what makes Gonzo’s best series so good and unique. It’s indeed true that they like to take risks, but what I’ve found in their top series is that they’re really good at variety: every episode or two episodes, the mood, themes and nature of the show completely shift while still forming a whole in the end.

With this episode, I realized that Shangri-La is the same: four episodes ago, we were in Akihabara with lots of otaku references, then we went on to hacking, techno-babble and the world carbon trade, and now in this episode the focus becomes the youth prison that Kuniko was locked into. It’s really this sense of unpredictability that’s really made me like Good Gonzo.

One of the big question-marks in that first episode was why Kuniko ended up in prison in the first place. This episode actually finds a pretty plausible reason to return Kuniko there (because people are starting to realize that she’s special, and what better place to test this out than in prison, where they have full control over her and she can still show what she can do). This episode really established Kuniko as special; not just because she has some mysterious powers that can influence carbon trade, but also because of her personality. This episode really established that she is a born leader: where most people would be scared in the situations she’s thrown in, she instead looks at opportunities, and bringing people together. While her character at first seems a bit cheesy, it’s starting to come together now.

I believe that the whole point of her character would be the strong leader that breaks through Atlas, and for that you really need careful build-up, otherwise you’re just going to end up with a hopeless flower-child. As long as she’s going to be well developed, this shouldn’t form any problem though, and the past few episodes have done a pretty nice job at fleshing out her character, and showing her in different situations.

I also liked the portrayal of prisons in Shangri-la, it showed that the creators really thought about it: with Atlas sending everyone and his dog to prison, there are of course a lot of girls who normally shouldn’t be there and only committed small crimes among the ones who really are causing problems. That’s probably why Kuniko became so popular during her first visit there: she could relate to most of them and therefore easily became friends. This time, a bunch of new girls was introduced to the prison who were rather dominant and violent, and when you promise them a place in Atlas then yeah, they’re going to do their best to make Kuniko’s life miserable.

Oh, and on a side-note: I’m really not sure what the heck the animators were smoking in those first few episodes. Yet again, the animation in this episode looked really good, and nothing like the inconsistent mess of episodes 2-4.

Rating: ** (Excellent)
I usually dislike geniuses because they’re often badly portrayed and used as cheap plot devices. Somehow, Kuniko avoids this completely.

Guin Saga – 07



Now this was supposed to be the episode to make or break this series; with this episode, we would know whether or not this series is able to animate large-scale fights that put armies against each other, and which will probably become the biggest focus of this series. We’ve already seen how Valkyria Chronicles screwed up when it didn’t seem to know whether its enemies were tactical geniuses or incredibly stupid, but I must say that Guin Saga gracefully avoided this flaw. This was such a great episode, and I’m even more hungry to see the next episode.

So as it turns out, Guin’s plans consisted partly out of psychological warfare, and partly out of using the local monsters near Nosferas. They attacked in small groups in order to draw out the Mongol Army, Guin also showed himself a few times, and when they became angry, they unleashed carefully timed giant blob monsters on them.

The thing is that this plan mostly worked so easily because of Amnelis’ incompetence. The way she’s dressed and the way she acts suggest that she’s never really lost a battle, or came close to it. The Mongol army really seems like an army that uses pure numbers in order to overcome its foes, and that means that they’ve never really had to use smart tactics in order to win: they’d just overwhelm their enemies and get things over with. My favourite scene this episode came when Guin actually nearly killed Amnelis when she moved too close to the front lines.

This episode was basically one very big wake-up call for Amnelis. Her numbers meant that she was overconfident, and with such a huge chunk eaten out of her army, this now means that she has to get serious and start using her head and listen to the advice of her companions, who are much more experienced than she is. Guin may have his giant slime blob, but now it’s also known that fire will repel it.

With Valkyria Chronicles, the characters in charge just felt too much like stereotypes: there was nothing that really set them apart. Amnelis, incompetent as she may be, is slightly different. We can really see what’s going on inside her head and where her weaknesses lie. She’s a flawed character, there’s no mistake about that, but she doesn’t have the personality of a paper bag.

Usually in anime when battles between huge armies are portrayed, they fail to impress because the creators are trying to rush through them too much and fail to keep track of this army. I often have no idea how large these armies are: all we see is just a bunch of people fighting here and there. And here this series comes, and simply by saying how many soldiers are involved, I feel much more able to imagine the sheer amount of soldiers that play a part of this.

Rating: ** (Excellent)
This episode had one of the best battles on a really large scale I’ve seen in a long while.

Konnichiwa Anne – 07



Okay, so I had my doubts, but now I’m for sure: Anne is AWESOME. Even in an episode in which nothing major happens, she never fails to charm, and that really is the strength of the WMT-series: at times it really can be about nothing, and yet the characters rock beyond belief. Anne was downright adorable in this episode, simply because her talking really never seemed to stop!

With episodes like this, I’m not crazy enough to summarize every single thing that Anne rambles on and on about, I’m just going to discuss the important points of the episode. The episode starts as Anne is holding Noah and talking to Katie Morris (a cupboard). She tells that Katie once was a friend of Elisa who she told everything to, and so Anne is also going to tell everything she experiences to that the cupboard in the same fashion.

In the meantime we return to the house of the old lady that we saw in the first or second episode. Her name is Minton (or however it’s spelled), and we see two of her relatives paying a visit to her house. Not knowing that she’s there, they start talking about how she’s known to be very grumpy and greedy, when in fact she fell on the floor because her back went out. the house is also a mess because she hasn’t been able to clean up because of this, even though she refuses to take on help.

Next up we switch to a local shop in which her relatives are worrying about her in front of the shop owner, about how she really needs someone to help her out, but the shop owner says that it’s practically impossible since she’s known to be greedy and probably the most disliked person in the entire town. Anne then hears this and offers to take up the task to work for her. The relatives don’t really believe in her, but take her along anyway.

When they arrive at the house, Anne quickly forces herself in the house and starts cleaning and annoying Minton a the same time). At the same time there’s also a cat that runs wild, and Minton quickly sends her away when she gets distracted by some pretty drawings on a plate. It’s pretty hilarious to see that Anne doesn’t have any shame, and still thinks that Minton is just a friend of the “real” Minton, like how she introduced herself in the first episode, and so she calls Minton all sorts of things that her relatives have been calling her.

Anne of course doesn’t leave that easily and doesn’t understand at all that Minton doesn’t want her. She just keeps rambling on and on. Minton eventually gets to sleep, but that evening Anne comes and says that she has to leave. Later Minton finds out that Anne spent the afternoon cleaning up. The next morning, Anne is up early and Minton finds her talking to another cupboard: Alisa Morris, Katie’s twin.

When Minton starts eating her breakfast, she’s finding it hard to eat because Anne keeps looking at her. When she offers her a bit of bread, Anne refuses it since she can’t take away other people’s breakfasts. In the end, Minton gives in because of this, and promises to give Anne her breakfast when she finishes cleaning in order to make her accept this breakfast. But she also says that she’s never allowed inside one of the rooms in her house.

A week later, the shop owner talks to Bert about how he’s surprised that he’s still working. He then tells Bert that Minton used to have a daughter, but she changed after this daughter died. At the same time, Anne screws up by letting the cat inside the secret room, and ends up entering it. This room indeed turns out to be the room of Minton’s late daughter, and when Minton finds out about it she gets angry and immediately sends Anne away.

Anne runs away to Bert, of all people, and there Bert tells about Rosa, Minton’s daughter. She died 34 years ago and ever since Minton locked herself in and became the greedy old lady she is now. The next morning, Anne asking Horace and Edward to look around for a couple of roses. She then gives these roses to Minton as she visits Rosa’s grave, as a bit of a strange birthday present. It turns out that Minton had even forgotten her birthday, and so the two of them make up and the episode ends.

So yeah, the episode ended on a pretty sappy note, but I don’t care! This was such a sweet episode and in fact, this has been the pattern of this series for the past four episodes now. Sure at times it’s a bit too dramatic, and the same flaw turned me off from watching Kemono no Souja Erin, which also was just too formulaic, and yet I just CAN’T bring myself to dislike this series. Anne is such an awesome character that she SO makes up for some of the overly sappy moments. With more than thirty episodes still to go, I foresee lots of awesomeness in this series’ future.

I also like how Budge Wilson decided to write this story. She announced clearly that she wasn’t going to mimic Lucy Maud Montgomery’s writing style, but instead went with her own. But still she did include quite a few homages to some of Montgomery’s other works. This episode shows some parallels to Emily of the New Moon, and especially Elisabeth’s secret room of her lost sister.

My only real problem with this series is that the animation doesn’t look as solid as it’s supposed to. There quite a few points at which character drawings looked rushed. Porfy and Les Miserables were able to cover this up, but in this series, it unfortunately does stand out.

Rating: *** (Awesome)
With most other characters, this kind of episode would have been dull, but Anne single-handedly made it awesome.

Natsu no Arashi – 07



What started out as a seemingly silly episode in which Hajime and Arashi break the metal bird on top of the cafeteria and muscle guy being ordered to buy women’s underwear, it gradually turned out to be an episode that added even more depth to Kaja and Jun’s characters. I really must say that Jun is one of the most convincing cross-dressers out there, because for once she has a very solid reason to act as a boy, compared to most of the other cross-dressers, who seem to be only there for fan-service.

In this episode you could really see that she feels insecure about regular girls: she doesn’t like their style and fears that she might end up as the same. While the source of it is still unknown, but it seems to be strong enough for her have to endure the other side of the coin: Hajime’s abuse. It’s also strange that Jun’s classmates didn’t feel like stereotypes at all.

And at the same time we learn that Kaja is very uncomfortable among men, due to the way she was raised in her time. She’s probably fine with Hajime because he only has eyes for Arashi, but when those students showed up she really came into a situation she never was in before. The episode then continues as she tells how she believes that she appeared in this time for no reason, and that they’re just there to relive their summer. Jun then however, realizes that they’re both just thinking too much of others, and refuse to think about themselves. Basically, what Hajime and Arashi have been doing all along.

There also was a lot of building up in this episode. We now know that Arashi and Kaja died on the same day. It probably was because of a bombing, but I doubt whether it was that simple. We also know now why Kaja came back, but what about Arashi? We have yet to see what her regrets are, and she’s very good in hiding this. On top of that, there has to be some sort of role for the muscle-guy, has there?

This series will probably be only thirteen episodes long, since Shinbo seems to have yet another show scheduled for Summer, plus the original manga only seems to have released three volumes so far. If this is true, then we’ve just passed the halfway point of this series, and there are actually lots of ways for the creators to settle this series. Let’s hope that everything can come together.

Rating: ** (Excellent)
Very nice episode for Jun and Kaja and the visuals still are very good.

Full Metal Alchemist – Brotherhood – 07



Well, the pacing is subtly getting slower, which is a good sign. The storytelling has as much energy as usual, but this episode spent quite a bit of scenes to the lighter comedy scenes when compared to the previous episodes so far. That’s definitely a good sign as we approach the point where first series went into its own direction.

In any case, this episode shows the library-arc and introduces Sheska. I liked her when she was first introduced, though her role in the second half of the series was just terribly redundant. Nevertheless, in this episode she was fun to watch, even though she only appeared for like, three minutes or something.

I also was surprised that Barry the Chopper does exist in the manga, meaning that the creators wrote an entire filler-episode just to introduce the guy. It was a nice idea, but the problem was that his story was just too filled with coincidences: he just “happens” to kidnap Winry who just “happens” to visit Central City, then he gets sent to prison and just “happens” to get turned into an armour rather than being turned into food for the Philosopher’s stone and after that he just “happens” to meet Ed again. Really, the creators of the first series had good intentions, but they simply weren’t the best storytellers out there.

And yeah, there was a lot of comedy and deformed characters in this episode. The contrast with the otherwise dark nature of this series works surprisingly well and it’s made this series much lighter than the original one. The downside of the new season is of course that the characters aren’t as fleshed out as they were in the original series at this point, with more than eleven episodes cut and all, but technically it’s been doing a very fine job: there haven’t been any headdesk-worthy moments, Ed and Al aren’t getting on my nerves and overall, the animation now is much more solid and detailed and overall I like it a lot more.

Rating: * (Good)
Lots of light moments, and we’re finally getting near the part we’ve all been waiting for.

Cross Game – 07



At times, it really looks like Aoba is the lead character of this series, rather than Kou. Especially when it comes to baseball, it’s her who keeps stealing the show, while Kou, who is supposed to be the main character, just keeps hiding, watching and staying in the background. Really if it wasn’t for the fact that he gets the most screentime you really wouldn’t suspect that he was supposed to be the central character in this show. He just feels so far away from your average male lead. The only thing he has in common with them is his huge talents.

And yet again, this episode rocked. In the current spring season, there are three shows against which I have yet to find a single significant complaint: Eden of the East, Basquash and this one (Phantom has its questionable portrayal of the mafia, Pandora Hearts has its cheese and Natsu no Arashi had its first episode; all excellent shows too, but these do have their flaws, in comparison to the three mentioned above). This episode shows how the coach of the high school team visits the middle school team, and notices how solid Aoba’s performance is, and so he invites her for a few practice pitches, though not with the best of intentions.

This episode really did an excellent job of making me feel sorry for Aoba. For one, she’s never going to get as good as Kou, she’s not going to have any chance of playing solid baseball as soon as she hits high school, and she was really made fun of this in this episode, even though you can see that she has passion for the sports in the way that she continued pitching despite being terribly exhausted.

Kou meanwhile continues to shine in a completely different way. I absolutely LOVE his sense of humour. This episode reveals that he has yet another talent of impersonating voices of other people, which he puts to great use in teasing the hell out of Senda.

Rating: ** (Excellent)
Especially great episode for Aoba, but all of the characters still rock.