Chihayafuru – 31

Holy crap. The way this episode begun. I had no clue that the creators would even put so much meaning into the reading. To the point where Chihaya is able to take control of the reader and how this plays off to the actual readers (so that’s why they used that guy for that! He already was an established character so this makes more impact! How is this show able to do so many things at the same time!?).

Heck, yet again this show manages to put so much meaning into just about every scene of its. Every character here has a moment. How the heck has it been doing this for so many episodes already? I sound like a broken record saying this.

And here this episode suddenly comes with the most impossible set-up of a luck of the draw match that is entirely against their favor due to Chihaya’s stupidity, leading to everyone suddenly needing to go after cards that are nearly impossible to get. And holy crap, the end results shocked me. I knew that the end result would not matter because the two teams would pass anyway. But the creators kept it exciting, first by having Retro screw up, and then having Chihaya actually lose again, despite all that build-up. There was so much emotion and build-up put into that match, that in the end result didn’t really matter.
Rating: 6/8 (Awesome)

AKB0048 – 19 & 20

In an attempt to catch up I’m going to combine two episodes in one for this one. But really: the only reason why I’m slow with this is my schedule. This really was a major episode for the characters. And not just one of them, but a whole bunch.

For a long while I kept wondering why Nagisa was the main character. This episode she got her chance, and she showed that it would be for her stupidity. She’s the only one stupid enough to suddenly make such a giant declaration when everyone is trying to be perfect. An incident that is bound to be able to get some publicity since the rules of AKB can be so strict sometimes. And yet she tries so hard. Cutting off one’s hair is a gret symbol for character-development.

And then there is Mimori, and I now see what the creators were trying to do with her. She grew from a walking boob joke to someone really interesting to follow in the way that she continues to grow, but in the end sacrificed too much, taking her body into neglect.

Kanata and Shiori meanwhile finally had a little moment together again in order to develop their relationship, and in particular the problem that Kanata still has not become a successor. Then there is the talk of the new Center Nova, who Hikari and Shiori are working towards becoming. It’s still build-up at this point, but the characters do a great job of showing why it’s so important for them.

And I think that is the strength of this second season. Like I expected, the focus is less on criticizing the idol business (it’s still there, though), but more on the characters. And so far, it has really succeeded in bringing out the emotions of all of the new characters. The huge case makes sure that it can keep switching between all of them and their stories. And it’s doing a pretty good job of developing them all. It’s the thing with series with a huge cast: you can’t have characters that are as well developed as with series with a small cast. The trick is the big picture: give everyone attention, and make the cast come alive. Highlight a few characters as the main characters, but don’t excessively focus on them at the expense of others. AKB does that pretty well.
Rating: 5.5/8 (Excellent)

Jojo’s Bizarre Adventure – 19

It’s episodes like this that finally show me why there have been no attempts at a full Jojo series before aside from a few OVAs: it’s just so damn hard to animate. In this episode there were quite a few moments of characters talking in mid-air, and having entire dialogues over a span that should have just taken up a bunch of seconds. Without the incredible over the top style of this series, it ust would not have worked at all.

But really, the fight in this episode was awesome. The voice actors in particular were really having a great time yelling all of their lines in fashion that was as overblown as possible. Even the narrator was yelling at the top of his voice. I love just how much testostherone there was in this episode.

The one striking part in this episode was that pendant sliding off the cliff, that indeed felt like it took ages. One moment characters were fighting and yelling over the top, the next they were running like crazy after this tiny gemstone in this hilarious fashion, all while narrating everything that was going on. I know that I’ve often complained about shounen series explaining way too much, breaking up the pacing. In this case, it didn’t. The explanation and the buildup fitted perfectly and you just keep waiting here for the series to pull its next twist while the characters explain as fast and loud as possible.
Rating: 6/8 (Awesome)

Zetsuen no Tempest – 18

The past autumn season had a lot of really good series. But at this point, I think that my favorite series of the bunch, is Zetsuen no Tempest. It nearly edges out Jojo and From the New World, but in the end it was this show’s twisted logic that hit me on an emotional level the most. This show is the best at what it does from all of those series for me.

it definitely was a season with so many series with a lot of thought put behind them: Psycho Pass, Robotics;Notes, Shin Sekai Yori. This reduces this to the essence with its complete mindscrews. The thing I noticed is that I just keep getting surprised by the twists that this show takes, combined with how well the characters have been fleshed out for the past season. This series has the right combination between characterization, character-development, and acting, and the plot makes brilliant use of them. It’s the series that succeeds best at bringing everything together and amking everything a whole. It all just fits! The other series this season all have a few areas in which they are really, really good. Tempest does it in all of them.

This episode again: I loved the aftermath of the revelation of Yoshino’s girlfriend. Everyone had their own reactions that were just awesome to follow, even though the pacing or intensity might not have been as high as with other series (compare that to other series which have to resort to killing people, this show managed to do it in an entirely different, yet equally exciting way).

Another thing that quite surprised me about the upcoming spring season: Bones is not in it. It’s a pity, really. They always come with very creative premises and ambitious series. Like this one.
Rating: 6/8 (Awesome)

From the New World – 20

I’ve said this before, but in general, I prefer series that might not look like 100% crisp, but have impressive animation, over crisp series that have harldy move. Of course there are a lot of exceptions to this rule, and it does entirely depend on the character-designs what really is best for a series; Chihayafuru for example really benefits from its crisp and clean animation and Shin Sekai Yori is the entire other side of the coin. I think it has a lot to do with how this is a novel adaptation and the character-designs… they are pretty simple, yet effective. In any case I do like the freedom that the animators have to bring them to life a lot.

That one wcene in which Misaki fought with that mutant. I reallly liked the animation there. It was such a unique action scene and even though it looked a bit confusing, the camera movements were really, really good there. I really hope that the creators saved some particularly impressive animation for the end of the series.

And this episode continued with the horror, and it was really good horror. It’s been a while since there has been a series which had the main character narrate bits of the story, and throughout the series she kept saying how badly things would escalate, over and over again. With this episode, I can understand why. The Queerats really have launched an all out war on the humans, even employing biological weapons by mutating their own kind.

And I must say, Yakomaru is a really good villain. This guy is smart and cunning, and for a long while throughout the series, you weren’t really sure whether he would actually be the villain. Sure there were signs, but nothing was concrete. And now he has just gone all out. In the final month Saki will take over the leadership of the humans. I really wonder what she can do against him.
Rating: 5.5/8 (Excellent)

Sakurasou no Pet na Kanojo – 18

Let’s talk a bit about the issue of Cheese. Mari Okada, I find her to be a fantastic and prolific writer, but she does have a weakness: the cheese. Drama that is just a bit too overblown. She has had a number of tricks to hide this, though. Her best series combine lots of drama with a lot of great twists that just keep the story changing.

The twist in this episode was Jin proposing to Misaki. That was great. I loved how the creators used the teachers to add a bit of humour there. The build-up to it though was a bit disappointing, and had a bit too much cheese. It’s here where the drama between Jin and Misaki was dragged out a bit too long, when suddenly an entire episode focused on it. The episode just was not witty enough to keep up with it, and it really showed that the two of them are not main character material: they have a nice story but they can’t keep you busy like Sorata and Shiina can when they’re together. The two of them meanwhile were busy with what felt like recycling some of their chemistry in this episode.

Also, Jin. You’re in an anime, so I know that you’ll end up happily ever after and all. But I don’t think your tactic would have worked in real life…

After this we’ll probably also get an episode around Jun. That’s one I’m looking forward to. But please, for god’s sake: do something about Ayoama and that sister. This episode was really building them up to go down the predictable, dull and overused path. Just… do something with it. I am fearing that those will lead to a pretty disappointing conclusion here…
Rating: 4/8 (Enjoyable)

Robotics;Notes – 17

At the end of the previous episode, there was a bit of speculation about Subaru. I mean, there is the golden rule of anime: a character isn’t dead unless this is confirmed. It looked like this was another one of those cases. What happened in the end was even better, though: consequences.

Usually when a character gets hurt majorly, he takes a bit to heal up and within no time at all he’s completely fine again, as if nothing happened. Subaru indeed survives, but it’s at the cost of him losing the ability in his legs. He will feel this for the rest of his life. I keep hoping for characters to die in anime, not for the sake of them dying, but for the sake of consequences: taking risks is risky, yet characters get away with them surprisingly easy. Having risks like these built up well does amazing things for the suspense of disbelief. In any case it does for me.

This episode was a really good aftermath. The show suddenly got really dark after the previous episode, and this episode really let this sink in, and shows how easy it can be to screw up if you’re thoughtless. The characters all have their own ways of dealing with that and I really liked that. I mean, those warnings at the beginning of the episode, about the realism and stuff. They might seem superficial, but in the long run they do add up to the believability of this series.

Now, let’s talk about Noitamina for a bit. By far the biggest disappointment of the upcoming Spring Season is what will be used to fill the timeslot that has for years stood for showcasing anime to an older audience. In case you haven’t heard it yet: it’s going to have a re-run of Katanagatari. I guess that that was the price that had to be paid for having two two-cours series at the same time. But with this, I now have a much better idea of the strengths of the timeslot. Let’s have a bit of a re-cap:

– 2005 saw the start of the timeslot, and it defined itself as a mature programming block with Honey and Clover and Paradise Kiss, two series about college students.
– 2006 saw it continuing this trend, along with it branching out to other genres, most particularly horror with Ayakashi – Japanese Classic Horror.
– 2007 saw the timeslot continue to grow and establish itself as a force to be reckoned with with Nodame Cantabile, Mononoke and Moyashimon, three really strong series that really pushed boundaries all around.
– 2008 was the height of Noitamina in terms of TV-ratings, with Hakaba Kitarou and Nodame Cantabile’s second season racking up massive ratings. The formula here still was very typical for the timeslot: there was a college series, a series about working life, an adventure seris and an avant-garde series with bizarre visuals.
– 2009 saw the results of two fantastic years, and the producers were able to experiment much more, leading to some of the most unique series out there that really stand on their own. In terms of originality it was a fantastic year, but especially Eden of the East and Tokyo Magnitude stand out here. Both really well produced and transforming the timeslot into a showcase for producers to deliver things with ambition without regard for the mainstream.
– 2010 was the best year for Noitamina ever. This influence of 2009 was really noticeable here as the series got the most freedom that they’ve ever had, even allowing it to expand to two series at the same time. Sarai-ya Goyou, Yojou-han and Shiki: all three were just fantastic and would not have been possible so close within each other without it.
– Then 2011 came, and it showed that such quality could not be kept up. Fractale and Guilty Crown were… disappointing. However, what was so interesting about the timeslot is that it had a whopping eight different series. The fun there was keeping track of all of them: awaiting what series they would come up with, and how they’d fare. Sure, it didn’t always go well, but it was definitely interesting beyond belief.
– 2012 saw more experimentation after that year, making this even more exciting. It returned to its roots again with Natsuyuki Rendezvous and Moyashimon, it tried out 2 full-cour series and it even went with something as Thermae Romae to fill up an empty month. It’s because of this excitement of keeping up with everything that I managed to finish nearly every Noitamina-series to date (the only exception being Nodame Cantabile’s final season).

Based on this, I think I now have a good idea of what would be the ideal format for the timeslot: mostly easy to produce yet ambitious 11-episode series, combined with your occasional 2-cour series here and there. This keeps the timeslot fresh with every season something new to look forward to, plus it’s good for variety. The past two seasons were great in showing that the timeslot can deliver two really good two-cour series at the same time, but its price: not being able to look forward to a new noitamina-series for two seasons long, it does hurt. And I think that the tactic of using reruns, will make it lose some viewers. Silver Spoon to the rescue!
Rating: 5.5/8 (Excellent)

Psycho Pass – 17

This was one of those delightful episodes that I think shows Urobuchi Gen’s writing at its best: it just kept coming with its eloquent dialogue that makes you think, on top of throwing in a bunch of big plot twists that completely turn around the plot, as hinted in the previous episode. It’s where the series changes completely.

Last episode I said that there were two possibilities: Shougo escapes, or he doesn’t. In the end the first turned out to be true, but he did it in a really good way: I really thought that that woman would end up being the main villain of this series, but instead the creators intended Makishima to be the one. His arrest was really meant to show the truth behind the world, along with how he really is a special person who can overthrow the society.

The soundtrack also really helped. The thing is that this series does not have a coherent soundtrack: it uses just whatever the hell track it pleases, and this does result in that you can’t expect what kind of thing it will pull next. That worked really well in this episode. The voice acting also really helped with the really long monologues throughout the airtime.

And yet, there is still that one question that makes me wonder: why does nobody in this world believe in security? Just… something to prevent things from going horribly wrong. I keep seeing more and more in this series that everybody seems to act under the beliefs that everything will go right.
Rating: 6/8 (Awesome)

Spring Season Preview

The upcoming season is relatively small: 27 series, 13 of which seem interesting. Production IG will be a powerhouse with many different series, and there will be a lot of mechas and bishies. There are a lot of sequels, and relatively little crap. Oh, and one of the reasons there are a bit fewer series is because I left out the kiddie shows this time. It just takes up too much of my time for some info that’s just completely useless.

Movies and OVAs to watch out for:
In the past I also did a separate post for the upcoming movies and OVAs for each season, but here is the thing: writing up these posts really takes up nearly an entire day. I can manage to do this once, but two days after each other… I don’t have the time for that anymore. Still, I do want to highlight the upcoming movies and OVAs, because there’s often a lot of good stuff amongst them. This is no complete list, just the ones that caught my attention:

Anime Mirai

Impressions: Anime Mirai, otherwise known as the Young Animator Training Project. For the third year in a row, four studios have received a budget and made a short story based on it. Madhouse, Studio Trigger, Zexcs and Gonzo each have their own entry and a lot of freedom, so now let’s see what they have come up with this year. I really like this initiative.

Hana-Saku Iroha – Home Sweet Home

Impressions: Aah, finally the Hana-Saku Iroha movie will air, written by Mari Okada her first movie) and directed by Masahiro Ando, so it’s pretty much the staff of the TV-series making a movie, and there is enough inspiration left. Looking forward to it.

Precure All Stars New Stage 2: Kokoro no Tomodachi

Impressions: I’m not going to watch this. I just to say: the counter is currently on 32 Precures. This is starting to turn into pokemon.

Aura: Maryuuinkouga Saigo no Tatakai

Impressions: You don’t often see this: a movie adapted from a light novel. Normally these things get TV-series. It’s from the same writer as Jinrui wa Suitai Shimashita, so it’s worth a look. The premise reminds me a bit of Chuuninbyou demo Koi ga Shitai: a girl arrives pretending to be from a different world, and the main character suffered from delusions like that in his past.

Steins;Gate Fuka Ryouiki no Déjà vu

Impressions: Steins;Gate will also have a movie, and just like Hana-Saku Iroha it will also be the staff of the anime to adapt it, meaning that we have a very solid team behind the movie. The question to ask is: the series ended very conclusively. What will the sequel be about?

Saint Young Men

Impressions: The movie that starts like a bad joke: Jesus and Buddha sharing an apartment. And they made an entire movie based on that. A-1 Pictures is behind it and the promo material does look gorgeous. A-1 Pictures will produce it and it will be directed by one of the staff members who worked on a lot of Kyoto Animation projects. There really are not many comedy movies, so I hope that this one will work.

Ore no Imouto ga Konnani Kawaii Wake ga Nai.

Summary: “Living on the shadow of his prodigious younger sister, Kyousuke Kosaka conducts a normal lifestyle until he accidentally finds out that she hides a secret. In addition to being smart, pretty, and popular; Kirino Kosaka is also an obsessive consumer of anime and eroge (adult computer games). After being assured that Kyousuke is committed to not mock her and keep this concealed from their parents, she starts to share a bit of her world with him. Kirino faces several problems as she tries to keep the appearances and balance her exemplar school life with her hobbies. Her brother then becomes a crucial ally while dealing with all the difficulties that lie ahead.” – (Taken from ANN)
Produced by: A-1 Pictures (?!?)
Director: Hiroyuki Kanbe
Series Composition: Hideyuki Kurata
Original creator: Tsukasa Fushimi
Character Designer: Hiroyuki Oda

Impressions: Blagh! Incest! Still the worst premise of the season. Next.

First-Glance Potential: 0%

Hyakka Ryouran Samurai Bride

Summary: ” The story takes place in Japan in the early 21st century, in an alternate reality where the Tokugawa Shogunate has remained in power. In this reality, student councils are tasked with oppressing schools. Yagyuu Muneakira is a high school student who rebels against his student council with the help of girls who’ve had the names of famous samurai heroes passed on to them.” – (Taken from ANN)
Produced by: ARMS
Director: KOBUN
Series Composition: Satoru Nishizono
Original creator: Akira Suzuki
Music: Tatsuya Katou
Character Designer: Tsutomu Miyazawa

Impressions: Well, here you have ARMS again with their boobs. They continue to churn out sequel after sequel, so it’s no wonder that Hyakka Ryouran would end up with one, and this one is even more shameless than before with a title like that… Just skip this one if it’s anything like the first series. Just a lot of bad boob jokes, fanservice and terrible voice acting…
Trailer Impressions: Yup, lots of fanservice, bad fight scenes… and maid outfits.

First-Glance Potential: 0%

Pretty Rythm Rainbow Live

Summary: “” – (Taken from )
Produced by: Tatsunoko Productions
Director: Masakazu Hishida
Series Composition: Shuji Iuchi
Character Designer: Mai Matsuura

Impressions: Pretty Rythm’s previous seasons were just terrible. At least for the first episodes that I kept with, they were horrible cash-ins for the mahou shoujo idol genre with really annoying and paper-thin characters. The director for this season is completely the same as last time, so I really don’t expect anything from this series at this point.

First-Glance Potential: 0%

Haiyore! Nyaruko-san W

Summary: “” – (Taken from )
Produced by: Xebec
Director: Tsuyoshi Nagasawa
Series Composition: oboru Kimura
Original creator: Manta Aisora
Character Designer: Shintetsu Takiyama

Impressions: Why people just keep coming back to that godawful Haiyore concept is beyond me. We get it, she is the female personification of a monster from the Cthulu mythos. It’s good for a joke for one time. Not to drag this on for years now. The first series wasn’t even that good. It was just a string of bad moe jokes we’ve seen many times before. Why is there enough material for a second season for this?

First-Glance Potential: 0%

Uta no Prince-sama – Maji Love 2000%

Summary: “Nanami Haruka wants to be a song writer, so she attends an idol training school filled with beautiful bishounen. The school pairs each aspiring songwriter with an aspiring idol, but Haruka finds herself paired with 6 bishounen idols. To make things more difficult, Nanami is also not allowed to date any of her beautiful partners.” – (Taken from ANN)
Produced by: A-1 Pictures
Director: Yuu Kou
Series Composition: Yuu Kou
Music: Elements Garden
Character Designer / Animation Director: Mitsue Mori

Impressions: So here it is, the inevitable second season of Uta Prince, which sold so incredibly well that it it mind-boggled me. I mean I could understand a good series with bishies selling well and all (like what happened with Hakuouki), but the first episode I watched of it was so ridiculously cheesy that I suspected it was some kind of practical joke or something.

First-Glance Potential: 0%

Date A Live

Summary: “In the story, a boy named Sido (Shidō) Itsuka meets a spirit girl who has been rejected by a devastated world. The girl, who Sido names “Tohka,” happens to have wiped out much of humanity 30 years ago, and now she is back. The only way to stop her is to date her.” – (Taken from ANN)
Produced by: AIC Plus+
Director: Keitaro Motonaga
Series Composition: Hideki Shirane
Original creator: Koushi Tachibana
Music: Go Sakabe
Character Designer: Satoshi Ishino
Other Notable Staff: Takaaki Suzuki (World Setting)

Impressions: For this preview, Date A Live was the first series I looked at. And then you have a seires with such a ridiculously stupid premise… it did not give me the best first impressions for the rest of this season. Keitarou Motonaga has directed many different series, including a few good ones, but he only seems to try if he has an actually good premise, which is a very big problem here… Hideki Shirane’s works in the past years also don’t really seem that promising, with him having written Queen’s Blade Rebellion and Platonic Heart, both of which were horrible. And I also still haven’t forgiven him for what he did to Yumekui Merry’s second half… The nail in the coffin is that this is AIC, who haven’t exactly had the best track record with me.
Trailer Impressions: The soundtrack is pretty good for this series. The creators just have no idea how to use it. There are all these choirs, and the scenes include characters and mechas who try way too hard to look cool… and unnecessary panty-shots and harem hi-jinks…

First-Glance Potential: 10%

Yahari Ore no Seishun Love Come wa Machigatteiru.

Summary: “The romantic comedy revolves around an antisocial high school student named Hachiman Hikigaya with a distorted view on life and no friends or girlfriend. When he see his classmates talking excitedly about living their adolescent lives, he mutters, “They’re a bunch of liars.” When he is asked about his future dreams, he responds, “Not working.” A teacher gets Hachiman to join the volunteer “service club,” which happens to have the school’s prettiest girl, Yukino Yukinoshita.” – (Taken from ANN)
Produced by: Brains Base
Director: Ai Yoshimura
Series Composition: Shoutarou Suga
Original creator: Wataru Watari
Character Designer: Yuu Shindou

Impressions: … is this another Boku wa Tomodachi ga Sukunai or something? At the very least, this series deserves no points whatsoever in the originality department. Thankfully the rest of the cast seems competent: Shoutarou Suga has written an awful lot of interesting series and episodes. But romantic comedies? Can he succeed to make this one not boring? Another interesting point is that this will be Ai Yoshimura’s first full series to direct. I’m always one to encourage fresh talents here, so good luck! Try to give this one some spark, how difficult it may seem.

First-Glance Potential: 15%

The “Hentai” Prince and the Stony Cat.

Summary: “The story centers around a second-year high school boy named Youto Yokodera. Youto is always thinking about his “carnal desires,” but no one acknowledges him as a pervert. He learns about a cat statue that supposedly grants wishes. The boy goes to pray that he will be able to express his lustful thoughts whenever and wherever he wants. At the statue, Youto encounters Tsukiko Tsutsukakushi, a girl from his high school with her own wish — that she would not display her “real intentions” so readily.” – (Taken from ANN)
Produced by: JC Staff
Director: Youhei Suzuki
Series Composition: Michiko Itou
Original creator: Sou Sagara
Character Designer: Haruko Iizuka

Impressions: Another series with a pervert main character, but at the very least this premise does seem to hint at some good character chemistry with the main characters being polar opposites, rather than just being there for the fanservice. As for the people who are going to adapt this… I don’t trust Michiko Itou. Her track record with series as Twin Angel and Ro Kyu Bu, which were both mind-numbingly stupid, gives me enough reason to be wary of this. It is not really easy for me to like a romantic comedy and if I do watch one, I want one with substance.

First-Glance Potential: 20%

Photo Kano

Summary: “The main character is an ordinary second-year high school student named Kazuya Maeda who gets a single-lens reflex camera at the end of summer vacation. He begins taking pictures of the girls at his school, and the photos may lead to romance.” – (Taken from ANN)
Produced by: Madhouse
Director: Akitoshi Yokoyama
Series Composition: Akitoshi Yokoyama
Character Designer: ae Shimada

Impressions: My first impressions for this one? Bad. I mean, I get the idea of a guy with a photo camera. It can be a very nice hobby. But if you do make a show about it… at least try to be a bit subtle, okay? Don’t just stuff a girl in bloomer with a box of valentine chocolate on the front cover. It leaves hardly anything to the imagination. In any case though, the director has me intrigued, looking at his track record. He is someone who whenever he is involved with something, is involved as a lot of different functions. He’s also both writing and directing this. Someone who likes to be in control and has a lot of different skills, and some of the episodes he worked on really were amazing and really well done. I wonder if it was his idea to go with that promo art…
Trailer Impressions: I am not a photographer or anything, but is it normal that you first take a picture of a girl’s crotch before you focus on her full pose?

First-Glance Potential: 30%

Yuyushiki

Summary: “The series follows the school life of three girls in the data processing club, Yuzuko, Yukari, and Yui.” – (Taken from ANN)
Produced by: Kinema Citrus
Director: Kaori
Series Composition: Natsuko Takahashi
Original creator: Mikami Komata
Character Designer: Yoshiyuki Tabata

Impressions: This… just… what? So, we have a voice actress for hentai-series. She then starts to direct and animate for a few series, and suddenly she’s directing a new series. Just… what the heck happened here? Beyond that this seems like an average “random girls doing random things”-series, in other words a genre that hardly ever manages to catch my attention. It probably will be solid for its genre, but not good enough to catch my interest.
Trailer Impressions: It’s a trailer that does its utter best to not show you anything that’s going on. All we got was a bit of random movement and some dull background song.

First-Glance Potential: 30%

Mushibugyou

Summary: “The action story is set in Edo-era Tokyo in the early 1700s. The eighth shogun Tokugawa Yoshimune ordered boxes to be installed so commoners can submit their thoughts. After hearing their voices, the shogun creates a new magistrate unit — Mushibugyō — to protect the people in the heart of the city. Each member is a specialist with unique fighting skills.” – (Taken from )
Produced by: Production IG
Original creator: Hiroshi Fukuda

Impressions: This is one of those series for which little is known yet, other than its original material and the fact that Production IG will be behind it. The premise also is a bit too vague to really say anything about it. It could become good with t the right people behind it, as a fun little action series. Even though the guy on the promotional material has drunk way too much coffee…
Trailer Impressions: Never mind what I said! When the very first scene is about a girl nearly getting violated by a giant spider… yeah. My only compliment is that the art style is surprisingly good, but when you’ve got your mind in the gutter like that it doesn’t really help your case….

First-Glance Potential: 30%

Hataraku Maou-Sama

Summary: “In another dimension the Devil King Sadao is only one step away from conquering the world when he is beaten by Hero Emilia and forced to drift to the other world: modern-day Tokyo. As “conquering the world” are the only skills the Devil King possesses – and are obviously unnecessary in his new situation – he must work as a freeter to pay for his living expenses.” – (Taken from ANN)
Produced by: White Fox
Director: Naoto Hosoda
Series Composition: Masahiro Yokotani
Original creator: Satoshi Wagahara
Character Designer: Atsushi Ikariya

Impressions: The premise, in the right hands, can be comedic gold. But then it really as to be the right hands, otherwise it will end up horribly dull. So let’s take a look at the ones who are going to have to adapt this: Naoto Hosoda is the director of Mirai Nikki and the second season of Minami-Ke, which is regarded by many as the worst Minami-ke series… Masahiro Yokotani meanwhile wrote Busou Shinki. That does not bode well.
Trailer Impressions: Generic J-Pop, but misleadinglygood animation. No humour whatsoever…err…

First-Glance Potential: 30%

Aiura

Summary: “The story centers around Amaya, Iwasawa, and Uehara — three “annoying, spirited high school girls with zero motivation” — and their classmates. Their daily life is “what happens when there is nothing happening.”” – (Taken from Mangaupdates)
Original creator: Uji Chama

Impressions: Very little is known about this series and about who will adapt it, but this is a 4-Koma adaptation about three girls doing nothing. A genre that I’m not really fond of. If the characters change, or if there is more than just their daily lives. Otherwise I just get the feeling that I’m watching paint dry. Sorry!

First-Glance Potential: 50%

Karneval

Summary: “Nai searches for someone important to him, with only an abandoned bracelet as a clue. Gareki steals and pick-pockets to get by from day to day. The two meet in a strange mansion where they are set-up, and soon become wanted criminals by military security operatives. When Nai and Gareki find themselves desperate in a hopeless predicament, they encounter none other than the country’s most powerful defense organization, “Circus”. The Circus is a Defense organization that works for the government. They perform raids to capture criminals and solve crimes that the Security force otherwise cannot handle. After their raids, they put on shows as an apology for scaring the citizens. Their group consists of the strongest, most capable fighters that use a special type of bracelet, known as Circus I.D., to fight.” – (Taken from ANN)
Produced by: Manglobe
Director: Eiji Suganuma
Series Composition: Touko Machida
Original creator: Touya Mikanagi
Character Designer/Chief Animation Director: Toshie Kawamura

Impressions: Toshie Kawamura is something like Manglobe’s new in-house animation director and character-designer, because he is involved in a lot of their projects. It’s a shame that he is not very good though, although the promo art here does look like his best and most creative work. But we’re talking about Manglobe here: what happened to their ambition behind Ergo Proxy and Michiko e Hatchin? They used to recruit their staff all over the place, with all kinds of different backgrounds. Here, they just return to the director of Mashiro-Iro Symphony, which was an utterly crappy harem. The sole salvation here will be the original material, which granted does look promising with the right execution, but then we come to the one who will have to adapt this: Touko Machida is not good at that, and I really hope that she has learned ever since her adaptations of Okamikakushi and Allison to Lillia….
Trailer Impressions: The voice acting is really bad, but in terms of visuals it looks nice and colourful. At least the trailer shows a lot of movements and action.

First-Glance Potential: 50%

Ginga Kikoutai Majestic Prince

Summary: “The story follows humanity after it expanded its frontier into space in a quest for resources. Advances in genetic engineering research allow humans to adapt to the new frontier, leading to the advent of evolved children such as the protagonist Izuru. Izuru enrolls in an academy city called Gurantseere to fulfill his mission of “protecting humanity” with robotic mecha.” – (Taken from ANN)
Produced by: Dogakobo
Director: Keitaro Motonaga
Series Composition: Reiko Yoshida
Original creator: Rando Ayamine
Character Designer: Hisashi Hirai
Other Notable Staff: Fimihiko Shimo (Script)

Impressions: Both Keitaro Motonaga and Reiko Yoshida are doing other series this season. Okay. Still, collectively there is a lot of talent between the writing and directing staff, so this could actually become something. Dogakobo have shown that with Natsuyuki Rendezvous, they can do something actually good. The problem however is the premise. I mean, it tries to dance around the obvious, but we do have another high school mecha series here. What can they do to stand out?
Trailer Impressions: It’s a silent trailer so I can’t comment much on the music and voice acting, but what I’ve seen… good background art, overdone facial expressions, and unfortunately nothing that makes it stand out at first sight…

First-Glance Potential: 60%

Namiuchigiwa no Muromi-san

Summary: “The comedy story centers around Muromi-san, a mermaid who happens to speak with a Hakata accent. She is suddenly caught by Takurō Mukōjima, a boy in his high school’s fishing club.” – (Taken from ANN)
Produced by: Tatsunoko Production
Director: Tatsuya Yoshihara
Series Composition: Kazuyuki Fudeyasu
Original creator: Keiji Nashima
Character Designer / Animation Director: Kikuko Sadakata

Impressions: That is the ugliest mermaid I have seen in a long, long while. It’s not really the hair… but those eyes…. they are kind of unnerving. Anyway, Kazuyuki Fudeyasu wrote Milky Holmes. He also adapted Ben-To. This guy has energy. And something tells me that he’s also going to put that energy in this series… I’m expecting something bizarre…

First-Glance Potential: 70%

Danchi Tomoo

Summary: “The manga centers around a fourth-grade boy named Tomoo who lives in an apartment complex with his mother and big sister. With his father away on a long-term work contract, Tomoo gets into one misadventure after another with his friends.” – (Taken from ANN)
Director: Ayumu Watanabe
Original creator: Tobira Oda

Impressions: Apparently the manga this was based on was nominated for a Tezuka Cultural Prize, back in 2007, alongside works as Hyouge Mono, Moyashimon and Death Note. My impressions seems that the manga manages to capture the life of being a kid. And seriously, only the director for this production is known, but he is a really good one: Ayumu Watanabe directed Nazo no Kanojo X and is still working on Space Brothers. He will be able to bring that out.
Trailer Impressions: Really bad animation with lots of CG. Unfortunately this seems to be a very cheap production, so the question remains whether it will be enough to show why the manga is so good.

First-Glance Potential: 75%

To Aru Kagaku no Railgun

Summary: “Academy City is a highly developed place in terms of technology. It is said to be 20 to 30 years ahead of the rest of the world. Eighty percent of its 2.3 million residents are students. The focus of studies here is directed towards esper powers. Misaka Mikoto, one of the top level espers in town, shares a room with Kuroko Shirai, another high level esper who is a member of Judgement, a law enforcing agency composed of students. Both attend to Tokiwadai, a private school reserved for the high-leveled and the rich. Kuroko’s partner at Judgement, Kazari Uiharu, is a low level esper who studies at Sakugawa middle school. Her best friend and classmate there is Ruiko Saten, a level zero (no esper powers). Together, the four encounter several adventures in the exciting scientific town.” – (Taken from ANN)
Produced by: JC Staff
Director: Tatsuyuki Nagai
Series Composition: Seishi Minakami
Original creator: Kazuma Kamachi

Impressions: 100 episodes of the To Aru franchise. Let that sink in for a while. I personally don’t think that it warrants so much. Collect the best parts in 26 episodes and you’d have one heck of a series, but this is just too long. In terms of the staff nothing much has changed though, and Tatsuyuki Nagai and Seishi Minakami? These guys are awesome! They worked on many awesome series including Anohana, Honey and Clover, Birdy the Mighty Decode, Shigurui and Asatte no Houkou.

First-Glance Potential: 75%

Devil Survivor 2 The Animation

Summary: “The setting of Devil Survivor 2 spans the whole country of Japan. It tells the story of Japanese high school students who received an email from a website foretelling deaths. Mysterious creatures invade the country, and the students enter a pact, enabling them to summon demons. The plot may unfold differently depending on the player’s actions.” – (Taken from ANN)
Produced by: Bridge
Director: Seiji Kishi
Series Composition: Makoto Uezu
Music: Kotaro Nakagawa
Character Designer: Etsushi Sajima
Other Notable Staff: Mohiro Kitoh (Original Septentrion Design)

Impressions: Another series based on a series in the games of Shin Megami Tensei. And it’s by the director of Persona 4. Oh god, no. I still have not forgiven him for what he did there. Thankfully, the rest of the production looks a lot ore solid here. Bridge only did comedies so far, and this seems to be their first full series, and they are looking very ambitious. Makoto Uezu is someone who sometimes delivers really good, and sometimes really bad adaptations. And that’s the thing with this series: it’s got interesting source material, but it can both become great, or crash and burn horribly. And Mohiro Kitoh behind the mecha designs rocks.
Trailer Impressions: A solid trailer, it’s short but shows some nice animation, the soundtracks is good and it doesn’t loo overly lciched or silly. The problem will be the pacing again and whether that will be better this time…

First-Glance Potential: 75%

Yondemasuyo, Azazel-San

Summary: “Akutabe, a detective, summons devils to solve the troubles of his clients. One day, a low class devil Azazel Atsushi is summoned by Akutabe and is used harshly by him and his assistant Rinko Sakuma.” – (Taken from ANN)
Produced by: Production IG
Director: Tsutomu Mizushima
Original creator: Yasuhisa Kubo

Impressions: Oh god, they actually made one: a sequel to Yondemasuyo Azazel-san. This is a comedy that is not for everyone, and I have seen very few other comedies in which the humour was as black there. There is so much bile in it, and yet it had me in stitches for many times. There is always the matter of this series losing inspiration, but with this premise there is plenty of material left that can be explored, especially if the episodes are only 10 minutes long again.

First-Glance Potential: 80%

Valvrave the Liberator

Summary: “The story is set in an era when 70% of the human race lives in space due to the development of space cities. Between two major powers — the Dorushia Military Pact Federation and the Atlantic Ring United States (ARUS) — there is a small neutral nation called Jiouru that has prospered economically. The protagonist Haruto, a high school student who lives in Jiouru, encounters the mysterious “forbidden” humanoid weapon Valvrave when the Dorushia army invades.” – (Taken from ANN)
Produced by: Sunrise
Director: Kou Matsuou
Series Composition: Ichiro Okouchi
Character Designer: Tatsuya Suzuki

Impressions: Holy crap, what a combination between staff members. The writer of Code Geass, together with Matsuo Kou of Red Garden, Kurenai and Natsuyuki Rendezvous fame. I mean seriously, this will be either the trainwreck of the season, or a really epic and creative series. It all depends on how much freedom the creators have. Matsuou Kou is at his best with the more freedom that he has, while Ichiro Okouchi works better when he has less freedom (just look at Berserk, and Overman King Gainer also was awesome because that had the famous Yoshiyuki Tomino all over it, for example). In any case this will become interesting to follow…
Trailer Impressions: Reaaaaaly vague. We just saw a bunch of mechas and characters, although I do like the choice of music. Apart from that, it didn’t really show off anything…

First-Glance Potential: 80%

Gargantia on the Verdurous Planet

Summary: ” While fighting an intense inter-galactic war, a mecha pilot was accidentally warped into a space-time neither he nor the computer of his mecha could recognize. After waking up from a long-time hibernation, he found himself trapped on a planet, with human residents talking in an unknown form of language, using inferior technologies, and — most shocking to him — naturally breathable air.” – (Taken from ANN)
Produced by: Production IG
Director: Kazuya Murata
Series Composition: Gen Urobuchi
Music: Taro Iwashiro
Character Designer / Animation Director: Masako Tashiro

Impressions: Here is a series that put some effort in its promotional material. Just take a look at the official site, there’s a lot of neat artwork there. On top of that, we have Urobuchi Gen doing another original script of his. At this point he is in a very good position, where he has a lot of freedom. I really hope that he makes more and more use of this, while continuing to get better at writing. Kazuya Murata has not directed in a really long while. In fact, he seems to be returning after many years of not working on anything. I wonder what this can add to this series, because it definitely looks interesting here.
Trailer Impressions: Here I noticed a problem that I’ve often seen with Urobuchi Gen’s works: his characters are rather dull. The trailer was fairly long so we could see quite a bit about them, but there is nothing that makes them stand out. They’re just bland in every way.

First-Glance Potential: 80%

Arata Kangatari

Summary: “In a mythical world where humans and gods co-exist, Arata has the unfortunate honor of being the successor to the matriarchal Hime Clan. This means he has to pretend to be a girl or face death if his true gender is discovered! On the day of his inauguration, an assassination plot forces him to flee – and he somehow winds up in modern-day Japan! Meanwhile, a boy named Arata Hinohara gets sucked into the first Arata’s world and finds himself dealing with people after his life!” – (Taken from ANN)
Produced by: Satelight, JM Animation
Director: Kenji Yasuda, Woo Hyun Park
Series Composition: Mayori Sekijima
Original creator: Yuu Watase
Music: Kou Otani
Character Designer: Masahiro Aizawa

Impressions: Yuu Watase is a big name in the shoujo genre: she was the one who wrote Fushigi Yuugi, which had a big influence. I watched the first episodes of it, and the one thing that struck me was how mind-numbingly stupid the female lead character was, to the point of making it really hard to watch. It definitely had potential though, and this premise again can lead to a great fantasy-epic that relates back to the current world. The director is a Satelight regular, being involved in many of their series (including NOEIN), and directing Croisée, while Mayori Sekijima is pretty experienced in adaptations to make it work if it has the potential. On top of that this seems to be a Korean co-production, showing yet again that the people at Satelight have a lot of international connections (first France, now Korea)

First-Glance Potential: 80%

Uchuu Senkan Yamato 2199

Summary: “The year is 2199. The human race has been crushed in their war with the Gamilos, driven into underground cities by the invader’s assault. Scientists estimate they have only a year left. The young officers Susumu Kodai and Daisuke Shima receive a mysterious capsule from a ship that made an emergency landing on Mars and return with it to Earth. It contains humanity’s last hope: the planet Iscandar on the other side of the Magellan Galaxy has the technology to defeat the Gamilos and restore the planet. The space battleship Yamato is entrusted with this task, but they have only one year before humanity ends.” – (Taken from ANN)
Produced by: Xebec, AIC
Director: Akihiro Enomoto, Yutaka Izubuchi
Series Composition: Yutaka Izubuchi
Original creator: Leiji Matsumoto
Music: Akira Miyagawa
Character Designer: Nobuteru Yuki
Other Notable Staff: Hiedakki Anno (Opening Storyboards), Hiroshi Ohnogi (Script), Sadayuki Murai

Impressions: Yes, I also had to do a bit of a double-take when I suddenly saw Hideaki Anno (you know, the guy behind Evangelion…)’s name between the credits. And that really shows in what way this series stands out: it’s a remake, but it’s a really well produced one. There are a lot of great names who are responsible for some of the episodes here, and you can really see that this is made by fans, who want to make the original Yamato (which is incredibly outdated at this point) accessible to modern audiences. I have seen three episodes so far and was planning to catch the rest as it comes out on television, but the creators really managed to tell the original story, while also adding a lot of new stuff and details.

First-Glance Potential: 85%

Dansai Bunri no Crime Edge

Summary: “Haimura Kiri is a seemingly ordinary boy with one slight problem: he is obsessed with cutting other people’s hair. One day he meets Mushiyanokouji Iwai, the “Hair Queen” who cannot cut her hair because of an inherited curse. Kiri finds out that his scissor, “Dansai Bunri no Crime Edge” is the only thing that can cut them. But little did he know that their meeting sparked the start of an old murder game to kill the “Hair Queen” using the cursed killing tools, the “Killing Goods.” Can Kiri protect Iwai from the Killing Goods Owners? Let the game begin!” – (Taken from Mangaupdates)
Produced by: Studio Gokumi
Director: Yuji Yamaguchi
Series Composition: Tatsuhiko Urahata
Original creator: Tatsuhiko Hikagi
Character Designer: Katsuzo Hirata

Impressions: Aaand the biggest wtf-premise award goes to: Crime Edge. I mean, cutting people’s hair is already strange, but this show seems to go out of its way to make its premise as strange as possible. And you know, I don’t think I mind that. Just go a little crazy, it’s much better than having a normal premise. The director has experience with weird shows like that: he previously di Touka Gettan and Yami to Boushi to Hon no Tabibito. Tatsuhiko Urahata meanwhile has experience with everything. He is an awesome adapter, with his works ranging from Horizon to Gunslinger Girl Il Teatrino and Hajime no Ippo and Master Keaton and Monster.
Trailer Impressions: This is how you do a trailer: really charming on one hand, and “wtf are those bloody scissors doing there?!” on the other.

First-Glance Potential: 85%

RDG Red Data Girl

Summary: “The story revolves around Izumiko Suzuhara, a girl raised within the confines of Tamakura Shrine, one of the Kumano shrines that are part of a World Heritage site. However, after Izumiko spent practically her entire life at Kumano until middle school, it was decided that she and her childhood friend Miyuki would enroll in Houjou High School in Tokyo. On a school trip to Tokyo, a mysterious entity known as Himegami appears and a terrible incident occurs. Izumiko’s family carries a great secret that Izumiko is about to learn.” – (Taken from ANN)
Produced by: P. A. Works
Director: Toshiya Shinohara
Series Composition: Michiko Yokote
Original creator: Noriko Ogiwara
Music: Masumi Itou, Myu
Character Designer: Minako Shiba

Impressions: I must say, I’m intrigued by the premise here. It sounds pretty solid and has a lot of potential to develop into something good. What makes this even better is that we’re talking about the director of the Book of Bantorra, which was a series that I absolutely loved (he also directed the first season of Kuroshitsuji). Michiko Yokote is a scriptwriter who I trust and she can really make the premise work. This is based on a story by the same author of Good Witch of the West, which I really liked. It’s great to see that this time, her story can be adapted by a bunch of people who know what they’re doing, instead of rushing through it.
Trailer Impressions: Very elegant, and it takes itself seriously. The backgrounds are really good, and the narration is good. The animation also looks very good, and the trailer really knows how to build its atmosphere. Good signs, good signs.

First-Glance Potential: 85%

Aku no Hana

Summary: “The story opens as middle school student Takao Kasuga receives an F on a math test. But he doesn’t even seem to notice because he’s too engrossed in surreptitiously reading Beaudelaire’s The Flowers of Evil. And the day goes downhill from there. In a moment of weakness, he finds and takes home the gym clothes belonging to sweet, pretty Nanako Saeki on whom he has a major crush. Unfortunately for Takao, there’s a witness to the theft: Nakamura, who has a huge chip on her shoulder and a sadistic streak.” – (Taken from Mangaupdates)
Produced by: Zexcs
Director: Hiroshi Nagahama
Series Composition: Aki Itami
Original creator: Shuzo Oshimi
Music: Hideyuki Fukasawa
Character Designer: Hidekazu Shimamura

Impressions: Zexcs previously was a studio who made mostly unremarkable series, and sometimes got lucky and delivered a good one. They have been getting much better lately. And holy crap, the director of Mushishi is back! Finally, years after doing Detroit Metal City he’s ready for another one, and I must say: this sounds like an awesome drama. Finally there is a school drama that just immediately stands out from its peers with such a simple, yet deceptive premise.

First-Glance Potential: 90%

Shingeki no Kyojin

Summary: “Several hundred years ago, humans were nearly exterminated by giants. Giants are typically several stories tall, seem to have no intelligence, devour human beings and, worst of all, seem to do it for the pleasure rather than as a food source. A small percentage of humanity survived by walling themselves in a city protected by extremely high walls, even taller than the biggest of giants. Flash forward to the present and the city has not seen a giant in over 100 years. Teenage boy Eren and his foster sister Mikasa witness something horrific as the city walls are destroyed by a super giant that appears out of thin air. As the smaller giants flood the city, the two kids watch in horror as their mother is eaten alive. Eren vows that he will murder every single giant and take revenge for all of mankind.” – (Taken from Mangaupdates)
Produced by: Wit Studio (Production IG)
Director: Tetsurou Araki
Series Composition: Yasuko Kobayashi
Original creator: Hajime Isayama
Character Designer: Kyoji Asano

Impressions: Back when I dabbled in manga (I really want to continue with that experiment… as soon as I have time again), one of the mangas that I checked out and really liked was Shingeki no Kyojin. Holy crap, that was intense, but it would also have been very difficult to animate properly. And here is the thing: if there is any director who can bring out the strength of the manga, it would be Tetsuro Araki, the director of Death Note and Kurozuka. He really can make this work! Yasuko Kobayashi also fits this show perfectly with his brilliant adaptations of Jojo’s Bizarre Adventure. Add that to Production IG’s expertise, and yes. I am really looking forward to see this in animated form.
Trailer Impressions: Fucking epic.

First-Glance Potential: 100%

Uchuu Kyoudai – 44

Here is a question: how do you best recommend this series? I mean, it’s absolutely fantastic and it has some of the best writing out there, but it will be incredibly long. For people who have no life it will be easy to check out, and I think students also can find the time to sit down and watch. But what about the people who don’t have a lot of free time or patience? I mean, I can only handle this series in my life because there is only one episode coming out each week. What’s the best way to make this huge length of 100 episodes lose its intimidation?

I mean really: this series deserves to be watched. This episode actually brought tears to my eyes with its charms. The scene in which Mutta and Hibito talked to each other again had so much build-up behind it. In the past arc, Mutta only did one thing. But the past episodes made sure to put so much meaning into that little action of his. This episode then really took its time to show their conversation, skipping away the time delay for storytelling conveniences, while acknowledging that it’s still there.

Also, a small detail: when was the last time in which we saw a small child who was still changing his teeth? Yes, it’s small, but I really appreciate the detail that this show put into it. Every single one of those details shapes the characters, and this show does it better than any other anime currently airing.

Also, the comedy is back again. I sure missed it. But I love how this show can pull a joke when you don’t expect it. Buddy in particular was hilarious in this episode, with both his memories of Brian, and his reaction to Damian’s state.
Rating: 6/8 (Awesome)