Phantom – 10



Wait, wait… what? WTF, they actually did it? If you’ve not seen the episode yet: MAJOR SPOILERS AHEAD!

This is a bit of random text to prevent spoilers from showing up on the blog aggregators, but seriously this episode has got to be the biggest surprise of the entire season. I know that I more often pull these sorts of conclusions and they don’t turn out to be true and all, but damn: Ellen was shot right through the heart and got dumped in the ocean! Bloody hell! There’s no way that she could have survived that!

Seriously, if this really is what I think it is, then this really has been the first time since ages than the creators of a show had the guts to kill off one of their lead character. I really thought that Reiji was just going to save Ellen, kill Scythe and just happily live together with her in Japan for a couple of episodes, but THIS. I never saw that coming.

I’m now sure of my favourite shows this season: Konnichiwa Anne and this series both continue to leave me stunned after nearly every single episode. Just when I think I can’t get more impressed, they pull yet another one of their surprises. Now THAT’s the sign of a good anime! It’s so sad that in the end, Ellen did choose to be Ein, and didn’t abandon her master’s trust. Reiji showed a totally different side of his this episode: we now really get to see his dark side, which is absolutely nothing like his composed, usual self.

This series sure as hell pulls no punches. Every single battle so far has ended with either one or both sides heavily beaten, whereas most series simply choose to let each side retreat with perhaps a small casualty or two. As an example, especially Gundam 00 had a nasty habit of doing this in its second season over and over again. I loved how this episode was dancing around Reiji, singing “no, you can’t get your happily ever after just yet, muaha!”
Rating: *** (Awesome)
An amazing conclusion to an already amazing arc of an already amazing series. And we’ve yet to even reached the halfway point!

Pandora Hearts – 10



Muaha! Now this is more like it! I urge those who were unimpressed by the past few episodes to at least stick around until episode 10, because this episode really was heaps of times better. This episode really showed the power of this show’s scriptwriters, who really understand the characters they’re working with. I’m really glad to see that the building up is coming together!

This episode really was about Oz and his memories about his father, who clearly left a deep-seeded trauma on the guy. In this episode he in vain attempts to save the father of the little kid, even going against Alice and Gil in order to give the kid a good father, and yelling at the father for the horrible mistakes he made. The father tries to justify himself by saying that he killed all of those people for his son, in order to get his house and wife back, but OZ understands like no other that at this time, it simply would have been enough to spend time with him.

The animation also looked better than ever for this series. I especially loved Break’s evil grin at the end of this episode, where Vincent has made his formal introduction after shooting said father and Break lets him know that he doesn’t really like this in his own way. Still, everything in this episode was just pure goodness. It’s nothing like the cheese of a few episodes back: this was genuine drama that really came from the heart of OZ and Alice.
Rating: *** (Awesome)
Such a genuine episode, where the build-up really comes together.

Basquash! – 10



Very, very solid episode. My favourite part of this show has always been the Dan vs. Coco storyline, and this episode was entirely about that. On top of that, the romance between Dan and Rouge remains surprisingly enjoyable because of this. This episode was all about Dan, seeing Coco’s image in Rouge (probably because Rouge is the first female he sees as more than just a friend), and because of that he started remembering his past again, starts yelling and running around the baseball field like an idiot.

I also love how we see Coco in the background, carrying out her own agenda. She may show no emotions, but this episode really showed that she’s doing something that she likes doing. As it turns out she is much less scared of the past (probably because she learned to live with her disability, as opposed to Dan who still refuses to give up on her. Slash also made a good point in this episode: she could easily be playing a bigfoot with a few modifications made, and yet she chooses not to.

Overall that Slash intrigues me as well. HE (she?) was introduced as your typical evil overlord, but yet again she turned out to be someone completely different when s/he visited Coco for the information on Dan and the others.

One thing I do hope is that Dan’s going to stop yelling from now on. Especially in this episode, his screams were rather obnoxious to watch.

Rating: * (Good)
Very nice development for Dan, although the animation wasn’t that impressive.

Eden of the East – 09



Okay, so now that this series is nearly at its end (2 episodes left), I unfortunately have to admit that Eden of the East was a disappointment. It’s obviously nowhere near bad, but with its awesome first episode, I really expected something better from this series. Unfortunately, after nine episodes my favourite episode still remains that first one: it never really managed to surpass the creativity and intrigue of Akira and Saki, meeting each other in America, and to be honest, it never even came close to that.

My guess would be that it’s the lack of focus that’s working against this series. The pacing has simply been too slow for such a series, and during the quiet moments I don’t think that the creators really made optimal use of it to flesh out the cast. I once praised this show for how it involved its side-characters with the main-storyline, but for the past two episodes I’m really beginning to wonder what their purpose is. What really is the point of Oosugi, showing the Akira-hate messages? What can that really add to the story, other than making the side characters hate Akira with passion?

The thing with mystery-series is that creating intrigue is one thing, but making the revelations worth it is really the difficult part. Now that the revelations have finally come in, I unfortunately have to say that they… don’t really live up to my expectations. So yeah, the rockets were launched by one of the other Selecao who is out to destroy Japan and start anew. Should have seen that coming. Every Selecao is trying to destroy Japan, it seems, aside from Akira of course, who along with Number 5 was probably the only one who was doing the right thing. My big worry is also that Mr. Outside. I know that there are two hours of movie left for him, but my big fear with him is that the creators aren’t going to have any time to flesh this guy out, making him dangerously close to your typical evil overlord.

Compare this to shows as 07-Ghost: even though its plot is nowhere near as interesting as that of Eden, it did put lots of time into building up and fleshing out, and actually looks like it’s going to get away with it. Eden though… something just feels to have gone wrong during its build-up. I really hope that these hunches are wrong, because I really want this show to work.

Rating: (Enjoyable)
Predictable, Pantsu wasn’t really that interesting, but at least the plot moved forward a lot.

Ristorante Paradiso – 08



Okay, so now that this show is nearly at its end (three episodes left), we’re finally able to see whether it used its time well or not, and whether the series composition knew what it was doing. And if I have to say so, Ristorante Paradiso passes with flying colours. It really made excellent use of its limited eleven episodes, and it turned into one of those series that’s greater than the sum of its parts.

It’s been a very slow and quiet series, but that really is part of its charms, and really managed to capture the essence of slice of life. Even though the past few episodes have been themed to a certain character, it really NEVER FEELS FORMULAIC. Every episode is different, and yet they all have the same atmosphere, feel together as a whole and they really don’t take any stereotype for granted. If the creators can pull off a great finale, this series is really going to be complete, but that often is much harder than it looks. I’ve got faith in the director, though. She has pulled off some creative endings before, and that’s exactly what this series need.

I remember, when this series first started, that I compared it to Antique Bakery, but now I see that those are two completely different series. Antique Bakery stood out because of its originality: it dared to go where no other anime had gone before and was very creative in its storytelling. Rispara however, is much more about its characters: subtly fleshing them out, and letting the viewer slowly get to know more about them.

This episode yet again toyed with our expectations. We were promised a Furio-episode, and yet Claudio got just as much development as he did, when it turns out that when they were younger they used to work at the same restaurant: Furio as one of the top chefs, while Claudio was very much a rookie waiter without much talent. He was even less secure than he is now (you can now really see that his older version is more confident in his actions, while still recognizing that insecure version that he was 20 years ago. Now THAT’s subtle development!), but it was Furio’s fiancee who gave him enough inspiration not to quit being a waiter.

Rating: ** (Excellent)
Lots of depth for Claudio and Furio is always welcome. Very meaningful dialogue.

07-Ghost – 09



You know what? Who cares about the cheese! There is good cheese and bad cheese, while most of it falls into the bad category: overblown and overly sappy drama that you just can’t take seriously. There are cases in which the cheese is meant to be overly emphasized and becomes awesome to watch because of that (any Hiroshi Watanabe-series, especially Suteki Tantei Labyrinth), and there’s a very select amount of series in which the cheese is actually played straight… and yet somehow works. And what do you know: for me, 07-Ghost turned into one such series. The bond between Teito and Mikage really was adorable, despite the sappiness of it all.

I must say that I really feared the worst when I was spoiled about how Mikage was going to reincarnate. I was ready to expect a very overdrawn death scene of his… only for him to get back to life at the last possible moment. But really, the creators handled his resurrection very well: I never expected the bugger to return as a stuffed animal-like creature. And with the church and all, the whole reincarnation fits perfectly into the setting. I’m usually very much against it when anime bring back a dead character, because it often nullifies any sort of impact that their deaths would have had, but here you can still see Mikage’s sacrifice.

And on a completely different note: the animation sure was awesome in this episode. I don’t mean that in the same way as Eden of the East, in which there was a lot of detail in just about every movement, but there were so many creative poses and camera-angles. This episode had lots of really cool shots that really made this episode a feast for the eyes.

Now that the Mikage-arc is over, I’m curious to what the rest of this series can offer. It’s really building up Ayanami as some evil overlord, but thankfully the creators fleshed him out nicely enough. In fact, I’m always waiting for the guy to make his move again, because whenever he does you can be sure that it’s going to result in a very interesting and exciting fight. As a villain, he has presence, I guess.

Rating: ** (Excellent)
As a series with a lot of emphasis on building up, the climaxes are of course very much worth it. Also, the animation direction was really good.

Shangri-La – 09



Now these really are the episodes that show why this series rocks. There’s just so much going on, it’s mostly building up, and yet it’s still intriguing and compelling, it cleverly uses things from past episodes, while also progressing forward with its plot. My biggest fear was for Kuniko to go emo, but even taking that into account I have faith that she’s strong enough to pull herself past this and grow even more.

I love how at first, the tunnel Takehito and the other members of the Metal-age was used as a cute gimmick in order to keep them busy, and yet in this episode it actually became relevant to the plot again when Kuniko wanted to rescue the rest of the inmates. While it may have been a bit extreme to kill all of them off like that, it definitely made impact: with it, the creators really show that they’re not going to pull any punches and that Kuniko has been majorly underestimating her opponents.

The fight at the beginning of this episode also rocked, especially Momoko vs. Sayoko: two sadist who take on each other. It was overall a very well coordinated fight: it showed a lot of things at the same time while never staying too long at one point. If the creators can keep this up we’re in for a very good second half. I’m also interested to find out what in the next episode, Momoko’s impact on Atlas will be, including the revelation who she actually was for Mikuni.

And there was so much more going on in this episode. The revelation of what exactly Hiruko is also was awesome: it’s basically a possessed schoolgirl in Atlas. Karin also has major troubles with her own Medusa, who seems to have taken a random nap, only to awaken again in this episode, but much more aware of his surroundings, it seems.

The one issue for this series is of course going to be whether or not the series can come together in the end, but that’s of course the thing with any series with a huge setting like this one. I’ve seen quite a few people label it already with a “Gonzo Ending”, but really, are Gonzo’s endings really that notorious? I can actually recall quite a few endings from Gonzo-series that were really, really good. Of course they’ve had their shares of disappointing endings, but that’s the case with any studio. I’m actually much more wary about Bones’ Endings (rushed ones) or Sunrise ones (overly epic ones).

And on a final note: I’m liking the soundtrack of this series more and more. After Phantom, it’s definitely my favourite soundtrack of this season, and you can hear that a lot of effort went into producing it. It’s really varied and every piece seems to be different and complements the series perfectly.

Rating: **
Really well told episode: there’s always something going on but nothing dragged or rushed.

Konnichiwa Anne – 09



What an awesome, awesome series. This episode yet again convinces me that this show indeed is my favourite show this season, even taking epics as Phantom and Cross Game into account. This series did EXACTLY what I hoped it to do. The original series was an absolute masterpiece in terms of characterization, but it lacked one thing: conflict. It would really have been able blow its audience away if it was a bit more dramatic and bitter-sweet. And even though that lack of conflict was also part of the original series’ charm, Konnichiwa Anne is currently showing how incredible it could have been if that extra bit of drama was included. While it’s of course not as solidly produced as the original series, the creators managed to really capture what makes a Lucy Maud Montgomery-adaptation so incredibly charming.

We start the episode when Bert’s asleep after wrecking half the house, and Anne is hiding scared in her bed from what he did to Katie Morris. When Johanna wakes up and sees the mess he created, she breaks down and asks him why he started drinking again. Anne meanwhile fins out that Katie Morris didn’t die, and Bert wakes up to tell Johanna that he got fired, and walks to his shed again leaving Johanna crying.

Johanna tries to distract herself by cleaning up the glass for the next morning, to prevent Horace and Edward from walking on it, and is surprised that the two of them slept through everything. The next morning, the two of them find out that Bert has been fired, and get happy thinking that they can spend a lot of time with their dad, but Johanna quickly yells at them that this also means that they’re not going to be able to afford food and oil for light.

Johanna then says to Anne that she should prepare to leave as well, just in case things become too hard for Johanna to even sustain her own family. Meanwhile at the station Mrs. Minton yells angrily at Bert’s former boss who fired him, and she’s very angry that they didn’t just dupe Bert, but also put his wife and children in a very bad situation. The then blackmails the station owner into giving Bert a new job (she once gave him money in order to reach his position).

Minton then arrives at Johanna’s house and asks to talk with Bert. She immediately notices the stench of alcohol, and it turns out that he’s been drinking despite their huge money problems. She tells him that he isn’t going to be able to find any work anymore in his town. When Bert laughs it off, she tells him that he shouldn’t take this so lightly and that it was his own fault that that happened. She then comes with the good news: in Marysville she managed to find a job for him. Bert looks down a bit in his surprise. Minton however does make him swear to not touch alcohol again. Bert really doesn’t know what to say to thank her, and Minton says that he should be thanking Anne: she is the reason why Minton bothered to find this job for him in the first place.

Since there is no time to lose, Bert walks into the house with the message that they’re going to leave the house and move to Marysville because he managed to find a new job there and wants to start as soon as possible. Johanna is overwhelmed, to say the least, and worries how she’s going to move three small children in such a short time, but at the same time she’s very glad that there’s some sort of solution. When Johanna’s away, the boys start joking again at how Anne is going to be left behind, taking Johanna’s words of that day before a bit too literally, although these words hurt Anne a lot.

That afternoon, Anne is still wondering whether she’s going to say goodbye to Katie. Then, an interesting guest arrives: Bertha’s former friend: Jessie. It’s been six years since the two of them saw each other for the last time. She mentions how Bertha was such a nice person, just as Walter. She then notices Katie Morris, and as it turns out it turns out to be a bookcase precious to Bertha. They used it often to read books in front of Anne, and it was often used. Unfortunately, Bert sold all of the books for money when they died and he took it over. Jessie then comes with the real reason she dropped by: she’s willing to adopt Anne and give her a proper home and education. Her own daughter had just died when Bertha passed away, so she didn’t have the courage to take over Anne, but now she’s different and has the confidence to raise her. Johanna however, declines. She’s been raising Anne for the past six years now, and they’ve grown dependant on each other. he’s not going to hand Anne over that easily.

While Bert is breaking up stuff in order to make it fit on the carriage more easily, Anne asks him (nearly in tears) whether she’s going to stay behind as well. Bert gets a bit shocked by that, but then reassures Anne that she’s going along with them. Johanna meanwhile sends Jessie away without letting her see Anne. Thanks to a foreshadowing narrator, we now know that this is something that she never managed to forgive herself.

The next day, the move happens. On the way, they tun into Minton and she says a few words to Anne before they go away, and the two of them say goodbye for now. The road to Marysville is a snowy one, but Anne while sad on one side for having to say goodbye to the place where she grew up, but on the other side she’s happy that she wasn’t cast aside and looks forward to her new home.

Well, there you have the irony: just think how differently Anne would have grown up if she was taken care by Jessie: she would have had a loving family and she’d never have met the Cuthberts at all. Both this series and the original Akage no Anne had these moments in which a character was forced to make a choice that would have a major impact on how they would lead the rest of their lives: Matilda when she decided to adopt Anne, Anne when she had to go to college, Elisa when she was asked to go to London and now again, with Johanna who had to choose whether or not to give Anne a better future.

And it really was one heck of a selfish decision: simply because she needed Anne’s help she denied Anne a chance for a better future and good education. But the sad thing is that we know that eventually, she’s going to be forced to really let go of Anne. Right now, Bert is saved, but the problems have nowhere near ended at this point. If Bert makes another miss, he’ll really be screwed.

Rating: *** (Awesome)
Bittersweet aftermath of the previous episode. There were so many pure emotions in just 20 minutes.

Natsu no Arashi – 09



I must say that my big fear for this series would be its conclusion. This show has already proven that it’s good, but even good shows have a hard time with their conclusions (take Kurenai for example). This is a series about the past, and how it can influence the present, but that black-haired woman was really being set up as your stereotypical evil villain. This episode only fueled my suspicions when they portrayed her even more like some overused bad guy who was planning to kidnap Arashi and use her powers in order to help a loved one of her. Yawn. Been there, done that, and it completely doesn’t fit in with the rest of the themes.

Or so I thought…

The end of this episode really pleasantly surprised me.I never imagined that that woman would actually be a grown up version of Arashi! Now this really puts things into a different perspective that’s totally in line with what the rest of the series has built up for. Especially this episode spent a lot of time talking about time paradoxes, which is exactly what happened at the end of this episode. It was some clever foreshadowing that at the same time you really recognize unless you’ve seen the rest of the episode. Especially since they used a rotten fish as example.

So yeah, this episode rocked. There was a lot of talking in it, but it did exactly what it was supposed to: delve into the details of time travelling. This really allows the series to go in-depth into its setting, rather than compared to series with relatively little dialogue. This is also why I’m such a big fan of series with lots and lots of dialogue. On top of that, we also got some very nice development between Arashi and Hajime, which is always welcome. That hug/kiss scene worked really well.

I’m also intrigued by that scar on the bar table. It just keeps returning over and over, and there’s always someone who’s trying to clean it. The obvious meaning is symbolism: no matter how hard you try, that past ain’t gonna erase itself. And yet I have a feeling that there’s more to it. I have no bloody idea how the creators are going to do it, but something is telling me that the origin of that scar is going to be central to the plot.

Rating: ** (Excellent)
Great HajimexArashi chemistry, nice surprises, the beginning of the end that is promising to be very exciting.

Guin Saga – 09



Aah! This show so badly deserves better animation! Having Satelight as the animation production company is both a bliss and a curse: the graphics sure look imposing. The designs for this series are absolutely beautiful, but the animation is just incredibly messy and full of cut corners and very obviously rushed. What a bloody shame, because this series really deserves to look beautiful.

As for the rest of this episode: Guin Saga yet again showed that it excels at detailing and describing all sorts of different cultures and people. This episode gives a proper introduction to the giant people that Guin went after, and again a lot of imagination went into designing these people. Standalone, they’re a bit stereotypical, but when put in context with the rest of the series they fit so well. With such a huge cast, this series has already shown that it isn’t the best at characterization: for Guin Saga it’s really the bigger picture that makes it stand out.

This episode also shows Istvan’s part of Guin’s plan come to fruition as he successfully manages to kill off one of the major generals from the Mongols. It’s also interesting how he never seemed to take his mission personally, and actually came to like Marius before he killed him off. It’s good to run into a series that doesn’t have the “I can’t kill him! He’s my friend”-mentality.

Rating: * (Good)
Sub-par animation, but that’s not stopping this series from delivering a fantasy-epic.