Shingeki no Kyojin – 06

While watching this anime, I realize how devious it can be to compare the anime and manga adaptations to each other. They may have the same story, but the anime and manga of Shingeki no Kyojin are completely different in terms of atmosphere and pacing. The manga moves ridiculously fast. The anime on the other hand takes its time. At the beginning of this series, I made the mistake of expecting the exact same feeling as what I got in the manga. No. That’s impossible to create. The anime just needs to shine in its own way!

And it does, actually. This episode was nearly entirely dedicated to Mikasa and Eren’s past (although the prelude about Armin was also really good). This is the sign that the two of them are very much not normal. Especially Eren: what other kid just straight up murders people by pretending to be innocent? At first he was just your regular bratty kid who wants to fight, but with this, he became more than just that. An extreme version of that trope.

Another big theme here is: people in power are assholes. The question is what this show will do with it. At the moment it feels a bit typical, but this series can really shine by pushing this into the extreme: what if that extreme bigotry of the elite would really get tons and tons of people in trouble and killed? More often than not this trope is used to create cheap drama (because hey, we hate rich people being an ass!), but there is some gold lurking underneath that crap.
Rating: 5.5/8 (Excellent)

Aku no Hana – 06

Aku no Hana is about the secrets that we all try to hide from each other. How a person may protect him or herself with layers. Kasuga was the most apparent example for this, but Saeki also of course has this. Whether this is as extreme as Nakamura seems to suggest in this episode is a matter of time, but she sure gave Kasuga quite a scare with it.

Now, is Kasuga a hypocrite or not in his actions? Is he running away while refusing to believe that Saeki might enjoy sex? Is that some sort of defence mechanism in order to prevent himself from going crazy, or does he genuinely believe that Saeki is as pure as a goddess? I also don’t think that Nakamura is right either: on one hand she rocks for trying to peel away the layers that Kasuga puts up. But in her mind, people are either normal, or incredible perverts. No inbetween.

Another thing I noticed in this episode: this series really likes to play with the reflections in people’s eyes. I’m not sure whether this is an artefarct of the rotoscoping or not, but it has a really interesting effect. Anime is famous for its eyes and all, but I still love the attention to detail that this series puts into the movements of the eyes of its characters.

This show may be rotoscoped and low-budget, but what I’d still love is if it were influential. I’n not asking people to take over the rotoscoping. Instead what I hope is that animators of series with bigger budgets will take cues from the nonverbal communication in this series, and let themselves be inspired by it.
Rating: 5.5/8 (Excellent)

Spring 2013 Kaleidoscope – May 12th

#1: Valvrave The Liberator – 04: Just… wow. Don’t get me wrong, this episode was incredibly cheesy. But at the same time it was just florious with how much confidence it brought that plot twist of its. I guess this is what I meant by this series just going over the top: screw logic, and just focus on creating as much fun as possible. So far, this is what Guilty Crown should have been: the male lead is the only one with special powers, and he just uses them to screw everyone who is against him over. The big potential pitfall right now is the characters. These types of series also seem to think that you don’t need characters to remain entertaining, but the whole trick of making these series last is by keeping them interesting. Otherwise it’ll just get boring!

#2: Hunter X Hunter – 77: I still find the ant designs to look a bit silly (a minor detail perhaps, but it does screw a bit with your first impressions), but I like the idea behind the Chimera ants a lot. The way in which they continue to evolve. And again, it’s completely different from any other arc in Hunter X Hunter before and I really admire that for a shounen series. But do the villains have actual emotional depth? There’s one way to find out!

#3: Yahari Blahblah (I still refuse to use the whole title of this show until it gets actually really good) – 04: What I liked about this episode was the use of that one really popular guy. It was a bit of a narrow-minded episode, but it raised some good points for the characters. At the very least, I’m really glad to see that this didn’t turn out to be yet another one of those brainless school series, but that it actually tries to bring some substance in, even though it’s got a bunch of cliched and annoying characters.

Other Notes:

Dansai Bunri no Crime Edge – 04: Now I see! The thing with this series is that the story is crap, yet the characters and the atmosphere are charming. This may seem negative, but it is what keeps me watching. I couldn’t care less about those killing thingies or whatever plot there is supposed to be, but the creators gathered together an interesting cast that stands out. There are some weird things though. Like that girl who got stranded in this episode. I’m not sure what to think of her.

Hataraku Maou-Sama – 05

In terms of execution, this show is brilliant. Random action at this point doesn’t really interest me at this point (you can blame Jojo for setting that bar so damn high), so I feared that this series would put the focus too much on them. But this pleasantly surprised me with really good comedy. This show plays with all of the tropes associated with these fight scenes. Amidst fighting for the death the characters are just running back and forth from home to get a special cape, or the main character being annoyed that he’s just playing a minor character. And the delivery just rocks. The creators here really understand comedic timing.

But I still wonder: would this series really have been any different if the main character was the Easter Bunny who for some reason angered a bunch of angels? I mean, on one hand it’s refreshing and all to see an evil overlord just living everyday life and all, but I just don’t get how the same person would have created an army to conquer and slaughter thousands. I miss background on who he was before he came to earth. And for example, what does he need the power to create this barrier for if he’s aiming to destroy stuff?

What I now hope is that the series doesn’t lose this as it goes on. Like, the characters suddenly get more and more serious as the series escalates. Keep the comedy and the chemistry between the characters. That’s what makes this show so good. Being epic is perfectly fine to make things exciting, but put the comedy first, and the epicness third.
Rating: 5.5/8 (Excellent)

Shingeki no Kyojin – 05

When I read the first chapters of Shingeki no Kyojin, it really struck to me that this would be impossible to animate. Thankfully Production IG got Tetsuro Araki to make up for a lot there, but even with him behind the reigns there are scenes that just are so difficult to translate right. The biggest example of that is at the end of the episode.

We see Eren lie on one roof. Across the street there is a giant who swallows Armin whole and closes his mouth after that. The next scene Eren suddenly is on top of that giant’s mouth pulling Armin out of it. That scene is so complex, but it worked in the manga because there was no animation, so also no real timeframe in which everything happened. I see no way in which this anime would have been able to do that scene right, while also keeping as true to the manga as possible. The solution would have been to just rewrite it to make sure that it works.

Nitpicking aside though, the rest of this episode was just wonderful. I mean, the other scenes in which the giants just completely slaughtered Eren’s team were done brilliantly. It was a total chaos, and yet the giants just kept appearing from out of nowhere to crush everyone. It was so different from normal anime that also feature battles against really big things, that just stand around doing nothing and waiting for the heroes to make their move.

And don’t get me wrong here: the end of this episode was the point at which I only really got addicted to the manga. Before that it was also just building up and I wasn’t really sure what to think of it. And Eren becoming lunch for that giant, it worked really well. That was one heck of a cliff-hanger that you really don’t see often!
Rating: 5.5/8 (Excellent)

Aku no Hana – 05

There are times when the characters in this series don’t have faces. But holy crap: when they do, their facial expressions and nonverbal communication here is just stunning. If I had to pinpoint the thing I like the most about this series, then it would be that: the subtle cues that the characters give each other that say so much more than what mere dialogue could have done.

Nakamura in particular is just brilliant at this. I just love how her mood changed over the course of this episode, from excited, to disappointed, and then back to excited again. The way she just looked down upon Kasuga was really expressive. She, more than anyone else in this series, has presence.

As for Kasuga, it’s always difficult to write a very flawed character. You need to know the difference between being flawed, and just completely stupid for the sake of the plot. The key for that is balance, and believability. And Kasuga indeed is not normal. I suspect very much that he has some sort of autism, or at least I suspect so considering the way he so passionately talks about books, and how he is socially awkward. And for that I too have to congratulate the creators, because for me they managed to make him believable enough to completely draw me in here.
Rating: 6/8 (Awesome)

Uchuu Kyoudai – 55 & 56

Storytelling is a matter of balance. Not doing too much, and not doing too little. At one point, Space Brothers managed to nail that balance perfectly. I wasn’t bored for a minute and it stood consistently among my favorites. I think the height was where Mutta heard that he got to be an astronaut.

The pacing already was a bit wonky during Hibito’s arc, which took a bit too long, but really: that desert arc was just not good. They spent ages in there, and what was it all for? A bit of development for Nitta, plus the cast fot fleshed out a tiny bit (but way too little for the standards of this series). Not to mention those huge amounts of recaps. What was supposed to be a small build-up arc took bloody ages to get finished. I don’t care whether this is for its timeslot or manga. The creators could have easily just made a second season in 2014 or something. This decision to keep going really brought down this series.

Episode 56 thankfully picked up things again, and it’s now up to that druk Pico guy to make up for all of those mistakes. This episode made a good start, but they’re not quite there yet. I like the whole story around the malfunctioning parachutes, and how they’re really going in-depth to how the acident could have happened (using Hibito as the next one to use that system also really helps). I also like how the current assignment requires everyone to use their own unique talent (like Mutta with his automobile experience). Now get the pacing of this arc right!
Rating: 5/8 (Great)

Gargantia on the Verdurous Planet – 04

I made a really big mistake when first judging this series by its trailer: I thought that the characters looked really generic. In the end that turned out to be the big strength of this series. The thing with the character here is that they don’t try to force their quirks onto the viewer. Because of that they seem plain at first, but this show managed to flesh them out quite well here. You can see that all characters are based on some kind of idea, but when you look at them, they are more than just that idea. The ones who received attention, anyway.

I really liked this episode, which was all about exploring the cultural differences. On one hand there is Led with his military training and education, and on the other there is the social community on the Gargantia. I really liked how much inefficiencies Ledo saw in the way everyone operated (even though he too had trouble fitting in at times). The development of him fitting in is slow, but he’s constantly changing so far. I also really like how he’s beginning to pick up the language.

Also, yay for continuity. A hole in a roof stays broken until it gets fixed. And it doesn’t just get magically fixed, it takes resources that come from somewhere. That’s what I’m looking for: those kinds of details. It’s a shame that this show only has 12 episodes to flesh out its setting, because the creators are on their way, digging for gold, though the question is whether they’ll reach it in time.
Rating: 5.5/8 (Excellent)

Hataraku Maou-Sama – 04

So, I had heard that this episode showed the explanation of why Maou suddenly became nice, but to be honest… I find it kindof a weak reason. I get that he didn’t really think about things before, but really: he just became nice at some point. How? Why? This episode simplified this way too much. I like series that blur the lines between good and bad, and with the set-up of this series that would have been a really interesting opportunity. It’s just that the characters in this series are either just good or bad. Maou too: he just now is one of the good guys apparently.

I have seen that more often: the type of series that glorify the devil. The good ones make the devil sympathetic, while still keeping him who he is: the embodiment of evil. The bad ones just turn them good, or find some sort of even bigger enemy in order to make him part of the good guys, which pretty much defeats the entire purpose of using such a symbolic character. They lose their entire meaning with that.

This unfortunately was by far the weakest episode of Hataraku Maou-Sama. This series rocks because it’s so clever, but I didn’t really see much wit in this episode, apart perhaps from that speech that the landlady gave, but even there she basically just repeated what we already knew. The annoying thing is that because of this, the cliches stood out even more. I mean really: the girl arrives in a room, sees a guy and a girl together and runs away? Daimou, you’re better than that.
Rating: 4/8 (Enjoyable)

April Summary

This season may have some really good series, but really: it’s a bit disheartening to note that this has been the worst spring season I’ve ever blogged. What happened to the variety of different unique series? What happened to the large amounts of series that all want to try something different? I’m seeing way too many series that just end up looking the same, that don’t bother to stand out, and that bother having some interesting characters. The few that do though, are quite interesting to watch.

#28 (new) – Sparrow’s Hotel – (2/10) – What the hell was that? It looked terrible! The acting was terrible! Worst show of the season!
#27 (new) – Date A Live – (3/10) – This is terrible. Incredibly annoying with fulfillment that goes nowhere. Seriously, this one won the contest of having the worst premise of the season.
#26 (new) – Zettai Bouei Leviathan – (5/10) – This really is Gonzo at its worst. Really generic moe girls with really, really, really bad fighting scenes. I saw no reason whatsoever to continue with this.
#25 (new) – Yondemasuyo, Azazel-san – (6.25/10) – The first arc was incredible. The funniest thing I’ve watched all year. The second arc… bleeding asses. Seriously?!
#24 (new) – Uta no Prince Sama – (6.4/10) – Incredibly girly series. There are only two actual girls in this series!
#23 (new) – Namiuchigawa no Moromi-san – (6.5/10) – This series is one of those shows that try way too hard to be funny, without actually being it. It’s just a hyperactive mermaid who punches things.
#22 (new) – Yuyushiki – (7/10) – Just another slice of life series that did not really managed to set itself apart in any way.
#21 (new) – Mushibugyo – (7/10) – A random shounen action series that did not impress me.
#20 (new) – Photo Kano – (7.1/10) – Not the worst, but still quite a dull in terms of character. It remains a harem after all.
#19 (new) – Karneval – (7.25/10) – Too corny for my tastes. No interesting characters to keep my attention.
#18 (new) – Arata Kangatari – (7.4/10) – I did not continue with this one, simply because the competition looked more interesting. Plus hearing stories that it would get really generic quite fast didn’t help much, because a story like this needs to stay interesting.
#17 (new) – DD Hokuto no Ken – (7.5/10) – Good director, but in the end it’s just too silly, and the jokes are too juvenile. Some of them work, but most of them don’t.
#16 (new) – Devil Suvrivor 2 The Animation – (7.6/10) – I just had no motivation to keep up with this one, due to both the dull characters, and the uninteresting plot.
#15 (4) – Uchuu Kyoudai – (7.75/10) – 10 years ago, Wolf’s Rain came with four consecutive recap episode. The reason behind it was an outbreak of SARS which would have made the showing a little too insensitive for the audience. Today, Space Brothers came with three consecutive recaps. The reason is a timeslot change. I am disappointed.
#14 (new) – Danchi Tomou – (7.75/10) – Danchi Tomou is a bit strange. It’s got an awesome opening theme, and it tells the daily life of a really bratty kid. The big problem is that the kid acts like half his age. The creators tried to make him stupid, but went a bit too far in that.
#13 (11) – Saint Seiya Omega – (8/10) – The big problem with the new arc is how incredibly silly and monotonous the new villains look. Apart from that, I can’t say much about it yet. It’s obviously building up right now (the first half also took ages to get going), but the main cast still is very solid to watch.
#12 (new) – Valvrave the Liberator – (8/10) – This is just so incredibly silly. Camp in every single way with incredibly over the top name yelling and all that sort of stuff. A definite contender for the trainwreck of the year, but will it be a beautiful or a disastrous one?
#11 (new) – Aiura – (8/10) – What really caught me here is how beautiful the animation is. It may not look like much, but the attention to detail is exquisite with a lot of focus on small and subtle movements. It’s a darn shame that the characters are generic.
#10 (new) – Yahari Blahblah – (8/10) – Interesting, but it focuses way too much on tsunderes, to the point of driving its points a bit too far because of that. This is however, looking out to be the series that Boku wa Tomodachi ga Sukunai should have been.
#9 (new) – Majestic Prince – (8/10) – Started out with really stereotypical characters. And then they got better, which is what I did not expect. This show is surprisingly self-aware.
#8 (new) – Dansai Bunri no Crime Edge – (8/10) – Crime Edge is really weird. It’s got this really weird celebration of fetishes, but in the end it has little substance and is just a battle series.
#7 (new) – Red Data Girl – (8.1/10) – Takes itself a bit too seriously in its build-up, but it does have potential. I’m really behind this one, though…
#6 (new) – Gargantia on the Verdurous Planet – (8.25/10)

This series has some interesting characters, and I like how it puts emphasis on cause and effect, combined with big cultural differences. It’s quite good science fiction so far, albeit the short length worries me.

#5 (8) – Hunter X Hunter – (8.4/10)

While the new ant queen looks a bit silly, the rest of the new arc is looking good. Thank god we finally have gotten to the new material!

#4 (new) – Hataraku Maou-Sama – (8.4/10)

Hataraku Maou-Sama is surprisingly witty. Really, the humour here is clever and very funny. The downside to it is that it uses clichés too much. You can also use other ideas for that, you know.

#3 (new) – Shingeki no Kyojin – (8.6/10)

This series really is looking rock-solid. The cast is large, yet well fleshed out, and the titans really look freaky. The action scenes really are great and even though it’s still building up it’s looking really promising.

#2 (6) – Chihayafuru – (8.75/10)

Overall I would have preferred a pacing that was a bit faster, but the finals of the team matches were nevertheless AWESOME. This show just keeps showing twists and turns with its huge cast of awesome characters!

#1 (new) – Aku no Hana – (8.75/10)

This show is amazing. Sure, it’s cheap and rotoscoped, but heck, it has an incredible atmosphere. The director knows exactly what he’s doing, and the characters are incredibly expressive: the rotoscoping has allowed the creators to focus on the tiniest of movements. This show is incredibly dark, and I love it!