Hyouge Mono – 09




OMG WTF!?

This show is brilliant. Utterly brilliant. But… what?! And don’t get me wrong: this episode was the best one of Hyouge Mono so far, but… what!?

Just to be sure, I watched the preview for the next episode… but that was even crazier. Okay. That took me completely by surprise. This show just proved that it’s even better than I first thought. In this post I will be really vague on what exactly happened for the sake of spoilers. In any case though, next week’s episode promises to be even better, so I’ll probably have to end up talking about what the hell happened here there.

In the meantime though: the build-up throughout this episode was exquisite. It just so subtly brought the different characters alive, only to switch to the completely un-subtle quirks of the different characters. I just love how Oda Nobunaga just keeps bringing in these exotic products. The elephant in this episode again was hysterical. Rarely do I get to see an evil overlord who is this enjoyable to watch.

The way in which he uses his powers to always get what he wants and makes everyone scared of him: it’s just brilliantly done. The way in which he announces his plans to conquer the entire world: you’d almost believe that he’s actually capable of doing it. On top of that, Furuta Sasuke was also amazing to watch as usual. Usually the quirkiest characters of the cast don’t end up as the main characters, but he is one example who wonderfully defies that trend.

And really: everyone had the most wonderful facial expressions in this episode. Heck, this series has by far the most details in the drawings of its faces than any other series I’ve seen this year. Heck, it feels like ages since a show came along that had facial expressions that are this detailed. Sure, the animation of this series is obviously limited, but this is one heck of a way to make up for it!
Rating: *** (Awesome)

[C] The Money of Soul and Possibility Control – 08



Okay, so with this episode it’s certain: C does not belong in the Noitamina slot. Its themes of course fit it nicely and all, but 11 episodes is just too little for this series. The proof came in this episode when suddenly from out of nowhere the entire world went to hell. I guess that the financial crisis of 2008 also came out of nowhere to most people and all, but a bit of a smoother build-up would have been nice here.

And yet, this episode rocked. The change with the previous episodes was… abrupt to say the least, but heck: I’ll buy it. After all, this is the kind of tension that this series needs in order to really turn its setting around. It’s in this episode where the differences between real money and Midas Money really become apparent: at first the whole concept of using your future as stocks made sortof sense, but there is one major difference here: no matter how much real money you lose: you can always recover. When Midas Money goes wrong, entire freaking countries disappear.

Kimimaro is going to be the key in whether or not the finale will succeed. I mean, he is the destined rookie of this series: he’s going to somehow end up playing a role in saving the world from bankruptcy. With the amount of time this series spent on fleshing out its setting, a cop-out ending will probably ruin most of the build-up, or at least leave a nasty aftertaste behind. Having said that though: this episode was a great start.

It’s interesting to see the “first half episodic stories, second half plot’-format in Noiramina, and it’s really paying off at this point: this episode did a great job of tying the previous episodes together, and I especially liked the teacher part, but also the way in which this episode gave both depth to the information broker and took a lot at the concept of money itself using trust was really interesting. I applaud you, series. Now keep this up, because you’re heading into a direction with a lot of potential pitfalls!
Rating: ** (Excellent)

Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai. – 08



Even for Ano Hana standards, this episode was amazing. I mean, how much can you stuff into an episode anyway? This episode went from heart-wrenching scene to heart-wrenching scene, and it just kept going! Each time showing new things about the cast, sharp dialogue and a huge heap of sincerity.

First there was Menma’s mother who actually lashed out at the group as a whole, then Yukiatsu forced Jinta to just go on on his own, Anjou confessed the feelings she had when she was younger, Jinta had a great scene together with his father, then Menma’s brother came along and as a desert Menma finally had the guts to make her presence known to the others. Heck, every single part here would have made for an amazing episode, but this episode found a way to put them all in the same episode. Now THAT’s how you take advantage of Noitamina!

I always found it a bit of a plothole that Menma didn’t just make stuff float in front of the group. Still, this episode showed that she can probably only bump into stuff, and probably thought that that wouldn’t be enough to convince people of her existence (she’s good at running away and all).

In any case though, this episode was also really good for one of the biggest strengths of this series: the way in which it puts so much meaning into its dialogue. The script in this series is masterfully written, in order to get as much out of the characters as possible. The characters here are both big liars, and surprisingly true to their feelings: they’re really able to express what they’re feeling, and this series does that in a way that I haven’t seen in a long, long while.
Rating: **** (Fantastic)

Gyakkyou Burai Kaiji – 35



With this episode closing off the Chinchiro Arc, it’s now a good time to look at this series. And overall, the Chinchiro arc was awesome: it took a while to get there, but it was focused, well built up and based around a carefully prepared plan. The climax was very short for Kaiji standards (in fact, that’s why I didn’t cover this show last week: I thought that there would be more than jut one episode), but very satisfying.

Now, all that’s left is to see whether this series can keep things up. I really watched the first season in the wrong way: because Kaiji took forever to get from A to B, it completely drained me from inspiration: I had hardly anything to say about episodes where only one or two things actually happened. Just whenever you thought that things would get interesting, it ended, or so it seemed at least. Instead, this is the series to watch right before punching an angry bear or something.

In any case, this episode was also the introduction of the Pachinko arc. And by god, I’ve heard some rumours about this thing. Especially the OP: it apart from the Chinchiro arc and the Pachinko arc… it doesn’t seem to foreshadow anything else aside from another confrontation with the old guy again. That means that the entire second season of Kaiji… will only have three arcs. How long is this pachinko arc going to be anyway? Especially because this episode made everything seem so simple. The key is probably going to be the same as with the previous arc: if Kaiji can take his time thinking and preparing then it’ll work out fine, however it will get tedious if it’s going to keep delaying the inevitable.
Rating: ** (Excellent)

Steins;Gate – 09



This episode was wonderfully atmospheric and paced. I really liked the parts about time travel that go more and more in-depth. There were some things that bugged me about this episode, and it was more than just inaccurate fansubs.

Steins;Gate is a harem, but beyond that it doesn’t suffer from any badly used tropes or one-dimensional characters. Mostly. After nine episodes, there is one harem cliche that gets more and more on my nerves: the best friend, and the lengths that the writers go through in order to make this guy an unlikable asshole, or in other words: someone who has no chance of stealing away all of the females from the main character. Harem cliches on their own aren’t bad, but it really gets to me when creators are sacrificing their characters, just to adhere to these cliches. Daru is a cliche for the sake of a cliche.

My second problem is with the ending of this show, because I couldn’t relate to it in the slightest. Tora no Ana shops (I suspect that those are doujinshi shops) are gone from Akiba. Okay. So what? Are we supposed to feel sad about that? That entire part, including that cat-girl whose name I’ve forgotten at the moment were completely ridiculous in this episode.

Nevertheless, this episode juggled around the butterfly effect brilliantly. Shining Finger also was great: first to have her run off with the IBM 5100, only to take it away from her again through another D-Mail. I also really liked Mayuri’s subtle developments. That really was a hint that the creators are planning to use her for something interesting.
Rating: * (Good)

May Summary

This really is a season of building up: half of the shows are carefully preparing for later, so who knows what kind of season it’ll eventually become? Let me say this though: there are a lot of shows that really take good use of their premises. It’s perhaps not the best spring season we’ve ever had so far, but it is a very imaginative and diverse one. Oh, and the fact that there are so many shows that focus on adults also helps.

OVA Releases
#3 – Valkyria Chronicles III – (7,25/10)

Ah, what a shame. This one was really disappointing. I have to give credits for the creators in the way that they did make their main characters far, FAR less annoying than the characters of the TV-series… but they’re completely flat. Every character just has one side and that’s it. There’s way too much of them for just 24 minutes and they’re alll really poorly acted and fleshed out. The production values are also rather bad, and without knowing overall this just gets one big ‘meh’.
#2 – Norageki – (8,25/10)

This was only 20 minutes long, but it was really well told here. It’s a well paced mystery story with quite a nice ending. The characters, while not having any depth, still were interesting to follow as well.
#1 – Armored Trooper Votoms – Alone Again – (8,5/10)

Thankfully this actually turned out well. The story of Votoms got an excellent conclusion after all. Especially the end was great, but the entire OVA was based around a great idea that definitely fills in some of the gaps that the Gen-ei hen left open. This is simple but effective storytelling like it should be, and I’m glad that it really contributed to the Votoms Franchise again, unlike the abominations that were Case;Irvine and Finder.

TV-Series
#25 (14) – Denpa-Onna to Seishun Otoko – (7/10) – I dropped this show. It had potential at the beginning, but the endless discussions about nothing are badly drawn out and not interesting at all. Not to mention that the series was getting more annoying by the minute.
#24 (23) – A-Channel – (7,5/10) – In the end I dropped this. The biggest reason for this was that it was getting really repetitive; the characters just kept comparing boob sizes and they just kept talking about the same things.
#23 (16) – Sekai-Ichi Hatsukoi – (7,5/10) – It’s a shame, but I just had to drop this after the fifth episode because I just couldn’t get through it. It suddenly introduced a bunch of completely new characters, but they were the example of how ridiculously forced shounen ai can get. It had no good characterization whatsoever and unlike the first four episodes, this was just there to get guys to kiss and feel embarrassed.
#22 (21) – Hen Zemi – (7,5/10) – Hmm, Hen Zemi has become a bit boring. It’s unfortunately as I feared: the current season is just a list of gross things, without the energy or timing of the OVA. Because of that, it just has a shock factor, and when that is gone I see few reasons to actually come back to this, unfortunately.
#21 (24) – The World God Only Knows – (7,75/10) – I think that because of the hype surrounding this series before it aired gave me the complete wrong expectations about this series. For a laid-back story that aims for modest entertainment… I guess that it could have done a lot worse. It still hasn’t grabbed me, though, but I do admit that the past arc was the best so far.
#20 () – Inazuma Eleven – (7,75/10) – Four episodes in, and I strangely enough haven’t dropped this one yet. It has something that keeps me watching. The characters are all boring and the animation also isn’t that impressive, but the energy with which it presents itself is commendable. Seriously, this is really dark for a kids’ show, and it actually created quite a bit of an atmosphere that retained my interest.
#19 (27) – Astaroote no Omocha – (7,75/10) – Here’s the thing with Astarotte no Omocha: it sounds like a really bad premise, but it’s surprisingly heartfelt. It’s nothing special, but the relationship between parent and child is surprisingly well done here. I originally dropped this, but after picking it back up I have to admit that it has surprisingly enjoyable characters.
#18 (10) – Gintama – (8/10) – The Sarutobi-arc was just bad. It tried to be way too silly for the sake of silliness, and was just painful to watch. One more episode like that and I’m going to drop this thing because I don’t want to sit through that any longer. The episode after that was a great recap episode though, but yeah: it’s a little early for that one and it only highlights the production issues that the entire sequel has been having.
#17 (19) – Moshidora – (8/10) – Okay, so the budget was bare-bones, Moshidora actually told a surprisingly good story that made good use of its time of only ten episodes. The end was a bit cheesy, but the premise of a high school girl reading Drucker’s Management was quite interesting.
#16 (9) – Ao no Exorcist – (8/10) – In a surprise, this month suddenly brought the character to Hogwarts and this turned into a school life series. Okay. It’s a bit weird, but in terms of building up it did its job by exploring the characters, discussing their motivations and preparing for all hell to break loose later. Literally, probably.
#15 (7) – Hana-Saku Iroha – (8/10)

Lotsa building up here in this series. That unfortunately doesn’t really make this show as enjoyable to watch as it once was, but it’s still fun to watch the main cast together as they try to run the inn. Now all that’s left is to hope that that build-up actually pay\s off

#14 (20) – Yondemasuyo, Azazel-San – (8/10)

Moloch was awesome. He really saved this series from the same fate as Hen Zemi. But granted, the rest of the cast also is a lot of fun to watch here. It’s completely over the top, but surprisingly watchable.

#13 (18) – Fireball – (8/10)

This show still is random, but in a good way. I love these anti-climaxes that it just keeps throwing at the viewer, and its comedic timing is also pretty good here. Oh, and the graphics also look really good at this point. Recommended if you want to waste two minutes.

#12 (11) – X-Men – (8,25/10)

The visuals here are damn good: this show looks vivid and wild, and the action always is interesting to watch. the story leaves the most tings to be desired: it feels too random at this point. The characters aren’t the best, but they’re still pretty interesting to watch at the moment.

#11 (13) – Showa Monogatari – (8,25/10)

In this month, this series has continued to paint a surprisingly authentic picture of Japan in 1964. There were a few bad parts, like the animation or the drama around Kouhei, but overall the cast has grown quite nicely so far. The four preview episodes were weird, but they did show how the cast evolved in quite an interesting way. It’s got this great combination between random slice of life and meaningful drama.

#10 (26) – Dororon Enma-Kun Meera Meera – (8,25/10)

This show. Is crazy. It’s a fanservice show, but it delivers its fanservice in such a bizarre way that I can’t help but love it. It’s completely juvenile and yet fun to watch from beginning to end, with great jokes and a lot of creativity that will go with any idea, no matter how stupid ti is. Oh, and beyond that, the soundtrack is also much better than I expected here.

#9 (12) – Deadman Wonderland – (8,5/10)

This show is extreme. It’s complete balls to the walls in its themes and mood. But at the same time though, it doesn’t forget about its characters. This show has become surprisingly interesting to watch due to the cast of characters who are surprisingly well fleshed out for such a premise. Beyond that, it’s also the creativity that the setting has, and all of the things that it just keeps throwing at the lead character that have sold me.

#8 (15) – Sket Dance – (8,5/10)

After its first episode, I heard from several people that the different stories vary from really good to really mediocre. Now here’s the thing: after eight episodes, I have not seen a bad episode yet. Sure, it gets a bit far-fetched at times, but overall Sket Dance surprised me at what a sincere series it has become. Every episode so far has had its charms, and the best thing is that it’s also surprisingly varied: both the different arcs and characters stand on their own, and this series takes pride in its creativity, which seems a gimmick at first, yet ends up surprisingly well used.

#7 (17) – Gyakkyou Burai Kaiji – (8,5/10)

Well, it’s taken a while, but the current arc of Kaiji kicks ass! This arc was very calculate, which makes things pay off even more at the end. The creators really manged to crawl into the minds of these characters, and they really impressed me there. The atmosphere also really worked here. More of these arcs, please.

#6 (8) – [C] The Money Of Soul and Possibility Control – (8,5/10)

The great thing about C is how well it looks upon its subject material: it just keeps offering different views, motivations, people and opinions, some of which are surprisingly well fleshed out. It’s a shame that it doesn’t have the right budget to really animate what it wants, but it does know how to create an atmosphere.

#5 (6) – Steins;Gate – (8,5/10)

Steins;Gate is slow, but very solid. It has a great cast so far, its themes are really interesting, the plot is really well paced and the atmosphere rocks. Sure, it follows a bit of a harem set-up with a guy surrounded by many girls, but it has more tan enough to make up for it.

#4 (4) – Tiger & Bunny – (8,5/10)

If I had to summarize Tiger & Bunny with one word, it’d be lovable. Heck, the entire cast is a joy to watch, even when the main storyline is out of the picture. The bond between the different characters is always being developed, and the whole backdrop of superheroes working for sponsors is still working really well to keep everything together.

#3 (22) – Gosick – (8,75/10)

In this month… Gosick has become amazing. Seriously, the last episode that was even remotely mediocre was episode fourteen. After that, Gosick has been nothing but character development, breath-taking adventures and engaging thrillers. Finally everything has come together, but I seriously did not expect this show to become THIS good. Right now, this show has turned into a roller coaster ride that just keeps coming with interesting plot twists, and not to mention the characters, who received major improvements.

#2 (2) – Hyouge Mono – (8,75/10)

This show can both be hysterical and serious when it wants to, and it just rocks at both areas. It has without a doubt the best dialogue of the entire season, even though it’s really difficult to try and understand. It’s a really authentic view at the sengoku era that combines politics, aesthetics, silliness and intrigue with each other brilliantly so far.

#1 (1) – Ano Hi Mita no Hana no Namae o Boku-Tachi wa Mada Shiranai – (9/10)

This turned out to be an amazing series, with exceptionally brilliant characterizations. Every episode pushes the characters forward and it leaves no moment wasted to give more meaning to them. It’s a sad show, focused on running away, but it has just the right combination between sadness and hope here.

Ao no Exorcist – 07



Oh, I’m SO glad that this show is going to be 24 episodes long. It really would not have worked at all with only 12 episodes. With this though, this show can actually build itself up well. This episode in particular would have been a waste of time for a short series (there is no way five episodes would be sufficient to wrap everything up right now!), but for a longer show it was a very good look at Shiemi and Izumo.

Also, in true shounen fashion, this episode introduced this series’ class and combat system. That’s not a bad thing, by the way. In fact, one of the things that I like about shounen series is their detailed looks into combat and superpowers. When done right it can make for a very interesting series. This episode for example: when the different powers were introduced they looked like a generic RPG system, and yet at the end of the episode the creators made me really interested in the summon class.

Oh, and this episode subverted the “useless female love interest”-trope. Yeah, she’s naive and all, but it’s good to see a token female who for once doesn’t want to be rescued all the time. I like the chemistry between her and Rin; despite their cliches they have this genuine charm to them.

So yeah, ideally you’d of course want every single episode of a series to kick ass, but as long as it pays off in the end I can understand the need for these school life episodes. I will bitch whenever they’re not interesting, though.
Rating: * (Good)

Hana-Saku Iroha – 09



Okay, so with this episode it’s clear: Hana-Saku Iroha is building up to a love polygon: we have this new girl who likes Kou, while Ohana and Kou still don’t know whether they actually like each other, and while Tohru is likely to start hitting on Ohana anytime soon now, with Minko still having her crush on Tohru. The only one who misses at this point is Nako and the entire picture will be complete.

I’m not the biggest fan of love polygons, as they tend to be really annoying, but at the very least this series is aware of that and therefore is building up things carefully. Plus, if the rest of the episodes will be as interesting as this past arc, then it’ll still be a very interesting series.

It’s a nice and stressful episode for Ohana, and I liked how this past arc created its drama, even though it was a collection of coincidences strangely happening all at the same time. This episode however took that idea and rolled with it, resulting in quite a bit of character development and new sides of characters that we hadn’t seen before. Overall, these were the best episodes of Hana-Saku Iroha since the first two episodes.
Rating: ** (Excellent)

Tiger & Bunny – 09



This show is a delight to watch, even when Lunatic goes on a holiday. Instead, this episode was about the Dragon Kid and like all of the previous that were meant to highlight a particular character, it gave a complete new meaning to her.

what’s more though: even in those episodes, the series continues to build the bond between the important characters, even when they’re not the focus. This episode was also about Kotetsu and his daughter, Barnaby becoming more open about his trauma. This was all made possible by a seemingly silly story at first: taking care of a baby. Because of it though, we even got to see the producer woman being put into a situation that would have been impossible to film (the son of the major getting kidnapped would be… really hard to explain), reducing her to a simple assistant, rather than someone who always gives out orders. All of that was really refreshing. This really was an episode where characters could relate to each other.

The only pity is that the main villains this time only played such a small role. Girls with those abilities deserve to be more than just child kidnappers. I know that it makes perfect sense for the three of them to team up, but they could have been featured in a story that took a bit more advantage of their abilities. Right now they were held back by the one major flaw in storytelling of this series: the way that the main characters are criminal magnets. I know that this series does this to prove its point about superheroes and all, but in this case it prevented a bunch of potentially awesome villains to shine even more.
Rating: ** (Excellent)

Deadman Wonderland – 07



It’s still a bit strange to have someone claim that she lost a stomach and all, but I liked this episode a lot again. For the first time it actually brought in a bit of hope. People started to treat Ganta kindly, and for once he wasn’t alone. It will be interesting to see how this series will develop this.

Beyond that, this was an episode of backgrounds as well: there were a lot of flashbacks or characters telling about their pasts and when or why they ended up at the Deadman Wonderland, tying in neatly with the ED. I didn’t like the ED for this series at first, and I still think that Nirgilis did a much better job on Birdy the Mighty and Eureka7, but it’s actually quite interesting to see images of the past of the cast.

I’m not sure what’s up with the priest in this episode. He’s weird in any case, and while he may not be as bad as the Olympic medallist, he still needs a lot of work at this point. Still, this series has a habit of only explaining motives after someone does something strange, so this should be fine. In the end I’m getting more worried about what was originally meant to be the biggest potential pitfall for this series: the length!

The thing with Manglobe is that there is no pattern whatsoever in how their sequels. Their original stories always get the right amount of episodes they deserve, but in terms of their adaptations: Sarai-Ya Goyou condensed the final chapters of its manga so that it could fit everything in. The World God Only Knows came with a sequel that was actually planned in advance, while Seiken no Blacksmith just ended with no intention to fully animate its story. It can be anything at this point, but as great as these past episodes were, episode 12 will be a very bad point to end this series.
Rating: ** (Excellent)