This show is full of nutcases!
This show pretty much concludes the introductions, for as far as the characters shown in the Promo material goes. And it’s still weird, yet undoubtedly creative and enjoyable. After this we should probably getting some more side characters (like the ones shown in the OP), and the plot is probably going to take off.
But seriously, that new character gives a new meaning to the term airhead. And in the end, her…um his biggest problem turned out to be one of the reactions she..he evoked on another member of the cast. She… he was interesting to watch. But the love triangle this ended up creating was really annoying, especially on Nonoha.
The puzzle this week convinced me that the POG is the most bizarre evil organization in existence. So we have this old widow whose late husband was a famous painter. Their butler (a member of said organization) ordered this painter to lock up his most precious painting in a safe, solvable by a puzzle. Okay, I have to give it to the creators: it’s creative.
The thing is though, that the story of the old couple DID work. When at the conclusion it was revealed what the painter’s most valuable paintings were, we got into this wave of nostalgia about the past of how the two met. The music also helped here really well.
Rating: * (Good)]]>
Author: psgels
Hunter X Hunter – 04
Whoa. This episode was actually really well done. The creators actually nailed this episode, and despite the fast pacing, they did not rush through the running part, in order to really make it feel like a test of endurance. And the creators actually used it for the main cast to get to know each other. I actually think that this episode was better than the running part in the original series, however…
The main reason was that Donpa surprisingly didn’t do anything. Instead he got rid of the computer kid (I already found it weird that I didn’t remember this kid). This made this arc into more of a standalone story, because the part where Tonpa originally revealed himself to the main cast… just felt a bit weird and forced. It however did lead to a very interesting Donpa in one of the later arcs, because that part fleshed him out as a villain. At this point in the original series, he already changed his purpose. In this show however, he still is the same. What will the results of this be?
But yeah, the characterization here was damn enjoyable. I love how in this series, the characters don’t seem destined for each other, but instead just bump into each other and make friends. Especially Gon and Killua connected with each other in a very natural way. Leorio and Kurapica are also a wonderful duo together who play of each other wonderfully. The one person I still can not get used to however is Hisoka. In this episode too: he’s just hamming it up. His character probably changed the most compared to the first season, and I really hope that the creators know what they’re doing with him.
But yeah: how many other shounen were THIS varied and imaginative, after only four episodes? This really shows how you can build up and deliver at the same time.
Rating: ** (Excellent)]]>
Ben-To – 03
Seriously, Ben-To has a lot of elements that I at first sight often dislike. I mean, this series could have just as easily picked the path of Majikoi: I really was behind that series after its first episode, but by god… how abysmal it turned out in the end. I tried giving its fourth episode a small chance, but it was exactly the same as its third episode! The more I watch Ben-To though, the more I realize how lucky we are with this series. Three episodes in and this is still showing no signs of dulling in. But most surprisingly: I can’t believe how well acted these characters are. Just about every character in this series is really likable, and together they make for a really entertaining series.
If this show was just hilarious, it would be one thing. However, my problem with most comedies is that when they’re not funny, they feel empty. Here though, you’ve got a bunch of people who are enjoying simple dinner (the loot in this case), or doing simple things as spending time in a clubroom. I really find this show to have a charm that most other moe shows lack because they focus more on moe antics. I personally prefer this show’s more down to earth approach. It makes them much easier to relate to.
On top of that, I love how David Production says “screw it” to conventions. This also was visible in Level E, which in the end never really stated the name of its main character, even though it was a hilarious one. Here too: three episodes in and the only hint we saw to the main female lead is a random flashback. It’s delightful to see such creative ways to introduce cliches like the childhood friend. Especially after Haganai’s third episode. I also love how the beginning of this episode started with hints at what was going to happen, which only made sense at the point where the creators came with the delightfully random punchline.
Rating: ** (Excellent)]]>
Fate/Zero – 04
Ah, now I’m beginning to see what this show was trying to do with its long build-up: the introductions may be long, but the battles themselves take up a lot of time as well. This entire episode was about the fight between Saber and Lancer, and at the end of the episode it was hinted that things had only just begun.
With this set-up, it’s really necessary for this show to not devolve into a string of random battles, but instead give a clear meaning to all of the fights, and not just have them end with everyone retreating and restoring the status quo. A lot of people were involved in this episode: there were a bunch of spectators, and a total of four servants present. This battle needs to have a meaning besides just introducing powers: the previous episodes had enough time to do that.
The biggest reason I’m saying this is because this series’s episodes lack one important thing: variety. The individual episodes are very different form each other, but each episode so far has had a pretty homogenous mood, and this show doesn’t make use of sudden plot twists or mood changes. The result is that the fight in this episode took place at the same location for 20 minutes, while the characters stood and talked to each other for more than half of the time. That’s very easy to make boring if you’re not careful. This episode however evaded the Bleach syndrome quite nicely by having enough to make up for it.
The animation was excellent. The spectators had interesting potential roles, and the battle itself was really well choreographed, considering that it just took place in one spot and the mages apparently have healing powers. Yuki Kajiura also created a good atmosphere, although I do want to elaborate a bit more on what I said after listening to the first episode: in that the soundtrack of this series isn’t among her best work.
The thing with this soundtrack is that, unlike most of Yuki Kajiura’s works in her early days, I don’t think I would listen to it as a standalone soundtrack. It’s great at creating an atmosphere, and the soundtrack definitely has a bigger budget behind it compared to her work when she was younger, but I don’t know. It lacks a bit of creativity compared to those. It’s not just this series; in fact I do consider this soundtrack better than the ones of Madoka Magica (I have to be honest here: I completely forgot what that show sounded like; that’s very unlike her). But back in her days with Bee-Train, she used to use all kinds of interesting instruments, and the contrast with her different tracks in particular made it stand out. Her new work has been much… smoother and to the background, while instead she should make more music that can stand in the foreground.
Rating: * (Good)]]>
Last Exile – Ginyoku no Fam – 02
You know, I was about to put up this story of how this show may be more childish than the first season and how this was a bummer, but not necessarily a bad thing as long as it was handled well and all. And then this episode aired.
I’ll repeat myself here, but the key here to these shows that try to aim at a younger audience is whether or not the creators believe that kids are idiots. This episode showed that the creators understood that, and it was much better than the opening episode. It packed some gorgeous visuals, and the acting was also surprisingly solid. Even Fam showed that she can be serious when she needs to, which was really needed after the previous episode. This show still uses the fact that she’s an incredible pilot to put her in the spotlights, but for now, it’s believable enough (only just, though).
In any case though, this episode surprisingly made the plot a lot more intriguing when suddenly the princess got kidnapped and called down this gigantic moon thing that was supposed to be another Exile down to earth in order to blow everything up. The relationship between the two sisters was surprisingly genuine and well portrayed. Not to mention the girl suddenly losing her father. This really was the sign that this isn’t necessarily just a lighter version of Last Exile.
Also, the graphics. Before the start of this show, I knew that a lot of people had left Gonzo. The CG team however stayed, and it really shows in this series. Gonzo has always been un-rivalled in terms of CG. Not with combining CG with traditional 2D drawings, but in terms of CG foreground animation they were consistently putting out the best of the best in all sorts of innovative ways. Just look at the first Last Exile, Gankutsuou, Bokura no, Blassreiter and Shangri La. And they really plan to show that they still got it here. While it’s impossible to beat Guilty Crown in terms of sheer animation power this season, this series still looks gorgeous, and I’m actually willing to say that it has the most creative visuals of the entire season. The ship designs are all full of imagination, but also the way they’re used, the dogfights, the camera angles and the huge fleet battles. There’s a lot of stuff to see here to marvel at. On top of that the soundtrack also arrived and did a great job in creating its atmosphere.
Rating: ** (Excellent)]]>
Hyouge Mono – 27
The soundtrack of this series so far has been unique. It’s still very clearly of a Bee-Train series, but Kou Otani really restrained himself this time. It had a wonderful effect, but it may have been a bit too restrained, to the point where it could really show off as much as it would have, for a Bee-Train series, whose trademark has always been absolutely fantastic soundtracks. This episode though, introduced a track that went into the right direction, though. It’s very interesting how the creators waited 27 episodes to reveal it, and especially considering the moment when it was played, it is a very interesting hint to the future of this series.
All in all this was a wonderful episode dedicated to character development. Hashiba Hideyoshi was incredibly happy after the heir news, but again Sennou Soueki sole the show, when it turned out that his views actually changed after the previous episodes. During the past episodes, he really showed more emotions than ever (and again, the music really helped with it).
What’s also surprising is that even Sasuke learned from his mistakes. He was really getting too silly during the past episodes, and he actually realized that. And we still have 12 episodes to go.
Rating: *** (Awesome)]]>
Mawaru Penguin Drum – 15
… have I already mentioned that I love Mawaru Penguin Drum?
I mean, heck. This episode once again was just completely amazing, and yet it seems like this show has just only started. Sixteen episodes, and this show is still delightfully fresh and dynamic, and we’ve now reached the point where the really good character development comes in. At this point the characters are an absolute joy to watch.
This episode was all about Yuri’s background. Last week was all about asking questions, and this week in its turn managed to answer them. Yuri’s twisted background made a huge impact, but I especially loved how the creators managed to write Ringo’s sister in there. When we first learned of her death, it was through the eyes of Tsubaki. This episode however completely turned that around when it was revealed what kind of role the diary played in this.
Also, the storytelling in this episode was just weird. It was the kind of episode that was full of plot devices, but they were so brilliantly used that it didn’t matter at all. The fact that Shouma stayed in the same inn as Yuri and Ringo was revealed hilariously, and I also love that the creators just pulled some random friend of him from out of nowhere to accompany him. Like, he actually had a life before the beginning of this story. Only for all of that to be nullified when he slipped on a random bottle. Natsume’s part in this episode also made no common sense whatsoever, but damn, was it glorious!
Also, did I understand this correctly? Did the creators really turn Tokyo Tower into THAT?!
Rating: *** (Awesome)]]>
Persona 4 The Animation – 03
I still haven’t forgiven AIC with its bullying away of some of the animators due to mis-management. But I have to admit: I liked this episode.
There are things that are starting to grow on me. The introduction of each episode is actually quite well done with these two figures in the limousine, but also the comedy and the quiet moments were much better than last weeks. In particular the scene in which the two leads got arrested by the police for walking around with fake swords was hilarious, but I also liked the timing of the parts where Yukiko suddenly appeared on the television screen.
The last interesting part still was the fight scene, though. On one hand it’s interesting to see so many things that look like a game, but the battles still follow too strict of a formula. The whole inner conflict in this episode was pretty much identical to last episode, and what’s also weird is that both thi week and last week, the angsty character in question had a strong relationship to someone who hardly ever got any screentime at all. The weakest part was the angst, though. That needs to have better acting in the future.
Rating: * (Good)]]>
Guilty Crown – 02
This show is gorgeous, it’s directed by Tetsurou Araki (the director of Death Note and Kurozuka) and animated by Production IG. It’s bound to be action packed, and for those reasons I’m going to blog it. I don’t have any expectations for this beyond mere eye candy, though.
Here’s the thing: we’re in the middle of a very creative season, with continuations of shows with incredibly rich and imaginative settings (Last Exile, Hunter X Hunter, Fate/Zero), new series with really creative premises and purposes (Ben-To, Un-Go, Chihayafuru, Mirai Nikki and even Phi Brain). And here this show comes with its superpowered teenagers, bland boy meets mysterious girl, stereotypically sadistic villains… and that’s pretty much it. Beyond the fact that it can shoot a good action scene and that this show looks amazing when it wants to, it just doesn’t have anything that sets it apart.
What I’m really afraid of is that this never really gets fixed. My big problem here is that this thing is written by the same guy who wrote Mai Otome and Macross Frontier (ignoring for a moment that he also came up with Seiko no Qwaser). Thankfully these first two episodes were not as bad as Mai Otome: this show is unremarkable, not bad, obnoxious and stupid. However, I’m more and more beginning to see this as the spiritual successor of Macross Frontier, but without the idols. It too looked pretty, but had a very weak story and bland characters, who never really seemed to know where they were going.
I was hoping for this episode to prove me wrong, but instead this was even more generic, due to the lack of quiet moments. First of all there are the usual questions: why do both the military and the rebels, despite having plenty of adults, depend on teenagers to pilot their mechas? If you have a reason for it: then that’s fine, but don’t just put some cute girls in mecha suits just for the sake of fanservice.
Also, the blond kid. Whose idea was that; seriously? This guy is the only actually bad character in this series so far. In every single scene, he’s portrayed as a psycho with a temper, even when there’s no reason for him to be so. I mean, the bomb girl in Mirai Nikki was psycho for a reason: she was risking her life in the middle of a truckload of explosives that she set up herself. This guy instead is like “muhahaha, I’m evil; bump into me and I’ll kill you!”
What’s more is that this show is too busy portraying its bad guys as assholes, rather than actually make compelling villains. The point where they killed those random civilians (who strangely were never mentioned again after their death; not even people mourning about them). What’s also bugging me is the existence of the female lead: why is she in this show, really? All she’s done so far is give powers to the male lead (which, according to what people are saying, can be done by everyone else as well). Oh, and appear in his school. Why was there a need to show that in the most cliched way possible?
However, what has also really bugged me so far: I’m seeing very little of Tetsurou Araki’s distinctive style here. I’m a fan of Death Note, Kurozuka and also that one story he did for Aoi Bungaku: the atmosphere and direction there were rock-solid, but they were nothing like what was shown here. This show needs to grow. Get rid of that psycho blonde and focus more on the characters without wasting time on pointless side stories or making the action too repetitive.
Rating: – (Disappointing)]]>
Un-Go – 02
With this, I’m sure: Un-Go is along with Chihayafuru my favourite show of the Autumn season. What can I say? I’m a sucker for episodic shows done right.
This season has a lot of creative series with creative premises and backgrounds. Un-Go is no exception to this, but what sets it apart from all of the other sis how it uses its creativity. I really like how much the creators managed to cram into just two episodes. This episode in particular was just chock full of neat ideas, creative twists, science fiction. I in particular love how well this show manages to use its apocalyptic setting as the basis for its murder mysteries. That’s what managed to turn this into a unique mystery.
What’s more: it also seems that this series understands what it means to be a Noitamina series. Leaving Guilty Crown aside with its 22 episodes, the pacing in this show is really fast, but not so rushed that it takes away from the storytelling. The decision to focus more on storytelling and setting than on characters had an interesting effect compared to C: the creators really can cram in as much as possible into just one episode. This definitely is not an easy show to watch: you need to be constantly paying attention in order to keep up with all of the revelations. It’s great to see another one of those series where you have to put in effort to really understand everything that’s going on.
In any case, I was looking forward to this show right from the beginning, thanks to the staff who are behind this show. Un-Go had definitely the best pedigree out of any of the fall series, and that’s saying something in a season with two Sato Junichi shows. Of course the director of Oh Edo Rocket and the first Full Metal Alchemist series is a plus, but what immediately sold me was that this thing is written by Shou Aikawa. This guy has written a truckload of original stories for anime, most of which sparkled with very inspired writing and creativity. This is the guy who came up with Oh Edo Rocket, Tenpou Ibun Ayakashi Ayashi, Nadesico, and even Simoun, of all things.
What’s more: the producers got themselves a sound director who really knows what he’s doing. The music in this series doesn’t just feel like random background noise, but is really well timed for each of the scenes. In particular the tracks of the idol songs were perfectly played in according to what went on on the screen (which especially sounded nice during the download scene). What also surprises me is that the creators actually showed the difference between J-Pop idols and people who can actually sing well: the voice they got for the girl who was supposed to play for the part of the dead girl really was significantly better than the other members of the idol group, who were just in for their looks.
One complaint about this episode: continuity. One moment the male lead has scars on his face. A few scenes later, they’re completely gone. Also, the characters still aren’t the strong point of this series, but it has more than enough to make up for that.
Rating: ** (Excellent)]]>