Kimetsu no Yaiba S2 – 6 [Akaza]

I’m back from New York City everyone! That was a fun trip. Got to see the city, hang out with some friends, go to a weeb convention and spend way to much money on food. Even got to see Pompo the Cinephile! Alright movie. But that isn’t what you’re here for, oh no. You want some Kimetsu no Yaiba! So lets dive into last weeks episode that I’m many days late on.

This was always my favorite part of the Yaiba movie. It has issues, especially in the TV format which we will talk about. But at it’s core this section is just unadulterated hype. It’s one big fight that they poured their everything into. From big fire and wind effects to flashy lighting and large CGI environments, this is everything Yaiba is good at. And we are only half way done with the fight! There are some issues, sure. The camera gets a little wild and Ufotable completely ignore the 180 degree rule making it a bit of a mess to follow. On top of that the CGI fire lion was a bit to much if you ask me. These are both relatively small complains though and by and large I think this scene shows us what Yaiba does best: Set piece battles.

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The Vision of Escaflowne – 3/4 [The Gallant Swordsman/The Diabolical Adonis] – Throwback Thursday

Hello everyone and welcome back to The Vision of Escaflowne! This week we meet our next party member, receive our mandatory exposition dump and get to know our villains. We have a lot to talk about so lets dive right in!

First up we need to talk production because Escaflowne took a bit of a dip this week. And then a rise. And then another dip. In just the 4 episodes I’ve seen it’s already clear to me how wildly inconsistent Escaflowne’s visuals are. Sometimes you get this really strong contrast! Saturated colors, heavy blacks and bright whites! The kind of stuff I love. But other times the linework becomes thin and weak, feeling almost rushed, and the colors lose a lot of their luster. You can see this most clearly with Allen and his blonde hair. The way it loses a lot of depth between scenes and the black lines become almost pointless, or how his chin suddenly becomes a lot weaker. And then there’s the fire at the end of Episode 3! Oh that fire. It does not look good…

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State of the Season: Fall 2021

Lenlo: It’s that time of the season again everyone! The time when we get all the writers together to fight about the best show of the season and complain about the worst. From Ousama Ranking and Heike to Taisho Otome Fairy Tail and Komi-san, we have quite the list of topics ahead of us. So without further ado, read on! And I hope you have a happy Thanksgiving and Christmas season.

P.S. I will be out this weekend attending ANYC so Eighty Six and Kimetsu no Yaiba will no doubt be late.

What show are you enjoying that you’re not reviewing?

Mario: Ousama Ranking and Komi-san. As we talk about the little prince and his shadow down below, I’ll say more about the latter. Komi-san’s adept direction elevates this gag-based material greatly. It knows when to amp up with the jokes but still allows the emotions to slip in. The comic timing and the text bubbles that explain the situation are spot on. It makes fun of the characters but never makes light of them.

Lenlo: Apart from older shows outside the season? Probably Sakugan and Doukichan. One of those because I like underground mystery adventures as much as the next guy. The other because office ladies.

Armitage: Ousama Ranking is the obvious answer here. I am ready to wax poetic about this show at any moment you let me but I am given an official opportunity to do so down under and so, guess you scroll over to the end to read that. Apart from our smol king, I would say Senpai ga Uzai has been especially charming week in, week out.

Amun: Annoying Senpai has been pretty good so far; World’s Best Assassin Isekai went all-in, which makes it better than expected; Kicked Out of the Brave Man’s party I praise below. And I love World Trigger irrationally.

Wooper: Ousama Ranking! It’s got a fantastical setting, an adventurous plot, lovable characters and powerful fight scenes – what’s not to love?

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Kimetsu no Yaiba S2 – 5 [Move Forward!]

Welcome everyone to another episode of Kimetsu no Yaiba! This week is going to be a bit of a shorter post, we don’t have to much to talk about. I’ll do my best to cover everything that’s important though so lets dive into it!

Starting off, animation! And like usual Kimetsu no Yaiba fares pretty well here. I especially like the elemental effects. These things continue to be gorgeous, I absolutely love the Ukiyo-e style water and fire effects. The thick, contrasting lines of white and black within these bright colors sets them apart from everything else. And because of how heavily saturated the colors are I find myself not caring about the lack of detail such as shading or how they are composited. Maybe its just my love for heavy blacks, but I think it looks really good and reminds me of cel-shaded animation and games graphics. And on top of all of that the 3D camera work is actually really solid! At least… as long as you ignore the poop tentacles. Yes, you read that right. Poop tentacles. And they look just as ugly as they sound.

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The Vision of Escaflowne – 1/2 [Fateful Confession/The Girl From the Mystic Moon] – Throwback Thursday

Hello everyone and welcome to a new season of Throwback Thursday! This time, for those who weren’t already aware, we are watching The Vision of Escaflowne from the late, great Studio Sunrise! I say late, they are still making anime today but how much of it is any good. No seriously, how much, I don’t watch Gundam or Aikatsu. Anyways my bad jokes aside, lets dive into it!

And what better place to start than my old reliable, the visuals! Initial impressions: I quite like how Escaflowne looks. It has all the hallmarks of the cel-era of animation, as it should since it was made in the 90s. I’m talking heavy, saturated colors instead of the more modern pastels and the uneven linework you just don’t find in digital. On top of that it also makes use of heavy blacks in some of its more dramatic moments, a style I’ve loved since I first saw it in late 90’s comic books. And then we have the character designs! These people are long and angular, with sharp edges all over their outlines. I love it! It makes them feel so much older than a lot of modern series where the designs emphasize the softness of youth over the stiffness of age. So yeah, Escaflowne, right up my visual alley.

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Kimetsu no Yaiba S2 – 4 [Insult]

Welcome back everyone to another episode of Kimetsu no Yaiba! We had a bit of a break there, partly for the show and partly for me, but thats fine more time for Ufotable to work on the second half. Or maybe… maybe even to work on this half. Because if my suspicions are correct, this isn’t just a reprint of the movie. Not entirely at least. Lets dive in and talk about it!

Starting off, if I didn’t know any better I would say there were some new cuts in this episode. Stuff that wasn’t in the movie! Really Kimetsu no Yaiba? You’re going to spoil me? And indeed, going by this post from reddit user “eitherism” there was a good bit added. From the falling scene with the young man in Tanjiro’s dream to making his suicide a bit bloodier as well as moving some stuff around to better fit these new scenes. Of course not all of it is great. Yaiba is still cutting out the occasional character or exposition scene it seems and causing some continuity issues. But ignoring what are admittedly very small issues, Yaiba has added more than it took out. As someone who expected this to be nothing more than the movie cut up and re-aired, that’s kind of impressive.

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Eighty Six S2 – 6 [I Won’t Forget]

Hello everyone and welcome to another episode of Eighty Six! This week we follow up on Lena, see her organize the defense of San Magnolia and have an all around good time! Or at least that’s what I would like to say. Instead we see even less of her this week. What happened in place of that? Lets dive in and talk about that.

First up though I need to give Eighty Six credit for this, the storyboarding is back baby. There were some really, really nice shots this week. Not much in the way of interesting cuts like we got last season sadly. But almost the entirety of Shin’s meeting with the general was just… really evocative. The way the sound cut out, the General’s dialogue fading away as Shin read between the lines and heard what they always did: Eighty Six. Expendable. The squad poofing away into the scrap metal with their names, clattering behind down behind him. This scene was probably the most engaged I’ve been with Eighty Six this entire season. This is the good shit! Now I just need Eighty Six to keep giving us this and less of the loli.

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Haibane Renmei Anime Review – 86/100 – Throwback Thursday

Yoshitoshi ABe is, or at least should be, a pretty recognizable name. You’ve no doubt seen his work and influence across many series while watching anime. From the illustrations for the original novels of Welcome to the N.H.K. and All You Need Is Kill to providing original character designs for the technological horror series Texhnolyze and Serial Experiments Lain. ABe’s art has a distinctive, gritty quality to it that you don’t often see in modern Moe-fied anime. And for me that begs the question: What kind of stories is he trying to tell with this art? Well it seems we have our answer. Directed by Tomokazu Tokoro, animated by the now defunct studio Radix and created/storyboarded by Yoshitoshi ABe I give to you Haibane Renmei. So without further ado let’s talk about some cute angel girls within a not-so-cute story.
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Eighty Six S2 – 5 [Even So]

Hello everyone and welcome to another episode of Eighty Six! Apologies for the delay with this, I’ve been busy this Halloween and only got around to watching the episode. I hope you all had as much fun over the weekend as I did. So without further ado, lets dive into it!

First up how about some praise for Eighty Six? I haven’t given it much recently, and I certainly wont after this, but credit where its due: The robots look good, Eighty Six has seriously stepped up their mech game. As far as standard anime CGI goes I think these are some of the better mechs I’ve seen in a good while. Their movements were surprisingly fluid as they ran and bounced around the city in those extended shots and the compositing was, by and large, pretty good. I never felt taken out of the scene by a 3D mech standing on a 2D background nor by MS Paint fire and smoke effects. And on top of all of that Eighty Six still managed to work in some evocative shots and edits, such as glass flying by Shin’s face or his charge. So yeah, good job.

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Haibane Renmei – 13 [Reki’s World/Prayer/Epilogue] – Throwback Thursday

Welcome everyone to the finale of Haibane Renmei! We’ve made it through another season of Throwback Thursday and you know what that means: Time to vote for the next one. Like always you can find the poll at the end of this post. In the meantime though lets talk about about depression WOO!

So as far as my immediate impressions of the ending go I have to say that I am… satisfied. It didn’t go exactly as I thought it would, I figured it would be more bittersweet. One where Reki forgives herself but it’s to late for her Day of Flight. Or perhaps Rakka postpones her own so that Reki won’t feel alone here anymore. What we got instead was still good though. I feel that with this Haibane Renmei wrapped up and concluded everything important it introduced. We still don’t know much about the Factory or the Renmei and some questions remain unanswered true. But the crux of Haibane Renmei was always Reki and Rakka, and that feels properly handled. Haibane Renmei even addressed my concern about help being the only way out by instead making it about accepting help. That you needed the desire to change rather than stagnation.

So yeah, it was good. Now what about Reki?

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