Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo is a time of performance art that involves a man sitting on stage and telling a story. Sometimes a funny story, other times a heartwarming story or sometimes even a horror story. The man is given no props and much convey each actor and event in the story with his voice and mannerisms alone. Rakugo is the art of the storyteller and Shouwa Genroku Rakugo Shinjuu is a story about those storytellers. Truthfully it’s difficult for me to explain exactly why this series is so great. It could be considered a landmark in character drama and a true mature anime for those tired of superpowered teenagers fighting monsters. Rakugo is a story about tragedy, about the harshness of time, about the stories that lie within stories. It follows the tale of a young boy entering the art to his final days performing in old age. In a way this story isn’t about Rakugo but instead how it affects those involved with it and their passion to perform.

Admittedly though this isn’t the show for everyone. For one a large amount of the show is dedicated to Rakugo performances. While you can admire the skill of the voice actors emoting and the general outline of the story, it’s clear that a lot is lost on ears that cannot understand Japanese. This is a character driven story and the characters are driven by Rakugo so if the Rakugo itself doesn’t quite appeal to you then admittedly that’s a large chuck of the show you won’t enjoy. Even for those that do enjoy it there is the issue that while the first season is near perfect, the second drags out it’s conclusion which can be a detriment if it isn’t tugging your heartstrings as much as it wants to. Through if Rakugo hits that sweet spot for you then it will likely be a series you hold close to your heart. The characters are great with Yakumo being center stage for most of the story. We see him go from an insecure young man to a confident performer to an old tired professional in the span of a single season. Sukeroku is the lovable mooch whose passion for what he does is unmatched. Likewise you have Yotaro who is a man that’s loud and straightforward, but delightfully genuine. With Konatsu being the snarky girl with a heart of gold. What truly makes these characters special is that they lack the common anime tropes which seem to invest each anime character nowadays. The characters of Rakugo are genuine in personality and that’s what makes the drama so strong.

Animation and art wise the series is relatively subdued and a lot of the effort goes into the emotions during  Rakugo performance. This series isn’t a visual tour de force but frankly that’s not the point. Music again is suitable but not really all that memorable. If you happen to have an interest in Japanese culture and feel worn out by the modern cliches of anime then Rakugo is a breath of fresh air for you. It will take you on a ride with twists and turns before ending with a conclusion that leaves no loose ends. By its very nature I think Rakugo will be a niche gem of the anime medium. Through however niche, it will truly beloved. Much like the art of Rakugo itself.

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when the protagonist gains a level of power that could never be challenged. Enter Youji Senki(Saya of Tanya the evil) where in a HR manager from Japan is tossed into a alternative world WWI by god in an effort to teach him piety. Tanya’s first episode may not win over many but if you check out the second episode you will be taken for quite a ride. This series is the first work by Studio Nut and while it pushed them to their limits it remains a impressive piece of work. Animation and art could be shaky and character designs took a hit for what looks to be for making animation easier. Tanya has some truly impressive set pieces and boasts the largest number of war scenes I have seen in a single anime.

There are shows which advertise themselves as action packed but are anything but, however Tanya is not one of these shows. Though when Tanya takes it slow that can be some of the more interesting parts of the series. Tanya and God’s interactions make for some of the best parts of the show and show a underline of Theism vs Atheism symbolism. The show doesn’t pick a side and admittedly any meaning gathered from this would be shallow level speculation at best. This aspect also becomes less prevalent in the second half of the show as God stands aside in favor of a more human antagonist. It didn’t delve into the concept as much as it could have but it nonetheless makes for a great hook to keep the viewer interested.

In regards to this series flaws the big thing is that it is Tanya’s show through and through. What means is that Tanya gets the bulk of the development, Tanya gets the glory and she gets every moment of badassery. This leaves a large majority of the supporting cast rather underdeveloped and I am certain you won’t remember most of their names by show’s end. In the same way Tanya is to a degree rediculously overpowered and a good amount of the shows second half is dedicated to her steamrolling her opponents. If you don’t find Tanya’s character compelling or interesting, I doubt there will be much here for you besides an alternate take on World War I. Still it’s hard not to like Tanya when she is a beautifully made anti-hero whose motivations are understandable but exceedly malicious. The series can be humorous at times with the after credits sequences taking on a more joking tone than the series normally goes for. The way in how Tanya’s actions and intentions are misinterpreted make for some really humorous scenarios.

For history buff this series provides some meat as well in how the war proceeds in the anime mirrors that of real history and while magical aspects are present, a lot of the equipment used is true to the time. Music is decent with the main theme having enough to get you pumped during an action scene. The opening is different and might not be to everyone’s tastes but the ending is great and closes out each episode perfectly. I applaud Tanya for being one of the few anime to not make use of fanservice as Tanya is in no way fetished at any point within the show. Considering that she is a lolita you would think that’s a given but believe me in that hasn’t stopped many shows before. This show remains a remarkably fun watch throughout, though it loses some steam in its second half but makes a comeback with it’s final two episodes. I say this is well worth any anime fans time and certainly deserving of a second season if being X is merciful.

Saga of Tanya the Evil – 12[How to Use a Victory]

This is certainly a fitting finale in many ways. While the ending is a massive sequel hook, at least satisfying enough to witness the end of this reality’s World War One and have it launch into World War Two territory. Honestly, I think this anime would make for one hell of an advertisement for the light novels and after seeing what the future has in store, I would definitely buy them if they were in English. It gives me hope that this series will see a second season as even though it has it’s flaws, it was still barrels of fun.

Tanya’s ending speech of the episode was a great one by taunting the viewer into maybe thinking that she had finally given up and accepted Being X, only for her to proclaim God to be shit and that she would kill him and take his place. In a way, I think Tanya has accepted Being X as being genuinely God but instead of giving in, her vendetta has increased twofold. Still, as great as that final speech was, I think her one earlier in the episode trumped it. When I heard Tanya talk to Rerugen, I thought for a moment that she was going to reveal her past to him. Instead, Tanya explains that humans are not beings who run on logic but succumb to their emotions and that the war will continue. Her words are prophetic to Rerugen but what makes it all the more beautifully haunting is that Tanya is speaking from her experiences in war as well as her previous life’s death. The way this talk was framed from the voice actors performance was just excellent. The minute she finished speaking, her words come true as a messenger arrives with words that the Republic will continue to fight against the Empire, even from another country. The Armistice is in shambles and now the Empire needs to deploy overseas to wipe out the remnants of the Republican forces.

Tanya laments that the Empire’s actions only spur more war, as crossing into another country causes the powers to be to no longer stand idly by. The Empire has become too much of a threat and now they stand with enemies on all sides. Perhaps, Tanya shouldn’t be so hard on them as the consequences of her actions is coming right back to bite her on the ass. With the death of her father, Mary Sue has decided to join the war. Coming packed with extra God power and while she doesn’t know about the killer of her father, Tanya carries a clear identifier in the engraved submachine. God, I would love to see these two duke it out. If this is the true end of Youjo Senki, Saga of Tanya the evil with no sequel being ever announced, then it’s not a bad way to cap off the series. For Studio Nut’s first work this was certainly a impressive offering and I will be looking forward to see just what they have in store next. If that happens to be more Tanya, then I certainly am on board.

 

Little Witch Academia – 12[What You Will]

I did expect to see the episodic stories return in some fashion but at least the story development from last week is still going. This week Akko is transformed into Diana by a mirror that looks to have some connection to Woodward. I worry that Akko may be falling into the same trap as the main character of the pokemon series. Proclaimed that she is gonna be the best while her strides towards it are small while being prone to backtracking. Diana does seem rather tired of her talk with nothing to back it up and I can’t honestly blame her for that. While Akko is improving she does tend to slip back into old patterns from time to time. She tries a little bit and suddenly gets a big head and thinks she can pull off statue magic. If Woodward had a point in this little prank it was likely to force Akko to recognise that she isn’t Diana. In a way they may not want her to be Diana. Diana is the poster child of the school and it’s clear the teachers are the ones who think she will be the one to bring back magic but Woodward didn’t test her on the night of the blue moon. If it really was her in that mirror then she might not have much of a good opinion of Diana’s methods. Perhaps because Diana treats magic as a science when Chariot treated it more as a art.

What we did find out is that Diana has tasked herself with unsealing the Grand Triskelion and bringing magic back to the world. As a fairly privileged child of magic it is rather appropriate that she sees it that she has to be the one to save the world. Unbeknownst to her, the chosen one for this task has already been decided. So how would Diana react to the fact that it isn’t her, the magic prodigy and pride of the school, but Akko the class dunce who is tasked with saving the world of magic. Diana so far in this series has been a reasonable girl but I think even she would be devastated at this revelation. At the start of the series I hoped that it would delve more into the two perspectives that Akko and Diana have approached magic. Akko is the dreamer aiming for the stars while Diana is the realist who takes into consideration the sacrifices and work needs to strive for a dream. Personally I stand more with the viewpoint of Diana but I do recognise the value of optimism and drive. It’s just that when that is all you have it just becomes reckless and destructive.

This episode is the first of two parts and we end with Akko getting advice from the fountain of polaris to do what only she can do. What that is I certainly have no idea but it’s clear she isn’t going to perform her part of the festival as intended. Speaking of which, what might be of interest is that the monster that will appear of the festival looks like one of the red visions that Akko had upon striking Woodward with shiny rod. If so then perhaps those series of visions are a premonition of the future and if that is the case then dark tidings are on the horizon. We still don’t know the meaning of Diana’s prediction as well that Akko would leave Luna Nova. For now it looks like Akko is set on becoming the Moonlight witch as she seems to believe that Chariot was made one in the past. Though based on Ursula’s reaction I don’t think that’s how things went down. Guess we shall see next week.

Shouwa Genroku Rakugo Shinjuu – 25

Thus Rakugo draws to it’s final conclusion and it is rather refreshing to see a genuine conclusive ending in anime, This is a lot rarer than it should be as most anime leave you hanging for another season that may never come or just wrap up things haphazardly leaving it with a unsatisfying conclusion. However the end of Rakugo may have taken it’s sweet time but it’s nonetheless a great close to a great series. In a way the last episode was an emotional epilogue and this was an epilogue for the future of Rakugo. I am a little miffed that all the problems Rakugo faced are all resolved offscreen after a time skip. I would have liked more of a focus on how they helped rebuild the art after the burning down of the theatre. Looking over the series I find that while Rakugo was at the forefront of developments, it was more character drama that the story specifically focused on. While it brought up concerns of Rakugo becoming outdated in modern times I find that the series tended to only give vague indications of what was happening with the medium as a whole. Regardless it’s hard to deny that his is one of the finest character drama’s in anime.

That’s that then, Rakugo had a beautiful ending and there’s really not much else to say…unless of course we bring up that surprising detail revealed in this episode. I do find it amusing that Rakugo, a show so very close to perfectly executed would happen to throw something like this in at the last minute. Like a painter making a beautiful portrait and then slapping a small bit of mud on it. When the words were spoken I literally paused the video, let out a huge sigh and said out loud “They cannot possibly be doing this.” But indeed they did. For you see the father of Konastu’s first child….is Yakumo. Oh god this is Batman the Killing Joke animation all over again. Now from what I see a large amount of people are assuming that the writer was wrong in his accusation and that Konatsu was just humoring him. Of course, as no one wants to have a story twist like this. Sadly the fact that Shin looks strikingly like a young Yakumo and Matsuda being the one to clue the writer in speak that this is the truth. You could still claim otherwise but the final nail in the coffin is that apparently the writer himself confirmed it in side material. Look I get what is being done here, the blood of Yakumo and Sukeroku coming together in a new age of Rakugo but isn’t that just against the nature of succession in Rakugo itself? In Rakugo you don’t have to be related to your teacher to carry his name and his spirit. Having Yakumo spiritually live on through how he influenced Shin is a much more powerful representation of the ties of the art. A genetic tie only succeeds in allowing Yakumo’s bloodline to continue but in turn comes at the cost of respect we had for him.

I just cannot for the life of me fathom how these two could possibly engage in intercourse. Konatsu hated Yakumo and fully believes him to be the cause of her parents death. Yakumo was torturing himself over the deaths of the two so the very idea of him adding yet another sin to the bundle is just asinine. Taking this as fact this makes Konatsu a serious hypocritic and Yakumo someone who angsted over the death of his friends but still thought that getting his best friends daughter pregnant was fair game. The afterlife episode makes even less sense now. Maybe Sukeroku could get over it but Miyokichi? Like hell. The more I think about this the more it just darkens my view of Yakumo and Konatsu. When he collapses and said “My beloved” to Konastu, was he literally talking to Konatsu? Was he using her as a substitute for MIyokichi? Or against previous conceptions is he just a horny old fart? Is Konatsu really shallow enough to put aside personal vendetta’s for the chance to bang a suave older man? Because I don’t buy that “Wanting to carry his legacy” bullshit at all. Now I am really mad that we spent the last few episodes sending the Yakumo off like he was a saint.  Ladies and gentlemen, this is a situation where I believe we should invoke death of the author. In my mind the Yakusa leader is the father of Konatsu’s child. That’s my head canon because the story is the better for it and or god’s sake it makes much more sense. I suggest you do the same.

Somehow I knew that the majority of this post would be dedicated to that twist when I seen it. But let me move away from that. It’s nice to see that Konatsu has become the first female Rakugo performer(There does seem to be records of female Rakugo performers before her though) but it is a shame the final episode didn’t spare some time to show her performance. What we did get however was Yotaro performing Shinigami and I got to say I didn’t think he could pull off such a dark story considering his usual optimistic nature. Yakumo popping in for the afterlife to pitch in only made the performance all the more intense. The writer always makes assertions to make the audience think but it’s often Yotaro who happens to throw out the real words of wisdom. Ending the series with his final line that “Something this good could never go away” is a somewhat poetic end to this series. After all he is right in that regard. Even if something is old, outdated or niche, as long as it can touch the hearts of people there will be those who ensue it will never die out. That is as true for Rakugo as it is with anything in the world.

Saga of Tanya the Evil – 11[Resistance]

Studio Nut really must be hurting as this week starts off with a two minute recap of the last episode but what made this episode special is that for the first time, Tanya lost. The start of this episode at least had Ansen pay that check of giving Tanya a hard time. In particular I loved the irony that he tried to take her out with a suicide bombing much like Tanya did on their first encounter. There was also that moment where in Tanya was fought in close quarters and full herself getting manhandled. It’s sometimes easy to forget be she is still a little girl of twelve years of age. When in hand to hand combat she is at a serious disadvantage due to her under developed body. I spotted moments of janky artwork and cgi animation in the fight scene but otherwise it was a fairly accelerating affair. I am once again annoyed that Tanya shook off injuries and looked fine within the next scene.

They really need to clarify just how medicine works in this universe as this is the second time she’s gotten injured only to have it magically disappear by the next scene. It definitely gives a layer of invincibility to Tanya when she’s survived many explosions with only a bit of dirt on her despite being in the center of the blast radius. One really great detail of the fight scene was the Ansen was using a military shotgun which Tanya proclaimed violated wartime treaty. See in real history the German protested the use of shotguns in world war I. They stated the reason being that shotguns were inhumane and caused excess suffering to the victim. Though the real reason is that Germany didn’t have shotguns so they wanted to prevent the enemy from using them. What makes this particularly novel is that claiming that Shotguns were inhumane is rather hypocritical because Germany invented flamethrowers.

There may be those confused at what exactly happened in the second half of this episode.  For that you may need to know so history on the World Wars. The first is the matter that command signed a Armistice, not a surrender. An armistice is only a formal agreement to stop fighting and one of the things that lead to the start of World War II. Another event to know would be the battle of Dunkirk which has been site of one of the points that Germany could have won WWII. It was a mass evacuation of 338,226 soldiers. If the soldiers had been killed then this could have meant that Germany could have taken England and thus deterred America from entering the war. Here we see a combination of the two events as the armistice was used as a massive distraction to ensue the Emipire doesn’t notice the mass evacuation. The goal in this war was to have a severe loss of life to ensue the enemy was incapable of fighting.

Now that the enemy has fled the mainland it opens up the war for new people to enter the field. Tanya knows her history and  she knows that the empire will be in a very bad position if that happens. Here is the beauty of what happens next. Tanya only knows what she knows due to alternative history. Anyone high enough in command who would listen to her is dealing with negotiating the terms of the armistice. To anyone else she just sounds like a war crazed soldier who can’t leave the battlefield. But she know that this is her one chance for a peaceful life in this world. Yet command chains her for she just looks like a psychopath trying to start another war. This is beautiful. Tanya know’s exactly what is happening but is utterly powerless to do anything about it. All of her victories so far in the series have amounted to nothing as she will once again be forced into the fires of battle in the future.

Little Witch Academia – 11[Blue Moon]

I don’t mind the lighthearted shenanigans of Little Witch Academia but in my opinion it’s episodes like this that will truly make the show memorable. After ten episodes of mere hints as to the state of magic and it’s history we get a truckload of answers. Why is magic being considered antiquated? Because magic is declining and less witches are being born into the world. What is Ursula’s past? Much like Akko, she chased after her own Icon in the form of professor Woodward, one of the great witches. What is the plot of Little Witch Academia? Akko must activate the magic words of Shiny rod(Claiomh Solais) and bring back magic to the world. As it stands Akko has activated two of the words, strangely the spell she said in the second episode doesn’t seem to count. We even get a small glimpse of an antagonist and strangely it wasn’t the horned woman who turned out to be Professor Woodward. It’s nice to see Ursula get some development though rather silly that Akko is too oblivious to notice her connections to Shiny Chariot. Even the Bird in Ursula’s room should have been a massive giveaway. Though perhaps I don’t give her enough credit as in her dream it showed at first Ursula from behind before switching to Chariot while repeating Ursula’s words. At least on a subconscious level, I think she’s beginning to catch on. Either way, with a task given to her by Woodward I think Ursula is going to buckle down on Akko’s training. If so I hope they go further with the bond the two have in this master student relationship.

Can I just say just how refreshing it is to see anime make references to Irish Mythology? I admit that as an Irishman I am biased in that regard but it’s just so refreshing to see something referenced that isn’t bloody leprechauns. Today we know the real name of Shiny rod and that is Claiomh Solais which strangely enough translated to “Shining Sword”. Considering that it has the ability to transform into a bow and an axe I say that it is highly likely that it also has the ability to transform into a sword. I also really loved the celtic theme that played when Ursula was talking to Woodward. Quite marvelous. This episode was a bit of a retread of the fountain of polaris as Akko once again seeks out something detailed in her Shiny Chariot cards. Though with the fountain she was seeking a quick path to becoming a great witch, here she is just trying to see if she has the potential to become Shiny Chariot. While the reason for seeking it out is different, the lesson is more or less the same. In a way it’s sort of regression that Akko needs to learn that there are no shortcuts for her a second time. It is understandable that she is losing patience with her constant failures with magic though she has made progress. The weakest part of this episode was the choice that Akko was presented as giving up her past in exchange for being Shiny Chariot was out of the question from the start. There was no tension in the choice because the choice was obvious. Otherwise I consider this a great episode of the show and one it sorely needed at this point.

My biggest worry at the moment is that with the story laid out this will mean we return to the more episodic nature of previous episodes. After this development I don’t think people would have the patience for the show to sideline it so that we can see Akko have some  one off adventure with little consequence. One of the things that could suggest this return is that while Sucy and Lotte have gotten their own individual episodes, there’s still Amanda and her whole crew that have yet to get the spotlight. Not saying I wouldn’t want an Amanda or Constance episode but if we are going to get one I would wish it would push forward some kind of plot. Diana may have gotten a large amount of screentime but I feel she has become a Mary Sue with the antagonistic aspects of her removed. I originally applauded this change as I thought this would put more focus on her contrast with Akko but unfortunately she just has been disconnected with the stories so far. So in order for this show to really shine we need Akko to work towards finding these words while developing the side cast of characters. One last thing, was Sucy meditating at the start of the episode? That’s a pretty interesting detail.

Shouwa Genroku Rakugo Shinjuu – 24

When I started this season of Rakugo I was under the impression that this would be Konatsu’s and Yotaro’s story seeing as Yakumo’s had reached it’s end. However to my dismay it appeared that halfway through the season Yakumo has hijacked the series. I previously stated that the story of Rakugo has already ended with the last episode and nowhere is this more apparent than this episode. In a rather odd supernatural twist this episode took place entirely in the afterlife with Yakumo meeting Sukeroku and Miyokichi. Overall this episode confirmed one thing, that Yakumo is 100% dead and unfortunately after the previous fake out’s I don’t have any real strong feelings about that. I love the guy for sure but him dying has essentially been the only story going for the last couple of episodes. I don’t think removing this episode would have a major impact on the series and in some cases it would be a good thing seeing as this episode makes it out that the ghost apparitions Yakumo was seeing were indeed real. This show has always been fairly grounded in reality so it’s odd that I now know everything about the afterlife of this world. Of course you could write it off as some sort of fever dream before Yakumo died but in that case it would make this episode a rather sad delusion of his subconscious absolving him of guilt.

From what I see this episode hit a lot of people hard as it certainly was pushing for the so called “feels”. Being the heartless monster I am, I found myself rather unmoved. I will admit to having a soft fuzzy feeling when Yakumo and Sukeroku did a pinky promise on the river zanza but I think this episode was trying a little too hard to that effect. Having Masuda show up as Yakumo’s boatman was an outright sign for “Cry now please” I can’t say I hated this episode but I also can’t deny what it is. Pointless. None of this was really needed and I actually really hate that they tried to explain away Sukeroku’s stabbing as a joke that turned into a horrible accident. Oh she used to wave around a knife and just so happened to trip…bullshit. Where the hell did the knife come from in that hotel room? In a way it sort of cheapens the whole tragedy by showing the two in the afterlife as it makes their death have far less gravitas. Looking back at the first season there won’t be any real emotion in that scene anymore because here they are laughing it up in the afterlife.

That just really bugs me. I am somewhat reminded of the ending of Infinite Regius which attempted to turn the horrible experience the children went through into some fondly loved adventure. It paints the suffering the characters went through as something minor and insignificant. Yakumo gets his emotional sendoff but none of the emotional drama over death has any real meaning anymore. Makes Yakumo’s suicidal thoughts seem almost comical with him getting all worked up over death when it was his big afterlife surprise party I must reiterate that I didn’t hate this episode and still enjoyed it but this show truly has run out of steam. I honestly think it would have been better off giving Rakugo a ten episode run and giving the remaining episodes over to KonoSuba which could have made much more out of them. Next episode has us seeing Yotaro’s and Konatsu’s children grown up and I find myself not really caring all that much. The extended epilogue continues when the majority of the cast has left the stage.

Saga of Tanya the Evil – 10[Path to Victory]

What am I to say when the majority of the episode is detailing a military operation? I admit that content has become spare in this series as of late and the Tanya vs God battle has more or less been pushed to the sideline. Tanya had one moment here where it looked like her mission could be a bust but thankfully, her subordinates hits gold. There is a certain joy in seeing a plan come together and this plan had echoes of Hannibal’s tactics during the famous battle of Cannae where he managed to surround a far larger army on all sides and rendered their numbers meaningless. We get a small glimpse of the politics of the empire and it’s clear that the army holds significant sway in decisions. They tried to use the retreat as a means of criticising the army’s leadership, only to have the military succeed and render them all silenced. In a way, Zetter’s genius is scary as the man not only won a war but used that victory as a means of retaining political dominance and shut down criticism of the military. As it is now, I would say that the Empire is only a mere facade of democracy and has become a full blown dictatorship.

Anson returns with a bang as he shoots down Grandz. I have my doubts that he’s actually dead as I didn’t see any blood but this does confirm that Anson is the endboss of this series and I more than welcome someone who could make Tanya try for once. The end credits scene shows why Grandz looked rather awkward when Tanya commented if anyone did anything to Viktoriya. If you wanted to look deeper into it you could theorise a level of indoctrination with Tanya’s men as Viktoriya follows her orders to kill even within her dreams. There are rumors that this show will actually be two cours which I find dubious considering that this episode was delayed as well as the clear production troubles the studio has been having. I would most certainly welcome two cours but if it was going to be the case, I would prefer it to be a split cour so the studio can lick it’s wounds. Former madhouse staff or not, this is still their first production as Studio Nut and the last thing we need is them burning themselves out.

Little Witch Academia – 10[Bee Commotion]

I remember seeing a remark someone made that Little Witch Academia would lose half it’s fanbase when the realize that they don’t like Saturday morning cartoons all that much. While most likely said in jest, I find there is a certain degree of truth in that statement. I did enjoy this episode of Little Witch Academia more than the previous two episodes but there is an underlying frustration I am feeling that I find all too familiar. Before finding anime I used to watch a lot of cartoons and I do remember this feeling of wanting the show to give more. To dive into deeper subject matter, to capitalise on characters development or to push forward with romantic relationships. However cartoons rarely gave me that and I remembered feeling aggravated when things returned to zero. The OVA’s gave me a small taste of nostalgia for old Saturday Morning cartoons and the series has delivered in regards to keeping that same magic. However ten episodes into this series and I find myself wanting something more than just that. There are some developments and attempts at world building but they are few and often in the background to today’s hijinks. I admit that perhaps the problem is the wait in between episodes as I watch it weekly. If I was binge watching through the episodes I don’t think I would have the same reservations. The point is that if Little Witch Academia continued with this episodic hijinks for the remainder of it’s runtime, would I be satisfied with the result? In all honestly, No. I would not. The show is currently fun but I do wish to see it develop into something more substantial.

But on to the episode and this week we have a love bee going around making everyone fall in love at the drop of a hat. Trigger certainly is using this to poke fun as for one brief moment DianaXAkko was actually feasible. This episode seems to be pushing for a romantic relationship between Akko and the politicion’s son, Andrew. Some have misgivings about this though I would argue that they are not quite there yet. They certainly do seem to be interesting in one another and both Akko and Andrew do tend to seek each other out. Though I don’t think they have reached the level of love and it’s more fascination at this point. Andrew is enthralled with Akko’s drive to shoot for her dreams when he is locked into the position his father has decided for him. Akko on the other hand looks to have formed a friendship with him after going to the fountain of polaris and is rather determined to prove to him that magic isn’t useless and unnecessary. This seems more along the lines of friendship rather than romance, though there certainly is potential for it to develop into one. Right now I would rule it out after Akko seemed suitably horrified when Andrew started confessing to her after getting stung by the bee. If she had more serious feelings for him I would think her reaction would be a little different. I did find it nice that even after the bees effects worn off, Andrew’s friend Frank still remained interested in Lotte. I don’t really like the idea of pairing up every character in the series but after seeing Lotte get disappointed when the effects worn off it was nice for someone to reaffirm that she does have charm. Plus this would mean he would stop hopelessly chasing after Diana..

Plenty of references this week too, though I think Trigger may be going a little overboard with them. This week saw references to classic shoujo with everyone getting shoujo eyes after being stung by the bee(Pretty funny though.), Cinderella got reference with the signature Bibbity Bobbity boo spell getting parodied and they even threw in a reference to George Orwell’s 1984 of all things with Daicon IV Bunny suit making a brief appearance. We pretty much confirmed that Andrew’s dad will be playing an antagonist role and from how he speaks of witches it seems like this is more personal than just magic being considered useless. Seeing as Andrew’s mother has not been brought up that makes me suspect that his father got together with a witch and she ran off, leaving him bitter about the experience. There is a witch in the opening who is shown briefly in the reflection of the water that could be related and whom I suspect of being a future antagonist. Otherwise it’s nice to see Akko performing magic without messing up as she casts a transformation spell on a squirrel that works perfectly. Thus her claim in front of the fountain feels more than just empty talk as Akko takes small strides towards her dream.