Made in Abyss – 05[Incinerator]

This was one of those anime episodes where I am shocked to see the end credits show up as the time flew by when watching it. I often consider that a mark of a truly great series while a bad series can make you feel like an episode never ends. Though I will say that this post may be shorter than my usual ones as there isn’t really much to say story wise other than Riko and Regu continuing their travel down. I will rescind my previous mark about Riko carrying her own weight as while Regu is handling most of the grunt work, Riko is doing a good job directing the expedition while making use of her knowledge of the abyss. Allowing her to warn Regu of some the creatures such as the one introduced with this episode. I think by now the kids gloves are off and we are starting to get a bit dark with the story with these corpse weavers.

Birdlike creatures that eat explorers and then imitate their voice in order to lure others into a trap. This seems much more open a dark turn and afterwards we even have Regu comment on them eating a corpse weaver being indirect cannibalism. Still despite this the general tone of the show seems carefree which could be attributed to how easily Riko is taking all these events, though Regu is not quite handling it with as much cheery disposition. I wonder if it’s supposed to be symbolic that a big source of human morality in this series comes from the character who is at this moment known to be a robot? Perhaps showing that the humans in this world have been distorted from traditional common sense into something more darwinist?

When a group of corpse weavers attempt to eat Riko this triggers a change in Regu causing him to unveil an ability he displayed in the first episode. That he is able to fire a beam of light from his arm and boy do I appreciate that this series has managed to keep up a high level of quality animation to really show it off. Well there was a moment during the monkey chase that had the rather outdated use of speed lines but other than that the production of this series has been truly top notch. Riko is delighted over this new ability and names it incinerator while Regu is mortified at the fact that if his aim was only slightly off then he would have blasted away Riko along with the corpse weavers. It’s interesting in how these two approach this journey in completely different mindsets. Riko sees this whole thing as some big field trip, a chance to have an adventure and live up to the legacy of her mother.

Whereas Regu is really beginning to acknowledge just how dangerous this journey really is and question the very purpose of his existence. There is definitely a turning point in their characters coming up and I feel this series is building up a wake up call for Riko. She has lost two of the main guides which her tossing the star compass and now her notebook has been burned to cinders. The corpse weavers where the first genuine threat these two have faced, I don’t really count the monkeys as they didn’t really pose that much of a threat, so it only stands to reason that monsters will get worse the further these two get. The safety nets are falling away and I think she’s about to encounter something that won’t be solved with a happy go lucky attitude. That something likely being her mother’s former partner whom looks to be the focus of the next episode.

Made in Abyss – 04[The Edge of the Abyss]

One level of the Abyss down and so far things are looking good for our two explorers. Though the only thing they really had to worry about was the search crew coming to take them back to the orphanage. The adventuring spirit is in the air and if their is a dump truck full of misery and death ready to drop on our protagonists then I haven’t seen signs of it yet. Not to say there is not foreshadowing as they certainly are making it clear that whatever is waiting down there isn’t going to be pretty. From the start of the episode we can see that Regu is doing the main heavy lifting and while Riko is helping out a little with food and does have useful knowledge but it’s certain that she needs to really start carrying her own weight.

Without Regu, Riko would be dead several times over so it makes me shocked that she actually intended to head down on her own at the start. Riko does provide something though as we can only insinuate to other people’s intentions though her theories. She believes that the message from the letter was her mother’s message to her, that the artifact(That she lost moments later) pointed to the depths of the abyss and that the leader purposefully let them journey off as some sort of test. But as we know, Riko is far from infallible and many of these assertions are being made on a personal whim. We don’t really know what’s really happening here and I have a feeling there is more to it than Riko’s simplistic conclusions.

Though it passed me over while watching, I seen someone put together a series of shots which really show off the cinematography of this series. There are plenty of background and visual motives which present this as these two descending into the belly of the beast. Throughout the episode there was a serious sense of foreboding and this does feel like the last safe haven for the two. After this the training wheels are off and they need to deal with the full wrath of the Abyss and everything that comes with it. So right before the second level our two get a visit from a Black whistle diver Habo who surprisingly doesn’t stop them from continuing their journey but instead brings supplies and news. It is a wonder as to why he doesn’t try to prevent them from doing this but he seems to have a degree of resignation that this would happen eventually. Perhaps it is like Riko said earlier, all things that come from the abyss eventually return to the abyss and as we know, both of these two originally came from the abyss.

At least he did originally offered to guide them down to the third layer but after Riko’s refusal and seeing the letter from Leader decided against it. Habo does mention about a active white whistle in the third level who happened to be the person who helped carry baby Riko out of the abyss when she was born. In a way she may be considered Riko’s godmother and Riko is certainly excited to met her despite Habo’s warnings that she may not be the most trustworthy. Next episode we have the second level of the abyss, the forest of temptation and already I feel sad that this series is only a single cour when we only just get started four episodes in. However the anime has currently covered about ¼ of the source material(This covers up to halfway through chapter ten and there are 42 chapters currently.) so we could very well be up to date with the manga by the time the series ends.

Kakegurui- 05[The Woman Who Became Human]

When gambling in this show:
Rule number one: Always cheat.
Rule number two: If using another person for your cheating then don’t use someone with a clear grudge against you or treat them like dirt.
Rule number three: Never ever bet against Yumeko Jabami.
There is a certain satisfaction in seeing someone like this thug get so brutally destroyed by our main duo even though he’s a relatively one dimensional nobody. I tend to favor villains with a bit more moral nuance and more well written but nonetheless cannot deny a certain level of glee in seeing someone so utterly morally bankrupt get his life ruined. Sure you could argue that his crimes were no huge enough to have the remainder of his life detected by a notebook and be treated as trash for the rest of his days but considering the arrogant mentality of this guy there is no better medicine than a good reality check and a ass kicking. But again this does not mean that he’s well written as it’s not a difficult task to make someone hateable, All you really need to do is have them in a position of power and have them do clearly evil deeds while convinced that it’s totally alright for them to do these things because they are special in some way. If you want a well written villain then work on making a character with a unique worldview, sympathetic or logical motivations, a personality and a backstory to accommodate these aspects.

If you want to make a hateable villain them just have them do something clearly morally repugnant and then refuse they did anything wrong. “Oh it’s perfectly ok for me to bully this kid because I am better than him and he should just go die.” “Oh I killed that bitch but she was clearly in the wrong when she tried to pretend she wasn’t my woman.” “Oh I burned down that orphanage but it was full of gutter trash that wouldn’t be of any use anyway, society should thank me honestly.” It’s funny in that it’s not so much the act itself that makes it so despicable but rather the contradiction and flawed reasoning these characters use to justify their actions as not wrong. Indeed there is no better way to rile up the internet into a fury than to have someone do something wrong and them do everything in their power to refuse to admit it. So to see a character get a shift kick in the nuts is a rather cathartic experience and I fully admit that I fully read the source of the upcoming “Rising of the Shield Hero” anime adaption purely for the satisfaction of seeing the villain get taken down a peg.

I couldn’t quite follow how exactly Mary and Yumeko managed to trick the delinquent but I believe it had something to do with Mary and Yumeko lying about the amount they owed before the game and then switching her board with Yumeko to confuse the delinquent into miscalculating the end game totals. So these two had the game in the bag right from the start as the delinquent didn’t have the scoreboard right from the beginning. Though the thing this episode is named after is Yumeko’s last little gambit to encourage the pet girl to go against the delinquents orders. Throughout the game she had been helping the delinquent cheat out of fear and her own institutionalisation to her status of pet. I rather like the metaphor that Yumeko puts to it, being a pig in a open cage. This girl could fight back, could rebel but instead settles for small freedoms granted to her within the cage. In truth the very name of pet is apt for that is what these people are conditioned to become.

Thus Yumeko managed to break her out of that mentality through her provocation. Though um…why was it…so suggestive? I generally don’t tend to look too far into these kinds of things but when you have two girls with faces intimately close to kissing distance while reserved girl has a heavy blush that really does seem to be fuel for hime-danshi(This appears to be the opposite of the Fujoshi term being for males(Hime-joshi for females) who ship lesbian couples though doesn’t quite hold the same level of infamy as the fujoshi term) Yuri baiting did come up in the manga but it really is much more pandering when seen in animated format. Look if you are going to start insinuating lesbinism or bisexualism then go all in, don’t just shove it in halfheartedly for Blu-ray sales. Still while i have neglected to mention her before but next episode appears to feature a girl who is going to really amp up these Yuri undertones so I at least hope we keep things somewhat classy.

Fate/Apocrypha – 05[Will of Heaven]

Seeings as we are five episodes in and my joyous period of fanboyism has subsided I believe it is time to admit something. I don’t actually think this show is that good and I am questioning just why that is. I don’t believe my assessment of the source material was wrong as it was indeed a strong narrative there which had my full attention. However here, something is off. I can’t quite pin down what precisely it is but something is killing this story. My previous culprit to blame was the pacing but in this episode they thankfully slowed down. Perhaps the animation? No, while A-1 is far below the quality one could expect from a Ufotable production this isn’t a terrible looking show. Still not gone on the character designs but animation wise it’s fine. No, perhaps the fault lies in how it’s adapted as there are some questionable choices at work here. Take for example Lancer of Black, aka Vlad Tepes. I say most would be surprised to see his leniency in punishing Astolfo in this episode considering his legacy in the common eye as a bloodthirsty tyrant. But in the novel this wasn’t much of a surprise as it went into detail on just why Vlad has joined this battle and I personally though his motivation was a stroke of creative genius. I can’t really go into it at that point as it’s bound to be brought up sooner or later but I think this is the problem with rushing the beginnings of this story. In doing so a number of characters have been left with one dimensional characterisation. I wouldn’t blame a fan of fate animated works being disappointed in this as I too find it much more underwhelming than its book counterpart.

My current state of thinking could be just a temporary thought as this was a rather weak episode in comparison to the others. Mainly because the focus was on Ruler and the newly named Homunculus, Sieg. These two really do drag on and I think that instead of rushing the cool battles we were supposed to get last episode we could have rushed this instead. For this is remarkably dull watching these two utterly bland characters. Ruler I will give a pass as it more or less is her sticking to the character of Joan of Arc and the role of the holy maiden. Still it doesn’t make for great characterisation and at times I am missing the interpretation of Joan from Drifters. She’s isn’t completely boring as she has the standing above all the servants and is badass in her own right but I worry that the main reason this episode got more focus than the last is due to her being prime “waifu” material. But if there is something I just find dreadfully boring with no upside it’s this Sieg fellow. You can give Shirou a lot of grief over his survivor’s guilt and superhero complex but at least it made him interesting. Sieg on the other have is a dull emotionless empty character who basically needs to learn how to live and grow a personality. He’s self insert material and I dislike that he has a role in this at all. He’s dangerously close to becoming the usual light novel protagonist and I even see signs of girls falling for him for no reason and with Siegfried’s heart he’s bound to get free power ups to show how “cool” he is. This kid is a chekhov’s gun that’s just ready to kill any potential this story has.

We get a small glimpse of Assassin of black and her master this week and yet again we have another servant who has been shafted by the anime. Assassin of Black actually has a short story detailing her summoning and the main book did dedicate time to showing just what went down. At the moment they are basically the Ryou and Caster duo in being chaotic evil. Now as it’s revealed in this show our Assassin here is Jack the Ripper and out of all the strange servants on Apocrypha this one is the one I have the hardest time suspending my sense of disbelief with. Personality wise I actually find it interesting to interpret Jack the Ripper as a child demon born from discarded babies from the positives of London. Her relationship with her master is equally interesting as they have a mother daughter relationship instead of a master and servant one. It was made a point in the books that when Jack calls her master she simultaneously says Master in a way that can also be interpreted as mother. But despite this concept being very intriguing and one I can get on board I cannot for the life of me take her remotely seriously based on her design.

I mean, Jack the Ripper, represented by a Lolita in dominatrix gear. It’s just really really dumb. There is in fact another interpretation of Jack the Ripper in the Fate Universe and that comes from Fate/Strange Fake which was written by Narita Ryohgo of Baccano/Durarara fame. In there Jack was shown as a shapeless being who could assume many forms as the real Jack the Ripper was never caught so his legacy is that of an anonymous serial killer. In the particularly quirky style of character writing that Narita has this servant was summoned as a berserker but due to Jack the Ripper already being insane, placing mad enchantment on him only ended up turning him sane. Both interpretations have there great points but in Fate/Apocrypha case I wish that Jack’s design wasn’t so obviously geared towards fanservice. So with the final moments of this episode we have pretty much established that the Red masters won’t be playing much of a role in this war, if the opening and character designs of the them didn’t tip you off to that already.

Castlevania Season 1 Review – 70/100

Upon hearing that Castlevania would be getting an animated TV series my first reaction was that of unpleasant surprise. Part of the reason was because of the video games infamous history with adapting their stories to other mediums but my main reason was that being familiar with the Castlevania games, I knew the story was by far the weakest aspect. I have played a number of Castlevania titles though my main experience is with the so called “Igavania” titles which helped birth the Metroidvania genre. Let me say that story was not the reason I came to love the franchise, as a matter of fact the story rather went beyond “Dracula has revived, go kill him again.” However against all odds this series has managed to pull a rather enjoyable story out of the bare bones that was present in the game it was based on, Castlevania 3. I believe the main reason behind this story turning out to be a good video game adaption has to do with the writer being a famous comic writer by the name of Warren Ellis. Not being much of a comic fan I have only read a couple of his works like Planetary, Transmetropolitan and Crecy but based on those I can tell he has skill.

The story of this series isn’t anything to gush over but does serve well in using the little story in the games and fleshing it out to a better degree. It reminds me a lot of old anime ova’s from the 80s with its high level of violence and gore while sticking to a simplistic but enjoyable story. Make no mistake this animation isn’t for children with swearing and corpses abound. I admit that with the large amount of anime I watch it is rather refreshing to experience something that doesn’t have the usual Japanese tropes. Our main character Trevor Belmont is the one to get the most screentime in this short hour and a half season and he certainly makes for a fun main character. Starting your introduction with a drunken brawl is certainly a plus in my book and he is a good mix of playful and skilled without delving into overpowered territory. Other characters didn’t quite get as much screen time to really get a grasp on their characters but they were believable enough to get invested in.

The main cast only really assembled in the final minutes of the last episode. The villains on the other hand were on the weak side with the demons being sidelined by the church who really get treated as ignorant and greedy as all hell. Not saying it’s an inaccurate depiction but they do come off as rather one dimensional when any priest is automatically a murdering scummy psychopath. I hope that with this there role in the story is more or less finished with the end of the season as the first episode does nicely make Dracula’s motives much more compelling. He sadly didn’t get much of a role in this season but clearly the story wanted to focus on a minor villain first before taking on the main one. Our main villain for this season happens to be a bishop and I can pretty much sum him up as the same character as Frollo from Disney’s the Hunchback of Notre Dame. Religious, insane and so mistakenly sickeningly self righteous that he makes you want bash his head in with a sledgehammer.

This “Season” is only four episodes long and feels more like a hour and a half pilot episode. If I had to guess I would say that these four episodes were to gauge interest in the series due to the negative view of video game adaptions and considering just how quickly a second season of eight episodes was greenlit it looks like the response was quite positive indeed. In the continuation of the series I hope they keep up this level of quality but I also hope that they have much more monster variety as the enemies were primarily variants of demon creatures. Part of what makes Castlevania great is the huge cast of enemies from monster movie and myth. You didn’t just fight demons in Castlevania but ghosts, goblins, fishmen, werewolves and a whole host of monsters including Death himself. It would be a massive shame for the series to not capitalise on that and instead keep the monsters as dull demon creatures.

Animation for the most part is excellent with some occasional stumbles but excelling when it needs to. Music overall was fine but I do wish for a rendition of the iconic Bloody Tears or Vampire Killer songs. For fans of the games there is details sure to make you smile such as platforming on clock gears which I am sure any Castlevania fan is familiar with. However this doesn’t require knowledge of the games to be enjoyed either as the story very much stands on it’s own. Overall I would consider this to be one of the strongest Video Game adaptions to date though that may not be high praise considering it’s competition. If you happen to be burned out on anime or just looking for a nice change of pace then I do recommend checking this show out as it’s short and sweet.

Kakegurui- 04[The Woman Who Became Livestock]

I could make it point to go on about how ridiculous it is for a school to allow a student to carry a firearm or putting forward a life plan which I am fairly certain is a clear violation of human rights but honestly that dead horse has been beaten enough. In Kakegurui this is just how things work and that’s that. So with the major loss last episode Yumeko has now been reduced to pet status and it’s shown that being a female pet is significantly more dangerous than a male pet. All things considered it would be pretty obvious for male students to take advantage of such a position so we have the usual rapists come on scene to try and assault Yumeko. This is a common trope in anime, these random dudes who jump at the opportunity to grab a woman the minute she’s left alone. It appears in anime so often than I am genuinely curious as to how true to life it is. Are there really random guys who wander around Japan just trying to rape every girl alone on the street? Considering Japan has a declining birth rate and some reputation of men being Herbivores I find it rather dubious. Either way when it comes to these kinds of scenes at least this was the more tasteful of the sort. I got worried when Yumeko started taking off her underwear but the show at least knew when to stop. Truthfully though what did Yumeko expect from this situation as oddly she seemed disappointed when these guys said they were not going to violate her. Taking her personality into account however this does make a degree of sense.. Yumeko is someone who gets a thrill of gambling her life so this to her could have just been another gamble. Can she escape them unscathed or would she be caught and violated? That certainly sounds like a bet she would take on.

We have the return of Mary from the first episode and it looks like were are getting the old shounen trope of first time villains turning into allies. Based on the first episode alone you would think that there would be no way to redeem her but these past episodes have shown Mary to be the lesser evil in this school. Mary more or less aimed to embarrass her where as our other villains here are aiming to rip off her fingernails or ruin her. With a taste of Humble pie Mary has actually become one of the most reasonable people in the cast with her selfish intentions being less malevolent and more petty. Even in context it felt that she only targeted Yumeko in the first episode out of Jealousy over the male lead if I am reading this right. She has show a level of attachment to him and she’s has blond twin tailed hairstyle which is often chosen hairstyle for your typical tsundere. Yumeko doesn’t seem to hold hard feelings towards her either and they two do make a good duo of easygoing madness and level headed crook. Seeing the two work together is fun and I can tell the voice actor had a whole lot of fun with the last line of the episode.

So to get Yumeko back on top we have entered a high stakes game of two card Blind man’s Bluff, aka Indian Poker. Rules of the game is that you can see one card from everyone’s hand but your own and know one of your cards. A win is decided by getting a pair of matching numbers(Pair) or a pair of matching suits(Mark) with no match being a Pig. Upon two people getting a mark or a pair the winner is decided by who has the highest number. So if you are going to cheat at this game the best bet is to have a partner who can signal what card you had to show the group. Yumeko and Mary are clearly working together somehow as Mary talked to her before the match but it does seem to be something less obvious. As the villain of this gamble saw such a play and was bluffed instead. It’s pretty clear the villain is cheating somehow as well as in this show the villain is always cheating. Thus it becomes a game of who can out cheat the cheater and knowing Yumeko I doubt this delinquent is getting off easy.

Made in Abyss – 03[Departure]

This episode looks to be setting up the big adventure to guide us through the rest of the season but I really cannot comment enough on how much of a terrible idea it is. Riko is pure rookie when it comes to abyss diving and here she is deciding to take on the challenge of making it to the bottom of the Abyss. All for the vague idea that her mother just might be waiting for her down there. In the world of children is a brave and noble quest. But in the world of common sense it’s just a really dumb idea that’s certainly going to get them killed. But hey we got to have a story and I certainly cannot call this a plot hole as no adults are consenting to this mad gamble, though the dorm leader seems to be letting on that he knows more than he’s letting on. But I am with the other kid on this once, either Riko’s mom is dead or she’s in a place where she can afford to wait a few years. The smart idea would be for Riko to earn her way through the ranks and get close to a white whistle. Then decide to drop down to the lower levels as right now I don’t think they even have enough food to last them the trip. But I guess that’s what going to make this whole journey all the more tense, seeing these two notice just how ill prepared they truly are.

So it’s been around for awhile now but beneath Made in Abyss’s bubbly like exterior does hide some rather disconcerting elements. Like Riko’s room originally being a torture room, the slums of the town which seem to have people regularly dying of toxins from the Abyss, Skeletons found in praying posture, foreign invaders and we even have a rumor of children that die on their birthday with they look into a mirror. That last one is rather concerning as the smallest child’s birthday is soon and he’s showing signs of being sickly. That sounds dangerously like a death flag to me. I have said before that I am wary of this show transitioning into a darker tone as such a change requires a deft hand at writing and plenty have failed to capture the potential such a tonal shift brings. Though perhaps these dark details will just be food for thought in the background like the way Adventure time slips in details about the world that betray it’s sunny disposition.

I can’t say I was that broken up over Riko’s departure from her friends as her friends haven’t really been around much to get attached to. Though it seems that people did get broken up about it when my focus was on Regu’s introspection on why he was made and his connection to the Abyss. As well as questioning whether he’s a robot, Cyborg or Android. Based on RIko’s inspection and him still possessing biological traits I am putting a firm bet on him being a Cyborg, a human modified into a robot. The purpose to this is still up in the air but it was confirmed in this episode that Regu isn’t affected by the curse of the Abyss. So he could very well be an ambassador from the lower depths who has forgotten his mission. Though considering he has Megaman arm cannons his intentions may not have been peaceful. As to where he came from the best bet would be this Capital of the unreturned level of the Abyss meaned in the map. Could those who have ventured into the abyss have established their own colony in the lowest levels of it? And if so, are they friend or foe?

Fate/Apocrypha – 04[Price of life, Redemption of Death]

There are many things that can lead to one anime downfall but even with certain weaknesses in area a anime can shine through. Berserk 1997 showed that a strong story can make up for a powerpoint level of animation. Tatami Galaxy showed that even with lacking art a compelling story can be told.(I am sorry but despite it’s creativity I find Masaaki Yuasa’s artstyle to be ugly.) However I believe there is one thing which no amount of quality in animation, story and art can make up for. That thing is pacing and there are two shows this season which prove that. One being the Vatican Examiners anime and as of the last two episodes, Fate/Apocrypha. Yes, no amount of quilty could make a difference when you rush through the story like a speeding train. It kills emotional impact and makes it hard to truly connect with the events on screen. Fate/Apocrypha isn’t Shakespeare(Despite it well…featuring Shakespeare.) but this episode truly felt to me like actors soullessly reenacting the events of the novels. With the gravitas of reading a wikipedia article, the events of the novel are places on screen but without any of the significance that make them meaningful. It’s a true pity as from what I hear these novels start strong but grow weaker as they continue. So we are essentially fast fowarding what could be the best parts of the story.

Art and animation have certainly taken a hit with the berserker scenes featuring some truly cringeworthy examples of poor quality. Still frames and crude artwork really killed the scene along with a pacing that robbed it of it’s meaning. This episode should have been a big confrontation from the big players on the scene but it just felt so lackluster. For an example of missed connotation and am certain anime only watchers would be confused over just what Darica was so mad at Gordes for. To clarify this has to do with Siegfried’s legend where it is well known that he was bathed in dragon’s blood which provided him with a level of invincibility. The blood covered all of him except for one patch on his back which was covered by the leaf of a maple tree. What this means is that Siegfried has a massive weak point on his back which is why Grodes refused to reveal his name in the second episode. However in that battle Grodes was forcing Seigfried to use his noble Phantasm which would announce his identity to his enemies. In fact this makes the slip up last episode all the stranger when he announced himself to Karna and Gordes didn’t make a sound. Point is that informing an enemy that you have a critical weak point is generally a bad move. Hence why Achilles kept his identity to himself as his his very name has become synonymous with a metaphor for a fatal weakness.

Speaking of Achilles he certainly got shafted here along with Atalanta. Unless you know the history the significance of these events will likely puzzle the regular viewer. Thing is that Chiron is Achilles teacher and he taught quite a number of heroes. He also outranks Atalanta as a Archer as he is the basis of the star sign of Sagittarius and possibly one of the best heroic archers.(That well…are actually Archers) Might as well note that it’s nice to see some genuine archers in the Archer class for once. Both Zero and Stay nights archers only qualify as an Archer on a technicality. Though one thing that is odd is that the servants of this war all seem to have independent action which is a trait generally only given to the Archer class. Servants should have to stick close by their masters but because the Archer class is primarily a long range fighter they are given the ability to be able to last without a master and move a significant distance away from them. Here that rule seems to have been thrown out completely but somewhere in the massive bunch of tangled wires called Nasuverse lore there bound to be a technicality of sorts.

So we have the first casualty of the Great Holy Grail war and by Suicide of all things. As mentioned before it’s hard to truly feel for Siegfried’s sacrifice when we barely knew him and the pacing is so fast that all you can really feel is mild surprise. Even in the novel I didn’t quite care for him though his nature of acting as a hollow automaton which carries out people’s wishes is a similar demeanor of that of Shirou. He said he had no wish for the grail but it appears his real wish was simply to do something for himself rather than someone else. Such a shame that this act would be to save the life of what seems to be the most agreed upon weakest element of this story, the Homunculus character. I didn’t see a lot of him as I only read the first two volumes but I do remember the parts that featured him dragged horribly. I truly don’t look forward to seeing this fellow more in the future. Still there is something rather odd here, the opening of this series featured Siegfried facing Mordred and yet here shows he committed suicide before he could face her in battle. How very strange.

Dies Irae ~Amantes Amentes~ Video Game Review – 80/100

In the Visual novel fandom there are certain titles referred to Kamige.(God(ly) games) I previously thought the term referred to the best the medium has to offer but in recent times come to realise that a game can be referred to as a Kamige while not necessarily being the best. So Kamige as I understand it are Visual novels which stand out from the rabble and sadly many of these cannot be experienced by those of us who don’t speak Japanese. Fortunately due to the efforts of localization companies we now have several Kamige on the way. Baldr Sky, Subahibi and more are coming. Thus the first to grace our shores is Dies Irae and believe me that it wasn’t easy. As a backer of the kickstarter I watched this thing go through hell to reach our shores, from horrible mismanagement of the kickstarter to the embarrassing moment where Dies Irae had yet to reach it’s goal when a Nekopara anime kickstarter running at the same time raised one million in funds. It was dark days, truly dark days, but now we have it. A title once called untranslatable and forever out of gasp is in my hands. Now having played it, what do I think of Dies irae?

Dies Irae has four main routes and five side stories and while this version has the option to lock you into a girl’s route before starting a new game, I highly recommend that you don’t make use of it. I used these buttons to lock me into each girl’s route and encountered a glitch where I couldn’t unlock the final side story due to having missed dialogue in choices. So I recommend you use the common route button and get to the girls routes using a walkthrough. On that note as a very important rule of this visual novel is that while you can chose any girls route from the start, you should complete the girl’s routes in the following order: Kasumi, Kei, Marie, Rea. The reason for this is that later routes expect you to know knowledge from previous routes and playing them out of order can leave you confused as to just what is even going on. More importantly is that Rea’s route is clearly the finale of the entire story so playing it first would lose it’s impact. The strict route structure is a bit of pain, in particular as the quality of the story goes from worst to best. However it is interesting to see events of earlier routes subconsciously affect events of later routes. Things which previously didn’t make much sense or felt out of nowhere take on new meaning when you take into account the matter of eternal recurrence. But alas, what is the story of Dies Irae? It’s difficult to go into detail without spoilers but lets say it starts with a matter regarding a serial killer which evolves into a full blown battle which pits our main protagonist Ren against a group of superpowered nazi’s from the remnants of World War II known as the Obsidian Round Table.
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Made in Abyss – 02[Resurrection Festival]

Made in abyss continues strong as the animation remains beautiful, the music perfect and the story progressing with revelations at a good rate. I particularly lie that they provided necessary details about the different ranks of miners based on whistle colour  through a puppet show. It’s a good way of providing the audience information without having to sit the cast in a room and have someone drone on endlessly. Take pointers Re:Creators, get the audience the info it needs without dragging down the pacing. This episode mainly acted to setup the main plot of this series as we have Regu get integrated into the orphanage and the discovery of Riko’s mother’s white whistle. Along with the notes that seem to suggest that Riko’s mother is waiting in the depths of the abyss for her.

I really like the pacing of the anime so far as I found the manga wasn’t really moving fast enough for me while the anime seems to be quickly getting to the point. It does mean we have a montage over events but it doesn’t really felt like anything of worth was truly lost. The biggest piece of info here is that we may have the first hint as to what the title of this show actually means. I originally thought that it referred to Regu who was a robot Made in Abyss. However here we find out that Riko was born in the depths of the abyss because her mother was ordered to dive despite being pregnant. Due to the curse of the abyss which appears to affect people in different ways depending on how deep they dive into the abyss, Riko’s mother had to carry a heavy relic in order to protect Riko from the effects. As a result she had to abandon the relic she came down to find in exchange for saving her daughter. Actually a really badass back story that shows how legendary Riko’s mother truly was. Though one thing that is most certainly going to come into play here is that Riko wasn’t completely unaffected by the abyss’s curse and had to wear glasses due to the abyss curse affecting her eyesight. Riko seems to think this gives her some immunity to it though her trainer is quick to correct her on that. I however think that her eyes are bound to play a role in this story somehow.

I really do adore the animation in this show that even small events like Regu using his extending arm to grab a pot just looks great. This show certainly captures the feeling of a Ghibli movie though from tidings I hear it’s going to be more serious than that. Though the question is just how serious? I personally like the current lighthearted nature so if it decides to go full dark it could potentially lose that. So with the tidings this episode that brings me to the strange third character appears in the ending of this show. Looks to be so sort of funny bunny creature of sorts and I can make a good guess that it could be a child affected by the curse of the abyss. It was briefly mentioned that traveling too far down can turn you into something other than human. Theres also the question of just how Riko is going to get permission to travel down so far but considering her personality displayed to this point I don’t think she will let a little something called inexperience get in her way.